One for the Road: Burton Holmes Travelogues

Do you know who coined the term “travelogue”? Until today, I didn’t know that it was this guy. Burton Holmes is known as America’s most famous travel showman, and even has his very own Hollywood star. A camera enthusiast from a young age, Holmes dropped out of school at sixteen and began traveling, first to Europe with his grandmother, and then to Japan. Early film clips from his travels are recognized as the very first travelogues. He soon established a travel film production company and began capturing the world.

There’s much more to the story, and a good place to continue learning about this travel pioneer is between the pages of Burton Holmes Travelogues: The World’s Greatest Traveler, which was released last fall by Taschen. Holmes took over 30,000 photos and 500,000 feet of film during the course of his travels through every continent. This 300+ page archive has collected the very best of his work.

Bonus for folks in the Rochester, NY area: Author and editor Genoa Caldwell will be giving a presentation about Burton Holmes at the George Eastman House tomorrow, Oct. 18 at 6 pm, as part of their Wish You Were Here travel photography lecture series.

How Many Movies Have You Watched On One Flight?

I’m not exactly embarrassed to admit this, but I’m not sure if it is something to be proud of either?! On a recent 13-hour Qantas flight from Melbourne to Los Angeles, I managed to watch five movies in a row, and could have probably snuck in a sixth if my eyes were not so weary. And for some reason, I feel compelled to admit that I engaged in this obscene in-flight marathon film fest. I’m actually quite curious to know about the movie-watching habits of other long-haul fliers out there.

Who else will ‘fess up?

I had only planned on watching one movie, and then figured I’d pop some Sudafed Nighttime pills to knock me out. But the drugs never kicked in after my own private screening of No Reservations. Or maybe deep in my psyche I knew that I just HAD to watch Blades of Glory before bedtime. After that, I blame it on the seat — I just couldn’t get comfortable. Or was it that burning desire to watch License to Wed and Evan Almightly?! By the time I got to Borat I had really surpassed my (or any normal sleep-deprived human’s) film-viewing limit and should have certainly been fast asleep…but once you start watching that movie, you just can’t stop. My cranium hurt and my eyes were surely bugging out of the sockets by then, but I had to know if Borat would ever get his dream date with Pamela!

So who else has been hooked by their in-flight entertainment system? Please tell me that I am not the only who has denied herself sleep on a plane in order to catch up on all the romantic comedies and mockumentaries she’d been missing? I had brought a good book with me on the plane, as well as my laptop, so I could organize the photos from my trip. Instead, the in-flight entertainment system got me good, proving to be a much stronger drug than the decongestant I thought would have brought me at least a few good hours of sleep.

Bangkok Airport Video

This comes to us from a friend who runs one of my favorite sites on the Web: Newyorkology. Amy Langfield sent us a link to a video as soothing as it is bizarre.

The shots here, slow-mo and grainy, but oddly compelling, were made in Bangkok Suvarnabhumi International Airport in Thailand at 4 am. I’m sure the new-agey music has something to do with it, but I had a hard time pulling my eyes away from this.

A Canadian in Beijing: Smooth Summer Night

As I walked back from the subway tonight in the clinging heat, I felt like I was floating. No, perhaps “coasting” is a better word. My legs were like rudders guiding my upper body smoothly and wordlessly through a thick, heavy sea of humidity. I watched the late evening Beijing sights like I was leaning over the railing on a slow moving cruise ship and being carried along.

It was dreamlike.

I’m tired tonight. I had a long day visiting friends which came on the heels of a long night of partying the night before with the university crowd. It was a celebration because our exams are over and the courses have come to a close. They’re all out again tonight, but this student (i.e. the one who is about an average of ten years older than everyone else here!) cannot keep this pace. I chose to head back to an air-conditioned dorm room to cool off and be languid.

And tonight is truly a night for the word “languid.”

Besides, I was in jeans and sneakers all day in the intense heat and I feel like a human stew. It’s not pretty and it doesn’t smell inviting. I really outta be alone tonight!

As I was walking home, though, conscious of this being my last week here, I was taking it all in like scenes from a movie. Sometimes I see my life here a bit like that, as though I’m writing my life over again and I’m the protagonist in the script who can choose what happens next – a “Choose-Your-Own-Adventure” film, perhaps. And, “shuo shi hua” (to tell you the truth), it’s almost like that for me here. I ride the tide of contacts and activity often not knowing what will come next; it’s a beautiful reality. I feel so far removed from my home in a Canada – a world of pre-scheduled tours and travels, some of which are pre-booked a whole year in advance. This spontaneity, or option for spontaneity, has been so incredibly liberating.

I’m going to miss it.

Tonight’s dreamy feeling started when I walked into the mouth of the subway at Chaoyang, downtown. I was washed with the sounds of cheesy pop music coming from the CD vendor’s small stereo at the bottom of the stairs. Often the subway entrances have vendors selling a variety of things and pirated CDs and DVDs are among the popular items. I have seen this vendor before, a young guy who is often strumming a guitar along with the songs, and his music is always playing. Or, shall I say it is always crackling out the speakers that are too small to handle his penchant for loud volume. This time, the song was a soundtrack-style song with fully orchestrated keyboard strings and wind chimes and soaring vocals. As I walked down the passageway under the street, the sounds of this twinkling music fading behind me felt like the score to a movie that was just beginning. It set my thoughtful tone for the whole forty-five minute trip back to Wudaokou.

I got out at the Wudaokou stop along with the many other young people pouring onto the platform. I took up my place in the spilling students going down the steps of line 13, an aboveground train, and eventually found myself on the sidewalk and being carried eastward towards my campus in the same crowd.

I first crossed the train tracks that are right beside the subway exit and I took in the track keeper’s residence. I’m not sure what his official title is, but each side of these tracks consists of a small residence space and the people who live and work on each side are responsible for the railway crossing, i.e. the announcements, the lowering and rising of the traffic arms, the security, etc.

(Well, I was told that they don’t actually live there, but it sure looks like a home to me…)

This south side looks more elaborately lived-in than the north side with laundry hanging outside the small square living quarters, a veggie garden planted on one side of the tracks in the empty plot of land (I love that there’s a garden right here in this busy urban railroad crossing!), and potted flowers in the mini courtyard. This worker has truly tried to make it a home in such a public place.

Then, just moments later, I am gliding past the outdoor restaurant and markets where vendors sell food on skewers (chuars) and steamed corn and beer. In fact, you can get just about anything here, including vegetarian fare, as long as you’re not picky about where it’s cooked. There are piles of seafood and meat and then lots of vegetables to choose from.

It is crowded on a non-rainy weekend night with tables and chatter everywhere. During the day, this open lot is deserted, but at night everything comes alive. The smells of cooking and smoke and clatter of glass bottles all hit me at once. The angle of the smells and sounds reminded me of a sudden laugh track in an old sitcom at a moment in the script that isn’t that funny. I’m not part of the merriment, but it is alive in another dimension, piped into my state of mind anachronistically.

My cruise continues, bound for its only destination: home.

(Or at least, the closest thing I have to home here, which is my dorm room.)

Crossing the street and rounding left down the pathway to the west-gate of my campus, the energy on the street has calmed. The heat is keeping the edges duller here. I slip in through the west gate past the childlike guard who is dutifully holding his rigid position and I swerve around the basketball courts to my dorm building. When the door finally closes behind me, my pants and sneakers find the floor and I sit around in my underwear enjoying the air conditioning and letting the day frame itself around my thoughts.

It is only nine o’clock at night and the credits are going to start rolling any moment. This short film of my evening is coming to a close, free of dialogue but full of sights, sounds, smells and feeling.

All we need now is a repeat of that cheesy pop music and it would be a full-circle Beijing night. Oh well, I’ll just have to replay it in my mind, fuzzy speakers and all.

Cue the wind chimes.

Film Forum: Manufactured Landscapes

Today in New York, the Film Forum premieres Manufactured Landscapes, which follows photographer Edward Burtynsky as he travels through places like China and Bangladesh, capturing images of globalized industry. Directed by Jennifer Baichwal, the film features large-scale images of vast industrial landscapes, and delivers a message about the human and environmental costs of the destructive changes that our planet is experiencing.

The acclaimed Canadian artist takes large-format photographs of factory worker armies, skeletons of rotting oil tankers and dismantled cities along the shores of the Yangtze River as the Three Gorges Dam nears completion. It’s a film that “allows us to contemplate industry’s impact on land, people, and culture” and seems like a valuable tool that offers perspective for all travelers as we all move through this world, whether for work or pleasure.