Five overlooked art museums in Madrid

Madrid is famous for its art. The Spanish capital boasts a “Golden Triangle” of world-class museums: the Prado, the Reina Sofia, and the Thyssen-Bornemisza. While these are all worth a visit, Madrid has dozens of other art museums that are generally overlooked by the casual visitor. Here are five local favorites.

Museo Sorolla
The house of one of Spain’s most famous painters from the turn of the last century is preserved much the way he left it. The Museo Sorolla is an elegant old mansion with a quiet Moorish courtyard. The walls of the high-ceilinged rooms are covered in the paintings of Joaquín Sorolla Bastida, a prolific painter who favored sunny beach scenes like the one shown here. As interesting as the paintings are the many antiques he collected and knickknacks from his daily life, like a palette covered in colors next to a shelf stuffed with used tubes of paint. Looking at little details like this, you feel like Sorolla has just stepped out for a coffee.

%Gallery-127477%Museo del Romanticismo
Visit a mansion built in 1776 to see how rich folks lived in the 18th and 19th centuries. At the Museo del Romanticismo the ballroom, dining room, bedroom, and nursery are all fitted up with period furnishings. There’s even a velvet commode. The furnishings and artwork are all good examples of Romanticism, an art movement that was hugely influential at the time because it reacted against industrialization and science and hearkened back to a simpler age. Nostalgia is nothing new! The paintings often show Arcadian scenes or the exploits of famous adventurers. The collection of personal objects includes a bit too much lace and porcelain for my taste, but my wife loved this place.

Real Academia de Bellas Artes de San Fernando
The Royal Academy of Fine Arts of San Fernando is a Madrid institution. Founded in 1744, it’s still teaching aspiring artists today. It’s housed in a grandiose Baroque palace and has an impressive permanent collection of Renaissance and early modern art, including works by Francisco de Goya, who used to be the academy’s director. The ground floor has a temporary exhibition space that attracts small but interesting shows. I saw an amazing exhibition on Ottoman calligraphy there once. Not what I was expecting but good on the eyes!

El Monasterio de las Descalzas Reales
Not technically an art museum, “The Monastery of the Barefoot Royals” houses a large collection of religious art. These nuns went barefoot as penance for their sins, but they lived well in other ways. First off, they were daughters of noblemen, so they came to the order with their dowries. This often included fine art. Since they’d been given a 16th century royal palace to live in, there was plenty of room to decorate. Check out the soaring church, fine tapestries, and even some religious relics such as a portion of the True Cross. This is still an active nunnery so dress respectably.

Museo Lázaro Galdiano
Another house museum like the Museo Sorolla, the Fundación Lázaro Galdiano has recently reopened after a long renovation. It’s a beautiful palace along Calle Serrano in Madrid’s poshest district. Galdiano was a millionaire and one of Spain’s most passionate collectors of art. When he died in 1947 his collection was turned into a museum. It’s especially strong in Old Master paintings, so if you didn’t get enough of that at the Golden Triangle, here’s your chance to see more. Plenty of Romanticism too, if visiting the Museo del Romanticismo left you wanting more of that too.

[Image courtesy Wikimedia Commons]

Italian art in London


One of the best collections of Italian art in the world can be found in an unlikely place: a quiet street in the London borough of Islington.

The Estorick Collection of Modern Italian Art is housed in an elegant Georgian mansion and boasts a comprehensive collection of Italian Futurist paintings. Futurism was a style born out of the havoc of industrialization and the carnage of World War One. It emphasized the speed and technological advance of modern society.

Typical of this style is Umberto Boccio’s The City Rises, shown here courtesy of Wikimedia Commons. This totally blew me away when I saw it at a special Futurist exhibition at the Estorick a few years ago. The people and buildings seem to be swept along by a windstorm of colored motion. It’s currently at the Museum of Modern Art in New York. Other paintings show Futurism’s trading ideas with Cubism, like Gino Severini’s Portrait of Eric Estorick, the museum’s founder. It’s more a study of angles and shading than an actual image of a man.

It’s not all Futurism here and the current exhibition, United Artists of Italy, is a collection of photographs of leading Italian artists. You can also get a taste of Italy at the cafe, where they serve up excellent cappuccinos (hard to find in London) and snacks.

Pulse Art Fair in New York: Flatline

Armory week is always an exciting time for New York City’s art community. In addition to the main show that occurs on the city’s west side, there are seemingly countless smaller shows that have popped up all over Manhattan and in Brooklyn. If you’re looking for options … you’ve got ’em. Of course, serious collectors are drawn to the Armory, where you’ll find five- and six-figure pieces from established investment-grade artists who are represented by major galleries – household names for this world. If you’re looking for the next big name, however, the sort of artist whose work has yet to really soar, you need to check out the satellite shows.

Traditionally, Pulse has been among the must-see art fairs in Armory week, and for good reason. This time around, unfortunately, it didn’t measure up. Quite simply, Pulse lacked what its name asserts.

I walked into the pavilion on W 26th Street expecting to see edgy, interesting and engaging artwork, the sort of pieces that stop you, make you think and leave you with a broader perspective. I left the show a tad disappointed.

The greatest problem with Pulse was that few artists seemed to be taking any risks. Much of the fare was conventional, and it felt as though the artists (or, rather, the show’s decision-makers) were trying to play it safe. The exhibition appeared to be catering to a different audience, one that wasn’t willing to put its assumptions on the line. To those inviting a challenge, Pulse fell short.


Much of the work was devoid of expression. Artists either tried too hard to find the abstract – such as a video piece of feet and ankles walking through heavy mud – or they relied too much on shocking color. I haven’t seen so much pink and other bright colors since similarly hued ski jackets were in vogue in the early 1990s. And, the display of an empty wine bottle with “MUTE” printed on the label simply defines uninspired.

There were a few bright spots, though, particularly the exquisite layered video created by David Ellis. Nestled in the “Impulse” section of the fair, upstairs, the previous Pulse standout offered a time-lapse video that encompassed the creation of several pieces, all intricately and seamlessly linked together to create an ongoing narrative nearly 20 minutes long. Called “The Animals,” it provided an array of morphing geographic designs that occasionally stopped to show a (what I took to be) a walrus before continuing on to show further creations. The action didn’t stop, and the work reflected the vision necessary to be a true thought leader as an emerging artist.
Aside from Ellis, Pulse was on life support this year, and my fingers are crossed for something more engaging in 2012. If we learned anything from the art market bust of 2008 and 2009, it’s that we need fresh, original and interesting talent to engage collectors and the public.

Otherwise, art investment dollars will be funneled into the known quantities (a la Pablo Picasso, Francis Bacon and Andy Warhol), driving up the price and creating a new bubble. We also learned that betting on the vapid creations of emerging artists who have “made it” – such as Damien Hirst – isn’t enough. The purpose of Pulse is to give the next wave of artistic geniuses a platform.

Now, we just need the next wave of artistic geniuses …

Affordable Art Fair: Putting the beautiful within reach

The Affordable Art Fair wrapped up in New York last weekend, crowed until the end. The event, which highlights originals and reproductions that don’t require obscene wealth to own, is the antithesis of a global art market in which the appreciation of beauty has been nudged aside by appreciation in value.

Galleries from around the world were represented at the event, which was home to more than 70 exhibitors for four days. I wandered the floor, often not knowing which way to look as my senses were assaulted by engaging pieces that could actually wind up adorning the walls of my apartment.

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Throughout my experiences on Sunday afternoon, in the waning hours of the art fair, I couldn’t shake a feeling of satisfaction: a thrill that anyone could begin to collect art as a result of the Affordable Art Fair. I remember being moved almost to anger through 2007 as the global art market bubble formed, making it nearly impossible for all but society’s wealthiest to participate. Even with the subsequent collapse in 2008, helped along by the financial crisis, it was still clear that art collecting was inherently exclusive.

These feelings fell away as I spoke with Laurance Lafforgue of ArtWeLove and artist Kamol Akhumov. I realized that art is actually inclusive, and it’s open to all to participate.

I stepped onto W. 34th Street after leaving the Affordable Art Fair with a fresh excitement for art and art collecting. Forget about the market; focus on the art.

Giant photography exhibition opens in Madrid

Madrid is known for its fine art museums displaying paintings by Spanish and Dutch Masters, but every year it also hosts one of the largest photography exhibitions in Europe.

PHotoEspaña, the International Festival of Photography and Visual Arts of Madrid, has been going strong since 1998 and is a major event here, with exhibitions and workshops in dozens of museums and galleries around town.

One of the most interesting exhibitions is a retrospective of László Moholy-Nagy at the Circulo de Bellas Artes. This Hungarian artist (1895-1946) was an important part of the Bauhaus movement in prewar Germany and worked in all media. His photography and short films document Berlin before it got leveled, and his experiments with photograms and photomontage are still being imitated by less creative artists sixty years later.

“El Circulo” is worth seeing in its own right. It’s one of Madrid’s most popular art centers. There are spaces for three different exhibitions, a cool radio station, a movie theater, and one of the most beautiful cafes in Madrid. Even if you visit Madrid too late to see PHotoEspaña, do try and see El Circulo.

PHotoEspaña 2010 runs until July 25.

Photo of Madrid’s metro courtesy il lele via Gadling’s flickr pool. Nicely done. It should be in the show!