MelodyTrip: The Easy Way To Visit Your Favourite Music Festival

The rise of iTunes and the occasional use of LimeWire (go on, admit it…), means that we’re being exposed to a wider selection of music than ever before. It’s a diversity that’s being reflected in a growing number of very cool music festivals from Coachella in California to Exit in Novi Sad, Serbia.

Now MelodyTrip makes it easy to locate and book tickets to the best festivals around the world. The MelodyConcierge function even provides recommendations where you should go based on your musical tastes and your budget.

Now about that rocking gypsy music festival in Bulgaria I’ve heard so much about…

Also check out Gadling’s Massively Huge Summer Music Festival Roundup.

Thanks to mister twist on Flickr for the pic of the great Gypsy band Fanfare Ciocarlia

Band on the Run: Normal in Normal, Illinois



The musical traveller, Troubadour. Road Rat. Whatever you want to call it, this blog will hold the stories that take place when travelling musicians are not on stage. What happens between the shows? What happens behind the scenes?
Ember Swift, Canadian musician and touring performer, will be keeping us up-to-date on what it’s like to tour a band throughout North America. Having just arrived back from Beijing where she spent three months (check out her “Canadian in Beijing” series), she offers a musician’s perspective on road life. Enjoy!

Normal, Illinois is blessed with a conversational name. I’m sure that every resident has heard this question more than once: “why is this town called ‘Normal’?” I, of course, had to ask also, but I consistently asked people who were also visitors like me. I got several shrugged shoulders, some snickers at the irony and one set of rolled eyes before I got any kind of real answer.

You see, we were in Normal, Illinois for the National Women’s Music Festival. This festival has been going strong for over thirty years and traditionally is a gathering place for women who are not considered “normal” by the status quo: strong women, independent women, bisexual women, lesbians, etc. I’m talking messing with gender roles here.

You get my point. Of all places to bring a women’s festival, I think this is the town. How to normalize non-traditional choices, identities, behaviour? Bring the gathering to a town called Normal and think nothing of it.

Just act normal.The town of Normal is relatively small with only about 50,000 inhabitants. It is called “Normal” because this was the site of a major teacher’s college, or “normal school” as such a school was called a hundred and fifty years ago. The original teacher-training school that became the town’s namesake was Illinois State Normal University, which later evolved into the general four-year university it is now and dropped the “Normal” from its name: Illinois State University. (source)

We arrived by plane into the little airport in Bloomington, Indiana (Normal and Bloomington are like “twin cities”) and, like many travel experiences via United Airlines or American Airlines (this was the latter), I received only one of my two checked bags. Thankfully, the one I received was my guitar and so I still had the means to do my job. . .

just no clean underwear or toothbrush.

Exhausted and needing a nap before the gig, I piled into the van that picked us up and lay horizontal on the bench seat as we drove the full fifteen minutes across the state line into normalcy. When I finally sat up, the van was parked outside of a university dorm where all of the attendees and the performers were being accommodated. Here we were at the famous Illinois State University and most of the students were gone for the summer.


(For those of you who have followed my writing, I just spent three months in Beijing living in a dorm room at a university there. Now that I’m back on the road with my band, I was prepared [excited?] for a hotel situation. Funny how the minute you imagine going up in the world, the world reminds you of what level you’re meant to be at.)

I hauled myself and my guitar up to the 7th floor via the clunking elevator that smelled suspiciously like sweaty gym socks, along with Lyndell Montgomery, my fellow band member who had just travelled in with me. Lyndell was still gratefully chatting with the festival rep who picked us up and who was escorting us to our dorm room. In fact, Lyndell had been carrying on a cheery conversation with her during the whole drive back. I had become monosyllabic due to lack of sleep and she was filling in the social gap extremely well. I made a mental note to thank her for that once I woke up.

We lumbered down the dark hall of the seventh floor and we were greeted by sweet notes taped to the door from our drummer (Cheryl Reid) and our two beautiful crew members (Desdemona Burgin and Julie Turner, photographer and stagehand, respectively) who had already arrived the day before. A friend greeted us in the hallway with hugs and love (and two shiny apples to snack on!) and she offered to help me find whatever I was missing from my undelivered luggage. I smiled my gratitude weakly but sincerely and everyone ushered me and my weary eyes towards the bed inside my dorm room. I must have looked terrible because there were several concerned faces bent on getting me to sleep!

When I woke three hours later, there was a toothbrush, clean underwear (brand new from the DITC vendor in the craft area) and a new t-shirt (from the same vendor) waiting for me to put on before we had to file down towards dinner and our performance. Not only did they want me to sleep, but they wanted me to smell better too! Can’t blame ’em!

I was so touched. Thank you.

The concert went well. We had two excellent guests join us on stage: Trina Hamlin on harmonica (she’s AMAZING) and Zoe Lewis (who does a killer fake trumpet sound). Both musicians expertly filled in some melodic holes for us in two of our songs. Both were a joy to share the stage with.

After the concert, we returned to the dorm and a huge pile of the festival performers all had a serious game of ping pong together. In fact, this was a full-out tournament that included six simultaneous balls in the air, four players on each side (two front players with paddles and two back “court” players to catch the stray balls using rolled up cardboard or other paddle replacements). There were mountains of screams cascading with laughter.

Scenic despite the scenery.

The concrete walls and fluorescent lighting of the basement recreation room in this dorm building had never seen such sunshine. We were recreating the space with every flying ping pong ball and yelp of fun.

Here we were on the grounds of the school that started the town – the original “normal” school. I love that this location (not just the town!) was the site of this year’s National Women’s Music festival. A place of learning and teaching hosting an event that offers the same: workshops and performances by women who have strong voices, who reach outside of traditional roles and prescribed behaviour and seek new ways to express, to be, to live.

The National Women’s Music Festival is a great experience, for all. Men can attend the musical performances as well; it is not an exclusive event. That’s what makes it revolutionary, I feel. This is what separates it from other women’s festivals and elevates it, for me, regardless of having to sleep on a campus for one more night this summer.

I eventually did get my luggage, just before pulling out of town the following day with our whole crew piled into my drummer’s van. We drove the full ten hours back to Canada sharing lively stories from the past three months of everyone’s separate adventures. It was great to be reunited again.

Back on the road.

Celebrating women’s music and women’s issues by simply being us — being normal.

In Normal, Illinois.

(Group shot above from left to right, back row: Martin Locke, Tret Fure / second row: Jane Weldon, Lyndell Montgomery, Me, Desdemona Burgin, Trina Hamlin, Julie Turner, Cheryl Red / laying on top: Jamie Anderson.)

A Canadian in Beijing: Performing at The 4th Annual Olympic Cultural Festival

About a month ago, I introduced you to my friend Chairman George, a performer and musician from Canada who tours his music in China once a year. (Well, at least once a year.) I met him in May and then we said goodbye. Fortunately, George came back at the end of June before I had to leave Beijing and I had a chance to connect with him again.

This time on the stage.

George does quite a bit in association with the Olympics here in Beijing. In 2004, he was a volunteer for China at the Athens Olympic games. It made perfect sense since he has a Chinese profile (and speaks the language), is Greek by descent (and speaks the language) and is Canadian (always a neutral nationality that puts people at ease!) He was actually a torch bearer and told some colourful stories about his time in Athens. I listened to each intently.

As a result of this experience, George does a lot of performing for various Olympic committee events or conferences in Beijing. . .

On the 24th of June, he asked me to perform with him at Renmin Daxue 人民大学 at an Olympic Conference performance and it was a great success. I sang backup on one of his songs and even a short excerpt from a famous Chinese song that I’ve been singing lately: 月亮代表我的心 “Yue Liang Daibiao Wode Xin.” The response was fantastic and so he asked me if I wanted to be part of another Olympics performance the following night.

I agreed.

This, too, was a great success. It was outdoors and filled with excited people, television cameras, several famous Chinese vocalists and performers, big screens broadcasting the stage to the filled audience, etc. It was quite remarkable, honestly. (I’ve included some pictures of this night from both the daytime sound check and the evening performance.)

Well, another opportunity rolled around for yet another of these gigs on Friday night of last week. Both of the latter shows were part of the 4th Annual “Beijing 2008” Olympic Cultural Festival events. They were open-air concerts and were packed with attendees and enthusiasm.

As you know, my sister was in Beijing with her fiancé and I was conscious that they had already crossed off the “see Ember perform in China” item from their list (the night before). So, I wasn’t sure if they’d be interested in attending such an event. I spoke to them about it and the mention of the 2008 Olympics piqued their interest instantly. They agreed to attend and so I put on my fancy red dress once again and headed to meet George.

We made our way down to the 世界艺术馆 or The World Art Museum. I still haven’t seen inside this museum (save the backstage area) but it’s in a dense section of town and the building was immense and looked a bit like a spaceship. They had set up a huge outdoor stage behind the building and it was lit up like a stadium with lights and action everywhere. The audience had all been given these large blow-up plastic toys like pool toys and they were waving them and bouncing them up and down. Each performer was greeted with cheers and their performances were applauded vigorously. It was the kind of audience you dream about; the audience that wants you to succeed and so your performance is successful before it has even begun.

I paused before going backstage to take it all in. The movement of the plastic toys was like a wave of colour across the audience. The dry ice was blowing onto the stage in big bursts capturing the stage lights in all their rainbow glory and the excitement grabbed the hairs on my forearm and made them stand up, alert and ready. This image reminded me of candy, somehow, and I smiled at my inner child and the simple association my brain had just made.

I hadn’t been there even an hour before it was time to get on stage. George entered the audience in his official Olympic outfit, slowly carrying a torch and jogging up and down the aisles to screaming cheers. He arrived on stage and played his first song solo (in Chinese, of course) before inviting me up with him. The audience welcomed me with a roar and when he started the chords for the famous Chinese song I was about to sing, the love was sealed. They sang along and gave me only joy. It was impossible to lose.

Afterwards, I signed autographs for many sweet young girls before the security personnel insisted we break away and head backstage once again.

Only an hour after the show ended the place was deserted. I am always amazed by how quickly events start up and close down here in China. All of the plastic toys had been collected in large plastic bags and were being put back in storage. The cameras were long gone. They wanted to shut off the building’s lights and lock the door and they were urging us to leave. We were ushered out with a smile.

My spirit felt full. I was thrilled to get the opportunity – the spontaneous opportunity – to perform one last time and in such a unique environment. My sister and Steve were also smiling from ear to ear. They had had a great time and were just as charmed by the whole event as I was.

Thanks George!

The night came to a late close over drinks in Hou Hai. The day had been intense and it was only the end of the first full day as a tour guide for my family. (Don’t forget that the day started with The Great Wall of China and then shopping at two different markets (more on that soon!) and then this concert!) I have a new-found respect for the travel and guiding industry!

I fell into a deep sleep that night, prepping my body for day number two of their visit and my second last day in my beloved China.

I dreamed sweet dreams filled with candy and colours and laughter.

And music.

Don’t forget the music.

41st Annual Smithsonian Folklife Festival

The 41st annual Smithsonian Folklife Festival kicks off this Wednesday, June 27th on the National Mall in Washington, D.C. Each year the cultural event features music and arts from several world regions. This year’s global goodness will focus on the Mekong River, Northern Ireland and the state of Virginia. Quite an interesting culture combo!

The Mekong River: Connecting Cultures feature will celebrate the diversity of the region and its ties to daily life in Vietnam, Thailand, Cambodia, Laos, and the Chinese province of Yunnan. Programming includes crafts, cooking demonstrations, ritual specialists and artistic and musical performances as diverse as Vietnamese opera, Thai shadow puppetry and Cambodian classical dance.

Northern Ireland’s Smithsonian exhibit area will feature sessions on agriculture and fishing, as well as a collection of pipers, rhymers and mummers. The Roots of Virginia Culture presentation will include delegations from Virginia’s eight Native American tribes, West Africa, and Kent County, England, who together will represent the Native, African American, and English roots of the state.

The festival runs through July 8. Don’t forget to check out Gadling’s huge round-up of other musical summer festivals.


A Canadian in Beijing: Hands in the Air at Beijing’s Midi Festival

One of my goals before arriving in China was to take in the live music scene here. That hasn’t been difficult in the least. In fact, it’s been difficult to balance getting up early for my part-time classes after taking in so much live music.

One of the prominent live music events of the year in Beijing is the MIDI FESTIVAL. Well, it’s prominent in the underground music world, that’s for sure. This festival takes places between May 1st and 5th in an urban park in the eastern Haidian district of Beijing. That’s quite close to where I live and I have been planning to attend this festival since arriving.

So I did.

Truth be told, I applied to perform at the festival when I was back in Canada. There was an advertisement via Sonicbids, an online submission service that I subscribe to and that enables the submission of one’s music for consideration for all kinds of events or services. I was not “awarded” a slot at the festival (although, it was a contest for a single opening and I’m sure there was stiff competition) and at the time I was relieved by this verdict, considering I would not have my band with me. While in attendance this week, however, I wished that I had known how to go through other channels to request a solo spot. I was truly missing the stage as I sat on the grass in front of it. And, I knew that my music would go over well there.

Perhaps next year?

The Midi festival is modeled after North American festivals. There are several stages with simultaneous music, food kiosks with greasy food, diverse markets (though both booths and sidewalk style, which is very Beijing), disgusting port-a-potties and cheap beer for sale in plastic cups. There’s lots of litter and sporadic tents set up on the edges of the site and, let’s not forget the requisite muddy sections in front of the main stage as evidence of hundreds of feet packed tightly against the stage, moshing across five days.

I was there on the final day, having just arrived home from Shanghai and deciding to take in at least one day of such an important musical event. Everyone who is anyone was there. It was a cool kids’ hangout and I simply had to go!

Unlike most visible grass in China, you can SIT on it at this festival and I spent a fair amount of time doing just that at the folk stage, feeling nostalgic about festival season in North America. Lawns in Beijing are not common and, besides, grass is considered dirty thanks to the regular deposit of urine, litter and dust. As a result, there are often “keep off the grass” signs or fenced off sections of what little grass I have seen. Seeing people sprawled across the expanse of green here at this public park was a very non-Beijing sight and it added to the nostalgia for home.

I went to the festival with Traci (see pic of us here, in our “cool” poses!) and she introduced me to several interesting people connected to the music scene in Beijing. I’m slowly making my rounds and finding that people are quite receptive to my interest in building my career here. Traci was also handing out flyers for an event this weekend called the “Maple Rhythm Beijing Concert,” which was a concert scheduled for after the Midi festival and featuring Canadian music. I was happy to see my friends’ faces on the flyers that were landing in the hands of the Beijing hipsters: Vinnick, Sheppard and Harte; The Jimmy Swift Band (no, there is no “Jimmy Swift” and we’re not related!); Alun Piggins; and The Road Hammers. (I have met the promoter for this event, too, and he is considering us for a tour next year – fingers crossed!)

I met up with other friends then and enjoyed a flip-flop between various stages. I took in some excellent Chinese and international bands from folk to hip-hop to rock, most notably “ZouYou” (or “Left, Right”) which was a Chinese progressive hard rock band with amazing musicianship and stage presence. Dave Stewart (from the Euthymics) was the Friday night headliner but he was unable to attend. In his place, he sent Imogen Heap and Nadirah X who each did a couple of songs and blew the audience away. I love Imogen voice and Nadirah X’s lyrics were incredibly powerful and politically potent. Another female artist, a famous Chinese pop-rock singer, also sang but I do not know her name. She garnered a huge applause from the audience when she took the stage, as though her presence were a big and welcome surprise. If anyone reads this and can tell me her name, I would really appreciate it. It was too loud to ask anyone and then it was too late.

Midi was co-sponsored by Greenpeace and I was surprised to see this, considering their radical environment actions and (I’m going to generalize here) the Chinese government’s typical aversion to radicalism! Between sets, the big screens showed hardcore live footage from recorded attempts to stop the transport of nuclear devices on ships, animal rescues, demonstration against polluting corporations, etc. It was incredibly moving to watch and the ten minute short was on regular repeat.

All of these performers (the three women mentioned above) finished off their set by collaborating on a song that was written for Greenpeace. It was empowering and got the audience excited despite the language barrier. The previous big screen visuals had helped to bring the points home without words being necessary.

I left the site late in the evening feeling filled up with music and reminded of how powerful live performance can be. Hands in the air in musical solidarity seemed to me to be another universal sign of camaraderie, belief, and commitment to being part of a movement. Whether or not our aims are the same, music has a cauterizing effect and brings people of all backgrounds and ideologies together, rocking in a crowded cradle of potential.

We can.