Museum Junkie: Oxford’s Ashmolean reopens today

by Sean McLachlan on

The long wait is finally over for the grand reopening of Oxford’s Ashmolean Museum of Art and Archaeology.

After being partially or completely closed for the past three years, the museum’s vast collection is finally open to the public again, with twice the exhibition space it once had.

The Ashmolean is the oldest public museum in the world, having opened in 1683, and while there have been a lot of changes over the years, none have been as big as this £61 million ($101 million) project. The expansion includes four temporary exhibition galleries so the Ashmolean can host blockbuster traveling shows, something it couldn’t do with its previous space.

The permanent collection has gone through some major changes too. More of it is on display now, of course, but also the style of the displays has been revamped with the new idea of Crossing Cultures Crossing Time, which allows visitors to see how civilizations developed as parts of an interrelated world culture. This is an an improvement over the old-style way of displaying civilizations as separate entities when in reality they influenced one another on many levels. It also echoes the global perspective that Oxford’s other world-class museum, the Pitt-Rivers, brings to its own collection.

The museum is best known for its collections of Anglo-Saxon, predynastic Egyptian, Asian, and Renaissance art and artifacts, but has a good sampling of treasures from just about every period and culture, everything from crocodile mummies to medieval beer mugs. Museum junkies will not want to miss the new Ashmolean.

If the pictures in the gallery below aren’t enough for you, check out this collection of photos by yours truly and Mrs. yours truly.

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First map to name America goes on display at Library of Congress

by Sean McLachlan on

Visitors to the Library of Congress in Washington, D.C., have a rare opportunity to see the first map that used the name “America” for the New World.

The Library has the only surviving copy of the famous Waldseemüller map, created in 1507 by Martin Waldseemüller, a German cartographer living in France. The map was a major departure from earlier maps in that it relied less on the received wisdom of Classical geographers like Ptolemy and more on reports by the many explorers of the time.

Waldseemüller studied reports by Christopher Columbus and Amerigo Vespucci and decided Columbus was wrong in thinking he had reached India. Waldseemüller favored Vespucci’s theory that the lands they were exploring on the other side of the Atlantic were actually part of a previously unknown continent. Waldseemüller rewarded Vespucci by naming the continent after him. America is the feminized Latin form of Vespucci’s first name. All other continents had Latin feminine names, so it fit.

The map is not only correct about the New World, but also portrays other parts of the globe far more accurately than other maps of the time. It’s a fine work of art too, with detailed depictions of terrain and portraits of Ptolemy and Vespucci.The map is on display as part of the exhibition “Exploring the Early Americas.”


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Museum Junkie: Manga and Moctezuma at the British Museum

by Sean McLachlan on

Trust the British Museum to have two completely different but totally cool special exhibitions at the same time.

There’s still time to catch Moctezuma: Aztec Ruler, a dazzling collection of art from one of Mesoamerica’s greatest civilizations. It focuses on the reign of Moctezuma II (1502-1520), who died at the hands of the Spanish conquistadores. He ruled over a large, complex civilization from his capital at Tenochtitlan, now Mexico City. While generally known for their bloodthirstiness, the Mexica, as they called themselves, were accomplished architects, administrators, and artists, creating vast cities and delicate carvings. This show closes January 24, and it’s advisable to book tickets well in advance.

Another interesting show is just starting. Manga: Professor Munakata’s Museum Adventure showcases a series of Japanese manga cartoons featuring leading manga artist Hoshino Yukinobu’s most popular character exploring the British Museum, along with other adventures by the professor. There will also be a special “manga coffee shop” area where visitors can sit and leaf through a selection of manga books. The show runs from November 5 to January 3.

So if you’re passing through London make some time for the British Museum. There’s plenty more than just mummies, although those are amazing too.

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Museum Junkie: The Art of the Samurai at the Met

by Sean McLachlan on

From the 12th to the 19th centuries, Japanese society was dominated by the samurai, elite warriors with a fierce code of honor. While wars were almost constant on the islands during this period, it was also a time of great artistic achievement, one that extended to the weapons and equipment of the samurai.

Starting on October 21, the Metropolitan Museum of Art in New York City will host the largest collection of samurai artifacts ever assembled in the United States.

Art of the Samurai: Japanese Arms and Armor 1156-1868 brings together more than 200 masterpieces of traditional Japanese art, including swords, bows, armor, banners, and other equipment selected from public and private Japanese collections. Many of the items are not only beautiful but unusual, such as the rare example of 18th century woman’s armor pictured here. Also included are a series of Japanese sword blades that, despite the name of the exhibition, date as far back as the 5th century. An accompanying exhibition displays some related objects from the Met’s permanent collection that have been recently restored in Japan.

The exhibition includes 34 National Treasures, 64 Important Cultural Properties, and 6 Important Art Objects. The Japanese government has a hierarchy of designations for important objects. The most precious are labeled National Treasures, and this exhibition has three times the number of National Treasures of any previous exhibition outside of Japan. National Treasures can include buildings, objects, even artists. That so many of these one-of-a-kind objects have made it to New York is a major coup for the Met. You’d have to go to Japan to see a finer collection of samurai arms and armor.

The show runs to January 10.

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Egypt in a rift with the Louvre over stolen artifacts

by Kraig Becker on

The head of Egypt’s Supreme Council of Antiquities, Zahi Hawass, took a bold move yesterday in his on going struggle to get foreign museums to return antiquities taken from that country illegally. Hawass severed all ties with France’s the Louvre over that museum’s refusal to return fragments of 3200-year old painted wall frescoes that were taken from the Tomb of Tetaki in the Valley of the Kings back in the 1980’s.

According to this story, this isn’t the first time Hawass has taken steps to close relations with a museum. He made a similar move with the St. Louis Art Museum over a golden burial mask that that museum has refused to return as well. This is, however, the first time that such a move has been taken against a museum of the incredible stature of the Louvre. Upon alerting officials at the museum of his actions, Hawass also suspended an archeological excavation being conducted under the direction of the Louvre, in Saqqara and canceled a scheduled lecture by former curator Christiane Ziegler, who was in charge of the Egyptology department while employed there.

A response from the Louvre and the French Cultural Ministry was swift in coming. Both said that they were interested in putting this incident behind them by returning the disputed pieces, indicating that Hawass’ decision to play hardball was already paying dividends. When these pieces are returned, they’ll join more than other artifacts that he has recovered since taking office in 2002.
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