Genghis Khan exhibit in Chicago the biggest ever

by Sean McLachlan on

A new exhibition at the Field Museum in Chicago spotlights the world’s greatest conqueror.

Genghis Khan brings together the largest collection of 13th century Mongol artifacts ever. The exhibition traces the career of Genghis Khan from his birth in 1162, to a noble but obscure family, through his conquest of an empire that was larger than the Roman Empire. In fact, it was the largest ever, stretching from the Pacific Ocean to the gates of Vienna, and he built it in just 25 years.

More than 200 objects are on display including a Mongolian house, silk robes, weapons, and even the mummy of a Mongolian noblewoman.

The exhibition shows that while Genghis Khan was a bloodthirsty warrior, he was a clever statesman too. He established a complex and efficient form of government, a postal system, paper currency, diplomatic immunity, even wilderness preserves and laws against littering. His conquests had a profound impact on the development of Asia and Europe.

Genghis Khan runs until September 3.

Photo courtesy the Field Museum.

2012 is shaping up to be a big year for Islamic art

by Sean McLachlan on

This year, several major exhibitions and new galleries are focusing on Islamic art.

The biggest news comes from Paris, where the Louvre is building a new wing dedicated to Islamic art. This is the biggest expansion to the museum since the famous glass pyramid. The new wing will have room to display more than 2500 artifacts from the Louvre’s permanent collection as well as notable loans. It will open at an as-yet undetermined date this summer.

In London, the British Museum is hosting two Islamic-related exhibits–one on the Hajj and one on Arabian horses. In Provo, Utah, the Brigham Young University Museum of Art is running Beauty and Belief: Crossing Bridges with the Arts of Islamic Culture. The Museum of Fine Arts in Boston opened two new galleries last December that include displays of Islamic art from Asia, and the Met in New York City also opened a new gallery late last year dedicated to the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia.

Islamic art is also facing some challenges this year. Looting and selling national treasures on the international art market always happens in times of political unrest. It happened in Iraq and Afghanistan and now it’s happening in Libya, where the death of Qaddafi did little to stabilize the situation. Syria is another country to watch. Sadly, unscrupulous “collectors” take advantage of civil wars and poverty to grab historic treasures for cheap.

Photo of eleventh century crystal ewer with birds in the Louvre collection courtesy Wikimedia Commons.

Albania’s National Museum faces up to Communist past

by Sean McLachlan on

A new wing of Albania’s National Museum in Tirana opened yesterday that’s dedicated to the abuses of its former Communist government.

Under the harsh rule of Enver Hoxha, shown here in a photo courtesy Forrásjelölés Hasonló, some 100,000 Albanians were executed or sent to prison or forced labor camps, this in a country of only three million people. Torture and intimidation were rife and a network of informers made everyone paranoid.

For a disturbing look at the surreal daily life in this regime, read The Country Where No One Ever Dies by Albanian author Ornela Vorpsi. The last days of Communist rule are seen through the eyes of an adolescent girl whose main dream is simply to be left alone.

That was the dream of a lot of Albanians. The new wing to the museum displays photographs and artifacts documenting the torture and extermination of dissidents. People lived in fear of disappearing into a jail or camp. Hopefully this exhibition will go a small way towards helping Albania come to terms with its past and heal some open wounds.

Visible evidence of the old regime is everywhere in Albania. While Tirana is undergoing a beautification program and the countless statues of Hoxha have been pulled down, thousands of bunkers still litter the country’s beaches, fields, and neighborhoods. The paranoid regime put up an estimated 700,000 of the ugly things despite needing roads and adequate housing for its citizens. One set of them can be seen in the photo below courtesy the Concrete Mushrooms Project.

Sparta: Greece’s ancient warrior city

by Sean McLachlan on

After having seen Athens and Corinth, I couldn’t resist visiting one of the other great city-states of ancient Greece: Sparta.

Sparta needs no introduction. It’s a star player on the History and Discovery channels and that schlocky pseudo-historical film 300. While I wanted to see the ancient ruins where brave warriors once strode, my main reason for going was to explore nearby Mistra, a Byzantine ghost town with a castle that rivals Acrocorinth. I’ll get to that in my next post.

Sparta is a three-and-a-half hour bus ride from Athens. The route passes along the Aegean shore, through the Isthmus of Corinth, and into the Peloponnese, the peninsula that makes up southwestern Greece. Passing Corinth, the road ascends into rough hills that were being buffeted by a snowstorm.

Luckily the roads were in good condition and I made it on time. The clouds were breaking over the Vale of Sparta although it remained bitterly cold. My first stop was at the Fifth Ephorate of Byzantine Antiquities to learn more about how the economic crisis was affecting archaeologists’ ability to explore and preserve Greece’s past. The Ephorates are divided by region, in this case Lakonia, roughly the central and southern Peloponnese, and also by period. There’s a Fifth Ephorate of Prehistoric and Classical Antiquities too.

Archaeologists Lygeri Nikolakaki and Ageliki Mexia greeted me in their cramped office overflowing with books, reports, and maps. They spread out several maps in front of me to demonstrate just how rich their area was in medieval remains. Castles, churches, monasteries, and medieval towns dotted the landscape. This area was called the Morea in late Byzantine times and was one of the few centers of wealth, art, and learning during the waning days of the empire in the 14th and 15th centuries.

One region caught my eye–the Mani peninsula. The Ephorate has recorded some 2,000 Byzantine and post-Byzantine monuments on the peninsula, and the map showed hiking trails crisscrossing the area. The Maniots were always semi-independent, fierce fighters and pirates who never fully submitted to the Greeks, Romans, Crusaders, or Byzantines. Their culture remains distinct even today. As I was researching this trip I was already planning another one.

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Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: Mistra: a Byzantine ghost town in Greece!Nikolakaki and Mexia explained that Mistra, the Byzantine city outside Sparta, is their department’s star attraction and one of the top ten most visited historical sites in Greece. Numbers are generally down, however. There was a surge in visitors in 2005 and 2006 after the Olympics, and then a steady decline. They blame the economy and competition from more famous attractions in Greece.

Despite this, funding from the Greek Ministry of Culture and the European Union in recent years has led to improvement at many sites. At Mistra, the Ephorate had installed new signs in Greek and English to explain the remains, and the museum there has been reorganized and improved. The palace of the Despots (local rulers) is being restored. They hope to open a gift shop this summer.

Another Byzantine fortress city, Geraki, is being prepared for visitors and will open in two years, funding permitting. The Ephorate hadn’t received approval for their 2012 budget when I visited, and they’ve been told to “reduce expectations”. At the same time, they’ve been asked to increase the number of visitors.

The Fifth Ephorate of Byzantine Antiquities may lose its independence under a new scheme by the Ministry of Culture. It’s proposing to merge the Ephorates of each region into one, so that prehistoric, Classical, and Byzantine antiquities will all be handled by one office. Nikolakaki and Mexia are cautiously optimistic about this move, saying that it may help cut waste and improve the ability of the Ephorates to manage Greek’s heritage. After all, many sites, Sparta included, have remains from several different periods.

I hope they’re correct. Mergers generally mean layoffs, and I wouldn’t want to see these dedicated researchers join Greece’s large ranks of the unemployed.

The Archaeological Museum of Sparta is worth seeing to get some background on the city and its history. Despite the cold, only the front room where the ticket seller sat was heated. The rest of the heating had been turned off to save money.

I kept my coat on as I browsed the few rooms in this small but well-stocked museum. Funerary stelae, statues of the gods, and a remarkable bust of an ancient warrior showed that while Sparta was famous for its martial skill, it produced good art as well. Some of the best artifacts are a series of mosaics discovered in Roman-period houses in the area. Check out the photo gallery for some of the best displays from this interesting museum.

Chats with archaeologists and visits to museums, however informative, can’t compete with seeing the ruins themselves. That evening, with the sun peeking through the clouds, I took the short stroll to the edge of town to see ancient Sparta.

While not nearly as impressive as the ruins of Corinth or Athens, the remains of ancient Sparta are alluring. Soon the town of modern Sparta is left behind and you enter olive groves. There were almost no other visitors when I went and the place as quiet except for birdsong. From the old acropolis you can look out over the theater and the remains of a temple to Athena. Nearby lie the foundations of a Byzantine church. The ancient stones were taking on a golden hue from the evening light.

As I stood in an olive grove looking out over Sparta’s ancient theater, a shepherd grazed his flock nearby. A ray of sunlight broke through the clouds to shine on the medieval town of Mistra in the distance. Beyond that rose the snowy peaks and gorges of Taygetus mountains. Perfect.

A friend who has traveled extensively in Greece says that the country’s scenery “does tend to sneak up on you like that.”

Greece sneaked up on me several times during my trip.

Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: Mistra!

Greek museums face the economic crisis

by Sean McLachlan on

It’s not easy being the caretaker of Greece’s heritage these days. Greek museums are facing budget cuts, strikes, reduced staff, even loss of visitors due to riots. The National Archaeological Museum had many rooms closed during the peak tourist season last summer due to budget cuts, and strikes are regularly closing all publicly owned museums.

Take the Byzantine and Christian Museum in Athens. It collects the nation’s Medieval heritage, focusing especially on the glory days of Byzantium. When the Roman Empire split into western and eastern halves in 395 AD, the West fell apart within a century, but the East, known as Byzantium, survived for another thousand years. Byzantium produced a distinct and beautiful artistic style and preserved many Classical works that then became the inspiration for the Renaissance.

The museum was founded in 1914 in the palace of a French noble. For most of the twentieth century the displays didn’t change much and visitors tended to pass it by for the more famous Classical sights.

“It was a place only for scholars,” said Nikolas Constantios, an archaeologist and museologist who works there and showed me around the recently revamped permanent exhibition.

And what an exhibition! Some four hundred icons are on display. Richly embroidered church vestments stand next to colorfully painted manuscripts, gold coins, and day-to-day objects. It’s all laid out in an open, well-lit fashion that reminded me of the new Ashmolean in Oxford. This modern style replaced the old “cases filled with stuff” museum design and helps combat museum fatigue.

This ten-year revitalization project almost came too late. The money, half of which came from the Ministry of Culture and half from the European Union, was already earmarked when the crisis hit.

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“We were safe because we were almost finished,” Constantios said. “If the crisis had happened five years ago we would have had a lot of problems.

The final touches are due to be completed by May and include a public garden, gift shop, and cafe.

While the present looks rosy for this museum, there are some serious challenges ahead. Museum director Anastasia Lazaridou said the Ministry of Culture has cut the museum’s budget by 20 percent. She has had to let some of the staff go, especially short-term contractors whose work is important for their well-known conservation department, which remains the biggest in Greece.

“We will try to find money from the private sector and create a bigger network of collaborations with foreign museums to share expenses,” Lazaridou said.

With the recession, though, the museum has found getting large donations to be more difficult than it used to be. Tickets help–with the renovation visitors numbers are ten times what they were a decade ago–yet many of these visitors get in for free.

When I visited there was a typical crowd for the low season: three other tourists and several school groups. Entrance is free for under-18s. Luckily this situation reverses in the high season. Check out the photo gallery and you’ll see why the Byzantine and Christian Museum is getting on the map.

The Museum of the City of Athens is facing even greater challenges. Housed in the former royal palace of King Otto, the first monarch after independence from the Ottoman Empire, it’s situated close to the municipal government buildings. Several riots have occurred right outside their door and now many tourists avoid the entire neighborhood. Museum director Aglaia Archontidou-Argiri told me visitor numbers dropped 70 percent last year.

Luckily the museum is a private foundation so they are in no danger of closing, yet they’re scrambling to find money for extra programs. Last year they ran a free program teaching Greek culture and history to immigrants. It ran for six months and included students from the Roma, Georgian, Bulgarian, and other communities. Now they have no money to continue, but Archontidou-Argiri remains optimistic they’ll find the money somewhere.

Like with the Byzantine museum, many visitors are school groups, who come to see the displays illustrating the development of their city. While the museum charges them, it lets in kids for free if their families can’t afford the €2 ($2.63) entry fee. With the crisis worsening, this is becoming increasingly common. There is also a popular music and lecture series that attracts many locals, but it is also free.

So far these two museums are doing fairly well. Both have been lucky in their funding, but with the crisis tightening wallets all over Europe, the caretakers of Greek heritage have a tough job ahead.

Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: Athens day trip: Acrocorinth!