Egyptian Book of the Dead on display at Brooklyn Museum

by Sean McLachlan on


After three years of careful study and restoration, an important version of the ancient Egyptian Book of the Dead has gone on display in the Brooklyn Museum.

The Book of the Dead was a collection of prayers, spells, and rituals to help the dead in the afterlife. The book has its roots in prehistoric times. As the civilization in Egypt developed, the prayers and spells became more elaborate. Eventually they were gathered together in chapters to create what we call the Book of the Dead. Individual chapters or sets of chapters were written on tombs, mummy cases, and rolls of papyrus. Many burials have portions of the book, one of the largest being the Papyrus of Ani, which you can view online.

The Brooklyn Museum example was for the tomb of Sobekmose, a gold worker. It’s an early and long version, probably dating to the reign of Thutmose III or Amunhotep II (c. 1479–1400 BC). It’s 25 feet long, written on both sides, and contains nearly half of the known Book of the Dead chapters.

Portions of this book have long been on display at the museum. This is the first time the entire book is on display.

[Photo courtesy Wikimedia Commons]

Queen Hatshepsut and the case of the poison skin cream

by Sean McLachlan on

German archaeologists studying a skin cream once owned by Queen Hatshepsut have found evidence that the female pharaoh may have accidentally poisoned herself.

The tiny bottle, which has an inscription saying it was owned by Hatshepsut, was still partially filled with a substance that the archaeologists subjected to chemical analysis. It included nutmeg and palm oils, commonly used to soothe skin irritations. It also included benzopyrene, which smells nice but is highly carcinogenic. It’s found in burnt substances such as pitch, coal tar, cigarette smoke, and burnt foods such as barbeque and coffee. Keep that in mind this Labor Day Weekend.

In contrast to the idealized statue of Hatshepsut shown here, her mummy revealed that she was obese, had liver cancer, and probably suffered from diabetes.

Hatshepsut’s rule saw two decades of peace and ambitious trade expeditions as far as Puntland, which was probably in the modern unrecognized state of the same name. Her modern-looking temple at Deir el Bahri is one of Egypt´s most stunning attractions. You can reach it by bus, or if you’re feeling adventurous you can take a mountain path from the Valley of the Kings, which leads you to a cliff overlooking the temple before sloping down past the tombs of its builders and to the temple itself. I did this one August, which is not the best time. That was probably as bad for my skin as Hatshepsut’s skin cream.

[Photo courtesy Rob Koopman]

Ancient port discovered in Egypt

by Sean McLachlan on


Archaeologists working in Egypt have discovered a harbor on the Red Sea that was used for international trade.

The excavation at Mersa Gawasis has revealed traces of an ancient harbor. It’s long been known that the Egyptians traded down the coast of Africa, but the location of their embarkation was unknown. A famous carving at Deir el-Bahari, the temple of Queen Hatshepsut, shows an ocean-going vessel like the one pictured above and scenes a land with thatched huts and exotic items for sale such as ivory and giraffes. Inscriptions identify the land as Punt but don’t mention where it is. Archaeologists have speculated that it was in the Horn of Africa, either in Eritrea or Djibouti, or where the modern unrecognized states of Somaliland or Puntland are today.

The first recorded voyages to Punt started in the reign of the Pharaoh Sahure, who ruled from 2487-2475 BC. Regular trading missions were sent out for centuries to buy exotic items for Egypt’s elite. Queen Hatshepsut’s famous engravings of Punt date to around 1490-1460 BC.

Scholars have traditionally been doubtful of the Egyptians’ ability to make long sea voyages. Further excavation at Mersa Gawasis may change this view and open up new possibilities for Egyptian influence on other ancient cultures. While the excavations at Mersa Gawasis are not yet open to public view, Deir el-Bahari is a popular attraction and you can wonder at the scenes depicting the mysterious land of Punt for yourself.

[Photo courtesy Wikimedia Commons]

Ancient faces: the Fayum mummy portraits of Egypt

by Sean McLachlan on

The pyramids, Tutankhamen’s gold, the massive temples of Luxor and Karnak. . .the civilization of ancient Egypt has left us an incredible legacy, yet of all of these impressive monuments and treasures none has a more personal effect on the viewer than the Fayum mummy portraits.

During the Graeco-Roman period, after Egypt had fallen first to Alexander the Great and then to the Romans, the old traditions continued. Temples were still built, priests still wrote in hieroglyphics, and the wealthy were still mummified in order to guarantee their place in the afterlife.

The new rulers of Egypt took on some local customs. They often chose to be mummified in the Egyptian fashion, but added the touch of putting a portrait of the deceased over the wrappings covering the face. Painted on thin slats of wood, they were part of a trend called panel painting, considered by Classical writers to be one of the highest forms of art.

Panel paintings were hung in houses and public buildings all over the Greek and Roman world. Two thousand years of damp, mold, and fire destroyed all of them except those buried in the preserving sands of Egypt, so these mummy portraits give us a look at what would otherwise be a lost art. Panel painting was hugely popular in its day and later influenced the Coptic and Byzantine icons of the Middle Ages.

Looking at a mummy portrait brings you face to face with a real person from the past, like this image of a priest courtesy user Eloquence via Wikimedia Commons. Painted around 140-160 AD, it’s realistic enough that we’d know him if he passed us on the street. The portraits vary in quality, but each gives us an individualistic look at a man or woman or child, often with fascinating details like jewelry or hairstyles.

%Gallery-126247%Mummy portraits appeared around the first century BC and continued in fashion for about 300 years. Many were found in the Fayum, an oasis west of modern Cairo that was a popular place to be buried, but examples have been found all over Egypt.

The Museo Arqueológico Nacional in Madrid has a display of 13 of the best mummy portraits showing until July 24. Most of the museum has been closed for more than two years for refurbishment so it’s nice that something is going on there. There’s also the exhibit Tesoros del Museo Arqueológico Nacional, a “greatest hits” collection like the British Museum did while it was remodeling.

If you aren’t going to Madrid this summer (don’t–the autumn or spring are better with fewer tourists and milder weather) there are plenty of other places to see mummy portraits. In London, The Petrie Museum of Egyptian Archaeology and the British Museum have two of the largest collections in the world, although many of the best examples from the British Museum are in Madrid at the moment. In New York there’s the Met, in Edinburgh the National Museum of Scotland, in Paris the Louvre, in Vienna the Kunsthistorisches Museum, and in Amsterdam the Allard Pierson Museum. And of course there’s the Museum of Egyptian Antiquities in Cairo!

Riddle of pyramid’s secret hieroglyphs solved

by Sean McLachlan on


Last month we reported on some secret writing discovered in the Pyramid of Cheops at Giza, near Cairo. A robot with a camera went down a mysterious passage only eight inches wide and found some hieroglyphs daubed with red paint onto the floor of a secret chamber at the end of the tunnel.

Egyptologist Luca Miatello has deciphered the writing and says they’re engineering marks. They make the number 121, which corresponds to the length in cubits of the so-called Queen’s Chamber of the pyramid.

The numbers are written in hieratic. Ancient Egyptian writing had three forms. Proper hieroglyphs were the most formal style and the one we usually associate with ancient Egypt. Hieratic was a cursive style that was quicker and easier to write. It was usually used for religious texts but since a royal tomb was a highly sacred place, it’s no surprise to find it here. Demotic was derived from hieratic and was used much later, after Egypt had lost most of its power and glory. All three styles are often termed “hieroglyphs”.

The numbers in the pyramid are sloppy, as if written by some foreman who wasn’t completely literate. Because of this, new interpretations of the writing will probably be published in the future.

[Photo courtesy Wikimedia Commons]