Gadling

Five years ago, when my wife and I had our first child, our lives as travelers changed. We still hit the road just as often as before, but now we find ourselves seeking out zoos and playgrounds and children’s museums and a host of other kid friendly attractions that we never would have visited during our childless years. Most of the time, I acquiesce to the child-centric activities more or less kicking and screaming, and although I enjoy watching my kids have fun, 3- and 5-year-old boys aren’t exactly well known for showing gratitude and appreciation, so I sometimes wonder if the kid stuff is worth it.

Over the Memorial Day weekend, we treated our boys to the one kid-focused activity we’ve never tried before: a circus. These days, many of the larger traveling circuses perform in large arenas, which hold little appeal for me. I wanted to bring my kids to an old-school circus performed under a big top, and I found what I was looking for at Circus World, in Baraboo, Wisconsin, about three hours northwest of Chicago, and just 10 minutes from the tourist trap insanity of the Wisconsin Dells.

Baraboo is ground zero for circus enthusiasts. It was here on May 19, 1884, that the five Ringling Brothers – Al, Otto, Alfred, Charles and John – staged their first circus act. There were 21 performers, a small tent, a hyena and three horses in the act. Tickets cost 15 to 35 cents and they soon took their act on the road, pulling into small towns all across the country with their hand-carved circus wagons, advertising strong men, bearded women, ferocious animals and the like.

Circus World is both museum and circus, and before the circus started, we took some time to check out the museum, which tells the story of how the Ringlings turned their little circus into a global juggernaut. The Ringlings were the offspring of August Rungeling, who emigrated from Germany to Milwaukee in 1848. He changed his name to Ringling, married and had 11 children, three of whom died in infancy. The five brothers got into the circus act, with Al, the oldest, serving as the ringleader. He married a snake handler from Iowa and could balance a huge plow on his chin unsupported.

In 1918, the brothers bought out Barnum & Bailey, their chief rival, and the business evolved into a national railway show. They got rich and used some of their money to build lavish homes and other buildings, including the gorgeous Al Ringling Cinema, which still stands today in downtown Baraboo. (The museum doesn’t mention the fact that just one Ringling heir still lives in the Baraboo area today, and he’s in prison for sexually assaulting a 10-year-old boy.)

A stroll through the museum’s collection of old circus posters and the even more interesting hall of circus wagons gives one an idea of how un-politically correct circuses were back in the day. Any sort of deformity could be turned into an attraction – a short-armed man was called “Seal Boy,” and various posters advertised bearded ladies, East Indian dwarves, “Giraffe-necked” women from Burma, sword swallowers, an Egyptian Giant and a “Man Without a Stomach,” among many others.

In the pre-television era, going to a circus was a common form of entertainment, especially for people who lived in smaller towns. Popular circus acts became household names across the nation. For example, some 40 million Americans saw a gorilla from the Belgian Congo named Gargantua the Great.

After watching a magic show, we scored front row seats under the big top, and settled in to watch the show. The first act was a woman in her 50s or 60s who was dressed up like a pop star in oversized white sunglasses, a gray wig and a revealing, open-backed shimmery, sequined costume. She brought out “the world’s only performing Persian cat” and a slew of “Afghan dogs” that performed a variety of jumps, tricks and dances. It all seemed preposterous to me, but my sons, who were devouring an industrial size portion of cotton candy, were transfixed.

The dogs were eventually replaced by a comically effeminate Columbia contortionist wearing eye makeup and a three-sizes-too-tight gymnast costume. I had to avert my eyes as he contorted his body one way and other, looking as though he was about to break a limb at any moment and resisted the urge to leave altogether when he actually fit his entire body inside a small, clear box.

The next performer was a comically buffoonish character who did a slapstick routine revolving around his supposed inability to jump on a trampoline. I thought it was ridiculous, but when I looked over at my sons, they were roaring and squealing in delight. I don’t think I have ever seen them so happy.

Next, we were introduced to Spirit, the “world’s smallest performing show pony,” as the PA system blasted the ludicrous “My Little Pony” theme song and an older woman in a garish Hungarian folk costume led Spirit around in circles.

The final act of the afternoon was easily the most preposterous. A woman wearing a feathered Indian headdress and a far-too revealing sequined costume brought out a host of little monkeys on leashes and proceeded to coax them into jumping from platform to platform, 20 feet up in the air. Her male counterpart was a Greek looking man with a unibrow who looked like Pete Sampras might if he lives to be 110. When the monkeys dawdled, he whacked them on the asses to get them to jump, and after they’d done their standard jump a few times he said, “Now we’re going to see if they can jump 12 feet. We hope they can make it!” I was rooting for the monkeys to go on strike, but it didn’t happen.

The monkeys made it and while the whole farce seemed exploitative and just plain dumb to me, I couldn’t deny how much my sons had enjoyed the spectacle. On the way out, we filed past a guy holding a huge snake, asking $10 for a photo, and my 5-year-old son, Leo, was uncharacteristically grateful.

“Dad,” he said. “Thank you so much for taking me to the circus!”