Roman shipwreck found off Albanian coast

by Sean McLachlan on


An underwater archaeological survey has turned up a Roman shipwreck off the coast of Albania.

As the above video shows, the remains of the ship are now little more than a heap of amphorae, the characteristic pots the Romans used to transport wine. The team hasn’t had a chance to excavate the site yet, so more finds may lie hidden beneath the bottom of the sea.

The archaeologists estimate that the ship was from the first or second century BC and was part of an extensive wine trade on the Adriatic Sea. The ship was about 30 meters long and contained an estimated 300 or more amphorae. The excavation was funded by the RPM Nautical Foundation, which has discovered numerous shipwrecks in recent years.

Shipwrecks can tell us a lot about early technology and trade. Several museums are dedicated to them. In Stockholm, Sweden, the Vasa Museum houses the well-preserved remains of a warship that sank in 1628. Despite its impressive appearance, it was badly designed and sank less than a nautical mile into its maiden voyage. In Portsmouth, England, the Mary Rose Museum has a warship that sank in battle in 1545. The Viking Ship Museum in Roskilde, Denmark, houses five Viking ships dating to about 1070.

Museums plan to sell collections to survive

by Sean McLachlan on


Museums in The Netherlands have received some bad news–national funding for arts and culture will drop from 900 million euros to 700 million in 2013. Now museums and other institutions are scrambling to figure out how to survive.

The Wereldmuseum in Rotterdam has come up with a controversial plan. They’re going to sell off their African and American collections in order to raise money.

While this has caused an understandable uproar, it makes sense in some ways. The Wereldmuseum’s main collections are in Asian and Pacific art, such as the Korwar figurines from New Guinea pictured above courtesy of Wikimedia Commons. These will not be sold. Other museums in the country are known for African and American art, so the Dutch and the tourists won’t be left without. It’s also a major opportunity for museums that still have decent funding for new acquisitions, assuming there are any.

There are still plenty of downsides. The Wereldmuseum and any other institution that tries this tactic will lose some of the diversity of their collections. It makes it harder for them to participate in the exchanges of artwork that help create bonds between different museums and the creation of major exhibitions. The sale will probably also see some of artifacts leave the country or go into private hands, and out of sight of the general public.

For the Wereldmuseum in particular it means losing some of its unique character. The collection is partially made up of objects brought back by Dutch traders, who in past centuries were one of the major economic powers on the high seas and traded to all corners of the globe. At the moment the collection reflects that. To secure its future, the Wereldmuseum will have to discard some of its past.

It may even undermine its own name. Wereldmuseum translates to “World Museum”.

An IKEA for ancient Roman housewares

by Melanie Renzulli on

Is your domus lacking style? Do you need to redecorate your cubiculum or latrina? A museum exhibit in the Netherlands can help.

Through January 6, 2012, the Limburgs Museum Venlo presents IXEA: The Roman Store (“IXEA: je Romeinse woonwarenhuis” – site in Dutch and German), an installation that combines displays of re-imagined Roman housewares with the familiar layout of an IKEA store. IXEA, presumably Latin for IKEA, follows the Swedish store’s formula with almost copyright-infringing accuracy: there’s the blue and yellow logo, the shop-by-room concept, and a cheap Roman meatball lunch in the café. Best of all are the exhibit’s housewares, all of them labeled with Latin names and all available for purchase. You can pick up a “Romulus” toy wooden sword, a “Secundus” wine goblet, or a bust of Emperor Hadrian. Furniture available for online ordering include lounges, tables, and storage cabinets modeled after items found in the ancient Roman city of Herculaneum.

While it may seem strange for a small museum in the Netherlands to put on a show about ancient Rome, consider the history of the province of Limburg. Its location on the Meuse River has made it a strategic trading post for centuries and evidence of a Roman settlement here include coins, a stone bridge, a Roman sarcophagus, and, in the town of Vlengendaal, a 1st century villa containing frescoes. One bedroom in the IXEA exhibit displays wallpaper modeled after the Vlengendaal frescoes.

[Photo credits: Museum Limburgs Venlo]

[Via Ben Lamb on Twitter]

Five ways to keep your kids from suffering museum fatigue

by Sean McLachlan on

“I want to go to the museum.”

I love it when my son says that. A lot of kids never do. It’s not surprising. Museum fatigue can set in pretty quickly for the little tykes unless you approach them right. Here are five tips for getting your children to actually want to go to museums. These tips may just keep you from strangling them as they whine in front of the Mona Lisa.

Start early
If you suddenly decide that at age twelve your son or daughter needs some culture, they aren’t going to react well. They have to be accustomed to it. We started early with our son, wheeling him around museums and art galleries in his stroller. It helps that we live in a major European capital with lots of culture. This became part of our Sunday routine: lunch at grandma’s, then off to see an exhibition.

Follow their lead
If your kids wants to see something in particular or linger in front of the crocodile god, let them. They’re engaged in the experience and you need to foster that. Following a kid around a museum can be a surreal experience. They don’t go in an orderly, logical way like most adults. They flit around like hummingbirds, making odd connections between objects. “Hey, look, this statue is missing its nose too!”

Find some activities
My son loves the Prehistoric Europe room at Oxford’s Ashmolean Museum because there’s a little bow and arrow you can shoot at cardboard deer. Any time we go into the Ashmolean we have to go to that room first. He also likes looking at the coin of the Roman emperor who has the same name he does.
Some museums are more entertaining than others. The St. Petersburg Toy Museum in Russia, pictured here courtesy Wikimedia Commons, is a safe bet. Another good one is the Pitt-Rivers in Oxford, with cases packed with strange statues and shrunken heads, and drawers you can open up. The museum is dimly lit and they give you flashlights so you can wander around like explorers.

Don’t overdo it
Most adults begin to flag after a couple of hours staring at paintings and mummies, so you can’t expect Junior to keep on going. In fact, a study of museum fatigue suggests it starts setting in within the first hour! Get a snack at the museum cafe, find a nearby park so they can run around, or simply cut your visit short and come back later.

Don’t skip the gift shop
My wife objects to this tip. She says children shouldn’t expect to be rewarded just for behaving. She’s half right. While they shouldn’t expect an overt reward like a present, some sort of award is in order. A trip to the gift shop can be fun and release some pent-up energy. The lights are brighter, you can talk at normal volume, and there are lots of cool widgets to play with. Have them pick out a postcard for grandma or their friends. A little gift for them is OK every now and then too. Getting some ice cream after the museum is another good call. Mix up the rewards so that they don’t get the mentality “museum=ice cream or museum=new toy.”

What do you do to get your kid to enjoy museums? Share your parenting tips in the comments section!

The Flood’s Been Over: Exploring the New New Orleans

by Paul Brady on


Driving to the best breakfast spot in New Orleans, a somewhat dingy beignet shop in suburban Metairie called Morning Call, where cops and bounty hunters converse at the corner table, I turned on the local radio. The set picked up AM 690, and a program called Inside New Orleans. The host, Eric Asher, started talking about Tales of the Cocktail, an annual drinking convention for bartenders and liquor brands that’s quickly becoming one of the city’s banner festivals.

He loves the event, he tells his guest “Mr. Cocktail,” because it brings people to the city to see it’s not still underwater. Turns out, there are still people, six years after Katrina and the levee failure, who think New Orleans is flooded. On the contrary! The city is building, with an ever-expanding museum, local entrepreneurs starting businesses and, yes, an absolutely unparalleled drinking scene.

Traveling the American Road – New Orleans Rising


The most notable development for tourists since the storm in 2005–besides of course the clean up–is The National WWII Museum, a stunning collection of buildings housing artifacts large and small, cataloging the history of the war. Set on the western edge of the Central Business District, the latest addition is a 4-D movie, complete with lighting effects and rumble seats, that tells the story of the war’s multiple theaters.

Tom Hanks narrates the 45-minute production that doesn’t shy away from the difficult history of the period. Similarly, the museum galleries are brutally honest about the horrors of total war, from photos of the dead and dying, archival footage from concentration camps or frank discussion of the civilian casualties at Hiroshima and Nagasaki. Sober displays of the weapons of the war used at the infantryman level–grenades, flamethrowers, squad machine guns–frame them as viciously effective tools of death, not the glamorous props from war movies.

The museum also recognizes the sacrifices of those who endured the war, through exhibits and an honest recounting of history on the home front, from rationing to racist propaganda posters.

A newly opened Restoration Pavilion displays PT-305, a patrol boat originally crafted in New Orleans at Higgins Industries, currently being rebuilt for the permanent collection. Future additions to the museum will house even more artifacts, including two B-17s recently donated by Boeing.

The city’s recovery is visible elsewhere, including on Magazine Street, now a must-visit shopping destination west of the French Quarter. I stopped at Dirty Coast, a t-shirt boutique that spins out New Orleans-insider themed shirts, with designs that creative director Blake Haney describes as “Levels deep.” The screens look cool, sure, but to insiders, the jokes and puns run levels deeper, like on the Acadiana Self-reliance T. Haney, a New Orleans native, describes the design, which celebrates the region’s power, access to the sea and culture, as the national flag of the city–if it ever got organized enough to secede from the Union.

Haney has also launched a local news site, Humid Beings, that follows stories that wouldn’t be out of place on HBO’s Treme. (When locals watch, Haney says, there’s little surprise in the magically realist story lines since “We live this every day.”) He’s also plugged in to local music–rappers Ballzack and Odoms are favorites–and the still-nascent co-working scene, with Icehouse in Mid-City and Launchpad near Lafayette Square pioneering the way. Co-housing is starting to develop too.

Of course, New Orleans is still a drinking town, particularly when Tales of the Cocktail descends on its bars. In a nod to the event’s influence, the Times-Picayune insert, Lagniappe, published its 2011 Bar Guide on July 22, at the height of “Tales.” Most notable is the list of 11 new bars, spanning the city and filling niches still untapped. Descriptions range from “pulses with Top 40 hits” to “comfort food, rock ‘n’ roll and whiskey” to “only spot in town where you can enjoy a cocktail and a gourmet snack in a luxury movie house.” Unparalleled drinking scene indeed.