Video Of The Day: Muralists Change The Face Of Baltimore Neighborhood

by Libby Zay on

Over the past two months a group of 20 muralists from around the world have been coming together to revamp vacant walls in a Baltimore neighborhood. Although not currently well trodden by visitors, the neighborhood is full of theaters and art galleries and was recently dubbed the Station North Arts & Entertainment District in hopes that it would become the new cultural heart of Baltimore. The ambitious mural project, Open Walls Baltimore, is already sparking national dialogue and will hopefully enliven public spaces enough that visitors are attracted to the area. Artists leaving their mark on the neighborhood have come from faraway places such as Buenos Aires, Montreal, Capetown, and Kiev, as well as several homegrown muralists from Baltimore and nearby New York City. The video above gives an idea of the spirit of the project, which is being curated by street artist Gaia. All of the murals should be completed by this Friday, May 25, when a celebration will take place throughout the district.

Baltimore has a long history of promoting public art. Outside of Open Walls Baltimore, there are two- and three-story murals painted on more than 100 buildings throughout the city. Of course, Baltimore isn’t the only city known for its murals – to view a sampling of a wide range of public art check out the Mural Locator, a self-funded website working to chart amazing murals throughout the world. So far, more than 500 murals have been mapped since the website began in 2010.

Flying To Mars From New York City

by Sean McLachlan on


The first astronauts are landing on Mars this week. . .at the Park Avenue Armory in New York City.

Installation artist Tom Sachs is running his “SPACE PROGRAM: MARS,” a four-week spaceflight involving a crew of actors and elaborate sets made from common materials bought in a hardware store. The sets cover every detail of the mission including getting into space suits, provisions of food and launching Mars rovers.

There will be several liftoffs so visitors don’t miss one of the most popular parts of any space mission.

As this preview clip shows, Tom Sachs isn’t about to put NASA out of business. I kind of like the hokeyness of the whole thing, though. It gives the exhibition a childlike feel that brings back all those fond ’80s memories of watching the Space Shuttle missions. Tom Sachs has tapped into the fact that we all got inspired by space when we were kids, and many of us still look to the stars and planets with a childlike sense of wonder.

Tom Sachs’ “SPACE PROGRAM: MARS” runs from May 16 to June 17.

Museum Month: The Tenement Museum In New York’s Lower East Side

by Jessica Marati on

Often, the sights that are just around the corner are the ones that you somehow never get around to exploring. You say that you’ll go one day, but there’s never a real rush. You tell yourself that it will always be there.

For me, that sight is the Tenement Museum, located in the heart of New York City‘s Lower East Side, a block and a half from the apartment I’ve called home for the past three years.

The Tenement Museum celebrates New York’s immigrants by exploring the history of a single tenement building at 97 Orchard Street, built in 1863. From the outside, the museum doesn’t look too different from the other apartment buildings on the block, including my own. But inside lies a rich tapestry of stories tracking the major immigration waves of the 19th- and 20th- centuries, starting with the Germans and followed by Eastern European Jews and Italians.

There are three ways to experience the Tenement Museum: by exploring the carefully restored apartments at 97 Orchard; by taking walking tours of the neighborhood; or by attending a “meet the residents” session, which allows guests to interact with costumed interpreters depicting people who once lived in the building.

On a recent Sunday, I opted for a building tour that was focused on the experience of sweatshop workers. At one time, the Lower East Side was the center of the American garment industry, particularly in the 1860s when the neighborhood was bustling with workers churning out Civil War military uniforms. Most work was completed in small home-based garment workshops, in cramped and often overheated quarters.

The tour started with a visit to the garment workshop of Harris Levine, a Russian tailor whose 1900 census data provided the basis for the space’s recreation. The guide explained how workers would work an average of 70 hours per week, crammed into tiny quarters along with the boss’s wife and children.

Once garment factories were introduced at the turn of the century, units at 97 Orchard became slightly more spacious and tailored for family living. A visit to the Rogarshevsky apartment, which was inhabited in the 1910s and 1920s, provided a look at the changing nature of the neighborhood as immigrants started to assimilate and economic conditions started to improve.

The building was condemned in 1935, which is where the museum’s focus ends. But stepping out into the traffic and construction of Allen Street, it was evident that life in today’s Lower East Side isn’t too different from the world depicted inside the Tenement Museum. It is still a neighborhood of immigrants, crammed together in tiny apartments, working like maniacs to survive… just today with higher rents and more espresso bars.

[Images via Tenement Museum]

‘Bolivian Mennonites’ Photography Exhibition Begins In New York

by Meg Nesterov on

Unless you’ve followed the horrifying story of the serial rapists who wrecked havoc in the community in 2009, you might not know that the small South American country of Bolivia is home to a large community of Mennonites. Photographer Lisa Wiltse traveled to the isolated colony of Manitoba to capture the conservative community, who shun cars, electricity, and other modern conveniences, and live by a strict religious code. Many of the Mennonites do not speak Spanish, and women typically only speak low German, as the founders of the religion did in the 16th century.

Wiltse’s photographs are a rare glimpse into an insular culture. If you are in New York City tonight, you can attend a reception and slideshow of Wiltse’s work, moderated by the co-curator of The Half King’s photography series. The art exhibition will be on display in the bar until July, and some of the photos can be viewed on the artist’s website.

Photo courtesy The Half King. “Bolivian Mennonites” will be on display May 15 – July 9 in New York.

Classic Travel Writing: Jack Kerouac’s ‘Lonesome Traveler’

by Sean McLachlan on

While blogs take up most of my travel reading these days, every now and then I like to dip into an old classic. So on a recent flight to Washington DC to attend the Gadling bloggers summit, I read “Lonesome Traveler“ by Jack Kerouac.

This slim volume contains eight stream-of-consciousness essays in the style you’d expect from one of the leaders of the Beat Generation. For example, the author tells a friend:

“Deni the reason I followed the ship all the way 3,200 miles from Staten Island to goddam Pedro is not only because I wanta get on and be seen going around the world and have myself a ball in Port Swettenham and pick up on gangee in Bombay and find the sleepers and the fluteplayers in filthy Karachi and start revolutions of my own in the Cairo Casbah and make it from Marseilles to the other side, but because of you, because, the things we used to do, where, I have a hell of a good time with you Den, there’s no two ways about. . .I never have any money that I admit, I already owe you sixty for the bus fare, but you must admit I try. . .I’m sorry that I don’t have any money ever, but you know I tried with you, that time. . .well gaddam, wa ahoo, shit, I want to get drunk tonight.”

When you have a monologue like that, you know you’re in Kerouac territory. The posts range from his time hanging out with William S. Burroughs in Tangier to his jobs as a fire watcher and on trains and boats.

Sometimes the best travel writing is that which takes you back to a place you love, in my case old New York City before its seedy heart was cleaned up and dulled. Kerouac takes us on a tour of all the crazy Times Square spots where the Beats used to hang out while a cavalcade of oddballs passes by. Through all this blur of activity Kerouac wonders, “Why does Times Square feel like a big room?”

Wow, yeah! Times Square does feel like a big room, even fifty years later when I hung out there. That broad open space enclosed by four walls of skyscrapers with all the people coming and going has a strange homey, interior feel to it. A good travel writer can put into words what you’ve always felt about a place.

And Kerouac is a damned good travel writer. “Lonesome Traveler” is filled with quotable one-liners about booze, sex, solitude, trusting strangers, nature and just about everything else. The one that perhaps best sums up the Beat mentality is actually by Gregory Corso, who in the New York sequence says, “Standing on the street corner waiting for no one is Power.”

Not a bad summary of the attractions of travel.