Serial public art around the world

by Libby Zay on

Public art exhibitions featuring a common sculpture that is multiplied and then embellished by various artists have been popping up in cities worldwide since 1998. Artistic director Walter Knapp first came up with the idea and convinced artists to dot Zurich, Switzerland with a collection of artfully-decorated lions. Within a year, Chicago businessman Peter Hanig had taken the idea and ran with it, using life-sized cows for an exhibition titled CowParade that is still circling the world today.

This idea of serial public art spread like wildfire into over 70 cities across the United States and many other locations worldwide. Tourism administrations seem to think the installations draw a crowd, while the exhibitions typically end in pieces being auctioned off to charity. It’s a win-win for all–unless, of course, you think the artworks are an eyesore.

From mermaids to gorillas, click through the gallery below to see a sampling of serial public art from around the world.

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Whistler: On the inside looking out

by Mike Barish on

We’ve all heard it before. Spoken in commercials, printed in brochures and even told to us by friends when describing a place: “There’s something for everyone.” Sure, many places live up to that incredibly broad statement. Certainly diverse cities like New York, Barcelona and Tokyo truly do have something for every type of person and traveler. However, some places fill very specific niches. They specialize and their offerings to tourists reflect that. What happens, however, when you end up in a place that wasn’t really intended for someone like you? That’s what I experienced when I was a square peg in Whistler’s round hole.

%Gallery-131623%Whistler, British Columbia is undoubtedly an adventure playland. Its natural wonders are spectacularly and certainly make it a worthwhile destination for action sports enthusiasts. It’s famous for its ski and snowboard trails and is one of the most popular locations in the world for mountain bikers. For casual travelers, however, Whistler doesn’t really seem to offer much.

Almost everything about Whistler looks new. This is not surprising, considering that most of the buildings are, in fact, new, relatively speaking. Most of Whistler’s development has occurred in the last 30 years or so. While that has created an excellent example of urban planning with an pedestrian friendly, no-cars-allowed village, it has also left it lacks personality. The true beauty and spirit of Whistler can be found on the mountains and on the trails meandering through the foothills. That’s where Whistler shines and where it defines itself.

My attention was constantly drawn back to the mountains. There’s brilliance all around Whistler and activity surrounds the village on all sides as people attack challenging bike trails, hop onto the gondolas and share tales of epic snowboard runs during the winter. In the heart of the village, however, I felt a void, as if all the energy had flowed into the landscape around it.

Meandering around the village, I couldn’t help but feel as if I was in a Disney replica of ski resort town with a series is strip malls featuring souvenir shops and rather generic-looking restaurants.

Ironically, what I wanted to find in Whistler I found instead just outside of the village, where I came across a skatepark riddled with graffiti and a beautiful mural painted under a bridge. It was here that the town of Whistler felt lived-in. Otherwise, the real action is on the mountains.

That’s not to say that nothing for tourists exists in the town. History seekers will enjoy a few hours at the Squamish Lil’wat Cultural Centre, which hosts a collection artifacts from local First Nations Peoples and does an admirable job of telling the story of British Columbia before colonial settlement. There are also plenty of places to spend your money and fill your belly. The village is not lacking for retail.

After a single day, however, I was left shrugging my shoulders and looking wistfully at the mountains, wondering what my impressions of this place would be if I was the kind of person who enjoyed hurtling down hills at breakneck speeds. Instead, my feet remained planted firmly on level ground.

The people are friendly in Whistler and the food and beer taste pure. But what defines Whistler is its geography, topography and the infrastructure that has been built to serve people who have come to enjoy the landscape. If you’re not going to venture into those mountain trails and just happen to be passing through British Columbia on a trip to the Pacific Northwest, Whistler might flummox you as it did me.

This trip was sponsored by Tourism British Columbia and Tourism Whistler. However, my opinions are my own and sometimes I’m just a square peg.

Nova Scotia, Cuban-Celtic-style

by Rolf Potts on

One of the best things about travel is the ongoing chance to have your most basic assumptions overturned by the unexpected realities of a new place. This happened to me a few years ago, when I traveled to Havana to learn salsa dancing, and instead wound up learning how to play the bagpipes.

Bagpipes, I discovered, aren’t some recent, quirky anomaly in this part of the Caribbean: The instrument was brought to Cuba in the late 19th century, when immigrants from Galicia and Asturias — Celtic regions of Spain — settled on the island. The bagpipers I met during my visit to Havana weren’t middle-aged hobbyists, either — they were hip young Cubans with a genuine passion for Celtic music.

Almost two years after I befriended these Cuban bagpipers, I had the privilege of accompanying them to Cape Breton, Nova Scotia for the fantastic Celtic Colors International Festival, a nine-day celebration of global Celtic music. Here, I was able to see my Cuban friends not just as musicians, but as first-time international travelers. What they found fascinating about Canada (such as the chaotic abundance of a Wal-Mart superstore) helped me see North America in a whole new way.


The audio slideshow above helps tell this story of my friendship with the bagpipers of Havana. Since that experience, they have gone on to host their own international Celtic music festival, called CeltFest Cuba, each spring in Havana. For more information, check out CeltFest Cuba’s Facebook page.

Visa-free travel by the numbers

by Alex Robertson Textor on

Visa-free travel is easy travel. Procuring visas takes time, energy, and money, and is beyond debate a pain for frequent travelers. The erection of visa barriers responds to a number of factors, though it can be said without too many qualifications that the citizens of rich countries tend to have a much easier time accessing the world visa-free than do the citizens of poor countries.

The Henley Visa Restrictions Index Global Ranking 2011, excerpted in the Economist last week, was just published by Henley & Partners, an international law firm specializing in “international residence and citizenship planning.” Henley & Partners divide the world into 223 countries and territories.

And who gets to travel with few visa restrictions? The best citizenships for visa-free travel belong to nationals of Denmark, Finland, and Sweden, at 173 apiece. On their Nordic heels is Germany at 172 and a mess of countries (Belgium, France, Italy, Luxembourg, Netherlands, United Kingdom) at 171. The United States isn’t too far down the list, tied in fifth place with Ireland at 169. The US comes in ahead of Switzerland (167), Canada (164), New Zealand (166), and Australia (166).

Some of the least lucky countries, according to the Henley Visa Restrictions Index survey: India (53), China (40), Iran (36), Lebanon (33), and Afghanistan (24).

[Image: Flickr | megoizzy]

Traveler Q & A: Pavia Rosati

by Alex Robertson Textor on

Pavia Rosati is the founder of Fathom, a recently debuted travel website. Fathom is smart and beautifully designed. It’s full of exciting short briefs about various destinations across the globe.

Rosati, as you’ll see from her answers below, is an experienced editor and an avid traveler. Her enthusiasm for Fathom’s subject matter is palpable and infectious. We love Fathom and can’t wait to see how it’s going to develop.

Q: Good day, Pavia Rosati, and welcome. How would you describe your occupation?

A: I am the founder and CEO of Fathom, a new travel website. It’s my job to help connect you to places and experiences you didn’t know you were going to love.

Q: Tell us about Fathom.

A: Fathom cuts through the clutter of the online travel space with stories and destination guides that are as practical as they are inspiring. People typically go to a travel website for one of two reasons: They know they’re going to London, and they need to know where to stay and what to do. Or they think, “I have two weeks off…I like nature…Where should I go?” Fathom addresses both needs through two main sections: Guides and Postcards. Guides have quick information about the basics: hotels, sites, restaurants, and itineraries. Postcards are inspiring travel stories organized around the passion points of travel with a “I Travel for the …” theme: I Travel for the Food, I Travel for the Thrill, I Travel for the Kids. We aren’t motivated by what’s expensive or what’s trendy. We’re interested in what’s special and what’s awesome. Sometimes that’s a three-Michelin star lunch at Le Meurice; sometimes it’s a five-euro falafel at L’As du Fallafel.

Q: What are you trying to do with Fathom that hasn’t been done by other travel sites?

A: I wanted to create the one-stop travel website that I could never find. You know how the best travel guide is the email you get from a friend who lives there, detailing what you need to do and know? That’s the spirit that motivates us. I used to spend 80 hours researching dozens of sites to boil my findings down to an essential nugget of information. Fathom aims to deliver that nugget. I don’t want to wade through a list of 200 shops in Buenos Aires; I want 20 that are amazing. I want to know what locals know. I want pre-edited links to the best articles, websites, and online resources. Perhaps most importantly, Fathom recommendations are not driven by a mega travel agency’s vast and impersonal database; our recommendations are personal and special.

Q: How do you anticipate Fathom developing? For example, will the city guides grow in number?

A: Absolutely. It’s a big world, and we want to get everywhere. Postcards are updated continually, and we will launch several new guides every month. Reader feedback will be critical: We’ve had a lot of requests for Amsterdam since launching, so look for that soon. We want more Postcards from Fathom readers, a community we call the travel-proud. This fall, we’ll launch Boutique, with our favorite travel products; Traveler Profiles, based on the popular Fathom Questionnaires; and My Itineraries, so readers can save the places they want to go.

Q: How did your decade at Daily Candy prepare you for this endeavor?

A: First and foremost, it’s where I met my partner, Jeralyn Gerba, Fathom’s editorial director. We had one priority at DailyCandy: We had to delight our readers every day. To achieve this, we had to be trustworthy, we had to recommend quality places, and we had to deliver information readers wanted in a way they wanted it. And it helped if we had a great time doing it. These are excellent editorial priorities. By the way, before DailyCandy, I spent four years running the Entertainment Channel at AOL. That taught me a thing or two about building and serving a big audience.Q: Enough shop talk. When you’re not traveling, you split your time between New York and London. Care to share a secret hometown place or activity in either metropolis?

A: My life tends to revolve around what’s in front of me at the dinner table. In New York City, the bar at Tocqueville feels like a hidden escape, and breakfast at Balthazar feels like homeroom. At the end of the day, I always want to eat everything on the menu at L’Artusi. In London, I love Del Parc in Tufnell Park (of all places!), where two men cook and serve delicious Spanish/North African small plates from a closet-sized kitchen in the middle of the tiny dining room. And I love Moro, but who doesn’t?

Q: What are your favorite places to travel?

A: Sometimes I travel to feel familiar in a foreign setting. I could spend every weekend at Lo Scoglio on the Amalfi Coast and never tire of it. Similarly, I lived in Paris in college, and going back is like visiting an old friend. Other times, I travel for the difference and the discovery. Recent revelations include desolate and dramatic Salta, in northwest Argentina, and Sri Lanka, where I spent an incredible day on Taprobane Island. I loved Syria, and I hope it can recover from its political tumult and be the great country it should be.

Q: Where are you planning to travel next? And where are you dying to go?

A: Oh, the never-ending list. The wish list for the next few months includes Lake Austin Spa, Bighorn Revelstoke, Cartagena, and Portugal’s Douro Valley. I was married last year and am hoping for an eventual honeymoon in Chile. It’s my great embarrassment that I’ve never been to Southeast Asia — Indonesia, Vietnam, Laos, Cambodia. Zambia. Shanghai and Hong Kong. I’m obsessed with the Canadian Maritime Provinces. And in case my husband reads this, yes, honey, I’m dying to go to Tokyo, too.

Q: Where do you have no interest in ever visiting?

A: Cuba. I think I missed it. Though if an opportunity presented itself, of course I’d go. I’m curious about everything.

Q: Give us a travel tip or secret. Or five.

A: 1. Never eat airplane food. 2. You won’t use 50 percent of the stuff you’re packing, so leave it at home. 3. Find a local market to get a real flavor for a place. 4. It’s easier to go away than you think it is. And it’s always worth it. 5. I watch the sunrise on the last morning of every trip I take. I’m not suggesting that you do this; I am suggesting that you invent a travel ritual that you can share with yourself everywhere you go.

Q: What’s next for Pavia Rosati?

A: More sunrises in new places, and sharing them on Fathom.

Did you enjoy this Q&A? Check out previous Gadling Q&As with travelers like Jodi Ettenberg, Zora O’Neill, and Philippe Sibelly.

[Image: Jimmy Gilroy]