Ancient Egypt–Art and Magic, opens at the Museum of Fine Arts, St. Petersburg, Florida

by Sean McLachlan on

Ancient Egypt never ceases to fascinate. Its elaborate religion, art, and ritual make it at once foreign and compelling. Now a new exhibition at the Museum of Fine Arts in St. Petersburg, Florida, showcases some of the highlights of this unique culture.

Ancient Egypt–Art and Magic: Treasures of the Fondation Gandur pour l’Art brings to the public eye one of the greatest private collections of Ancient Egyptian art. These 100 choice pieces from the collection of Jean Claude Gandur of Geneva, Switzerland, include mummy cases, statues of pharaohs, papyrus texts, and precious jewels.

Each item emphasizes the skill of the ancient Egyptian artisans and their culture’s deep connection to magic. Alongside the works of art are explanations of how magic played a part in every aspect of Egyptian society, and how these particular objects fit into that belief.

Some of the items have an interesting modern history too. One sarcophagus was owned by the late French fashion designer Yves Saint Laurent.

It’s rare for so many items from a private collection to go on display all together, so if you’re passing through Florida, be sure to make it to this exhibition. The exhibition runs until April 29, 2012.

This photo shows the lid from a sarcophagus, made of gessoed and painted wood from either the 21st or 22nd dynasty (1080-720 BC), from the Collection of the Fondation Gandur pour l’Art.

Medieval manuscripts in Los Angeles and London

by Sean McLachlan on

Two major exhibitions on opposite sides of the globe are focusing on the art of medieval manuscript illumination.

At the Getty Center in Los Angeles, a show has just opened highlighting the burst in creativity and education in what is popularly called the Gothic period. Gothic Grandeur: Manuscript Illumination, 1200–1350 features books from this important period, when educated Europe created a huge demand for illustrated manuscripts.

Looking at these works of art instantly dispels the popular notion that the Middle Ages were a low period in civilization. In fact, it was a time of great artistic creativity and innovation. Even though the Church tried to create an orthodox mode of thinking, science and basic questions of philosophy were able to advance, albeit slowly. Even existentialism had a place. Just read the opening chapter of St. Augustine’s Confessions if you don’t believe me.

The exhibition mainly draws on Getty’s impressive permanent collection, including recent prize acquisitions such as the Abbey Bible, one of the finest Gothic illuminated manuscripts ever made. Also of interest is the Northumberland Bestiary, a mid-13th century encyclopedia of animals.

In London, the British Library is running Royal Manuscripts: The Genius of Illumination. This collection of 150 manuscripts from the library’s collection date from the 8th to the 16th century and depict royalty through the ages. Some were even owned by kings and queens, such as a psalter with marginal notations by Henry VIII. The exhibition not only covers the royalty about and for whom the books were created, but also the artists who create them. Not all were monks as commonly believed. Many books were made by professional freelance artists who hustled for commissions from the rich and powerful. Not much has changed!

Gothic Grandeur: Manuscript Illumination, 1200–1350 has two installations, one running to 26 February 2012 and the next running from 28 February to 13 May 2012. Royal Manuscripts: The Genius of Illumination runs until 13 March 2012.

Photo courtesy British Library.

Early Christian art on display at the Onassis Cultural Center, NYC

by Sean McLachlan on


It’s often called the Dark Ages, a time when barbarian hordes overran Rome and that great civilization’s art, culture, and learning disappeared. A time when there were no great achievements.

It’s a misnomer.

Rome did not fall in the fifth century with the usurpation of the last emperor in Rome in 476. To the east, at the new capital of Constantinople, modern Istanbul, the Eastern Roman Empire was starting a new renaissance in art and administration that would become known as Byzantium.

An exhibition in New York City’s Onassis Cultural Center explores the place of early Christianity in these often misunderstood years. Transition to Christianity: Art of Late Antiquity, 3rd to 7th Century AD opened yesterday and runs until May 14, 2012.

The exhibition brings together more than 170 objects from collections in Greece, Cyprus, and the US. There are a wide range of objects including mosaics, paintings, sculptures, architectural elements, inscriptions, coins, liturgical objects, jewelry, and domestic items. The timeline spans the last years of paganism and the rise of Christianity as a tolerated and eventually the official religion.

Early Christian art took on many of the forms and styles of earlier Roman art, as you can see from this 7th century silver plate, shown here in a Wikimedia Commons image. This is one of the nine so-called David Plates, commissioned by the Emperor Heraklios (ruled 610-641), whose victory over the Persians was compared to David’s defeat of Goliath. In this plate David is being presented to Saul (1 Samuel 17:32–34). The figures are dressed like Roman aristocracy.

The exhibition looks at many facets of late Antiquity including the interaction of paganism and Christianity, daily life, the importance of cities, and funerary art.

Of course the “barbarians” had art of their own. While that’s beyond the scope of this exhibition, many museums have collections of the Germanic tribes’ unique styles of jewelry, glasswork, and carving. The British Museum has an especially good collection.

National Gallery in London opens Da Vinci exhibition today

by Sean McLachlan on

London’s National Gallery is hosting an exhibition of the paintings of Leonardo da Vinci. The show, titled Leonardo da Vinci: Painter at the Court of Milan, focuses on the paintings of the famous genius rather than his many other projects. It brings together nine of the only 15 or 16 paintings known to be his. The gallery boasts that it’s the most complete collection of his paintings ever shown.

The Mona Lisa is not among them. Personally I consider it Da Vinci’s least compelling work. Perhaps that’s just because I’ve seen it too much, or maybe I was influenced by my art history teacher who, while giving us a slideshow on Renaissance art, got to the Mona Lisa and wearily said, “The Mona Lisa. Is she smiling or isn’t she? Who cares?” and then went on to the next slide. Maybe if she went into the theory that it shows Da Vinci in drag I would have been more interested.

One of the paintings on display is Christ as Salvator Mundi, which is the subject of a heated debate within art circles as to whether it’s by Da Vinci or one of his students. Hanging beside known works of Da Vinci, you’ll have the chance to judge for yourself.

Leonardo da Vinci: Painter at the Court of Milan runs until 5 February 2012.

Photo of the Portrait of Cecilia Gallerani courtesy Web Gallery of Art.

Medieval Islamic manuscripts on display at the Morgan, NYC

by Sean McLachlan on


The Middle Ages produced some amazing works of art. Some of the best are the illuminated manuscripts from the Islamic world.

The above image, courtesy Graham S. Haber and the Morgan Library & Museum shows a woman relaxing after her bath. It was painted in Herat, Afghanistan. In many parts of the medieval Islamic world it was forbidden to create images of living things, but in other regions it was common.

The Morgan Library & Museum in New York City has an extensive collection of these works of art and now they’re on display in an exhibition called Treasures of Islamic Manuscript Painting from the Morgan. The earliest manuscript in the exhibition is a late-thirteenth century treatise on animals and their uses considered by some experts as one of the most important medieval Islamic manuscripts. There’s also a biography of the poet Rumi, several richly decorated Korans, and illustrations from the story of Majnun and Laila, the Islamic Romeo and Juliet.

There’s even a treatise on demonology, but sadly not a copy of the Necronomicon.

Treasures of Islamic Manuscript Painting from the Morgan runs from 21 October 2011 to 29 January 2012.