Van Gogh Painting Losing Its Luster

by Sean McLachlan on

Vincent Van Gogh is famous for the brilliant colors he used in his paintings, but one of them is beginning to fade.

“Flowers in a Blue Vase,” owned by the Kröller-Müller Museum in The Netherlands, is showing signs of deterioration. Specifically, the brilliant yellows are beginning to crack and turn gray.

The museum stated in a press release that it decided to take two tiny samples from the painting and have them analyzed. Imagine being charged with the task of popping off pieces of a Van Gogh painting! Anyway, the samples were sent off to a laboratory that found that a varnish added to protect the painting after the artist’s death included lead that reacted to cadmium in the yellow paint to gradually turn the paint gray.

Even more worrying, the varnish seems to have absorbed some of the underlying paint, thus making it hard to remove without causing damage to the picture. Now other museums owning Van Goghs will need to check to see if this type of varnish was used on their art treasures.

Koen Janssens, who led the research team, stated that, “paintings by Vincent Van Gogh are not static entities for decades and centuries to come. Over a period of 100 years, they can actually be considered a fairly reactive cocktail of chemicals that behaves in unexpected manners.”

[Photo courtesy Wikimedia Commons]

Roman Cavalry Helmet To Be Star Attraction At Royal Academy Exhibition

by Sean McLachlan on


A new exhibition at the Royal Academy in London will feature one of Britain’s most stunning archaeological discoveries of the past few years.

Back in 2010, a metal detectorist found this brass helmet in a field in Cumbria, northern England. It dates from the first to third centuries A.D. and is one of a few rare ornate cavalry helmets dating to the Roman period. These helmets were worn for tournaments and parades rather than battle.

Now it will be part of “Bronze,” an exhibition of works made of bronze or brass from the prehistoric period to the present day. More than 150 works from Africa, Asia, and Europe are organized into themes such as the human figure, animals, groups, objects, reliefs, heads and busts, and gods. Examples come from such widely different cultures as ancient Greece, Etruria, Benin, Renaissance Italy, and modern Europe.

To learn more about these helmets, check out this page on Roman parade helmets and this page on more standard-issue Roman cavalry helmets.

Bronze runs from September 15 to December 9.

[Photo courtesy Daniel Pett]

Hadrian’s Wall To Be Turned Into World’s Longest Work Of Art

by Sean McLachlan on


Hadrian’s Wall has been the traditional boundary between England and Scotland ever since it was built by the Romans in the second century A.D. This 73-mile long structure was once the northernmost limit of the Roman Empire.

As part of the London 2012 Festival, the New York-based artists’ collective YesYesNo will light up the entire length with a series of tethered balloons lit by internal LED lights to create a line of pulsating colors. The project, called Connecting Light, aims to transform this protective border into a line of communication.

The lights will change color to respond to messages sent across the wall. Go to the website to write your own and it may be picked to be part of this interesting project. They’re looking for messages about connectivity across borders, are pretty much anything positive. Check out their blog to see how this massive art project is shaping up.

If you can’t make it up there, you can follow the action online. The project runs from August 31-September 1.

6-Year-Old Saves Manet Painting For UK (With A Little Help)

by Sean McLachlan on

Last weekend my family and I visited the Ashmolean Museum here in Oxford. My 6-year-old son loves this place because of all the headless statues, the bow you can use to shoot deer in the Prehistoric Europe room, and the gold coin of the Roman emperor Julian, who he’s named after.

In the European art section we came across several paintings by Manet. One was “Portrait of Mademoiselle Claus,” painted in 1868. The Ashmolean has been campaigning to keep this painting in the UK.

As an Ashmolean press release explains, “The painting was purchased by a foreign buyer in 2011 for £28.35 million. Following advice from the Reviewing Committee on the Export of Works of Art, the picture was judged to be of outstanding cultural importance and was placed under a temporary export bar … the painting was made available to a British public institution for 27% of its market value.”

So the museum set out to raise £7.83 million ($12.25 million). Julian puzzled through the fundraising plea with a serious look on his face, reached into his pocket for some coins, and plunked them in the box.

Three days later the Ashmolean announced they’d raised the money.

This is what I love about museums. They connect people with the world’s heritage. In some cases, like with the Ashmolean, they connect them for free. Art like this doesn’t belong in the living room of some asshole banker who makes his money from sub-prime mortgages and keeps it in offshore accounts. More and more, art and antiquities are seen as investments for the super rich, commodities to be bought and sold instead of appreciated. I’ve had to mingle with these plastic people in galleries like Sotheby’s in London. It’s the only chance I have to see the art for sale there before it disappears into a private collection.

I don’t even like Manet all that much, but that’s not the point. His work has touched millions of people for more than a century. So congratulations, Ashmolean, thanks for keeping this painting in the public eye where it belongs. And thanks for teaching my kid an important lesson in democracy.

[Photo courtesy Wikimedia Commons]

Grandma Moses’ Early Home Among Buildings Added To Virginia Landmarks Register

by Sean McLachlan on


The Virginia Landmarks Register has just added 17 properties to its list of important sites. One of them is a home lived in by Grandma Moses and her family before she became famous as a folk artist.

The c. 1850 brick farmhouse in Mount Airy in the Shenandoah Valley was home to the painter in 1901 and 1902. While her stay was brief, it is the best preserved of any of the homes she lived in in the area. Grandma Moses only turned to painting when she was well into her 70s, yet she became world famous and her simple yet evocative folk paintings, such as the one pictured here, remain popular today.

Some of the other properties that have been added to the register include an African-American cemetery dating to the Civil War, the late 18th century Galemont farm in Fauquier County and a one-room schoolhouse in Springfield that operated right up until the 1930s.

[Photo courtesy Wikimedia Commons]`