Ancient cave art discovered in Somaliland

by Sean McLachlan on


Somaliland is little-known as an adventure travel destination. The breakaway region of northern Somalia isn’t even recognized as a nation, but traveling in Somaliland I found it to be a fascinating and friendly country. Its biggest draw for visitors is the well-preserved cave art at Laas Geel, shown above.

Now Somaliland has even more ancient attractions with the announcement that archaeologist Dr. Sada Mire has discovered rock art at almost a hundred more sites in Somaliland. The Somali-born archaeologist says the paintings date to various periods from two to five thousand years ago. Images include animals, the moon in various phases, and a remarkable four-thousand-year-old depiction of a mounted hunter.

Ten of the sites are so outstanding that they’ll be candidates for UNESCO’s World Heritage Sites list. Her findings will appear in the next issue of Current World Archaeology.

I met Dr. Mire last year in London, and while she was anxious to promote archaeological tourism to her country, she warned that a lack of funding and education meant ancient sites such as Laas Geel were under threat. Perhaps her spectacular finds will encourage UNESCO and other organizations to take an interest in Somaliland and help foster a sustainable tourism that will be protect and showcase the caves.

Cantabria: Spain’s rugged northern coast

by Sean McLachlan on


Spain is a hugely popular tourist destination, but people tend to go along the same old, same old trail. Either they pop into Madrid for a couple of days to see the art before hitting the southern cities of Seville and Grenada, or they skip culture entirely and go straight to the Costa del Sol to soak up some rays. While both of these options have a lot going for them, they ignore the pleasures of Spain’s usually overlooked northern provinces.

One of the most commonly missed is Cantabria, a small province located on the northern coast of Spain between the Basque country to the east and Asturias to the west. Cantabria is part of “Green Spain”, where the Gulf Stream provides a mild climate with more rainfall than the rest of the country. Here you’ll find prairie, forest, rivers, and mountains. It seems like a different country than the wide open spaces of central Spain, or the Spaghetti Western feel of southern Spain. For the traveler wanting to see more than the usual attractions, Cantabria offers a lot.

Cantabria has both coastline and mountains. The rugged limestone Cantabrian Mountains are honeycombed with caves. Many were home to the region’s first inhabitants, who left their artwork on the walls. The most beautiful examples are in Altamira, which will soon reopen to visitors. A total of ten Cantabrian painted caves have been designated together as a World Heritage Site. Each one is unique. Altamira is like an art gallery full of fine paintings, while it would be easy to miss the paintings in the Cueva de las Monedas, where you’re distracted by the giant columns and colorful curtains of rippled stone that draw attention away from the little drawings and engravings of animals in a small side chamber. At Cueva de Covalanas, the painters obviously had an eye for color. Horses and deer have been painted on a bright red on a natural white background, and still look fresh more than 15,000 years later.

If you’re more into pretty rock formations than art in your caves, check out the 1.7 km (1.1 mile) long Soplao Cave, with its giant stalactites and stalagmites and other weird formations. It’s just one of dozens of caves you can visit. Experienced cavers can get permission to enter plenty more.

%Gallery-95921%The Romans liked the region too, and you can see a well-preserved Roman town at Juliobriga, where 2,000 year-old roads and buildings lie next to a Medieval church, showing the endurance of civilization in this part of Europe. Like the rest of Spain, Cantabria has plenty of Medieval and Renaissance relics, and you’ll find the usual assortment of churches and old houses. If you want castles though, head south. La Reconquista, the epic struggle between the Spaniards and the Moors for control of the Iberian peninsula, happened well south of here.

Cantabria offers a lot for hikers and climbers. The rugged peaks can soar well above 2,500 meters and the highest have snow year round. Contrast that with deep, lush valleys cut by swift-flowing streams, thick forests, and gentle valleys dotted with villages, and you have terrain to suit all tastes. The coastline is popular with sailors and windsurfers. If you’re willing to brave the chilly northern waters, there’s even surfing and swimming.

Of course, being on the coastline means there’s plenty of good seafood. Try rabas (fried squid), mejillones (mussels), and nécoras (a type of crab). Actually pretty much anything on the seafood menu will be fresh, tasty, and way cheaper than what you’d pay in Madrid. Landlubbers with a hearty appetite will like the cocido montañés, a stew with kidney beans, cabbage, chorizo, blood sausage, and bacon. As an aid to digestion, a big meal will generally be followed by a small glass of orujo, an eye-watering brew made from the skin and pulp of the grape.

Cantabria’s principal city and regional capital is Santander. It’s only a four-and-a-half hour train ride from Madrid on the national railway Renfe. Plenty of flights connect Santander to Spain’s principal cities, and Ryanair connects Santander to London’s Stansted and other major European airports. If you’re considering a trip to Spain, you might want to try something different and head north instead of south. You won’t meet the man from La Mancha, but you’ll have a different experience.

Photo courtesy Nicolás Pérez via Wikimedia Commons.

Prehistoric cave art discovered in Transylvania

by Sean McLachlan on

A group of speleologists exploring a cave in the Apuseni Nature Park in Transylvania, Romania, have discovered what could be Central Europe’s oldest cave art. Paintings of now-extinct species rhinoceros and cat were found next to images of bison, a horse, a bear’s head, and a female torso.

While dating cave art is difficult, based on the style archaeologists believe the figures are anywhere from 23,000 to 35,000 years old. No cave art this old has ever been found in Central Europe.

Coliboaia cave, where the art was discovered, is one of hundreds of caves in the Bihorului Mountains. Many have yet to be explored and there are likely to be more archaeological surprises in the future.

The question remains of what to do with the cave. There will be a temptation to open it to the public, but with the controversial reopening of Altamira in Spain, and the problems over preserving the paintings of Lascaux in France, the debate over how best to preserve humanity’s oldest art is growing louder than ever.

Lascaux image courtesy Sevela.p via Wikimedia Commons.

Altamira prehistoric painted cave to reopen

by Sean McLachlan on


One of Europe’s most breathtaking examples of prehistoric art will soon be accessible to the public.

The Paleolithic cave art at Altamira, in the Cantabria region of northern Spain, will soon be open to visitors. Altamira’s paintings of bison, deer, and other animals date from 14,000 to 20,000 years ago and are some of the best preserved of all prehistoric cave art. Even more intriguing are the hand prints by the artists themselves.

Cantabria’s Culture Ministry and Altamira’s board of directors have decided to reopen the site sometime next year. Access will be limited and they did not release details as to the number of people who will be allowed into the cave. Altamira has been closed since 2002 because even the few visitors allowed at that time affected the delicate environment that had preserved the paintings for so many millennia. Like at the famous Paleolithic cave of Lascaux in France, mold has started growing on some of the paintings. The circulation of air from people coming and going changes the temperature, and their breath changes the humidity.

Some archaeologists have criticized the move, saying that allowing visitors will increase the damage already done. If the plans to reopen Altamira go through, it could lead to a controversy similar to the one surrounding Lascaux, which has seen a group of scientists called the International Committee for the Preservation of Lascaux call for an independent investigation into how the cave is managed.

Photo of Altamira reproduction at Madrid’s Museo Arqueológico Nacional de España courtesy José-Manuel Benito.

Laas Geel: Somaliland’s ancient treasure

by Sean McLachlan on

Before becoming a writer I worked as an archaeologist, and one of the things that inspired me to choose that profession was the beautiful cave art of Europe–places like Lascaux, Altamira, Chauvet, and so many others.

One of the things that inspired me to go to Somaliland was the recently discovered painted caves of Laas Geel. The paintings are being studied by Sada Mire, Somaliland’s head archaeologist. She dates these paintings to the Neolithic period, when pastoral peoples tended their herds in a landscape that was greener than the dry, stony plain that makes up much of Somaliland nowadays.

The art seems to have been made over time, with some figures painted over earlier ones. Dr. Mire estimates they could be anywhere from 5,000 to 11,000 years old. Dating rock art is extremely difficult, especially since so little has been studied in this region. Dr. Mire is the first ever Somali archaeologist, and one of the first to seriously study the Somali region.

Laas Geel is a little more than an hour drive northeast of the Somaliland capital Hargeisa. Foreigners venturing outside the capital are asked to hire a soldier or policeman to protect them. While this is a mostly peaceful country, the government doesn’t want any bad press, and a couple of foreigners have been killed in recent years. So one fine morning I head out with a hired car, our driver, a Kalashnikov-toting bodyguard, Swedish photojournalist Leo Stolpe, and Ali, Dr. Mire’s assistant from the Department of Antiquities.

A short drive along a well-paved road and we make our first stop to see some other relics of Somaliland’s past. Right next to the road is a rusting old Soviet-made tank, destroyed during the war of independence. There used to be many more of them scattered around the country but most have been hauled away for scrap. This one remains and has become a local landmark.

Ali is more interested in a rocky hill nearby. He leads us up the slope under a strong mid-morning sun and shows us two heaps of small stones. To the untrained eye they look like nothing, but I can see they aren’t natural.

%Gallery-93102%”What are these? Cairns?” I ask.

“Yes,” Ali replies. “Graves from the pre-Islamic times.”

One of them is about ten feet in diameter and consists of thousands of fist-sized stones. I wonder who is buried here, and what they did to deserve such an expense of labor.

Soon we’re speeding along the highway again. It’s not long before we turn off onto a dirt track. The Landcruiser jolts and crashes across deep pits and humps. Through the scrub we can see a herd of camels and the low dome of a nomad’s hut. It’s taken less than a minute to leave the twenty-first century behind. After a short ride we make it to a gate. Beyond is a small concrete building and behind that is a rocky hill. We’re here.

The Department of Antiquities doesn’t have much money, so one of the most impressive rock art sites in the world has no grandiose museum, no visitor’s center, not even a guy selling tickets. Well, we do have to pay to get enter, but we don’t get a ticket. Considering the precarious situation this unrecognized nation is in and the long list of important projects it needs to fund, it’s a small miracle there’s a Department of Antiquities at all.

The painted caves of Laas Geel are actually rock shelters. Nine of them dot the hill on all sides, and while their depth provides them with ample protection from the sun and the occasional rainfall, they offer sweeping views of the surrounding countryside. These aren’t hidden, secret places like the painted caves of Paleolithic Europe.

That makes them no less mysterious. Ali leads us up the hill while the guard and driver go off to enjoy a local swimming hole. As we enter the first of the rock shelters we’re all stopped dead with wonder. Somaliland’s past, which to me had only been some flint tools and half a dozen dry academic articles, suddenly explodes into full color. The entire interior of the shelter is covered with figures. There are hundreds of them, mostly cows of various sizes. Some are schematic outlines, others are drawn in elaborate detail. Humans stand in between with their arms upraised as if in worship. A few tiny hunters run amidst the herds.

There are other animals too, antelope and dogs and a giraffe, but the cows predominate. This is the art of a pastoral people, as many Somalis still are. The nomads we passed just a mile back would probably draw the same images if they could pluck up the courage to enter the shelter. Somali folklore teaches that spirits hide within these shelters and possess whoever enter, although that wasn’t enough to stop a group of fighters during the civil war from burying one of their comrades in a niche at one side of the cave.

Ali leads us scrambling over the hillside to find more shelters. Each one is covered in artwork. Some of the stones have been painted completely red. The pigment is made from mineral sources and brewed into a paste that sticks to the rock better than plaster. This, and the dry climate, is the reason the paintings have lasted so long. But now that they’ve been discovered, armed guards have been posted to keep the art from being chipped off and sold on the international antiquities market.

The animals are beautiful and seem to fall within three main types: simple red figures, small and cruder white figures, and more elaborate drawings of cows that show decoration on the neck that reminds me of the personal marks the dealers at a Somali camel market put on their animals.

But the human figures attract me the most. Were these real people? Ancestors? Generalized drawings of the whole clan? It’s hard to tell, but it’s obvious they’re worshiping the most important thing in their lives–their cattle. A German archaeologist I worked with who was fortunate enough to visit Lascaux caves in France once told me, “It’s so different from Mayan art. With Mayan art you’re not sure what’s going on, but with Lascaux you look at the drawings and say ‘they were like us'”.

Exactly. Although I can’t understand the deeper meanings behind the paintings or truly know the world out of which they came, that was my reaction. The ancient Somalis were like us. Their lifestyle was totally different, of course, but they thought enough like us that they could communicate what they believed in a fashion that someone can appreciate and (kind of) understand thousands of years later.

Dr. Mire and her team have already discovered several other rock art sites in Somaliland. Who knows what they’ll find in the next few years? Even though Somaliland isn’t on most political maps, the efforts of a few dedicated scholars are putting it on the archaeological map.

Don’t miss the rest of my series on travel in Somaliland.

Next time: Khat, the drug of a nation.