Video: Visiting The Pyramids of Sudan

by Sean McLachlan on


Sudan is near the top of my list of countries I haven’t been to that I want to explore. One of the main things I’m aching to see are the pyramids of Meroë. This site has dozens of pyramids built starting around 720 BC.

Meroë was one of the capitals of the Nubian Empire, which at times rivaled its more famous northern neighbor, Egypt. As archaeologists continue to excavate in the Sudan, they’re finding that it had more influence on ancient Egyptian culture than previously thought. The Nubians even took over Egypt and installed their own dynasty there, ruling from 760-656 BC before the Egyptians kicked them out.

The pyramids at Meroë are a two-and-a-half hour drive north of the modern capital Khartoum. This video takes us on that journey, with a classic soundtrack to get us in the mood. The camel crossing reminds me of a similar holdup I experienced in Ethiopia’s Somali region!

New Ancient Egypt And Nubia Galleries At Ashmolean Museum, Oxford

by Sean McLachlan on


The Ashmolean Museum in Oxford has always been famous for its collection of art from Ancient Egypt and Nubia (Sudan). It recently revamped these galleries as part of a major remodel.

While the new galleries reopened in November, I didn’t want to write it up until I got to see it for myself. The old galleries were dark, cramped and had endless cases crammed with artifacts. In other words, they were arranged in the old style. Museums are changing, though. The trend these days are to have brighter, more open and inviting spaces that reduce museum fatigue. Most of the Ashmolean got this treatment back in 2009, and after a big fund raising effort the famous Egyptian and Nubian galleries have also been revamped.

As you can see from the above picture, the gloomy old galleries have been opened up. Signage has been improved with lots of detailed information about each piece. The Ashmolean has become the poster child of new museum design, and its impressive collection certainly helps make it a world-class destination.

Personally I walked through the galleries with mixed feelings. Creating more space means displaying fewer artifacts. The crowded cases filled with dozens of figurines or amulets are gone, replaced by displays showing single pieces or at most half a dozen. As one of my friends complained, this slants the displays towards the best objects, while the more day-to-day objects familiar to the common people aren’t represented. She also pointed out that you lose the chance to compare typology, how the appearance of artifacts change over space and time.

On the other hand, the new galleries are definitely a more user-friendly experience. All the objects for which the galleries were famous are still there, like the phallic statue of the god Min, the Shrine of Taharqa and a Roman-era female mummy complete with golden tits. While obsessive archaeology buffs will be a bit disappointed with the new look, most visitors will find it a pleasant change.

All photos courtesy copyright Ashmolean Museum, University of Oxford.

%Gallery-153178%

Met Showcases Predynastic Art Of Egypt

by Sean McLachlan on

The Metropolitan Museum of Art in New York City has one of the best collections of ancient Egyptian art in the world. Now it has opened a special exhibition focusing on the lesser-known art from the early days of Egypt before the pharaohs.

“The Dawn of Egyptian Art” brings together art from the Predynastic and Early Dynastic Periods (ca. 4000–2650 B.C.), a time when Egypt was developing into a society with towns, specialized labor and, eventually, a centralized government. This broad swath of time included several distinct local cultures that slowly became the ancient Egypt that we are familiar with.

The main culture was the Naqada culture. Villages each had their own animal deities, many of which survived as gods and goddesses of dynastic Egypt. The dead were buried with works of art such as jewelry and figurines of these deities. As agriculture became more important in the fertile Nile valley, villages grew into towns and art flourished. Local rulers became more powerful and expanded their territories until Egypt was two kingdoms: Upper and Lower Egypt.

The 175 objects from the Met’s collection, and those of a dozen other institutions, put Predynastic Art into its historical and cultural context as well as display them as objects of beauty. For example, this female figure, shown here in a photo courtesy the Brooklyn Museum, was made about 3500-3400 B.C. and is typical of the highly abstracted figures made throughout most of the Predynastic Period. It’s unclear what this figure symbolized, although many Egyptologists think these figures are goddesses, since similar figures painted onto pots are always larger than the male “priests” shown next to them.

Some art is easier to identify, like ships and hunting scenes painted onto pottery or on tomb walls. There are also statues of gods and goddesses, many of which can be identified as the major deities of the age of the pharaohs. A masterpiece of early Egyptian art is the Narmer Palette, seen in the gallery, which commemorates the unification of Upper and Lower Egypt in the 31st century B.C.

For more information, check out this excellent page on Predynastic Art and check out the gallery below.

“The Dawn of Egyptian Art” runs until August 5.

%Gallery-152958%

Ancient Egyptian tombs to be reopened

by Sean McLachlan on


A visit to the pyramids at Giza in Egypt has just become even more interesting with the imminent reopening of six ancient Egyptian tombs nearby.

The tombs have been closed for many years for restoration, including the removal of graffiti left by people who don’t deserve to travel. The tombs are part of the Western Cemetery reserved for minor royalty and high officials of the Fourth Dynasty (c.2613-2494 BC) who were important enough to be buried near the pharaohs they served in life.

One is the tomb of Seshem-Nefer, who had the august title of “overseer of the two seats of the House of Life and keeper of the king’s secrets.” His large is visible in the foreground of this photo courtesy Hannah Pethen.

Other tombs include those of a royal treasurer, high priests and other functionaries. Only one of the tombs is for a member of the royal family — Princess Mersankh, the granddaughter of King Khufu, whose pyramid is the largest in Egypt.

Several of the tombs have brightly painted scenes of daily life, such as hunting and spending time with family, making them a good way to gain insight into the world of ancient Egypt.

‘Egyptomania’ grips Houston

by Sean McLachlan on

The Museum of Fine Arts in Houston, Texas, has just opened a new exhibition exploring the West’s fascination with ancient Egypt.

“Egyptomania” collects forty objects from the Egyptian revivals of the 17th, 18th and 19th centuries. This was the time when the West became widely aware of the great civilization of Egypt and started excavating there. Cutting open mummies became popular entertainment, the rich collected Egyptian artifacts, and it seemed like everyone wanted to own something in the Egyptian style — like this Art Deco perfume bottle shown here in a photo courtesy MFAH. It was designed by Baccarat c. 1930. Other items on display are Egyptian-style furniture, garden sphinxes (much cooler than garden gnomes) and even Egyptian asparagus tongs.

Visitors to the museum can get a double dose of ancient Egypt right now because the traveling exhibition “Tutankhamun: The Golden King and the Great Pharaohs” is on display through April 15. This exhibition features more than a hundred artifacts, most of which have never been shown in the U.S. prior to this tour.

If this isn’t enough to stave off your Egyptomaniacal cravings, I suggest a trip to the Rosicrucian Egyptian Museum & Planetarium in San Jose, California. This place is a strange hybrid of serious museum and cultish quackery founded by a modern spiritual group inspired by ancient Egypt.

“Egyptomania” runs from March 18 through July 29.