Photo of the Day (10.18.09)

Today’s Photo of the Day pick comes to us from Flickr user Walker Starling, who’s provided us with a beautiful example of macro photography. The crystal-clear detail of the flower in front is contrasted with the soft focus of everything behind it, creating a beautiful dream-like visual effect. The colors are great too: the soft purple of the petals, surrounded by clumps of punchy yellow and vibrant green all combine to create a beautiful landscape. If you didn’t know it was a photo, you might be fooled into thinking it was painted by one of the Impressionists.

Want to have your travel photo considered for Gadling’s Photo of the Day? Submit your best shots here.

Through the Gadling Lens: inspirational nature shots from our Gadling Flickr pool

As you know by now, today we’re bringing attention to climate change and ecotravel here on Gadling. Personally, climate change and taking care of the environment is an issue that I’ve thought about a whole lot since becoming a parent — and to be honest, my daughter has become pretty passionate about it herself (“Mom, you forgot to turn off your computer! You have to save the environment!” is not an uncommon admonishment from her 5-year-old mouth). While I’m not perfect, we do try to do what we can in our home to help reduce our carbon footprint, and when we travel, I’m careful to be mindful of making eco-friendly choices — still, I figure we could all do with a bit of inspiration. And so today, I thought I’d post some of the finest shots I’ve found in our Gadling Flickr pool that feature this big blue marble we call home. Because this is a seriously beautiful planet that we get to live on.

On with the show.
Flora

Anyone who has ever visited my site knows that I’m a sucker for a good flower shot, and happily, the wonderful photographers who contribute to our Flickr pool did not disappoint. Here are some of my favourites:

This beautiful photograph of Hawaiian plumeria (or what we Trinidadians call “frangipani”) was shot and shared by vyxle. What makes this shot so stunning is how clear and sharp the texture is — because of the detail of the edges and surfaces of the petals, you can imagine exactly how they would feel between your fingers. Looking at this image, I remember the flower’s smell so vividly. Awesome.

I’m pretty sure that I featured this stunning image of a Thai water lily shot and shared by RedHQ before, but I can’t help myself: the colour palette of this image is stunning. Besides, who can resist the bee in mid flight, about to land on the centre of the flower with all of his friends? Awesome.


Finally, I love the simplicity of this image taken by Emerald2810. The perspective is so unique: by shooting upward, we get the impression that the flower is reaching toward the sun; in addition, by shooting in this manner, the sunshine really highlights the translucence of the petals. Lovely.

Fauna

In addition to my daughter being paranoid about me using way too much energy at home (read: spending too much time in front of the computer), she’s also become obsessed about endangered animals: how they become endangered in the first place, and what we can do to save them. She’s also become concerned about where meat comes from, and since I’m a vegetarian, she has asked me several times in the past about why I made the choice to stop eating meat. One recent day, she made the decision that she was going to be a vegetarian, too, so she could, you know, “help the environment.” “Except for hot dogs,” she said. “I’m going to keep eating hot dogs. Oh, and chicken. And bacon. Ooh, man, and sushi …”

Well, anyway. At least she turns off lights.

Here are some great shots of some of the beautiful animals that grace our Flickr pool:

The movement in this shot of snow geese taking flight by MistyDays/CB is breathtaking, isn’t it? With the entire frame filled with their flapping wings, you can almost feel the breeze caused by their movement, and the energy of them all leaving en masse. Fantastic.


And how about this stunning shot of a green lizard by Fiznatty? What makes this image so spectacular is his clever use of bokeh, or shallow depth of field: notice how the lizard’s eyes are in sharp focus, while the rest of him fades to a soft blur (if you remember, this can be achieved by setting your aperture to a low number). Beautiful.

And finally, I love this shot of “George” shared by ohad*:


This is apparently George, a blue peacock who lives in New Mexico. ohad* did a great job of capturing the curious and not-entirely-pleased expression on George’s face, to very amusing effect. Well done.

Scenery

Finally, a feature celebrating nature and all its beauty wouldn’t be complete without some of the stunning scenery shots captured by the photographers who share their work with Gadling.


This amazing image was captured by the very talented Buck Forester, whose work I’ve featured here before. The blues of the water, mirroring the blues of the sky are truly breathtaking, and a great reminder to be mindful of the colour palette available to you as you look through the viewfinder, checking for complementary colours, and framing the shot to maximize accordingly.


I will admit upfront that I’m drawn to this image shared by Andy Bokanev because I’ve actually stood in this very spot on Cannon Beach in Oregon. What I love about it is how unusual the image is, however: rather than the typical-white-sand-blue-sky type of shot, this image focuses on the moodiness of the sky, the clarity of the beachwater, and the austerity of Haystack rock. A great reminder to look for alternative perspectives when shooting.

I’m also drawn to scenery shots which capture movement caused by nature, and this shot of the Reynisdrangar (or basalt sea stacks, as I’ve come to learn) captured by t3mujin, totally fits the bill. I love how the mist (sea spray?) swirls around the gigantic rock formation, adding movement to the entire image. Breathtaking.

And finally, because I’m a sucker for a good aurora borealis, I love this shot by, again, fiznatty
:


This was captured over a bathhouse in Sweden, and the result is amazing. Personally, I wouldn’t even begin to know how to capture a shot like this; however, happily, fiznatty shares some of his secrets in capturing the aurora in the comments of this image. It is one of my life dreams to see the northern lights, so if I ever make it far enough north, I’ll definitely keep these tips in my back pocket.

So! If these images don’t inspire you to take care of the Earth (or at least capture some amazing images of it), then I don’t know what will. As always, if you have any questions or additional comments, as always, you can always contact me directly at karenDOTwalrondATweblogsincDOTcom – and I’m happy to address them in upcoming Through the Gadling Lens posts.

Karen is a writer and photographer in Houston, Texas. You can see more of her work at her site, Chookooloonks.
Through the Gadling Lens can be found every Thursday right here, at 11 a.m. To read more Through the Gadling Lens, click here.

Through the Gadling Lens: enhancing vacation shots with macro photography

This week, I received an email from Gadling reader, Brenda:

I read your post on choosing lenses and I was curious as to how big exactly a macro lens is because all the other lenses were identified by their length in mm and I couldn’t find a precise range for the size of a macro lens by searching on google so im not sure what it is. I would appreciate it if you could clear this up for me.

This is an excellent question, and because I love to do it, I thought this week we’d spend some time on macro photography — what it is, why you need a special lens, and how it might enhance your travel shots.

And so, without further ado:
According to Wikipedia, “macro photography” is when “the image projected on the “film plane” (i.e., film or a digital sensor) is close to the same size as the subject.” Which, for me, is a bit technical. For those of us laypeople, macro photography is basically very-very-very-very-very close up photography. The beauty of this type of photography is that it can bring out the details of the subject of your photograph that you might not normally notice with the naked eye during the everyday.

In order to do macro photography well, if you have an SLR camera, you will likely have to purchase or borrow a special “macro” lens (or, if you use Nikon products, a “micro” lens — for some inexplicable reason, Nikon likes to call their macro lenses “micro,” but trust me, they’re the same). If instead, however, you’re in the market for a point-and-shoot camera and you’re interested in macro photography, be sure that you buy one with a “macro” setting — not all point-and shoots have them, and without it, you won’t be able to get a nice sharp macro image.

Here’s why the lens is important:

The following image was taken about 2 feet away from a bouquet of daisies I bought earlier this week, shot with a 50mm “normal” lens:

Now, if I went to get a bit closer to that yellow daisy, the closest I can get my camera with that 50mm lens is about 1 foot away, and still maintain some sharpness and focus:

But watch what happens when I get any closer — say, about 6 inches away:

See how I completely lose all focus? All you notice is a bunch of muddled (albeit pretty) colours.

Okay, so now I’m switching lenses — this time, I’m using my 60mm macro lens.

First, I’ll take the shot about 2 feet away, like I did with my 50mm lens:

You’ll notice that from this far away, the 60mm lens behaves like any other 60mm lens — petals are sharp, not just on the yellow daisy, but on the surrounding daisies, as well.

But! Because this is a macro lens, check out how close I can actually continue to maintain focus:

In the above image, I was actually holding the camera a mere 3-ish inches away from the daisy. This time, you can clearly see all the details in the centre of the flower. Without my macro lens, this sort of sharpness would be impossible to capture.

A few tips when it comes to macro photography:

  • You’ll remember that we talked about lens focal length; however, as Brenda noticed, there really isn’t a specific “focal length” when it comes to a macro lens — it’s possible to get 50mm macro lenses, 85mm macro lenses, 100mm macro lenses, whatever. For my purposes, I like macro lenses that are in the “normal” range — 50 to 60mm — so that I don’t have to worry about any wide angle or telephoto distortion in the resulting images.
  • When it comes to ISO, aperture and the like, the rules remain the same — just remember that if you’re focusing on a very small part of your subject, you’re concerned with light, etc., in a tiny region, so you’ll need to adjust accordingly. For example, the subject might be in bright light, but what you’re actually focusing on might be in shadow — so adjust your ISO for low light, rather than high.
  • The cool thing about macro lenses is that they can also be used as regular lenses — so, for example, when I pack my 60mm macro lens with me, I don’t worry about bringing another “normal” lens — the 60 mm macro will do the trick — I just have to stand farther away from the subject than I would when taking a macro shot. Make sense?

Okay, so now that you know what macro photography can do, here are some reasons why you might want to take a macro lens on your trip:

You’re going to a location with amazing flora.

As you can probably guess, macro photography is a great way to show the details of really exotic flowers — you can see the smallest details of petals and other characteristics of a flower that your naked eye wouldn’t necessarily notice. I always take my macro lens when I travel to tropical places, because the flowers are so unusual; similarly, if I’m going to England or, say, the United States Pacific Northwest in the summertime — places where the locals are truly passionate about their gardens — I make sure to take the macro along.

Some images which prove my point:

In the shot of the ginger lily, above, the macro lens allows you to really notice how the light falls on each individual petal, rather than just taking in the blossom as a whole. The resulting image shows a palette of cool pinks, reds and burgandies.


In the above image of the iris, notice how you can see the tiny little yellow hairs along the inside of the white petals.

And finally:

In the above image of this lilly, you can almost see each independent grain of pollen on the stamens — an aspect of the flower you might not notice (until you get all that pollen on your hands and clothes, I mean, or start seriously sneezing).


You’re going to a place with big bugs.

One of the most popular uses of macro photography is taking photographs of creepy-crawlies and other other-worldly insects. With a macro lens, you can see their little buggy faces, the hairs on their legs, and other details that a regular lens would miss.

A couple of a very accommodating dragonfly that I took recently, using my macro lens:

Notice the detail of his wings in the first shot, and his turquoise eyes (who knew dragonflies had turquoise eyes?). And in the second shot, is it me, or is that bug smiling?


You want to take really detailed shots of your travel companions.

Say you’re planning a beautiful, sunny beach vacation, or a strenuous hike in the mountains or desert. Carrying along your macro lens will help you take really focused shots of your travel companions’ Coppertone tans, or the sweat as it rolls off their brows after the hike:

Notice how you can see every little wrinkle in the skin at the base of my thumb. It occurs to me my hands don’t look that young anymore.

My husband, on a hot Texas day, after dousing himself with the hose.

You’re just in the mood to take some artsy-fartsy shots.

The very cool thing about macro photography is that sometimes you can get so close to your subject, it’s almost hard to tell what your subject is anymore. I love playing with my macro to get in close to subjects which have very vibrant colours or patterns — the results are often unrecognizable, but artistic enough that they find a framed place in my home:

You plan on eating.

Finally, an admission: I love to eat on vacation. And one of my favourite uses for my macro lens is to shoot images of food. Sometimes you just gotta get close to see how luscious everything is:

So get out there and grab your macro, and see what you can capture – sometimes, the very best way to remember your vacation is up close and personal. And as always, if you have any questions, you can always contact me directly at karenDOTwalrondATweblogsincDOTcom – and I’m happy to address them in upcoming Through the Gadling Lens posts.

Karen is a writer and photographer in Houston, Texas. You can see more of her work at her site, Chookooloonks.
Through the Gadling Lens can be found every Thursday right here, at 11 a.m. To read more Through the Gadling Lens, click here.

Photo of the Day (6-17-09)

One of the most beautiful sites in North Dakota in the summer time is the fields along the highway that are filled with yellow sunflowers. This shot by flicts reminds me of that–plus the warmth, energy and happiness of the season. The angle also turns this one flower into a kaleidoscope of nature.

If you’ve captured and image you’d like to share, add it to Gadling’s Flickr photo pool and it might be chosen as a Photo of the Day.

Travel song for spring: Morning Has Broken

Back in November and December we ran a series Songs of Travel where we featured our favorite travel songs. This morning with spring flowers blooming in a variety of places, even along I-70 where I saw dozens of daffodils in their yellow splendor just yesterday, and my mother is talking about the redbud trees blooming throughout the mountains of southeastern Kentucky, I’m reminded of Cat Steven’s (aka Yusef) “Morning has Broken.”

Here’s a video I found that captures the beauty of the flowering trees, roadsides and gardens, plus the birds that we can see for free. With birds busy migrating back to their summer homes this month and festivals honoring flowers, this ode to spring and the morning seemed fitting. Hopefully as you travel this week, you’re able to enjoy the blossoms and the singing. There’s a wonderful shot of children about halfway through.