Tasty trail food and thoughts on trail food


Enertia Trail Foods
isn’t like most things that come out of my hometown. Not a lot of things come from where I come from. Marietta, Ohio is a town tucked away alongside the border of West Virginia. Downtown is centered around a convergence of the Ohio River and Muskingum River. Because of this, Marietta is a bona fide river town. Boats meander casually up and down the waters on weekends and the Ohio River Sternwheel Festival draws in thousands of visitors each year. And that makes a big economical and cultural impact on a small town like Marietta. According to the 2010 census, 14,085 people call Marietta home. I still do. But for all of the reasons I look fondly upon my hometown, booming, promising business isn’t usually at the top of the list. There are businesses in Marietta–there are some great ones. But not many. So when an old high school friend and fellow vagrant let me know that he is now working for a trail foods company based out of Marietta, he immediately had me interested.Familiar with my roughing-it-much-of-the-time travel style, he asked if I wanted to try the stuff. And of course I did want to try it. But I was, admittedly, half expecting plastic baggies filled with nuts and dried fruit, sealed shut with a bread tie. I would have loved that too, but what showed up at my front door was definitely trail food; not trail mix.

He sent me:

  • New River Granola with Milk
  • Veggie Pizza Pasta
  • Pinnacle Pasta
  • El Captain 3 Bean Chili
  • Chocolate Peanut Butter Pudding
  • Grand Canyon Cheesecake

“… and I was all like, whaaaaaa? I can take this kind of stuff into the woods with me? On the road with me? How come I didn’t know about this stuff back when I was spending the night in Wal-Mart parking lots and graciously accepting free hot water from gas stations for my OATMEAL PACKETS???…”

The answer is, it doesn’t matter. I couldn’t have afforded it back then anyway. Not that it is exorbitantly expensive (most of them cost $4-$5), but I couldn’t have afforded it back then. But these days? I’d be hard-pressed to not splurge for the sake of having something other than peanut butter and bread while out in the wilderness. And by splurge, I mean, at least have some of this stuff packed away for the extra tough days. I’ve done just fine on peanut butter for a few days at a time, mind you, but after a few days, I find that I lose focus and start dreaming about things like… macaroni and cheese.

As it turns out, Enertia Trail Foods has now teamed up with Coleman and their packets of food are becoming increasingly popular and therefore available. And I know why: they’re actually really good. I’m not just getting behind them because they’re based in my hometown. I know about them because they’re based in my hometown. But, with that said, if you visited my hometown, you’d be impressed that a company with products this tasty is coming out of a town so small. It just doesn’t usually work that way. But it’s so very nice when it does.

In addition to Enertia’s curious home base, Enertia has a another attention-grabbing quality: ingredients. Whole wheat couscous, whole wheat bulgur, organic maple granules, sunflower seeds, organic rolled oats, organic pumpkin seeds, West Virginia honey, toasted almonds, organic peanut butter, ginger, fresh ground basil leaves… there’s some good stuff in these packets.

But here are some questions I leave you with:

How much does trail food like this actually enhance the overall experience? Do you find that varying your food like this provides more mental clarity, better morale, stronger determination, or an increase in satisfaction throughout and after the trip regarding the adventure? Since trail food isn’t usually cheap, at least not compared to it’s trail-friendly competitors (peanut butter, bread, cheese, nuts, dried fruit, etc.), how worth it is trail food like this for you? Are you getting more bang for your buck? Alternatively, do you find that you focus and perform better without the distraction of varying food options?

5Pointz is coming down and it’s a shame

5Pointz probably won’t be around much longer. In case you haven’t heard, one of New York‘s finest art installments may be coming down for the sake of urban expansion: two 30 story apartment buildings in an increasingly hip neighborhood. And such seems to be the story in ever expanding cities like New York. What is good is not synonymous with what has longevity. Without generating a profit up to par with profit potential, certain things in New York, even landmarks, take a backseat to business. But this case is exceptional. This building, 5Pointz, is a work of art–one that should be preserved with the same respect we preserve all other great works of art. The problem is this: 5Pointz isn’t like other art.

5Pointz is a graffiti-clad building with a rotating roster of artists whose work is on display. Located in Long Island City, 5Pointz wasn’t far away from the Astoria apartment where I spent 7 years. I stumbled across the building the first time probably the same way many people do. I was riding the 7 train and I noticed a towering warehouse, vividly colorful against the drab skyline on what I remember to be a rather drab day. I seized the opportunity the next time I was in the neighborhood of the 7 train to exit, follow the overhead tracks, and find the building. To my surprise, there were a dozen or so other people there when I arrived, seeming just as curious as I was. They were taking photos and standing in awe of giant portraits. As I walked the perimeter of 5Pointz and passed by other admirers, I found myself speaking in a hushed voice just like everyone else there, just like I would in a museum. Clearly, there was something to be respected on the walls of 5Pointz.

%Gallery-132436%I found my way onto the roof of the building. The image of the city’s skyline from that rooftop, fogged over just ahead, is one I don’t think I’ll ever forget.

When I went back to 5Pointz the second time, I brought a friend with me. I expected to show her the same art on the walls I had seen the first time. Instead, it was all different. I soon learned that 5Pointz’s art is revolving art, that each piece of artwork that was ever painted on a wall of 5Pointz was intended to not last forever, but instead, perhaps, just a few weeks. I began taking all of my visiting friends to 5Pointz, looking forward to their respective visits since they marked my calendar with visits to 5Pointz. The art changed every time I walked around the building, and I walked around that building many times.

After spending 8 years in New York, I left the city with a fondness for 5Pointz no less tender than that first visit to 5Pointz. Any time someone visiting the city has asked me for off-the-beaten-path suggestions of what to do in New York, even now that I am living in Austin, I have instructed them to visit 5Pointz. I have told them which stop to get off the 7 train at, I have told them to just follow the overhead tracks. My father, my sister, my brother, my best friends… I took them all to that building. I even had a photo shoot there with my old band. And it really breaks my heart that others may now not receive the same opportunity we all had–the opportunity to experience 5Pointz.

The building’s owner, a Mr. Wolkoff, seems to appreciate art, but not enough to preserve this monumental landmark. A recent New York Times piece discussing the building’s fate reported that Wolkoff is willing to give the graffiti artists who call 5Pointz home a “rear wall” on the new structure. And, of course, a rear wall will never replace this positively special place, because the essence of 5Pointz is contained on that particular building, not a shining new structure. But Wolkoff is 74 years old. Preserving an old spray painted building certainly wouldn’t be the traditional thing to do, that is, so long as spray paint is considered an unbecoming art medium. But that’s the entire problem with this situation.

Spray paint, unfortunately for spray paint artists’ and art appreciators’ sake, is associated with vandalism, gang signs, and huffing. But does that affect the paint’s credibility as a viable art medium? Of course it doesn’t, but it certainly affects the perception the public has of the art medium. And so, consequently, a Facebook page dedicated to saving 5Pointz only has 1,171 likes (meanwhile, “Making up nicknames for people you don’t know but see all the time” has 1,494,837 likes). A petition circling around online to save 5Pointz has 11,000 signatures. How many signatures would that petition have if it were arguing to keep a publicly treasured oil painting from being destroyed? More, I’d bet.

All in all, the news of 5Pointz’s grim fate has upset me. Perhaps nothing will sway the minds of Wolkoff and the members of the Community Board. After all, history repeats itself and, after all, good things don’t seem to last in New York (remember CBGB?). But there are two things that I can do, small as they might be:

1. I urge you to visit 5Pointz while it’s still open. This About.com page contains good directions on how to get there.

2. Allow me to share some of the photos I have from my personal trips to 5Pointz with you.

ACL: know before you go

The Austin City Limits Music Festival, usually referred to as ACL, is coming up soon. And really, Austin deserves some semblance of fun after this horrendous fire-infused, rain-free, 100+-degrees-for-way-too-many-days-in-a-row summer. After attending ACL last year just a few days after I’d arrived to Austin from New York City and successfully having a blast, I decided to get tickets for this year’s festival, as well. Acts taking the stage at ACL 2011 include Stevie Wonder, Kanye West, Arcade Fire, Coldplay, Alison Krauss, Nas, Cee Lo, Bright Eyes, TV On The Radio, Death From Above 1979, and, of course, just like every other festival out there, many more.

So why does this festival matter to traveling folks? Well, because over 70,000 people attend the festival every day. And they’re not all Austinites. They travel from all over the globe to be a part of this festival. Indeed, ACL is a travel destination for many. And with that, I present you, your handy Know Before You Go list for ACL.

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  • Austin City Limits. Austin City Limits Music Festival is celebrating its 10th anniversary this year, September 16-18. The festival takes place annually in Zilker Park, Austin, Texas.
  • Tickets. All 3-day tickets are now sold out. And, unfortunately, day passes for Friday and Saturday are sold out. But wait! You can still attend. On Sunday. You can hurry and grab your Sunday pass and still catch acts like Arcade Fire, Social Distorion, Death From Above 1979, Broken Social Scene, The Walkmen, and more.
  • Food. The food at ACL is phenomenal, especially when you consider that this is a festival and festivals (until the recent warmly welcomed changing atmosphere of festivals) usually sell hot dogs, popcorn, and ice cream. Austin has a diverse food scene and many of the restauranteurs make their mark in the ACL Food Court. Some of my favorites are Tiff’s Treats, P. Terry’s, Amy’s Ice Cream, and The Salt Lick, but check out this link for a full list of food vendors.
  • Art. ACL boasts a pretty decent Art Market within the festival grounds. Check out this link for the full list of artists.
  • Alcohol. You’re not allowed to bring in alcohol. If you want to drink, you’re going to have to drink what they’re selling inside.
  • Pets. I’m disappointed too, but no, you may not bring your pets to ACL.
  • Re-Entry. Here’s how it works: You exchange your 3-day ticket for a wristband. You need to wear your wristband to enter the festival. As long as you’re wearing your wristband, you can come and go as you please. Unfortunately, if you only have a single day ticket, you won’t receive a wristband and, therefore, you won’t be allowed re-entry.
  • Transportation. If you’re looking to not drive to and from ACL, there are, of course, other options. ACL (and Austin, in general) is bike friendly. There are not only bike racks at each entrance of the festival, but there is also a bike shop at each entrance of the festival. If you need parts or repair, you can stop by Mellow Johnny’s Bike Station. If you’re within walking distance, walk! It’s not the fasted mode of transportation, but it’s certainly good for the body and mind. You can also ride the free shuttle from Republic Square (4th & Guadalupe) to ACL. The shuttles begin at 10am and their last round is at 11pm. Taxis are another good option and they’ll be around for the flagging.
  • Parking. There is absolutely no parking available on the grounds of the festival. None. So here is what you do if you’re driving. Park at One Texas Center (here’s a map). The parking there is free after 5pm on Friday, September 16th and $10 on Saturday the 17th and Sunday the 18th. It’s a pretty easy walk over to the festival from the garage. You can also park in town. We found reliable spots on West 6th last year and walked from there.
  • Activities. Photo Booths, car giveaways, and filtered water fill-ups are a few of the few things non-music ACL has going on. That’s right. I said ‘a few of the few’ for a reason: there’s not much non-music stuff going on at ACL, especially not compared to festivals like Bonnaroo.

ADVICE: ACL is crowded, but it’s fun. But keep the crowded thing in mind. Plan accordingly. If you have anxiety and think you may need to bring your medication, I suggest you do. It’s also going to be hot. HOT. Very hot. Prepare for the heat and sun in every way you know how. I saw a girl passed out cold last year from what I bet was drug or alcohol related, but the heat certainly didn’t help. Don’t let that be you this year. Prepare.

THINGS TO BRING & NOT TO BRING: The powers that be behind the curtains of ACL have put together a helpful list of things you can bring and things you cannot bring right here.

THINGS PROVIDED: Most of the things you need are within ACL… food, drinks, water fill-ups, medics, etc. But check the ACL website to make sure you have a comprehensive understanding of the festival before you arrive.

Director of Forged spills on Scranton, PA

Forged is a recently-released movie that explores the stories within deep family bonds and the quest for redemption. Directed by William Wedig, the movie was shot in Scranton, Pennsylvania in February 2009. According to Wedig, 2009 was actually the coldest winter in Scranton over the last 50 years. The cinematography in Forged nonetheless came out beautifully. The crisp and dreary shots of the naked trees sent chills down my spine when paired with the striking plot of the movie. I watched Forged in New York City just before it won Best Picture at the New York International Latino Film Festival. The New York Times just reviewed the film yesterday here. Check out this Q&A with Wedig wherein he dishes on what it was like to capture Scranton on film.

1. Who did the cinematography for your movie, Forged?

My cinematographer is a guy named Zues Morand. He does a lot of music videos and he’s super talented and really versatile. If you need somebody to shoot something, definitely look him up. Zeus Morand on shooting Forged: “The characters in Forged were all flawed and weathered. We tried to choose locations that were aged, rusted, and reflected the history they had seen.”

(That’s Morand, the cinematographer, in the green.)


2. Forged displays Scranton in a way I haven’t seen before. The footage of the landscape looked dreary, because it was winter, but simultaneously beautiful. How did you go about scouting locations for the shoot?

When we were trying to find our locations in and around Scranton, we wanted to make sure that we showed that duality between the dreary, lonely, cold nature of the place, and the beauty which exists in a place so rustic. We were originally going to make the film in Texas but it just seemed better to put it in a place that’s so cold and beautiful. It’s like the cloud that hangs over these characters because of the past never escapes them. It’s always a part of their world.

3. You shot in February 2009 and you say that was the coldest winter in Scranton in 50 years. How did your team cope with shooting outside for long hours at a time in this kind of weather?

Well shooting in those sort of locations was a challenge. I couldn’t feel my feet for about two months and we’d make fires in cans or find a nearby shelter so people could cycle in and out. Some places didn’t have heat like the Lace Mill which has been shut down since the late 80’s or so. It was gorgeous though and there was talk of converting them into studios which is a great idea. It made it hard with the snow, but when you believe in the story you’re telling, it really isn’t that hard to motivate yourself.


(That’s Wedig on the left and lead actor Perez on the right.)

4. I’m assuming that throughout the shoot, you and your team discovered a thing or two about Scranton. Have any favorite locations?

There’s a couple places in Scranton that I like. Lake Scranton is gorgeous and when I saw it I knew I had to shoot there. Russells restaurant is fantastic (and they even donated film to us), but they have amazing chicken and pasta, and the Mohegan Sun in Wilkes-Barre is always fun to hit up and spend a few dollars and maybe make some back. We had a great time there, and even had some interesting adventures with Zeus at Hardware Bar in downtown. We loved shooting there and really the whole town helped us out.

Forged has won more than the New York International Latino Film Festival. Forged received ‘Official Selection’ at the Los Angeles International Latino Film Festival, ‘Outstanding Film Award’ at the Providence Latin American Film Festival, and ‘Official Selection’ at the San Diego Latino Film Festival. Starring Manny Perez, Margo Martindale, David Castro, Jaime Tirelli and Kevin Breznahan, Forged opens tomorrow in NYC at Quad Cinema (34 West 13th street NY, NY). Forged is hitting the road, as well. Forged will be showing in Los Angeles tomorrow evening, in San Diego and San Antonio August 5th, in Dallas August 12th, in Miami September 9th, in San Francisco September 16th, and Chicago dates are coming. For more information, check out the the website: www.ForgedMovie.com. In the meantime, check out the trailer below.

The Mayan Underworld: ATM cave in Belize

Actun Tunichil Muknal, an ancient cave buried deep within the Belizean jungle, has a serendipitous acronym: ATM. Wading through waist-deep river water, I’m not wearing non-swimwear. I’ve been trekking through the overgrown terrain for nearly an hour and I still have one more river to cross. The ATM cave’s name is often a joking matter in Belize (Hey man, if you’re going into the ATM cave, bring me back some money, eh?), but it seems as though there may be more to these acronymic parallels drawn than just a joke. The hike alone has shown me that an ATM visitor invests the time and energy into the trip in an effort to reap an enriching experience. And so here I am, depositing my time, my energy, and my muscle mass into an adventure that prefaces the cave itself: getting to the cave to begin with.

%Gallery-128327%In order to get to ATM’s wide open entrance mouth, I had to follow an unchangeable series of steps.

1. I flew to Belize City.
2. I traveled to San Ignacio with a driver and my photographer, where I stayed for the night.
3. In the morning, we were driven for nearly an hour before turning off on a dirt road, where we drove for another 40 minutes or so. The road was flooded in one area, but the vehicle we were riding in was ready and able to make it through the water.
4. I hiked about an hour through the thick and sticky jungle, crossing the river three separate times.
5. Finally, we arrived to the cave’s entrance. We ate lunch before beginning the ATM voyage.

The mouth of ATM opens like a keyhole amid the fanning jungle leaves that surround it; thriving in every viable square inch like mold. It not only allows the river to flow seamlessly through it, but swimming through that river is how you enter. Our guide tells us that for those incapable of swimming who wind up at the cave’s entrance, there’s an inconvenient alternate route. Swimming in chilling water while wearing hiking shoes and a helmet isn’t my best skill, but I’m glad I didn’t have to take the alternate route.

Our clothes and shoes immediately sponge up the chilly water. The sunlight trickling in from where we entered becomes less visible. The blackness within the cave is like tar; thick and all-encompassing. We swim. We wade. We scale the slippery, shiny walls. We stop at every glistening turn to relish in the silence, while my brain is simultaneously beholden to deafening thoughts–imaginings of what it would have been like to be a Mayan, exploring this damp and dark cave by torchlight. Every time my brain follows this thinking path, I cling to it vigorously. I want my journey through this cave to be a reflective one–one in which I follow the same footsteps as those before me, with their footsteps echoing in my mind. I especially want to hear the footsteps of the doomed.

They might not have considered themselves doomed, the humans who were sacrificed and marched through this cave. Some of them, like the adults whose skeletons are still holding their dusted over pose, might have said that sacrification was a privilege, that the ultimate honor is to give one’s self to the gods. Others, like the children whose skeletons are also still in the cave, might not have known what was going on, but they were likely frightened. And still others, like the prisoners of war or criminals who were potentially sacrificed here, may have considered their fate one of doom. I keep all of them in mind as I walk, only wearing socks now in order to protect the artifacts, through the elevated space with cathedral ceilings (The Cathedral) where most of the artifacts in ATM can be found.

The Mayans would travel deep within the cave, combating the forces of mysterious, dark water, in order to be closer to Chac. Chac is the Mayan God of Rain and it is said that the Mayans in this region of Belize believed that he could be found dwelling deep within the underworld, within this watery cave.

Extreme drought, a weapon believed to be used by Chac, aided in the fall of the Mayan Empire. When things got bad and weren’t getting any better, the agriculture in the area suffered. When the Mayan agriculture suffered, the people could not be fed.

The Mayans initiated sacrifices made in the honor of Chac right inside of ATM. Regular sacrifices included pottery (much of it meant to hold blood), which is shattered all over ATM, and blood from excruciating blood-letting ceremonies (Typically, women let blood out by way of their tongue and men let blood out by way of their genitals). Human sacrifices were made inside of ATM, as well. Although the bones cannot always give us clues to exactly how a human sacrifice was carried out, they were frequently done by extracting the heart. A still-beating heart would be accessed through a cut, ripped out, and the blood would be smeared in honor of the god for whom the sacrifice was made. The god the Mayans needed was Chac; they believed his favor could be bargained through sacrifice.

I gained the clearest view of sacrifice when we arrived at the Crystal Maiden. Found at the end of the public’s path in ATM, she is a fully-in-tact skeleton of a teenage girl. Her bones have been thoroughly calcified by the cave and because of this, they sparkle. We make our way back out, leaving with a feeling for which there are no words.

ATM spans from Belize to Guatemala, but its depths are still largely unknown. While puzzle pieces of artifacts help archeologists put the big picture together, the cave is filled with many more questions than it is answers.