Own a piece of Paris: Eiffel Tower stairs, other artifacts up for auction

by Katie Hammel on

Want to own a piece of Paris? You’ll have a chance when historic pieces of the City of Lights go up for grabs on December 14. At the “Paris Mon Amour” (Paris My Love) sale, 18th century tourists maps, antique street benches, and a public phone box from the 1950’s will be sold at auction along with street lamps from the Champs Elysees and a staircase from the Eiffel Tower.

The 40-step section of stairs from the Paris landmark is is just one piece of the original staircase and is expected to fetch €60,000 to €80,000. The Tower’s steps were removed during a renovation in 1983, cut into 24 parts, and sold to collectors around the world. Since then, they’ve been on the auction block only a few times, most recently in 2007 and 2008. The company that manages the Eiffel Tower oversees each auction and apparently, they don’t want pieces of the Tower changing hands too often.

I couldn’t find much information on how to get in on the auction action. But chances are, if you’ve got the cash to drop on stairs from the Eiffel Tower, you’ve also got connections that can get you in.

The auction is part of the celebration of Paris’ 120-year anniversary, which took place this year. Other events scheduled throughout the year included special fireworks displays and exhibits of photos that chronicled the history of the structure.

Museum Junkie: Futurism at the Tate Modern

by Sean McLachlan on

“Today we are founding Futurism, because we want to free our country from the smelly gangrene of its professors, archaeologists, tour guides and antiquarians.”

On February 20, 1909, the front page of the Italian newspaper Le Figaro was taken up with the Manifesto of Futurism, a new movement of artists, poets, and performers who revolutionized modern art. They rejected all the past–traditional painting, museums, history, religion, marriage, and just about everything else they could think of while embracing modernity in all its forms. They loved movement, anarchy, technology. When World War One started in 1914, they hailed it as the first modern war and formed the Lombard Battalion of Volunteer Cyclists and Automobilists. Their Manifesto stated that war was “the world’s only hygiene.”

The energy of their work, shown here in Impressions in a Dance Hall (1914) by Belgian Futurist Jules Schmalziguag, soon captivated the art world.

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Futurism is a new exhibition at London’s Tate Modern that studies the development of this movement. The exhibition covers the movement’s origins in Italy and its rapid spread across Europe from England to Russia. What started with painting soon made its impact felt in sculpture, literature, architecture, even music. Part of Futurism’s success was the artists’ shameless self-promotion, with more than fifty manifestos coming out in the five years after the initial one in La Figaro. Some of these manifestos and Futurist literary magazines are also on display, along with paintings from the competing movement of Cubism, The Futurists were opposed to Cubism, of course, because it took attention away from them, and were in the habit of calling Picasso a “boor.” They called themselves boors too, so it’s hard to tell if they were really insulting him, or themselves, or neither, or both.

The Futurists would have loved seeing their work in the Tate Modern. The building is a converted power station with a soaring central space that was once taken up by a massive turbine. The museum is filled with modern art, installation pieces, and video displays. This ultramodern setting may have even made the Futurists forget that museums were nothing but “graveyards”.

“Museums, graveyards!” the original Manifesto fomented. “They’re the same thing, really, because of their grim profusion of corpses that no one remembers.”

Futurism started at the Tate Modern on June 12 and runs until September 20.

Museum Junkie: Smithsonian offers real “Night at the Museum”

by Sean McLachlan on

The Smithsonian Institution in Washington, D.C., is offering a special weekend tour to coincide with the sure-to-be-hit movie “Night at the Museum: Battle at the Smithsonian”.

Visitors will learn the real story behind the sites and artifacts featured in the film during the Smithsonian’s “Family Weekend in Washington, D.C.”, on July 24-26. The weekend starts with a dinner with Amelia Earhart at the National Air and Space Museum, followed the next day by a viewing of the film at the the museum’s Imax theater and a special tour of the museum. The second day of the tour includes visits to sites in Washington, D.C. that feature in the movie such as the National Mall and the Lincoln Memorial.

The weekend is part of the Smithsonian Journeys series that takes people on informative trips around the world, whether it’s the early Christian sites of Greece and Turkey or the coastal wilderness of Alaska. For those wanting to stay closer to home, “Celebrate Smithsonian!” offers a behind-the-scenes tour of America’s greatest museum, including the newly reopened National Museum of American History. The tour is on September 9-12, but it’s best to book ahead.

Museum Junkie: Manchester exhibit on life as a POW

by Sean McLachlan on

A fascinating exhibit on life as a POW has opened at The Imperial War Museum North in Manchester, England.

The exhibition, called “Captured: The Extraordinary Life of Prisoners of War”, combines pictures, artifacts, and real-life anecdotes to give a glimpse into the experiences of prisoners of war from all armies during the Second World War (1939-45). It also features the only known film of German POWs in Britain.

While the exhibition focuses on the daily endurance test POWs had to live through, it also examines some of the famous escapes from notorious German prisons such as Colditz. This castle near Dresden housed Allied POWs who had tried to escape from other prisons. The Nazis considered it impossible to escape from. Several POWs saw it as a challenge and proved the Nazis wrong.

This museum junkie has been to many of The Imperial War Museum’s special exhibitions and has always been impressed. They’re always easy to follow and full of surprises and leave you knowing a lot more than when you arrived. At the permanent exhibition in the museum’s London branch, there’s a recording of an interview with a British soldier who survived a Japanese POW camp. He got terrible sores on his legs and didn’t have any medicine to treat them. Knowing that tea is a disinfectant, he pressed tea bags against the sores. This bit of trivia saved his legs and probably his life.

This latest exhibition is one of a series of events marking the 70th anniversary of the start of World War Two. A list of upcoming events at the museum’s five branches is online here,

“Captured: The Extraordinary Life of Prisoners of War” runs until January 3rd, 2010.

Cool Lust-Collazo photo exhibition in Havana

by Brenda Yun on

During my time in Cuba, I grew increasingly obsessed with those colorful, old, refurbished American cars that would go galumphing down narrow urban streets. I mean, who wouldn’t? I’m not even a car lover, but these clunky vehicles give Havana its character and speaks volumes about the country’s history as well as its relationship with the United States.

As another great effort to bring awareness to the slowly opening door of travel to Cuba, the Cuban government commissioned U.S. photographer, Melani Lust, and Cuban photographer, Bryan Collazo, to create a ground-breaking joint exhibition to build bridges between the two countries. This video features Lust and Collazo’s photographs of post-embargo automobiles in Havana in January 2009, during the 50th anniversary celebration of Castro’s Revolution.

Feel free to check out my own photos of old cars in Cuba in the gallery below.

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If you are in Havana, this special exhibition runs May 8-June 8 at the Deposito de Automoviles in Havana.