American Civil War anniversary remembered. . .in Dublin


As the United States begins a series of commemorations of the 150th anniversary of the Civil War, this momentous conflict is even being marked beyond the nation’s borders.

This weekend the National Museum of Ireland in Dublin is having a series of events to mark the contribution of Irish immigrants on both sides of the Civil War. While most Irish immigrants went to the industrial North and thus ended up in the Union army, there were a significant number of Irish Confederates as well. Also, the famous New York City draft riots were mostly instigated by poor Irish immigrants who objected to the fact that rich people could buy their way out of the draft.

Unless you’re in Dublin at the moment you’ll miss the lectures and free live music, but if you’re going to Dublin check out the museum’s permanent Soldiers & Chiefs exhibition at Collins Barracks, which outlines Irish military history including the Irish people’s part in the American Civil War.

[Image of Lt. Col. James J. Smith and officers of 69th New York Infantry (Irish Brigade) courtesy Library of Congress]

500 Civil War reenactors march on Philadelphia – no, you aren’t on a movie set


If you’re visiting the City of Brotherly Love this weekend and stumble upon a field of Blue and Gray marching down the city, shouting about state’s rights and ending slavery … no, you haven’t found a movie set. You’ve found the city’s largest reenactment for the 150th anniversary of the Civil War.

A bit of background: On April 15, 1861 President Lincoln called for volunteers to defend Washington, and three days later the first Philadelphians left for the capital. This weekend, approximately 500 infantry, artillery and cavalry re-enactors and civilians (to include Abraham Lincoln and Frederick Douglass) will march in a parade led by Mayor Michael A. Nutter.

Of course, there’s a small catch – the event will actually take place on April 16 at 10 AM. The parade follows the route taken by those first troops. After a brief program at the Union League of Philadelphia, the parade will end with an encampment and living history demonstrations at the intersection of Broad Street and Washington Avenue, where the soldiers left for the front in 1861. Military re-enactors will provide vignettes of life as a Civil War soldier, including drills and demonstrations of horsemanship, scenes of camp life, demonstrations of horsemanship, weapons care, medical and surgical procedures, and related activities. Civilian reenactors will portray domestic and leisure time activities. The day’s events will end with a gala dinner and period Civil War ball at the Union League featuring 1860s music, dancing, and costumes.

Other activities planned by the Consortium for 2011 include hosting the statewide traveling exhibition, the Civil War Road Show, in July and August, and a historic battle re-enactment the weekend of August 20-21. Consortium member institutions are also planning a wide range of exhibitions and events.

Sounds like a fun and family friendly event for history buffs and weekend travelers alike.

Civil War 150th anniversary: Is Gettysburg America’s most tragic little town?

For this 150th anniversary of the Civil War, which begins in April, Gettysburg is offering visitors a far better time than the Blue and Gray soldiers had in this Pennsylvania town. The Battle of Gettysburg (1863) was the bloodiest battle ever fought on American soil, a turning point that transformed General Robert E. Lee’s Confederate forces from the chasers to the chased. But today, as the sesquicentennial approaches, the only chaser I find in Gettysburg is the water alongside my scotch at the Dobbin House Tavern.

The old Dobbin House offers lodgings as well as dining, so between this place, the 19th-century Gaslight Inn (fab breakfasts, Yorkie bellman), the Gettysburg Hotel (a member of Historic Hotels of America), and more, this walkable town is a swell place for a romantic weekend. Or for family visits, what with the Land of Little Horses Farm Park, anniversary events that include re-enactments, American Civil War Museum (good wax figure tableaus, bad hairpieces), and General Pickett’s All-You-Can-Eat Buffet (“KIDS PRICES TOO!”). Or for offbeat sightseeing, thanks to various ghost tour operators, segway tours, the Victorian Photography Studio (you’ll look swell in a bustle), and shops like The Horse Soldier, where I’m tempted by a flintlock pistol that costs $41,250. Mind you, it’s a beautiful pistol.The What-if Questions
But amid this mix of antiques and kitsch, let us not, as Abraham Lincoln put it in his Gettysburg Address, forget what they did here: In July 1863, an accidental encounter escalated into a bloodbath with 165,000+ troops. After three days of thunderous fire and hand-to-hand combat, 23,000 Union soldiers were dead, wounded and maimed, or unaccounted for. Lee’s formerly victorious Confederate Army of North Virginia lost at least 28,000 troops — one third of its manpower – and, in effect, the war.

So despite its pleasures, Gettysburg strikes me as a somber place, one where a modern traveler whose idea of discomfort is a flight delay can contemplate the real suffering and courage of the men who fought here. Gettysburg inspires what-if questions, too; e.g., if the battle had gone the other way (and it almost did), when/how might slavery have ended?

The town is almost surrounded by Gettysburg National Military Park (pop. 8,100), with its split-rail fences and gently rolling farmland. How to imagine this peaceful expanse covered with noise and corpses? Start at the park Museum and Visitor Center, where a Gettysburg How-To film offers a solid orientation to the town and battlefield. The Visitor Center will also arrange tours of the battlefield as well as visits to the nearby Eisenhower National Historic Site.


Shackles and Knapsacks
But first spend a few hours at the Visitor Center museum. Paul Philippoteaux’s cyclorama of Pickett’s Charge (1884), a 377-foot(!) painting in the round, is famous for both its size and its excruciatingly detailed portrayal of the climax of the battle. The best part of the museum, though, is its 12 galleries, which employ weapons, posters, photographs, uniforms, voiceovers, computers, and maps to tell the story of this battle and the entire war. You lift a set of shackles, and later, a soldier’s knapsack. Heavy, everything was heavy.

Much of the gear was rudimentary, too; not for nothing were the hastily made uniforms called sack coats. A soldier’s tent reveals what a poor shelter it was. And the rifles: It took nine steps to reload some of them, so once a soldier had shot one bullet, his rifle was, in effect, a club or a bayonet holder. Desperate troops shot, stabbed, and clubbed other Americans here. I read a sentence from an 1863 newspaper: “Every name [of a fallen soldier] is a lightning stroke to some heart, and breaks like thunder over some home and falls a long black shadow upon some hearthstone.”

After visiting the museum, you might pick up a (free) map for a self-guided auto tour of the battlefield, but do that after you’ve gone around with a licensed guide. The two-hour $55 private tour with a guide is the best deal in Gettysburg. You get your own historian, someone whose knowledge and anecdotes will not just make sense of this chaotic battle, but leave you wanting more.

The Accidental Battle of Gettysburg
It was west of the town, near the Lutheran Theological Seminary, that Rebel brigades stumbled upon Union troops on July 1, 1863. Hard to believe that there was fierce fighting around this quiet, brick seminary, but it was fierce indeed. Suddenly suffering heavy casualties, both sides used the building as a hospital that day. General Lee was no fan of Union General Sherman’s scorched earth tactics, which is why Gettysburg’s buildings were not destroyed when the Confederates chased the Federals through the streets. Eventually, the Blue line retreated to Cemetery hill, southeast of town.

Reinforcements arrived for both sides, so heading south through the battlefield on Steinwehr Avenue aka Emmitsburg Road, you see cannon — and plenty of them – that the Rebels had in place by July 2nd. Look to the northeast, and there’s Cemetery Hill; pan to the southeast, and you’re following Cemetery Ridge to a hill called Little Round Top. This was the Union line.

When you drive to Little Round Top, stand on its boulders, and peer down at the fields, you understand that General Meade’s Federal troops, forced to retreat, had lucked into a more defensible position. Even so, on July 2nd, Union defenders lost thousands of men in the wheat field and peach orchard below Little Round Top. Standing watch at Little Round Top is a bronze statue of General Gouverneur K. Warren, who saved the day for the Union by moving reinforcements from behind the line to shore up the exhausted troops. That night, both armies were kept awake by the moaning and crying of wounded men in the fields that separated them, just yards away.

Pickett’s Charge: a Rebel’s Gamble
Midway along the Union line looms the largest of the 1,400 monuments in the park, a dome-topped temple erected by Pennsylvania. But a smaller monument honoring one Philadelphia regiment is more dramatic: A bronze soldier, protecting a comrade, holds his rifle like a Louisville Slugger and swings for the fences.

Pickett’s Charge is often viewed as a high-risk dash across open ground by southern troops who, by July 3rd, felt frustrated by their failure to have dislodged Federal troops from the high ground. Standing north of the Pennsylvania monument and looking west across the fields, you’re reminded that this is actually undulating land, so the Rebels had some protection. Besides, Pickett’s 12,000 troops were attacking the weak belly of the Union line, just 7,000 northerners near a copse on the ridge. Even so, Pickett was gambling, and the Federals shot thousands of Confederates in these green fields before the inevitable hand-to-hand combat. In two hours Pickett lost half his men, the farmland was covered with the dead and dying, and the Confederates had to retreat.

Further north lies the Soldiers’ National Cemetery, where 6,000 graves are arranged in sweeping arcs. Some of the dead are forever nameless, but I notice the marker of an Ohioan named George Nixon, father of nine children. I wonder what became of that orphaned family. Guide Wayne Motts tells me that one descendant was Richard M. Nixon.

The Gettysburg Address — But Where?
An obelisk indicates where Lincoln stood when he dedicated the cemetery on Nov. 19, 1863, but historians believe it is misplaced. You see, his Gettysburg Address was so short (ten sentences) that the photographers never got a chance to document exactly where he stood.

The president’s beloved son Tad was dying of yellow fever, and Lincoln, who had a fever, may have been fighting the disease. His wife had begged him not to travel. Yet he went, because he needed to urge a war-weary nation to stay the course, so “these dead shall not have died in vain – that this nation, under God, shall have a new birth of freedom.” That it did, but not before this young country had lost 602,000 soldiers. (In World War II, the U.S. lost 417,000.)

And so we go to Gettysburg, not only for its gracious inns, shops, and such, but to remember the brave men who struggled here, without whom this nation, and probably this planet, would have been a very different place.

The Arab revolution: the reaction of one Muslim community

For the past few weeks, headlines all over the world have been dominated by the so-called Arab Revolution, a wave of anti-government protests across the Middle East. I’m living in the Ethiopian Muslim community of Harar and locals here are absorbed in the events. Sitting in living rooms or cafes to escape the heat of the day, all eyes are glued to the satellite channels and conversation revolves around the rapidly changing events.

The response has been overwhelmingly positive tempered by caution. They’re happy to see a strong pro-democracy movement in Egypt but say that since the army is the real power, democracy is still in danger. While the West worries about the Muslim Brotherhood taking over, one recent university graduate told me, “They only use Islam for political gain. Deal with them in economic terms and there will be no problem.”

The main talk right now, of course, is about Libya. Descriptions of Gaddafi range from “crazy” to “stupid” to “evil”. Some Hararis even say Gaddafi is a heroin addict. “He has an injured back and started taking it for the pain. He has a Russian nurse who follows him everywhere and gives him injections,” one friend told me. I’ve never heard that before, but it would explain the bizarre interviews and why he wears sunglasses indoors. Everyone thinks he’ll go down fighting rather than give up control.

Most people here watch Al-Jazeera. That station has taken definite sides in the Libyan revolution. When Gaddafi’s government blocked the Internet, Al Jazeera started running the addresses for proxy sites to access Gmail and Twitter.

Mazzika 1, an Egyptian music video station, is now running a video about the uprising, showing the protests in Tahrir Square, the faces of some of the dead, and the final joyous victory, all set to inspiring music. It makes an interesting contrast to their usual fare of Arab starlets gyrating in front of the camera.Ethiopians have no love of dictators. When the Derg regime under Colonel Mengistu Haile Miriam assassinated Haile Selassie in 1974, it started a brutal repression across the country that killed 500,000 people in its first year. Nobody knows the total number of victims. A bloody civil war finally toppled the regime and Mengistu fled to Zimbabwe, where he still lives in comfort. Ethiopia now enjoys a democracy. It isn’t perfect, but mechanisms are in place to perfect it. Ethiopians want to see the same for the Arab world. “They need it,” one Harari said, “or they’ll never be free.”

One friend put it in Marxist terms. “The French had the first bourgeois revolution in 1780. We had ours starting in 1966 and now finally the Arabs are having theirs.” He feels it’s the next step to creating an egalitarian state.

The Hararis I spoke with are surprised and cautiously optimistic by the protests in Saudi Arabia. That nation has a huge influence in Ethiopia because of its sponsorship of Wahhabi mosques and madrasas. Wahhabism is a strict form of Islam that in strong contrast to the tolerant, easygoing Islam practiced by most Ethiopians. It encourages Ethiopian women to wear the niqab and denouces the Harari reverence for Muslim saints as unislamic. The face veil is alien to Ethiopian culture, and Harar’s many Islamic saints are a cornerstone of their religious practice. One Harari friend called the Wahhabis “poisonous snakes.”

I won’t be like many journalists and pretend the dozen or so people I spoke to are representative of the feelings of the entire population, only a huge opinion poll could claim that, but the daily conversations I’ve been having about the Arab Revolution provide a viewpoint I couldn’t get anywhere else.

And that’s one of the best things travel can give us.

Don’t miss the rest of my Ethiopia travel series: Harar, Ethiopia: Two months in Africa’s City of Saints.

Coming up next: Homestays in Harar!

Missouri celebrates painter George Caleb Bingham’s 200th birthday


He was one of America’s greatest regional painters, and next month he turns 200. George Caleb Bingham captured the life of fur trappers and steamboats along the Missouri River, and the horrible civilian cost of the Civil War.

A self-taught painter who grew up in Missouri, Bingham witnessed the state transform from an underpopulated frontier into a thriving center of commerce and agriculture. The above painting, Fur Traders Descending the Missouri, was painted in 1845 and captured a scene that was already becoming a thing of the past. Individual fur trappers, generally French, were being replaced by larger companies. His Luminist style and the little details like the cat earned him a lasting reputation. Actually, many researchers think it’s a bear cub, but it looks like a cat to me!

Bingham was a realist. The boy in the picture is half French and half Indian, a common enough sight in those days but not something that “respectable” society wanted to talk about. The original title for the painting was French Trader, Half-Breed Son, but the American Art Union changed the name when they put it on display. Yet another example of a powerful institution whitewashing America’s past.

Bingham was born 20 March 1811 and Missouri is planning several exhibitions and events. Kansas City’s famous Nelson-Atkins Museum will have an exhibition of his work from March 9 to December 2. At The Harry S. Truman Library and Museum, there’s another Bingham retrospective from March 10 to September 9. There are several other events taking place to mark the bicentennial. You can find an entire list here.Perhaps his most famous painting is Order No. 11, Martial Law shown below. This order by Union General Thomas Ewing in 1863 forced civilians out of their homes in several Missouri counties bordering Kansas. It was in retaliation for a Confederate guerrilla raid that destroyed Lawrence, Kansas, killing 200 mostly unarmed men and boys. General Ewing knew that secessionist civilians helped the guerrillas, so he decided to move them out of the region. Bingham was a Union man and was as shocked as anyone else by the Lawrence Massacre, but he thought punishing civilians was unjust. His painting was an instant success and has become a permanent symbol of Missouri’s bitter Civil War. It will be on display at the Truman Museum exhibition.

[Fur Traders Descending the Missouri courtesy The Yorck Project. Order No. 11, Martial Law courtesy Americasroof]