Modern Pastry: Five steps to ordering in Boston’s North End

The line was nearly out the door when I stepped up to Modern Pastry. Though its neighbor, Mike’s, gets all the attention, every Bostonian knows that Modern is the best in the city, and just the thought of a cannoli from that establishment elicits Pavlovian salivation. I hadn’t been back since moving to New York six years ago, but everything was as I remembered … except the scale. Though the bakery hadn’t changed in size, my senses were nearly assaulted by the colors, cakes and smells. I hadn’t remembered just how powerful a presence Modern has.

The variety with which you’re faced upon entering can be intimidating. Everything looks great, and it can be a nightmare trying to decide what will actually go in your bag. I knew exactly what I wanted, but I have a history with the place. For a first-timer, or even an old pro with broader horizons, whittling your order down from “everything” can be a daunting undertaking.

Meanwhile, the other people in that long line are unlikely to have a lot of sympathy. There are plenty of locals mixed in, which is why the line tends to move quickly. They know how to order. So, if you hold one up with a series “ummmms” and “errrrrs,” you’ll get more than a few dirty looks.

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So, how do you place your order, look like a seasoned veteran and avoid the ire of the locals? Follow these five simple steps:

1. Set boundaries: do you know how much you want to spend? That’s an inherent constraint on your order. If your budget is small, know right away that you’ll have to make some difficult choices. Be ready to live with them. Also, it’s smart to accept that you won’t walk away with everything you want, but let’s be realistic: you could spend the rest of your life trying to eat the results of your dream order.

2. Have cash: Modern doesn’t take credit cards. There are plenty of signs to this effect, which means you’ll have to give up waiting and dash off to an ATM. If you don’t bring cash with you and aren’t traveling alone, have one person wait while the other runs to get some green. Be sure to run, because as I mentioned, the line does move quickly.

3. Think ahead: look around as soon as you step inside the door, and give yourself a second to get over the shock. It’s going to happen. Then, focus. Make some tough decisions, and get your order straight. By the time you get to the counter, you should have it rehearsed and be able to spit it out quickly.

4. Don’t tell your life’s story at the counter: sure, you can slip in a pleasantry, but don’t forget why you’re there: to order pastry. The staff has already served a lot of people, and there will be many more behind you. Don’t add to their stress by chatting about how quaint the shop is or how much fun you’re having in Boston.

5. Skip the tables: you’ll know to do this if you read the many signs: to eat at the tables, you sit down first, and someone will come by to take your order. There’s a way things work at Modern Pastry, and the rules are in place for a reason.

Eat like a Boston local at Santarpio’s

I was almost disoriented when I stepped out of the Maverick Square subway station in East Boston. I hadn’t been back since moving to New York in 2004, and it was different – new and improved, as they say. Many of the same businesses surrounded the square, but I couldn’t get over the subway station. As I ambled down Chelsea Street, the East Boston with which I was familiar came back, but only briefly. Once I stepped into my favorite pizzeria, Santarpio’s, I was once again assaulted by change.

Before the smoking ban hit Boston, it wasn’t unusual to see guests and staff puffing away occasionally in this local joint. Aside from walls full of celebrity photos – the usual chest-beating of small, local restaurants – there wasn’t much in the way of aesthetic effort. Santarpio’s looked rundown, tired. Nonetheless, the staff was always highly motivated, and the rather meager menu was always fulfilled with ruthless efficiency.

I can’t count how many times I ran down to Santarpio’s when I lived in Eastie, either to eat there or pick something up to take back to my Maverick Street apartment. It was often enough that I had clear expectations upon my return six years later. I was ready to see a dive impervious to progress, a small corner of Boston that was exactly as I had left it.

I was simultaneously disappointed and not when I took my seat.

%Gallery-105678%Much was different. A fresh coat of paint found its way onto the walls, and the menu was longer. You could actually get garlic or sausage on your pizza! And, there seemed to be a few more beer choices in play. But, wine was served in the only glass size available (the same used for soda, water and beer), and the menu remained short, even if expanded. A neon, electronic jukebox hung on the wall. There were signs of progress all over the place.

In terms of what truly matters, though, I learned that nothing had changed. Even in a crowded restaurant – I went on a Saturday night – the waitress got to my table quickly, served the beer promptly and took the order … with the same ruthless efficiency I had experienced more than half a decade before. Amid all this, the service was friendly without letting smiles and pleasantries get in the way of speed and accuracy. You get what you order. You get it fast, and you get it hot.

Inside the kitchen, the only thing that changed was the faces, though even they may be the same (c’mon, it was six years ago!). The pizza-making process has not changed a bit, as reflected in the first bite I took. As soon as the cheese sauce and dough of this thin-crust delicacy hit my tongue, I was taken back in time. The taste of a Santarpio’s pizza is nearly ineffable, with the corn meal on the crust (in abundance) defining an aspect of the pie that’s usually relegated to obscurity, except in regards to thickness.

Given the texture of a Santarpio’s pizza, it is tempting to cut into it with a knife and eat it with a fork – the crust is that thin. Fight the urge! Pick it up, fold it and stuff it in your mouth. There’s no other way to make the experience complete.

Despite the initial shock I felt upon returning to my old neighborhood, I quickly realized that progress does not have to destroy tradition. Maverick Square did need a new subway station … as Santarpio’s did a new layer of paint on the walls. And, the “expanded” menu, I’ll concede, was a good idea. After all, I did get a pie with homemade sausage on it and absolutely loved it.

What I learned, walking back to the shiny subway stop down the street from where I used to live, was that advancement can shroud tradition protectively, preserving history by keeping the past from being obliterated completely. This cultural coating is how we can balance moving into the future with allowing what has shaped our trajectory to persist.

[photos by Laurie DePrete]

New York: best and worst city in schismatic survey

If you want to travel like a local, then it makes sense to know something about your destination … and isn’t the best city to live attractive? It’s the kind of place you’d want to explore and see why it’s so loved. And at the same time, you’d probably want to avoid the worst of the worst – who would want to go there?

Well, a new Harris Interactive poll makes this thinking hard to execute, USA Today reports. According to 2,620 Americans, the best and worst are exactly the same. Asked the city in or near which they’d most like to live, New York came out on top. This hasn’t changed (except once) since Harris began posing the question in 1997.

Now, the other side of the issue, what is the most loathed city in America? Well, it seems to be New York. San Francisco and Los Angeles also made both lists.

To see the top and bottom 10, take a look below:
Top of the heap:
1. New York
2. San Diego
3. Las Vegas
4. Seattle
5. San Francisco
6. Los Angeles
7. Nashville
7. Atlanta (a tie)
9. Denver
10. Boston

Bottom of the barrel
1. New York
2. Detroit
3. Los Angeles
4. Chicago
5. Houston
6. Miami
7. Washington
8.San Francisco
9. Dallas
10. Phoenix (tied with New Orleans)

[photo by Francisco Diez via Flickr]

Five reasons why the Amtrak Acela Express is far superior to flying

There are four basic ways to travel among Boston, New York and Washington, D.C. You can fly, drive, ride a bus or take a train. Every traveler has his preference, but having played with all four options, I’ve found that hitting the rails is the right one for me, an increasingly popular position. I hate to be behind the wheel (a side-effect of living in Manhattan), and buses do tend to be slow, uncomfortable and unpleasant (though incredibly inexpensive). Flying … well, flying is everything a bus is only more expensive, a little bit faster and still slower, usually than driving or taking the train.

Usually, my decision on how to travel these routes comes down to flying versus rail. There’s no choice any more. Last weekend, I took the Amtrak Acela Express on a Boston-to-New York round trip, my second this year, and I was thrilled with every aspect of the experience.

Here are five reasons why the Acela is far, far superior to air travel in the Bos-Wash corridor:1. Save time up front: whether you’re in Boston or New York, you don’t have to leave the middle of the city to get to your transportation, and the same holds when you arrive at your destination. In New York, you get on at Penn Station, and in Boston, you can choose either South Station or Back Bay Station.

2. Save more time up front: the track isn’t announced until around 15 minutes before your train departs. So, don’t worry about having to get there an hour early or longer. I know, I know: for the Delta Shuttle, you don’t have to get to Marine Air Terminal an hour early, either. If you’re flying at a peak time (think Friday at 5 PM or Monday at 7 AM), you really do need to get to the terminal more than an hour ahead of time. They’re “peak” for a reason.

3. Stretch your legs: business class is the minimum on the Acela Express, and I won’t even begin to fantasize about what first class is like. Everything is comfortable, from being able to recline (and have the person in front of you do so) to the clean, spacious bathrooms. It can be difficult to get up and walk around when the train is moving at its top speed, but you are free to do so – with no “fasten seatbelt” light to slow you down.

4. Service with a smile: several of the announcements on the ride came with the simple yet highly effective suggestion, “Have a positive day.” It worked. I’ve hear similar announcements on planes before, but not often and not with the same voice (this guy was good). The food options weren’t great, and you do have to pay for them, but again, there was that smile involved.

Note: I have no problem with airlines charging for food and think they should have moved to this model a while ago. A la carte just makes sense to me. The differentiator for the Acela is the service that puts it into your hands.

5. There’s no dehumanizing security process: first, there’s no reason not to feel safe, and there are security measures in place to protect Amtrak’s customers. That said, you don’t have to squander your youth waiting to get wanded by someone from the TSA. You just carry your bags on board and take your seat.

[photo by Mr. T in DC via Flickr]

Sex over service? Airlines try vixen pitch with passengers

It’s no secret that airline customer service is generally perceived to be as pleasant as a root canal. I was thinking about this over the weekend, as I walked home from Penn Station, after catching Amtrak’s Acela back from Boston. I had a fantastic trip (up and back) and was hung up on the contrasts to air travel.

Later that night, I met a friend for a glass of wine and talked through the issue, particularly the airline side of it. It feels like most of the major carriers aren’t making an effort to repair public exception, with notable exceptions like JetBlue. In almost any other industry, routine public perception being so low would trigger a crisis-caliber response.

Not the airlines, though …

I got my answer today, with a story that passed through my Twitter stream: sex sells. Instead of trying to build and maintain a solid image, an airline could just give up, and try to win new passengers the old fashioned way. And indeed, it is the old fashioned way, as anyone who remembers National Airlines’ 1971 commercial with flight attendant Cheryl Fioravente’s invitation: “Fly me.”

[Image credit: Flickr/Rachel Kramer Bussel]


Cathay Pacific isn’t going to that extreme, but it is making an effort to seduce passengers with shots of eye-candy that has yet to hit The Big 3-0. The flight attendants, uniformly hot in uniform and not, pose alongside quotes that could read from a customer service manual or a personal ad: “I just like to listen more than talk” and “Nothing beats a smile for turning strangers into friends.”

Who wouldn’t want to hear that at boarding?

The Wall Street Journal notes that this is a departure from the advertising of the past few decades, in which airlines have sacrificed the sensual in favor of the practical: “comfort, convenience, low fares and fine in-flight dining.”

Of course, that approach hasn’t really been working too well, especially the comfort and convenience aspects. In addition to dealing with an abysmal image, the industry has to contend with tighter market conditions as a result of the post-financial crisis recession. There isn’t as much disposable income to go around, and passengers have to choose between flying and other forms of recreation. Business travelers can be more discriminating, when destinations permit.

Cathay Pacific isn’t alone: Air France has headed into sexier territory with its latest ad campaign, which the WSJ describes as having a “blonde model wearing a pink corset, its strings apparently being loosened by a miniature plane taking off.” The U.S. carriers aren’t there yet, but the overseas trend nonetheless makes me wonder if the approach should be on their radar.

It’s pretty clear that something needs to change for an industry that struggles to make a right move in the public’s eye, even in cases where such ire is unwarranted. Maybe it is best to stop trying to look good … and focus on superficial beauty instead.