Flight attendants find dead Filipino passenger in Gulf Air lavatory

by Tom Johansmeyer on

The cause of death – including suicide – still isn’t clear, but the facts are. Gulf Air flight attendants found a 36-year-old Filipino passenger dead in the plane lav today; he was flying home to Manila from Bahrain. Attempts to revive him using CPR were unsuccessful.

The event occurred on Gulf Air flight 154, and is the second strange lav event in as many months. In September, according to the Associated Press, an abandoned baby was found in the trash bin after a Filipino maid gave birth in the lav. This time, however, the outcome was life, as airport doctors were able to save the child.

The passenger‘s wife and relatives had traveled to the airport to meet him.

[photo by advencap via Flickr]

The good old days were horrible

by Sean McLachlan on


Ah, Merry Olde England! A time and place with happy people, clean streets, and scenes that looked just like they do on BBC historical dramas.

Not!

Premodern England was a grim place of death, filth, and general misery. Actually that can describe pretty much everywhere in the nineteenth century, but the town where the Brontë sisters lived was especially nasty. Some authors write novels to escape reality, and the Brontë sisters had a lot to escape from. Two of their sisters died in childhood thanks to the neglectful conditions at their boarding school. Then the Grim Reaper took the remaining sisters and their brother one by one.

This may have been due to the horrible health conditions in their town of Haworth, Yorkshire. At a time when all towns were unsanitary, Haworth took the prize. Haworth stands on the side of a steep hill with much of its water supply coming from natural springs near the top. Also near the top of the hill is the town graveyard. So crowded was this graveyard that the coffins were often buried ten deep. Water flowing through the graveyard contaminated the public pumps and ensured a steady supply of more dead bodies, which would rot, seep their juices into the water supply, and start the cycle anew. The Black Bull pub contributed to this by using this spring water to brew its own beer. One wonders what it tasted like.

%Gallery-104759%This wasn’t the only spring in Haworth, but the locals managed to ruin the others by placing open cesspools next to the pumps. Although the connection between cleanliness and health was only imperfectly understood, Patrick Brontë, local clergyman and father of the Brontë sisters, realized a place where 41 percent of the population died before age six had some serious issues. In 1850 he brought in Dr. Benjamin Babbage (son of Charles Babbage, who built the first computer) to make an inspection. Babbage was horrified at what he saw and his damning report of the local squalor made reformers take notice. If it wasn’t for Babbage, Haworth probably wouldn’t get so many tourists. People tend not to like smelling open cesspits and drinking decayed bodies while on vacation.

If natural causes didn’t bump you off, the Haworth poisoner might do it for you. John Sagar ran the local workhouse, the place where the poor were forced by law to live. There they were underfed, overworked, and slept in rat-infested little rooms as a punishment for the cardinal sin of poverty. Sagar was a “short, dark, vulgar-looking man” who only had one arm, which he used to beat his wife Barbara mercilessly. Everyone was too afraid of him to come to her aid. When she finally died it wasn’t by beating, but by arsenic poisoning. Sagar was the obvious suspect. Questions were also raised about the deaths of their nine children. Yet Sagar got off due to lack of evidence, and he lived to the ripe old age of 78, a small miracle considering the conditions of the town. Strangely, his is one of the only graves in the cemetery that shows signs of weathering. Some locals say nature is serving justice where the courts did not.

Links to the eerie past still linger. On some old buildings, strange stone faces stare out onto the street. They look like ancient Celtic stone heads, but researcher John Billingsley says they were a continuing folk magic custom that experienced a rebirth of popularity in the area in the 17th and 19th centuries. They were used to ward off evil, and as late as 1971 a head was placed over the front door of the Old Sun Inn to stop a haunting. It’s said to have worked! If you had witch trouble you could also carve a “W” into your door frame, or put pins into a bullock’s heart and bury it beneath the floorboards. Special witch bottles could be used to trap witches. I’ve seen pinned hearts and witch bottles at the West Highland Museum in Ft. William, Scotland, and the Pitt Rivers Museum in Oxford, so the practice was widespread

With all the death and tourists, it’s not surprising that Haworth is full of ghost stories. Not only did I stay in a haunted hotel room, but every single bar I drank at or restaurant I ate in had a resident ghost. Phantom drinkers, gray ladies, even haunted carriages all prowl Haworth at night. There are deeper mysteries than ghosts, however. Witchcraft and folk magic abounded. Fear of witches was so great that local “cunning man” Old Jack Kay, a contemporary of the Brontës, would lift curses for a price. He also told fortunes and could show you your future spouse in a mirror or bowl of water. He and other “cunning men” brewed cures for the sick. Some were herbal medicine that might have been effective, while others had dubious ingredients. The urine of a red cow supposedly cured cancer. I suppose it would be unscientific to dismiss red cow’s urine as a cure for cancer with testing it, but good luck getting volunteers for the clinical trial.

So the next time you’re in some charming historic locale, think back on how things used to be, and be thankful that they’re not like that anymore!

Don’t miss the rest of my series on Exploring Yorkshire: ghosts, castles, and literature in England’s north.

Coming up next: Hiking the Yorkshire moors!

A special thanks to local historians Steven Wood and Philip Lister for all the great stories that contributed to this article, and all the great ones I couldn’t fit in.


This trip was sponsored by VisitEngland and Welcome to Yorkshire, who would have a lot less to brag about if Dr. Babbage hadn’t fixed a few things.

Three nights in a haunted hotel room

by Sean McLachlan on


The best thing about being an agnostic is that you don’t have to live your life fearing the unknown. The worst thing is admitting the possibility that there might be something to fear after all.

Instead of pretending to have all the answers, my belief system ranks things in order of likelihood, and ghosts are pretty far down the list. Not as low as Santa Claus or the “we never landed on the Moon” conspiracy theory, but a poor ranking nonetheless. So when I heard that my hotel room in England was supposedly haunted, my only thought was that I’d bagged a good story for Gadling.

Unlike a lot of supposed hauntings, this one’s actually based on a true story, related to me by local historian and folklorist Steven Wood.

Back in 1906, Haworth, Yorkshire, was holding its annual gala. Like in other years, brass bands played, entertainers wowed the crowd, and food stands sold all sorts of delicacies. This year, however, the people of Yorkshire had been promised something special. Lily Cove, a famed “aeronaut”, was going to do a death-defying parachute jump from a balloon. This was only three years after Kitty Hawk, so nobody in the area had ever seen an airplane, and balloons were a rarity too. Seeing a lovely lady jump from one and land safely was something of a miracle.

Lily Cove stayed at The Old White Lion Hotel in Room 7, the very same room I had. While waiting for a day with good weather the glamorous aeronaut made many acquaintances in town and became very popular.

On June 11 the weather was fair and thousands gathered to see her performance. After she and her manager Captain Frederick Bidmead checked the balloon, she secured herself to a trapeze hanging from the bottom. The balloon soared into the air with Lily waving to the crowd with a handkerchief. The idea was that once she got to a good altitude, Lily would leap from the trapeze and a ripcord would open up her parachute. She’d then float gracefully to earth.

%Gallery-104557%

The balloon floated over the fields. After it got up to about 700 feet Lily jumped. The parachute opened as planned, but one witness saw Lily shrugging her shoulders and a moment later she detached from her parachute and plummeted to the ground. Farmers rushed to the spot, but she was dead. Her broken body was carried back to her room, my room, and laid out until a coffin could be made for her.

The whole town went into mourning. Captain Bidmead, a veteran of 83 parachute descents, said he might never fly again. At the inquiry he gave the opinion that she’d deliberately separated herself from the parachute. He suggested that because she was drifting towards a reservoir and didn’t know how to swim, she decided to get to the ground early. She must have thought she was much lower than she was and could land without injury. Others said she committed suicide, but there seemed no reason for this. The court ruled that Lily Cove died of “misadventure.” Parliament soon banned parachute performances so such a tragedy would never happen again.

According to local ghost story collector and guide Philip Lister, it wasn’t long before guests began reporting strange happenings in Room 7. Some woke up with a start, thinking they were falling through the air. Others saw an attractive young woman standing at the foot of their bed. The sightings have continued to the present day, and everyone in Haworth knows of Room 7’s reputation.

I didn’t hear any of this until I had spent my first night in the room. Tired from a day’s travel from Madrid, I slept fine, although I woke up once, glanced at the clock, saw it was 4:10, and went back to sleep.

The next day one of my travel companions told me my room was haunted. She started telling me the story but I stopped her. I didn’t want to be subject to suggestion. I wanted to test Room 7, and not have my own mind play tricks on me. The conversation turned to ghosts stories in general, and over the course of the day four of my nine travel companions told me they’d seen ghosts at least once in their lives. I was amazed. These educated, quite sane travel writers were telling me in all seriousness that they’d seen spirits. Nearly half of our group had a story to tell, and I didn’t even get around to asking all of them! Apparitions from the beyond are more common than I supposed.

The second night I slept fine again, although I briefly woke up again shortly after 4am. I think it was 4:08, but I was too sleepy to be sure.

By my third night I’d heard the whole story. I even went on a ghost tour, which I’ll describe in my next post in this series. So when I tucked myself in I knew just what had occurred to that poor woman who had stayed in my room. Once again I saw nothing, except I briefly woke up and looked at the clock.

It was 4:11 in the morning.

Waking in the middle of the night isn’t unusual for me, but I never wake up at the exact same time three nights in a row. Is this significant? Well, by the third night I was wondering if I would again awake shortly after four, so that might have been autosuggestion. The time seems to have nothing to do with the haunting, since Lily did her ascent at seven o’clock in the evening.

So was Lily Cove waking me up? Probably not. The tricky thing about ghosts is they’re unprovable. Even if I’d awoken to see a spectral woman at the foot of my bed, that wouldn’t prove anything except I had a weird experience that could have been a hallucination. Yet ghost stories are found throughout history and in most if not all cultures. We seem to need ghost stories. That doesn’t necessarily mean there’s life beyond death or that dead people occasionally come back to scare the crap out of the living, but it does show ghosts are a part of the human experience. What they signify is something we’ll probably never know, and not knowing is far more interesting than pretending you have all the answers.

Don’t miss the rest of my series Exploring Yorkshire: ghosts, castles, and literature in England’s north.

Coming up next: The good old days were horrible!

This trip was sponsored by VisitEngland and Welcome to Yorkshire, who really should have put someone more impressionable in Room 7.

The triumph of Death: the mummified monks of Rome’s Capuchin Crypt

by Sean McLachlan on


Vertebrae rosettes. A crown of thorns made from finger bones. An arch of skulls.

Three skeletons of children lean huddled in a group as if to comfort one another. Behind them hangs an hourglass made of pelvis bones. Above soars the skeleton of a youth bearing a scythe of clavicles and scales made of kneecaps. Dirt and gravestones cover the floor. Mummified bodies wearing the cowled robes of Capuchin friars lie, sit, or even stand in alcoves. The mummies each have a label bearing, I suppose, the name they used in life. All are illegible.

I am in the Capuchin Crypt, a few minute’s walk from the famous Spanish Steps where hundreds of tourists are laughing and eating McDonalds while enjoying a sweeping view over the sun-soaked city. I am not with them, but rather in a dank vault, crouching to stare into the eye sockets of an anonymous skull. The Sumerians called the eyes the windows of the soul, but now those windows are shattered, the glass ground up and blown away as dust.

I actually waited in line to do this. The Capuchin Crypt runs on limited hours, and when the doors finally open I and a small crowd file in past a stressed-out woman at the front desk who repeats, “No cameras, no cell phones, postcards five euros” in a harassed monotone. Beyond her are five vaults filled with bones and a sixth filled with tablets bearing inscriptions in Italian and Latin. I don’t try to puzzle them out; the message of this place is all too clear.
The bones are arranged in decorative patterns reminiscent of the Baroque interior of some 17th century stately home. Ornate chandeliers made from finger- and jawbones hang so low I almost knock my head on them. The passages are narrow, the vaults small, and the mortal remains of hundreds of Capuchin friars crowd in on me. The crypt was started in the 17th century and has been added to ever since. It now houses an estimated 4,000 friars.

So how does it make me feel? I want to be sick. I want to kiss every living girl in here. I want to tell the woman at the front counter to lock up early and take the rest of the day off. I want to hug my son knowing one day I won’t be able to. I want to know the life history, dreams, loves, and favorite jokes of every one of these poor bastards arranged so meticulously for our edification. I can’t. They are no longer individuals, simply part of the decor. All in all you’re just another skull in the wall.

Four vaults away I can still hear the attendant repeating the rules to newcomers. No photography, but you can buy an overpriced postcard. What arrogance to think they own the dead! Nobody has the least claim over the dead; it’s their one advantage over the living.

The crypt is getting crowded with the living. People linger. Many laugh to cover their discomfort. Everyone speaks in whispers, but why whisper? The dead can’t hear you, and if you’re doing it out of respect, a better way to show respect would be to learn the lesson of this place. The lesson is, of course, to think about death. Like everyone else I have a natural defense mechanism. I know I’ll die but that horrible fact doesn’t intrude on my day-to-day happiness. Well, it does today, and that’s the point. This place is also meant to make us good Catholics, to embrace an unproveable god and its improbable doctrine. That I cannot do, but I sure do think about death.

Odd thoughts come to me. I should send my son a second postcard. I need to get cracking on my next novel. I still haven’t replied to Ed’s email.

Through a row of open windows shines dim sunlight and the sounds of construction next door. The pounding of hammers and the shouts of workmen. An ambulance wails in the distance, getting closer.

A young American woman cries out, “Ewww, this is gross!”

I don’t say anything because I always try to be kind to strangers, but I say to myself, “Oh, you think they’re disgusting and you’re beautiful? Just. You. Wait.”

So don’t forget death, because it’s probably coming sooner than you think, and certainly sooner than you hope.

Life is short, my friends, live it well.

Don’t miss the rest of my Vacation with the Dead: Exploring Rome’s sinister side.

[Photo courtesy Magnus Manske]

The catacombs of Rome

by Sean McLachlan on


“There were 500,000 people buried here,” my guide whispers.

She leads me down a dimly lit, narrow passage that seems to go on forever. To either side the rough walls are lined with small niches.

“These are where the bodies were kept. There are twenty kilometers of tunnels, and while most of the tombs are now empty, some are still unopened.”

We are in the Catacombs of Domitilla, one of the largest of a half dozen underground burial places dug out by Christians during the second and third centuries AD, when most of the Roman Empire was still pagan. My guide, a knowledgeable young Polish woman, is leading me through a warren of passageways, rooms, even subterranean churches. Incredible facts drop from her mouth every minute.

“This is the oldest of the catacombs with some of the earliest Christian paintings anywhere. There’s even a painting of the Last Supper that’s 1,800 years old.”

The frescoes are tucked away in little vaults built by wealthy families, or on the domes of small mausoleums. They show simple Christian scenes–the Good Shepard, baptism, the saints, painted in a capable but not overly talented hand.

“Since most people were pagan, the early Christians had trouble getting good artists. You can see it with the inscriptions too. They’re not done in orderly lines and clear letters like you see on monuments above ground.”

Somehow that makes me like them more, that these paintings were done by common people, not famous artists. The ones showing prayer are the most evocative because they seem to portray real individuals as they looked in life. They all take the same pose–with arms flexed outwards, palms up.

“This is how everyone prayed back then, both pagans and Christians,” my guide explains.

“Shi’ite Muslims still start their prayers in that pose,” I say.

She gives me a narrow look before leading me down another hallway. We pass a vertical shaft where we can still see small footholds cut into the side for the original builders to climb to the levels above and below us. The walls and ceiling of the tunnels are rough, with traces of the last cuts of the pick clearly visible. The stone is volcanic tufa, a rock so soft that it can be scraped with a fingernail, yet compact enough that it can support an immense amount of weight.

My guide stops in the middle of the hall and points to the wall.

“Look, this one is still buried here.”

One of the niches is sealed up with a rectangular slab. I know I’m not supposed to touch but I do anyway, pressing my hand against the cool, damp stone. Inches beyond my warm flesh lie the cold bones of one of the earliest followers of the world’s biggest religion. What I’d give to talk to him or her for just five minutes. My guide notices what I’m doing and smiles.

“Most of the bones were removed in the Middle Ages to protect them from relic hunters, but a few hundred tombs still remain unopened,” she explains.

%Gallery-102540%Sadly this slab is blank. Some have the person’s name carved on them. In some sections of the tunnel fragments of these tomb facings have been plastered onto the wall by later hands. The earliest inscriptions are in Greek, the language of the New Testament. Later ones, dating to the fourth century when Christianity became the religion of the Roman Empire, are in Latin.

Pagan Romans cremated their dead, but Christians believed in resurrection and practiced burial so the body could rise up on Judgment Day. The Roman Empire was generally tolerant of other religions, incorporating new gods into the existing pantheon, but it looked upon monotheistic Christianity and Judaism with mistrust. While followers of Jupiter or Mithras or Ra acknowledged the existence of other gods, the monotheists dismissed all other gods as impostors or demons. Even worse, they refused to sacrifice to the deified emperors. Several emperors persecuted them, although the extent and violence of these persecutions have been exaggerated by early Christian chroniclers. The image of thousands of Christians being thrown to the lions is myth. People were sometimes killed, but more often their churches would be destroyed and property confiscated. The main victims were church leaders like bishops and early popes, some of whom are buried here; regular Christians were generally left alone. Many of the biggest catacombs were built right under the Appian Way, the main road leading into the city and lined with the tombs of wealthy pagans. While everyone knew where they were, most pagans were content to leave the Christians to their strange rituals as long as they kept out of sight and didn’t cause trouble.

Two other networks of catacombs along the Appian Way are popular with visitors. The Catacombs of San Callisto are as impressive as those of Domitilla and have several good frescoes. The Catacombs of San Sebastiano, under the church of the same name, are smaller and less well preserved, yet there’s an interesting room used for funeral banquets where early Christians carved their names or the names of their departed loved ones along with prayers. All three catacombs can be seen in a single day.

The catacombs stay at a constant 15°C (59°F), so it’s best to bring a long-sleeved shirt or light sweater. Photography is not allowed. I won’t ask how GerardM at Wikimedia Commons got the above image, or how the photographers who took the pictures of the frescoes in the attached gallery got theirs. I’ll assume they went through the red tape to get permission from Papal Commission of Archaeology. I’ve heard that if I do the same I can get a papal archaeologist to guide me through parts of the catacombs closed to regular visitors. My guide warns me I need a valid reason and lots of patience with bureaucracy. Perhaps next year I’ll be back.

“We’re nearing the end of the tour,” my guide says, “but I have one last thing to show you.”

We come to a large, empty tomb that has been converted into a display case for artifacts found by the archaeologists. Through the metal grille I see oil lamps the Christians used to find their way through the dark, shells that were pressed into the wall near a tomb to help identify the occupant, and bits of cheap glass jewelry.

In one corner are a collection of little ceramic animals, dolls, and rattles, simple toys put in front of the graves of children.

Don’t miss the rest of my Vacation with the Dead: Exploring Rome’s Sinister Side.

Coming up next: The Death of Paganism!