Medieval manuscripts in Los Angeles and London

by Sean McLachlan on

Two major exhibitions on opposite sides of the globe are focusing on the art of medieval manuscript illumination.

At the Getty Center in Los Angeles, a show has just opened highlighting the burst in creativity and education in what is popularly called the Gothic period. Gothic Grandeur: Manuscript Illumination, 1200–1350 features books from this important period, when educated Europe created a huge demand for illustrated manuscripts.

Looking at these works of art instantly dispels the popular notion that the Middle Ages were a low period in civilization. In fact, it was a time of great artistic creativity and innovation. Even though the Church tried to create an orthodox mode of thinking, science and basic questions of philosophy were able to advance, albeit slowly. Even existentialism had a place. Just read the opening chapter of St. Augustine’s Confessions if you don’t believe me.

The exhibition mainly draws on Getty’s impressive permanent collection, including recent prize acquisitions such as the Abbey Bible, one of the finest Gothic illuminated manuscripts ever made. Also of interest is the Northumberland Bestiary, a mid-13th century encyclopedia of animals.

In London, the British Library is running Royal Manuscripts: The Genius of Illumination. This collection of 150 manuscripts from the library’s collection date from the 8th to the 16th century and depict royalty through the ages. Some were even owned by kings and queens, such as a psalter with marginal notations by Henry VIII. The exhibition not only covers the royalty about and for whom the books were created, but also the artists who create them. Not all were monks as commonly believed. Many books were made by professional freelance artists who hustled for commissions from the rich and powerful. Not much has changed!

Gothic Grandeur: Manuscript Illumination, 1200–1350 has two installations, one running to 26 February 2012 and the next running from 28 February to 13 May 2012. Royal Manuscripts: The Genius of Illumination runs until 13 March 2012.

Photo courtesy British Library.

Charles Dickens featured at new Museum of London exhibition

by Sean McLachlan on

The Museum of London has opened a major new exhibition on one of the city’s greatest writers–Charles Dickens. Dickens and London celebrates Dickens’ 200th birthday looks at the relationship between the writer and the city he used as inspiration for many of his novels.

The exhibition recreates the sights and sounds of 19th century London, something the museum does very well for many eras. London 200 years ago was one of the greatest cities of the world, and one of the worst. The center of global commerce and culture, it was also home to grinding poverty and drug abuse. One item on display is Dickens’ notes from an opium den he used as inspiration for one of his scenes.

Dickens often wrote about the plight of the poor and he knew what he was talking about. When still a child, he had to work ten-hour shifts in a shoe polish factory while his father spent time in debtor’s prison.

The British Library in London is also marking the bicentennial with a small exhibition titled A Hankering after Ghosts: Charles Dickens and the Supernatural. Dickens loved a good horror story and penned many, although another author once accused Dickens of plagiarism, an accusation that had some foundation in fact.

Dickens fans will also not want to miss the Charles Dickens Museum. Although Dickens only lived here from 1837-1839, the prolific author finished The Pickwick Papers, Oliver Twist, and Nicholas Nickleby in that time. Even if you’re not terribly interested in him, his house gives you a good idea of a moderately wealthy family home of the era.

Dickens and London will run until June 10, 2012.

Photo of Dickens with his two daughter courtesy Wikimedia Commons.

Thieves steal rhino horn from Paris museum

by Kraig Becker on

Earlier this week, two people entered a museum in Paris, used some kind of gas to neutralize the guards, and made off with a rhino horn from one of the stuffed animals on display. This was the fourth such robbery in Europe this year, as thieves look to sell the valuable horns on the black market in Asia.

The incident took place on Tuesday at the Museum of Hunting and Nature in the Marais district of Paris. Around noon, the two individuals entered the building used what is described as “paralyzing” gas on the guards, and then proceed to remove the rhino horn from the display. When they had claimed their prize, they disappeared into the streets, and at this time, there are no leads in the case.

Rhino horns continue to be a hot commodity in Asia, where they are used in traditional medicines. Because of the demand there, a single horn can fetch as much as $100,000 on the open market, which has contributed to the rise in thefts from European museums this year. Worse yet however, is the continued poaching of the animals throughout Africa, resulting in the black rhino recently being declared extinct in West Africa.

I’m guessing these thieves don’t care about the source of their rhino horn and that stealing them from museums is just out of convenience. If they lived in Africa, they would probably be brutally slaying the animals there as well.

[Photo credit: Selber Fotografiert via WikiMedia]

Early Christian art on display at the Onassis Cultural Center, NYC

by Sean McLachlan on


It’s often called the Dark Ages, a time when barbarian hordes overran Rome and that great civilization’s art, culture, and learning disappeared. A time when there were no great achievements.

It’s a misnomer.

Rome did not fall in the fifth century with the usurpation of the last emperor in Rome in 476. To the east, at the new capital of Constantinople, modern Istanbul, the Eastern Roman Empire was starting a new renaissance in art and administration that would become known as Byzantium.

An exhibition in New York City’s Onassis Cultural Center explores the place of early Christianity in these often misunderstood years. Transition to Christianity: Art of Late Antiquity, 3rd to 7th Century AD opened yesterday and runs until May 14, 2012.

The exhibition brings together more than 170 objects from collections in Greece, Cyprus, and the US. There are a wide range of objects including mosaics, paintings, sculptures, architectural elements, inscriptions, coins, liturgical objects, jewelry, and domestic items. The timeline spans the last years of paganism and the rise of Christianity as a tolerated and eventually the official religion.

Early Christian art took on many of the forms and styles of earlier Roman art, as you can see from this 7th century silver plate, shown here in a Wikimedia Commons image. This is one of the nine so-called David Plates, commissioned by the Emperor Heraklios (ruled 610-641), whose victory over the Persians was compared to David’s defeat of Goliath. In this plate David is being presented to Saul (1 Samuel 17:32–34). The figures are dressed like Roman aristocracy.

The exhibition looks at many facets of late Antiquity including the interaction of paganism and Christianity, daily life, the importance of cities, and funerary art.

Of course the “barbarians” had art of their own. While that’s beyond the scope of this exhibition, many museums have collections of the Germanic tribes’ unique styles of jewelry, glasswork, and carving. The British Museum has an especially good collection.

Burgess Shale online exhibition brings 500 million year-old sea back to life

by Sean McLachlan on


The Burgess Shale in British Columbia, Canada, preserves an amazing collection of fossils of sea creatures from the Cambrian period. This was a time dating from 488 to 542 million years ago, when complex creatures were beginning to evolve but before the dinosaurs existed.

Some of the creatures were pretty strange, like the Anomalocaris canadensis pictured above in this image courtesy Nobu Tamura. The name means “strange shrimp of Canada”. Another is the Marella splendens, shown below in this image courtesy Wikimedia Commons. These little guys are the most common animal found in the Burgess Shale.

Fossils from the Burgess Shale can be seen in museums around the world, and now the Royal Ontario Museum and Parks Canada have created the Burgess Shale online exhibition. The exhibition has a fossil library of almost every species ever found in the shale, along with information about how they lived. Most interesting are the animated reconstructions, including a virtual submarine ride to visit sea life half a billion years ago.

More than 70 digital reconstructions of the animals allow you to examine them closely. You’ll see how many modern animals such as snails, sea stars, and crabs had their origins in this remote era. These real-life monsters are a great educational tool for kids. My son was fascinated.

If you want to see the Burgess Shale for yourself, go to Yoho National Park in British Columbia. Guided hikes to the otherwise restricted fossil beds, which have been designated a UNESCO World Heritage Site, are available from July to September