Mummies of the World exhibition opens in Philadelphia

by Sean McLachlan on


Mummies are endlessly fascinating. To see a centuries-old body so well preserved brings the past vividly to life. While Egyptian mummies get most of the press, bodies in many regions were mummified by natural processes after being deposited in peat bogs or very dry caves.

Mummies of the World is a state-of-the-art exhibition bringing together 150 mummies and related artifacts. It opened last weekend at the Franklin Institute in Philadelphia after successful runs in L.A. and Milwaukee. Visitors will see mummified people and animals from all over the world and learn how they came to be so well preserved.

Besides the required collection of ancient Egyptians, there are numerous mummies from other regions, such as this prehistoric man from the Atacama Desert in Chile.

%Gallery-126801%From South America there’s the famous Detmold child from Peru, dated to 4504-4457 B.C., more than 3,000 years before the birth of King Tutankhamen. This ten-month-old kid was naturally preserved by the incredibly dry climate of the Peruvian desert. There’s also a tattooed woman from Chile dating to sometime before 1400 AD who also dried out in a desert.

From Germany there’s Baron von Holz, who died in the 17th century and was preserved in the family crypt. Then there’s the Orlovits family: Michael, Veronica, and their baby Johannes. They were discovered in a forgotten crypt in Vac, Hungary, in 1994, where they had been buried in the early nineteenth century. The cool, dry conditions of the crypt and the pine wood used in their caskets helped preserve them.

There are animal mummies too. There’s a mummified cat from the Ptolemaic Period (305-30 BC), the same time in Egypt that the mummy portraits started coming into fashion. There are several naturally preserved mummies such as frogs, a lizard, a hyena, and even a howler monkey that dried out in desert conditions and are on display.

Several interactive exhibits give visitors a chance to see where mummies come from, how they were preserved naturally or artificially, and what they feel like. Visitors can even match DNA samples to see which mummies are related.

Mummies of the World runs until 23 October 2011.

[All photos courtesy American Exhibitions, Inc.]

Gladiator died because of ref’s error, says archaeologist

by Sean McLachlan on

A gladiator who fought 1,800 years ago may have died because of a bad call from a ref.

Archaeologists have long puzzled over a line in the epitaph of Diodorus the gladiator’s gravestone. It reads, “After breaking my opponent Demetrius I did not kill him immediately. Fate and the cunning treachery of the summa rudis killed me.”

The summa rudis was a referee who oversaw gladiator games. Unlike what we see in the movies, real gladiator fights were highly ritualized and had strict rules. One rule was that if a man pleaded for mercy, it was up to the sponsor of the fight (a local bigwig or even the Emperor) to decide if the defeated gladiator should live or die. Another rule was that if a gladiator fell without being pushed down by his opponent, he was allowed to get up and retrieve his weapons before the match continued.

Now gladiator expert Prof. Michael Carter says he knows what this inscription means. His theory is that Diodorus knocked down his opponent and backed off, waiting for the sponsor’s orders to either kill him or let him go. The referee, however, ruled his opponent fell down on his own. He was allowed to pick up his weapons and fight on. . .and ended up killing Diodorus.

Whoever wrote Diodorus’ epitaph seems to have believed the ref did it on purpose. We’ll never know for sure, but it just goes to show that among the countless dusty old inscriptions preserved in museums and archives, there are stories of real people and how they lived, and died. So next time you’re shouting at a ref for making a bad call, think of poor Diodorus and remember that some bad calls are worse than others.

The gravestone was originally found in Turkey and is now in the Musee du Cinquanternaire in Brussels, Belgium. The best place to see where gladiators fought and died is, of course, Rome, where the Colosseum has opened its underground tunnels to show where gladiators, prisoners, and wild animals waited their turn to entertain the crowd. There’s also a well-preserved amphitheater in Mérida, Spain.

[Photo of gladiator grave courtesy Wikimedia Commons. No photo of Diodorus’ grave was available at press time, but you can see a photo of it here.]

Five places to see shrunken heads

by Sean McLachlan on


Call me sick, but I’ve always been fascinated with shrunken heads.

“OK, you’re sick!”

Fine, but you’re still reading this, aren’t you?

Throughout history many cultures took heads as trophies, including the ancestors of many Gadling readers–the Celts. Celtic warriors used to cut the heads off of enemies and attach them to their chariots to look extra intimidating in battle. Japanese samurai, Maori warriors, and angry peasants in the French Revolution all took enemy heads as trophies.

Yet only one culture, the Jivaro of South America, actually shrank heads. Living in the Amazon rainforest of Ecuador and Peru, the Jivaro people developed the strange custom of cutting off an enemy’s head and shrinking it down to the size of a man’s fist. Called tsantsa, these shrunken heads served not only as proof of a warrior’s valor but also as a way to destroy the victim’s spirit, which might otherwise take revenge.

The process was gruesome but simple. Different sources give different recipes. This one comes from the well-researched site Head Hunter. Once you get a head, cut open the back so the skin and hair can be peeled from the skull. Throw the skull into a river as an offering to the anaconda. Sew the eyes shut, and close the mouth with wooden spikes or thorns. Boil the head for no more than two hours, then turn the skin inside out to clean off any nasty residue. Turn the skin right side out and sew up the slit you cut in the back.

%Gallery-126587%To shrink further, drop hot stones through the neck hole. Roll them around to ensure even heating and prevent any unsightly burn marks. The head will continue to shrink until the neck hole is too small to allow stones to enter. Now use hot sand to shrink the head even more. Press hot stones against the face to singe off any excess hair and shape the face to look nice, and use a hot machete to dry the lips, which will not have shrunk as much as the rest of the head.

Now put three chonta, or palm thorns, through the lips and tie them together with long, decorative string. Hang it over a fire to harden. You may also want to blacken the skin with charcoal to avoid the man’s spirit from seeing out. Pierce a hole through the top of the head so you can put a string through and wear your trophy around your neck.

The whole process takes about a week but with a bit of patience and practice, you’ll have a keepsake of your favorite battle and a surefire icebreaker at parties.

Shrunken heads fascinated early European explorers. They became a hot commodity and warfare increased in order to meet the demand. Often tribesmen found it easier and safer to make a fake head by using an animal head or making one out of leather. Some researchers estimate that up to 80% of all heads on display in museums are actually fake. This week a study was released of a DNA analysis of a shrunken head in an Israeli museum that turned out to be genuine. Researchers are hoping to test more heads to determine if they’re legit.

Some fake heads are actually real, in a sense. When a warrior killed an enemy but couldn’t get the head for whatever reason, or killed an enemy who was a blood relative and therefore wasn’t allowed to take the head, he could make a head from that of a sloth as a stand-in. Magically this was considered a real tsantsa.

Controversy over displaying human remains and the demands by some tribes to have them back has meant that many museums have removed their displays of shrunken heads. So where can you still see these little darlings?

Ripley’s Believe it or Not Museum, Williamsburg, Virginia. This branch of Ripley’s fun chain of museums has several shrunken heads on display.

Ye Olde Curiosity Shop, Seattle, Washington. Forget the Space Needle, this is the coolest attraction in Seattle. Once you’ve seen the real shrunken heads, head over the the gift shop to buy a cruelty-free replica.

Lightner Museum, Saint Augustine, Florida. This huge collection of nineteenth century bric-a-brac housed in an old mansion is an odd place to find a shrunken head collection, but people collected all sorts of things back then.

Pitt-Rivers Museum, Oxford, England. Britain’s favorite museum has artifacts from all the world’s cultures, including a display case full of shrunken heads and trophy heads.

Madrid, Spain. Get a double dose of headhunting here at the Museo de América and the Museo Nacional de Antropología.

If you’d rather do some armchair traveling, check out the shrunken heads flickr group and Doc Bwana’s Shrunken Head Museum online.

Do you know of any other places still exhibiting shrunken heads? Tell us about it in the comments section!

[Photo courtesy Joe Mabel. In my opinion these are fakes, mostly made from monkeys, but they do look cool]

Vorticism: avant-garde art at the Tate Britain, London

by Sean McLachlan on

In the years before the outbreak of World War One, European artists developed a variety of different styles to reflect the pace of change and industrialization in what used to be a traditional continent.

Cubism and Futurism were two of the biggest movements. One of the briefest and most vibrant was Vorticism. The Vorticists started around 1913 and focused on the hard lines and quick pace of the machine age.

Now the Tate Britain in London is hosting a major exhibition on the movement called The Vorticists: Manifesto for a Modern World. It brings together more than 100 Vorticist works from all the major players.

One of the leaders of the movement was Wyndham Lewis, although some Vorticists say the only reason he was popularly seen as the leader was because he gave more interviews to the press. He was certainly important, though. Lewis was the founder of the Vorticist journal Blast, the first issue of which had a hot pink cover and featured writings by T.S. Eliot and Ford Madox Ford. A whole section of the exhibition is dedicated to this journal and its groundbreaking design and typography.

Some of the rarer works on display include those from the many women welcomed into Vorticist ranks, a daring move at the time. There are also the Vorticist photos of Alvin Langdon Coburn, often hailed as the first abstract photographs. These photos will blow your mind and hurt your eyes.

%Gallery-126430%While Vorticism was mainly a British movement, this exhibition also explores its influences on the New York modern art scene. In fact, it was an American poet, Ezra Pound, who gave the movement its name.

The output of this movement was remarkably small. Blast only had two issues, and there were only two Vorticist exhibitions. World War One killed some of the Vorticists and left others embittered against the modern world. Yet Vorticism had a major impact on modern art and its works are still discussed and copied today. The two issues of Blast are still in print almost a century after they first appeared. One advantage of its brevity is that an exhibition of this size can encompass a majority of the major works, giving the visitor a full understanding of the meteoric life of one of modern art’s most intriguing avant-garde movements.

The Vorticists: Manifesto for a Modern World opened yesterday and will run until September 4.

[Image of Workshop c. 1914-5, by Wyndham Lewis courtesy of the Wyndham Lewis Memorial Trust]

Rwanda looks to its history to get over its past

by Sean McLachlan on

Sadly, when people think of Rwanda they tend to think only of the 1994 genocide, yet Rwanda has a rich history and heritage.

Now the government is developing its museums and historical sites to encourage cultural tourism. Sites like Nyanza Palace, shown here, will get special attention. Other attractions include dance troupes and even something called the Inyambo dance, performed by trained cows!

Rwanda has been inhabited for at least ten thousand years. Around the 15th century AD, several kingdoms cropped up with distinctive artistic styles. Several good Rwandan museums showcase this heritage.

Rwanda has become increasingly popular with adventure travelers and safari groups. It’s working to preserve its environment to help its rebounding population of mountain gorillas as well as other species.

This new move towards cultural and historical tourism appears to be emphasizing a common past in order to erase longstanding ethnic divisions. Hopefully this new project will get the international community to see more to Rwandan history than its tragic recent past.

[Photo courtesy Wikimedia Commons]