Love In The Civil War At The New York State Museum

The Civil War is the subject of numerous exhibitions and special events these days as the country commemorates the war’s sesquicentennial. Most study the battles and politics, but one at the New York State Museum in Albany is focusing on how the war affected the relationship between two lovers.

“I Shall Think of You Often: The Civil War Story of Doctor and Mary Tarbell” opens today as part of “An Irrepressible Conflict: The Empire State in the Civil War,” a 7,000-square-foot exhibition that examines New York’s role in the war.

Doctor and Mary Tarbell were childhood sweethearts who got separated when Doctor Tarbell went off to war with the Union army. They kept up a regular correspondence until the doctor was captured and sent to a Confederate prison.

Mary heard nothing from him and didn’t even know he was alive until he was released in February 1865. The doctor wasted no time getting leave to go home and marry his true love.

The exhibition tells of their enduring relationship with letters, diaries, photographs and Mary’s wedding dress, giving a personal and emotional side to a period of history so often concerned with death and violence.

Both exhibitions run through September 22.

[Photo courtesy Tompkins County History Center]

A Personal Lament To The Death Of Guidebooks

It was with a heavy heart that I read the news last week that Frommer’s guidebooks will cease to be printed. The guidebooks were purchased by Google last summer, and as of this year, the entire future list of titles will not be released. With the takeover of digital apps, social media, and user-generated content, we knew this was coming, but it still feels like the end of an era. It’s become fashionable for any traveler (especially for writers, including our own bloggers) to be dismissive of the printed guidebook, claiming they get all their tips “from locals on the road” or via social networks, possibly demurring to an occasional read of Lonely Planet. Let’s dispense with the tired traveler vs. tourist argument; we can all benefit from practical info for navigating a new place, and no matter how “local” you go, there’s nothing wrong with visiting the museums and attractions for which a destination is known. Even as an active member of the “new media,” I mourn the death of guidebooks like that of a friend.

The greatest gift of the digital age to the traveler is online trip planning. I’d never want to go back to the days of travel agents and phone reservations. I’ve spent hours on the Internet booking flights, reading hotel reviews and soliciting advice and recommendations from friends, but guidebooks have always been the heart of my pre-travel ritual. Each year, after we had narrowed down the destinations to a few (often places where American Airlines and Marriott coincided, back in the days where work travel generated a fair amount of status, miles and points for free vacations), my husband and I would spend a few hours at a bookstore, poring over the guidebooks for points of interest, relative costs of travel and local events that might happen during our travel dates. Back when I worked at Conde Nast Traveler magazine, my desk was next to the research department, making me feel like a kid in a candy store. Shelf after shelf of guidebooks, atlases and travelogues gave me a keen eye for what features are the most useful in a printed travel companion.In addition to having the most current information, I look for an efficient presentation (while I love travel photography, I don’t care for it in my guidebooks, taking up valuable real estate and showing me things I hope to see myself) with detailed maps, a short phrasebook and menu guide, as well as a point of view in a guidebook. I had always made fun of Rick Steves and his fanny-packed followers, but in Portugal, I discovered his “back door style” is really quite helpful for navigating crowded tourist attractions and distilling fun facts about a museum’s history (look elsewhere for nightlife advice, though). My respect for Mr. Steves solidified with his book “Travel As A Political Act,” particularly due to his advocacy for travel to Muslim countries and the importance of getting a passport. Time Out city guides offer a surprising depth of cultural sidebars in addition to nightlife listings. Occasionally, you might be lucky to stumble upon an indie series like the gorgeously-designed Love Guides to India or Herb Lester‘s guides to the “usual and unusual” in Europe and the U.S., but these were often only discovered once you reached your destination. Lonely Planet was usually a given, having the widest range of places and most annual updates, but my heart belonged to Arthur Frommer.

Frommer’s guides were never the hippest or most inventive, but I liked their no-nonsense and concise layout, stable of local writers and the personality that shown through the pages with “Overrated” tags and honest advice. I loved the history behind the Frommer’s brand, imagining how Arthur’s original “Europe on $5 a Day” changed the way Americans travel and opened up a world of travel daydreaming and practical trip planning. Writer Doug Mack recently published his own book, “Europe on 5 Wrong Turns a Day” using Frommer’s 1963 book as his only guide. Vintage guidebooks are priceless slices of the past, whether it’s a reissued Victorian guide, or a handbook for your trip to the USSR (the later is now one of my prized possessions). In 50 years, what will people learn about how we traveled to Asia from Facebook photo albums and TripAdvisor reviews?

Destination and books chosen, I relished my New York commute armed with guidebooks before the trip. While I hated to ever brandish a guidebook while traveling, I didn’t mind being seen with it on the subway, where people might see me and think, “There’s a girl who’s going places! Literally, to Chile!” I imagined a stranger might strike up a conversation, offering their tips for their aunt’s restaurant in Santiago or their best friend’s guesthouse in Valparaiso (I was evidently envisioning a live version of Twitter). Even now that I do float travel questions over social media, I first try to research via a custom Google search that limits results to my trusted sources, ranging from travel writer friends’ blogs to big media like New York Times’ travel section and, of course, Frommers.com.

During a trip, I’d carry a book in my purse during the day, but I only removed it for surreptitious glimpses of a map if seriously lost. While in a museum, I might allow myself the luxury of reading the book in full public view. In the evenings, I might peruse the book before dinner, not for restaurant recommendations, but for hints on what neighborhoods and streets might yield the most options. My husband has always loathed making reservations, even in our own city, preferring to rely on instinct, menu/curb appeal and highest density of locals. At the end of the night, I liked going back to read more about the places we’d seen, learning about the backstories of a city, and understanding the cultural importance of the names we saw on statues.

Once I moved abroad to Istanbul in 2010 and constantly clutched a smartphone, my guidebook usage slowed, but I never fully gave it up. English books were expensive and travel plans were made much more freely (weekend in Budapest on Friday? Why not, when it’s a two-hour flight?), but I still tried to cobble together some basic info before going to a new country – stuff like: how much to tip, the best way to get to the airport and the going cost of a bottle of local wine. Basically, stuff that could be found in a guidebook. In many eastern European countries, I found the excellent (and free) In Your Pocket guides, produced by expats and natives, with tips on everything from happy hours to hidden Soviet murals. The guides are available in various digital forms, but I always preferred to find a paper copy, easy to roll up in a purse and read cover-to-cover like a magazine. I experimented with various Kindle books and documents and apps to collect the many links and tips I found before a trip, but found a lot of limitations: poor maps, advice from inexperienced travelers, lack of context and real “meaty” content. Especially when I was stuck with a lack of Wi-Fi, a dead battery or a setting where it would be unwise to flash any form of technology, I’d yearn for an old-fashioned book.

After I return home, I can’t say exactly what happens to my guidebooks. I don’t revisit places often, so I tend to pass on books to other travelers, leave them in airplane seat pockets, or recycle them when I have to purge books. I always liked the idea of keeping them on my bookshelf, a visual reminder of where we’d been, like passport stamps in your living room, but my shelf space can’t keep up with my wanderlust. Many travelers like a printed book so they can make notes and annotations in the margins, but I consider a book a sacred space to be left pristine, though my books are accessorized with receipts, ticket stubs and bar napkins. I keep these artifacts in duty-free bags and hotel envelopes, possibly for a scrapbook I will never make, or for future generations to marvel at the fact that we once paid for hotel Wi-Fi.

Now that we’ve reached the end of an era, what’s to come in the next? Now that anyone with an Internet connection can tap into a local network, or crowdsource restaurant recommendations, is Mr. Frommer and his ilk destined to become a relic of travel, like steamer trunks and airplane ashtrays? I’d say that until apps and social media can overcome the limitations of user-generated content, there’s a niche for printed guidebooks, but the choice of print over digital is more visceral. We need guidebooks as long as there are people who love browsing in bookstores, who appreciate a beautiful map, and who don’t give a damn about being a traveler or a tourist, as long as they are going somewhere.

[Photo credit: Gluten Free Mrs. D via Twitter]

Photo Of The Day: Framing The Louvre

It’s not easy to frame a scene perfectly for a photograph, especially at a popular spot full of tourists. But Flickr user Kumakulanui did it twice for today’s Photo of the Day. Taken at Paris‘ famed Louvre museum, he captures both the larger scene of people and architecture, as well as the close-up his travel companion is shooting on her camera. The result is a very clever double take, giving you two images for the price of one.

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[Photo credit: Peter Forster]

British Museum Opens Exhibition On Life And Death In Pompeii And Herculaneum


Today the British Museum in London opens what is sure to be the hit exhibition of the year.

Life and Death in Pompeii and Herculaneum” examines the daily life of the Roman world, as it was preserved in two cities buried under volcanic ash from the eruption of Mount Vesuvius in 79 A.D. Through fine art and mundane objects, we get to see what life was like for ordinary Romans.

Romans like the baker Terentius Neo and his wife, whose likenesses were preserved in a fresco on the wall of their house. “Baker” is a misleadingly humble term for Terentius, who was obviously well-to-do, and who had a literate wife who is shown as his business partner.

The exhibition is laid out like the House of the Tragic Poet, one of the homes excavated at Pompeii. A video reconstruction prepared by Giunta Regionale della Campania shows what it looked like when it was being used. As you wander through the atrium, bedroom, kitchen and garden, you learn about different aspects of Roman culture.

The ash that buried the cities and killed its inhabitants preserved frescoes and graffiti that show us a snapshot from the time. Slogans from an election held a few months before still adorn public walls, including a painting of a candidate distributing free bread. Other graffiti boasted of sexual conquests or lost love.

A large amount of the exhibition space is devoted to brightly colored frescoes that once decorated interior walls. Some show religious or natural scenes. One room that overlooked a garden had walls painted like a garden, giving the illusion of being outside.

%Gallery-183881%While much of the focus is on the upper classes, several displays show how the more common Romans lived. In the kitchen, for example, we see the workplace of the slaves. Here, there’s a simple altar for them to worship their gods, and a worktable covered in carbonized food. One blackened loaf of bread bears the stamp, “Made by Celer, the slave of Quintus Granius Verus.”

The kitchen also revealed an odd fact about Roman homes – it was where the toilet was usually located. One wonders how many Romans died because of this ignorance of microbiology.

Another oddity of Roman life was how sexual the art was. What we may see as crude today was considered funny or magical to the Romans. A young woman wore a pendent in the shape of a penis to ensure luck and fertility. A phallic wind chime was supposed to bring luck to the household. Then there’s the sculpture of the god Pan porking a goat. Nobody is sure what the Romans were thinking when they made that one.

The final part of the exhibition is dedicated to the sobering casts of the dead. When the citizens of Pompeii and Herculaneum were buried by the eruption, they rotted away, leaving their ghostly shapes in the hardened ash. Archaeologists have poured plaster into many of these cavities to reveal men, woman, and children in their death throes. A particularly poignant scene is of a family of four. One child still sits on the mother’s lap, while another, who could have been no more than four, lies nearby, her face so well preserved as to be recognizable.

These bodies will be one of the main draws to the exhibition, but I have to admit to a certain guilt at my voyeuristic fascination with them. What does our obsession with these casts say about ourselves? Cambridge historian Mary Beard has written a thoughtful essay on this and comes up with no easy answers.

This sort of blockbuster exhibition is something the British Museum does well, and this is one of their best yet. From the high art to crude graffiti, from naughty sculptures to a baby’s cradle, the breadth and richness of Roman life are brought to life in an experience no one with an interest in the ancient world will want to miss.

“Life and Death in Pompeii and Herculaneum” runs until September 29.

Chicago’s Field Museum Unveils Brilliant Reconstruction Of Lascaux Prehistoric Cave


The Field Museum in Chicago is the first venue in North America to host an impressive 3D reconstruction of the famous prehistoric cave paintings of Lascaux, France.

Scenes from the Stone Age: The Cave Paintings of Lascaux” showcases the best-ever full-sized replica of the paintings, including many never before seen by the public. Visitors will feel like they’re in the cave itself as they enter into a tunnel that has the same paintings and relief as the original. The works are lit by simulated oil lamps and torches to replicate what they would have looked like to the Paleolithic artists who made them some 15,000-20,000 years ago.

Lascaux contains hundreds of images of animals, geometric shapes and an enigmatic human figure with a birdlike head. The artists used the natural contours of the stone to give the figures a 3D effect and the illusion of movement.

Also on display are period artifacts and a reconstruction of a Stone Age family, with descriptions of their surprisingly advanced culture.

The original cave was closed to the public in 1963 in order to preserve the fragile paintings, which were already beginning to show wear due to the changes in temperature, humidity and a rise in carbon dioxide due to more than a million visitors entering the cave. Now experts are trying to remove a growth of fungus, bacteria and algae that threaten the paintings.

“Scenes from the Stone Age: The Cave Paintings of Lascaux” runs from March 20 to September 8.

[Photo courtesy Wikimedia Commons]