In Fine Style: The Art Of Tudor And Stuart Fashion Opens At The Queen’s Gallery, Buckingham Palace

by Sean McLachlan on


The Queen’s Gallery at Buckingham Palace, London, is putting on a fashion show, although the fashions are more than 400 years out of date.

“In Fine Style: The Art of Tudor and Stuart Fashion” examines the luxurious clothing and jewelry worn by British monarchs and members of their court. It focuses on the two dynasties of the 16th and 17th centuries with everything from ornamental armor for a teenaged Prince of Wales to a bejeweled case for storing the black fabric patches that Queen Mary II stuck on her face to emphasize the whiteness of her skin.

Many of the items are on display for the first time, such as a diamond signet ring given by King Charles I to his wife, Queen Henrietta Maria, in 1628. It bears her cypher and the royal coat of arms. Another never-before-seen piece is a pendant of gold, rubies and diamond with a miniature portrait of Queen Elizabeth I. There are also some elegant articles of clothing like a pair of lacework gloves.

Of course, most costumes and jewelry from this period have disappeared, no matter how important their owners. To augment the exhibition there are more than 60 portraits showing royalty and nobility wearing their finest, including a startling portrait of a Duchess dressed as a man.

“In Fine Style: The Art of Tudor and Stuart Fashion” runs until October 6. If you make it to London before July 14, you might also want to see “Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars” at the Victoria & Albert.

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Frederick The Great’s Picture Gallery Celebrates 250 Years With Special Exhibition

by Sean McLachlan on


A magnificent art gallery constructed by Frederick the Great of Prussia in Potsdam is celebrating its 250th anniversary this year, Art Daily reports.

The gallery at Sanssouci Park, part of Frederick the Great’s palace complex, was home to his vast collection of Classical and (then) contemporary art. While it lost much of its collection over the years, especially during the Napoleonic Wars and WWII, it’s still an impressive center for fine art.

To celebrate the anniversary, the gallery is hosting “The Most Beautyful Gallery – Revisiting the Picture Gallery of Frederick the Great,” and has brought together much of the original collection that got dispersed across Europe. Paintings from various periods fill the walls, including examples from the Italian Renaissance and High Baroque as well as 17th century Flemish and Dutch works. The gallery also shows Frederick’s passion for Classical sculpture. Even the walls are made of marble torn from ancient buildings.

Potsdam is only 23 miles from Berlin and makes a good day trip from the German capital.

“The Most Beautyful Gallery – Revisiting the Picture Gallery of Frederick the Great” runs until October 31.

[Photo courtesy Kent Wang]

Vintage Nude Photos On Display In Berlin’s Photography Museum

by Sean McLachlan on


The Museum of Photography in Berlin has just opened an exhibition of nude photos from the turn of the last century.

“The Naked Truth and More Besides Nude Photography around 1900” brings together hundreds of nude photos from an era we normally associate with old-fashioned prudery. In fact, nude photos were incredibly popular at that time. They had existed since the earliest days of the medium, and by the 1880s it was getting much cheaper to reproduce photographs. This led to a boom in the distribution of all photos, nudes included.

Soon nudity could be seen in magazines, advertising, postcards, collectible cards found in cigarette packs and large-format posters. The exhibition looks at a range of different styles and purposes of nudes, ranging from artistic studies to the blatantly pornographic. Rural images and scenes from Classical myths were also popular, as were photos of the nudist movement, which was seeing its first wave of popularity at this time.

%Gallery-187444%The explosion in nudes led to society questioning their traditional assumptions. The marks that corsets left on the flesh made some question whether they should be worn. Homoerotica became more widespread and the first homoerotic magazine, Der Eigene, started in 1896 and published many male nudes.

People who wanted to buy or sell nude photos had to skirt the law. By dubbing the images “for artistic purposes only,” they could claim their interest wasn’t prurient, a bit like how head shops nowadays label bongs “for tobacco use only.” The police did make frequent busts, and one of the largest collections of nude photos from this era is housed at the Police Museum of Lower Saxony, which supplied many of the more risqué photos for this exhibition.

Then as now, there was a continuous debate over what was or was not obscene. Simple nudes were generally considered acceptable, especially if they were artistic studies or images of “primitive” peoples. Surprisingly, images of nude children were also more acceptable than today since they were considered images of innocence. While some child nudes are on display at the museum, none appear in this article.

“The Naked Truth and More Besides Nude Photography around 1900” runs until August 25.

[Photo copyright Heinrich Kühn, copyright Estate of the Artist / Galerie Kicken Berlin]

London’s Courtauld Gallery Shows Off German Miniature Bibles

by Sean McLachlan on


The Courtauld Gallery in London has opened a new exhibition of two of the smallest Bibles you’ll ever see.

“Dess Alten Testaments Mittler” and “Dess Neuen Testaments Mittler” are tiny illustrated Bibles produced by two sisters from Augsburg, Germany, in the late 17th century. It was a time of increased private devotion, when people looked for more from religion than the rituals in the church. Personal Bibles and images hung in the home became popular for those who could afford them and were used as the individual’s way to reach the Divine.

Tiny Bibles like these were generally for children, but the fine quality of the engravings on these examples hint that they were for adults. If you won’t make it to London this summer, you can turn the pages of one of the Bibles and admire the detailed yet miniscule artwork at this webpage.

The exhibit is part of the “Illuminating Objects” series, prepared by postgraduate students on their area of study. “Dess Alten Testaments Mittler: Dess Neuen Testaments Mittler” runs from May 1 to July 22.

Andy Warhol Exhibit Opens In China, But His Chairman Mao Portraits Are Forbidden

by Sean McLachlan on


The Power Station of Art in Shanghai has opened a new exhibition by Andy Warhol, but the famous pop artist’s portraits of Chairman Mao have been left out of the picture.

Agence France-Presse reports that the Andy Warhol Museum, which created the traveling exhibition, was told by the Chinese government that images of Mao would not be needed. Warhol painted many pictures of the Chinese revolutionary leader, such as this one hanging in Berlin shown here courtesy Wikimedia Commons.

As everyone knows, China has been reinventing itself as a capitalist superpower while still maintaining its Communist leadership. Images of Chairman Mao have been steadily disappearing from public display because the new China doesn’t jive with his idea of a peasant revolutionary Communist state. Bringing up memories of his Cultural Revolution, which saw countless works of art destroyed, also doesn’t sit well with Shanghai’s new image as a center for the arts.

The traveling exhibition, titled “Andy Warhol: 15 Minutes Eternal,” has already been to Singapore and Hong Kong and will run in Shanghai until July 28, at which point it will continue on to Beijing and Tokyo.