New exhibit sheds light on Antonine Wall, the Roman Empire’s northernmost border

by Sean McLachlan on

There’s not much left of it now, just a deep swale in the earth and a few stones jutting out of the grass. Almost two thousand years ago, though, it was the northernmost boundary of the Roman Empire.

The Antonine Wall protected a narrow part of Scotland between the Firth of Forth and the Firth of Clyde, from the 140s to 160s AD. After the Emperor Hadrian built Hadrian’s Wall across what is now the border of England and Scotland, his successor Antoninus Pius decided to move 100 miles further north to gain a military and propaganda victory and add more land to the empire. The wall was built of turf on a stone foundation and stretched 39 miles, as opposed to the stone Hadrian’s Wall that ran 73 miles. Forts placed at regular intervals strengthened the both walls.

Now a new permanent exhibit at the Hunterian Museum in Glasgow brings together numerous artifacts from the wall to show what life was like for the soldiers living up there. Included are several elaborate sculptures commissions by Antoninus Pius to show off his great victory.

The Antonine Wall was only used from 142 to 162, and briefly again around 208. Later emperors decided it wasn’t worth the expense and effort and instead used Hadrian’s Wall as the northernmost boundary. Despite this short lifespan, several communities sprang up around it and there were at least two Roman baths. Excavations have yielded some interesting artifacts such as preserved sandals and a gravestone that shows someone from the Middle East lived there.

I’ve walked the length of Hadrian’s Wall along the Hadrian’s Wall Path and would love to do the same with the Antonine Wall, but sadly there is not yet a trail going along this important remnant of the glory of Rome.

[Wall photo courtesy Wikimedia Commons. Photo of coin of Antoninus Pius also courtesy Wikimedia Commons]

Smithsonian Archives unveils new website

by Sean McLachlan on


The Smithsonian Institution Archives records the development of America’s greatest museum. With a staggering amount of artifacts, recordings, books, and other records, it now has a new website designed to help people explore this matchless museum from home.

The archives got their first website back in the dial-up days of 1995. This newer website takes readers deeper into the Institution to see thousands of documents and photos, and get a behind-the-scenes look at the Institution at work and researching in the field. The Smithsonian Institution has 19 museums, nine research centers, and a Zoo. The records for all of these are kept at the archives. The site has pages on the history of each museum and research center, a timeline, and even a scan of James Smithson’s will, which left all his fortune to found the Institution.

The site has plenty of what everyone is looking for on the Internet: porn free downloads! You can get photos and documents for noncommercial use, everything from an old postcard showing lions shot on Teddy Roosevelt’s expedition to Africa to a cool photo of Soviet engineers assembling the Soyuz module to the Apollo module at the National Air and Space Museum. Detailed descriptions tell you more about each image or record.

On the forums you can even talk with Smithsonian staff and get tips on how to protect and preserve your family heirlooms. Also be sure to check out their blog, The Bigger Picture, and their amazing flickr photo stream, which.

[Photo courtesy cliff1066 via flickr]

Amsterdam art exhibit focuses on the Antwerp school

by Sean McLachlan on


The Hermitage Amsterdam starts an important exhibition tomorrow focusing on the Antwerp school of Flemish art.

Rubens, Van Dyck & Jordaens: Flemish paintings from the Hermitage runs until 16 March 2012 and features almost a hundred paintings and drawings from some of the great names in Flemish art. Peter Paul Rubens is especially well covered, including his famous work Venus and Adonis, painted around 1614 and shown above. Rubens was hugely influential, teaching Anthony van Dyck and inspiring Jacob Jordaens. Both of these masters have several works in the exhibition, as do many lesser-known names.

Hermitage Amsterdam is a branch of the St. Petersburg Hermitage and the works all come from there. Since its opening two years ago, it has been one of the major art destinations in Amsterdam.

While Amsterdam attracts a lot of tourists for its legal pot and prostitution, it’s so much more than Sin City. Amsterdam one of the art capitals of the world and a good base for many daytrips to places like Delft and several Dutch castles. I will be exploring Amsterdam and hopefully Antwerp next month in a miniseries right here on Gadling.

Edgar Allan Poe Museum may close next year

by Sean McLachlan on

Baltimore’s most famous literary landmark may close next year due to budget cuts.

The Edgar Allan Poe House and Museum hasn’t received money from the city for two years. Since that time it’s managed to limp along on private contributions, but they aren’t enough to keep it afloat. Now the curator says if something isn’t done, the museum will probably close in June 2012.

Although the museum gets around 5,000 visitors a year, the money they spend doesn’t cover its $85,000 annual operating budget.

Poe lived in the house from 1832 to 1835 and wrote several stories there, including Ms. Found in a Bottle and Berenice–A Tale.

The Edgar Allen Poe Society of Baltimore gives a more detailed description of the problem and has started an online petition that already has more than 6,000 signatories, including mine. I’d be proud to have your name next to mine on the list.

The Poe house has been in danger before. Back in 1941 the Society saved the house from demolition, and now some local businesses and artists are raising money to keep the museum going. Perhaps readers will rally once again to save a piece of horror history.

[Photo courtesy Midnightdreary]

Naval Museum in Madrid: an overlooked treasure

by Sean McLachlan on

After six years of living in Madrid, I’ve finally made it to the Naval Museum.

It’s overlooked by most tourists. In fact, it’s overlooked by a lot of madrileños. I’ve met some locals who didn’t even know it exists. Perhaps being so far away from the sea they don’t expect there to be a major naval museum downtown. It also doesn’t help that it’s tucked behind a modest facade that’s easy to miss.

Go inside, though, and you find yourself in a massive collection of paintings, cannons, uniforms, even parts of old ships.

Spain was one of of the leading naval powers in the Golden Age of Sail. It owned much of the New World and scattered colonies around the globe. It protected its interests with a large fleet of warships.

The museum skips lightly over the medieval period and gets really detailed starting at the Age of Exploration. Columbus is given his due, and many other lesser-known explorers are also covered. The maps are fun to study. The most important is that of Juan de la Cosa, made in 1500 and the first known map to show the New World.

The biggest section is for warships from the 16th-18th centuries, when Spain was a superpower. Here you’ll find uniforms, weapons, flags, and a nice collection of figureheads like the one shown here. One of the most interesting exhibits is the wreck of the Nao, which sank in 1600. Archaeologists donned scuba gear and excavated the wreck, bringing up a huge collection of porcelain from China as well as other artifacts.

The 19th and 20th centuries are also covered, although not in as much detail. By then Spain’s power was waning. There are some detailed models and paintings of ships that were making the transition from sail to steam. They had steam engines but kept their masts just in case those early engines broke, which they did regularly! The Spanish Civil War is only covered in passing. I’ve yet to see a Spanish museum that’s come to terms with this bloody conflict. It’s still in living memory, so the old wounds remain open.

The section for the modern navy is worth a look too. While small compared to those of the U.S., Russia, and UK, the Armada still packs a punch. It has two aircraft carriers, ten frigates, four submarines, and a host of smaller ships. This puts Spain way ahead of Morocco, its only potentially hostile neighbor.

The only downside to this museum is that the signage is all in Spanish. Don’t worry if you don’t speak the language; most of the exhibits are pretty self-explanatory. The museum is free. Because it’s in a military building, make sure to bring ID to get in.

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