Gotland, Sweden, comes to New York to promote culture and sustainable farming

Can’t make it over to Sweden’s largest island? Lucky for you, Gotland is coming to New York.

From October 30-November 5,2011, Scandinavia House will hold an exhibition and event series titled “Gotland in New York” that will celebrate the beauty, culture, history, cuisine, and art of this island on the Baltic Sea.

The event is a collaborative initiative between the Swedish-American Chamber of Commerce in New York, Gotland, and VisitSweden. With the 4th annual Green Summit in New York taking place at the same time, the two events are planned to coincide, with a focus on sustainable farming. Because Gotland provides a good model of this idea, the conference holders are hoping that other regions will follow in their footsteps.

Some highlights of the Gotland in New York week include:

Ingman Bergman Film Festival (this Swedish direction lived much of his life near Gotland)
Gotland Design Exhibition, featuring native Gotland art
Specialty Gotland Cuisine at Aquavit (65 East 55 St.)

Scandinavia House is located at 58 Park Ave. at 38th St.

Top 5 festivals in New York this weekend

New York is known for its many cultural, artistic, and just downright fun festivals. If you are looking to experience some of the unique events that the city has to offer make sure you’re in town this weekend, October 1-2, 2011, for five must-attend festivals of the Fall.

Chile Pepper Fiesta
When: Oct 1, 11AM-6PM
Where: Brooklyn Botanic Garden

For those who love anything spicy (including your music!) the Chile Pepper Fiesta is a must. The event will include 8 bands from sizzling regions, hot salsa, tingling kimchee, zesty pickles, and other fiery foods. There will also be a Chile-Chocolate Takedown contest where you will be able to sample and vote. Along with musical entertainment there will also be circus-style performances such as chile pepper juggling and fire eating.

New York Burlesque Festival
When: Sept 29-Oct 2
Where: Varies by performance

If you want to see the sexier side of New York, come check out the New York Burlesque Festival. Friday night is the premier party with some of the top names in the business in attendance. Hosted by Scotty the Blue Bunny at Brooklyn Bowl. Saturday night, Murray Hill hosts a bed-supper-club style party with a stage of beauty queens at B.B. King Blues Club & Grill. Sunday is the last day of festival as Miss Astrid hosts an Oscar-like award ceremony for Burlesque at the Highline Ballroom.

New York Wine and Food Festival
When: Sept 29-Oct 2
Where: Varies, but mainly in the Meatpacking District

Not only can you enjoy delicious cuisine and sample local and international wines at the New York Wine and Food Festival, you can also give back to charity, as 100% of the net proceeds to to the Food Bank for New York City. Television chefs such as Emeril Lagasse and Bobby Flay, culinary experts, wine makers, and cocktail connoisseurs come together to give demonstrations, tastings, panels, classes, book signings, and more.

Art in Odd Places
When: Oct 1-10
Where: Along 14th Street, from Ave C to the Hudson River

While visiting art galleries in New York is always an enlightening experience, being indoors all day, especially with the beautiful Fall weather, can feel a bit cramped. Art in Odd Places allows people to experience an open-air art event, including visual and performance art with a ritualistic theme.

New York Film Festival
When: Sept 30-Oct 16
Where: The Elinor Bunin Munroe Film Center at Lincoln Center

The New York Film Festival is a must for any film lover, especially if you want to find unique films from around the world with interesting perspectives that you usually would not find at your local movie theater. The festival aims to create and enhance an understanding of the art form of film. Some titles to lookout for include The Artist, Sleeping Sickness, Footnote, 4:44 Last Day on Earth, and My Week With Marilyn. Ticket prices and show times vary.

The Met launches its new expanded art website


One of the best art museums in the world now has a world-class website.

The Metropolitan Museum of Art in New York City has redesigned and expanded its website. The Met’s site now offers access to all of its more than 340,000 works of art.

There hasn’t been a major overhaul of the site since 2000, the cyber equivalent of the Late Bronze Age. Each of the almost 400 galleries at the museum and The Cloisters now has its own description and photograph on the interactive map and there are thousands of zoomable art images to explore. Students and aficionados will find the Heilbrunn Timeline of Art History handy. It’s searchable by date, period, style, region, and theme. First-time visitors will want to check out the suggested itineraries to the Met.

As museums and galleries strive to attract real visitors in a virtual age, they’re hard at work developing their online presence. The Smithsonian Archives is another of many institutions to spruce up their Web profile.

[Photo courtesy morrissey]

Low Line may become New York’s first underground park

The High Line park in New York City has received widespread acclaim for its excellent reuse of old, elevated rail. Formerly a freight line that ran along part of the west side of Manhattan, a slice of track was recently seeded with plant and parklife to create a stretch of elevated public space running through the city, and the High Line is now a must-see for many visitors to the city.

So how else can old space be repurposed for the public good? By creating underground parks, of course. New York Magazine released renderings of a proposed Delancey Underground or “Low Line” this weekend that shows a potential plan to turn an abandoned trolley station in the lower east side into a public park, complete with piped in light from the surface above.

The community is set to start discussing the project later this month, and depending on their outcome, the park could begin development soon thereafter.

Check out the full spectrum of renderings over at the NY Mag website.

How 9/11 changed the travel world—and changed nothing at all

One evening in Amsterdam, about three years ago, a pan-European group of friends and acquaintances asked me the question that every New Yorker who’s gone abroad in the last decade half-expects, half-dreads to hear: Where were you on September 11, 2001?

I was lying in bed, I told them, when I heard on NPR there’d been an explosion at the towers. I sat up and looked out the window of my Lower East Side apartment-the radio was right, I could see smoke rising in the distance. I got dressed, picked up my camera and big zoom lens, and shot two rolls of film from my rooftop. Then I walked to work in midtown Manhattan, pausing on Fifth Avenue to watch the towers collapse into dust. Clearly, something awful was going on, but I was safe, as was my girlfriend (now my wife). The terrorist attack had started and ended, and that was that.

My story paled in comparison to the dramatic and affecting narrative of the other New Yorker in our group, Nina. A journalist too, she’d spent the days and weeks after the attacks covering the story for the New York Times, and the experience had deeply affected her: the deaths, the tragedy, the uncertainty, the all-consuming emotionality of the aftermath. Every New Yorker, she said, was terrified by what had happened, and unsettled about what was to come: the anthrax scares, the wars. We were traumatized, all 8 million of us.

Perhaps insensitively, I quibbled. I’d never been scared, I said. The attacks hadn’t affected me directly, or even affected anyone I knew. In the days after, I’d had to show police my driver’s license to get through barricades and to my below–Houston Street apartment-not much of an inconvenience. I went to work, I came home, I watched the news and wrote e-mails and cooked dinner and wondered about what might happen next. Life was not all that different, I insisted.

Nina stared at me as if I were Osama bin Laden himself.I backed off. This was not a fight I wanted to have-especially since hers was the better story. And, obviously, I didn’t want to deny the horror of that day or minimize its repercussions. For millions of people, in New York and around the world, 9/11 changed everything miserably and irrevocably. But not for me. The towers had stood barely a mile from my house, but the terrorized world felt light years away. I was the guy for whom nothing changed.

Well, maybe not precisely nothing. Because in the months and years after September 11, I began to travel more and more. That December, I went snowboarding in Switzerland. A few months later, Vietnam. The next May, Mexico-and the May after that, too. At the end of 2004, I quit my job to spend several months in Southeast Asia, where I got lucky: I sold some stories to the New York Times travel section. Suddenly, it seemed like maybe travel could become a full-time way of life for me. By the summer of 2005, it was.

Was this all because of 9/11? Indirectly, maybe. If 9/11 hadn’t happened, maybe Bush wouldn’t have been reelected, and maybe I wouldn’t have had that feeling, in November of 2004, that maybe I should get out of the country for a bit. Or it all could have unfolded in exactly the same way.

What seems strange as I look back at this is that my travel life intensified over a decade in which travel itself became infinitely more complicated, difficult, and potentially dangerous. Ten years ago, there was no Transportation Security Administration-no shoe removal, no eBay auctions of confiscated pocket knives, no wrangling over bottled breast milk. In 2001, the airlines had not yet embarked on their attempts to squeeze passengers, both literally and figuratively. Gas cost well under $2 a gallon.

And, perhaps most important, no one was yet worried about being an American overseas. At worst, back then, you could appear to be a clueless American, out of touch with European culture, ignorant of Middle Eastern dining customs, primed for pickpocketing. But quite quickly after the attacks, travelers were asking themselves: Is it safe for us there? Will we be kidnapped? Or relentlessly criticized?

In other words, if you were going to pick a time in the last century to become a serious traveler, you probably would not choose the years 2001–2011. But while I watched fellow travelers and the media fret and complain about worsening post-9/11 conditions, I never quite experienced them myself: no canceled flights, no strip searches at JFK, no violence narrowly averted on the streets of Tangier, no awkward dinner-party conversations in Paris (at least, the awkwardness had nothing to do with 9/11). Just as on September 11, I felt like I was living in a different world from everyone else, one where I could see and understand the difficulties but through which I was gliding, untouched, like a Boeing 767 through a cloudless blue September sky.

Most likely, it helps to be me: a short, thin, unassuming, generally clean-cut white man with a Germanic (if Jewish) surname, an American passport, functioning credit cards, and enough money in the bank for a tank of gas (if not always two tanks of gas). This is not a profile that attracts unwanted attention.

But at the same time, the world I have experienced in the past ten years-while surely riven by the conflicts and geopolitical shifts unspooling from 9/11-is not hugely different from the one I saw in the years prior, from 1996 (when I moved to Vietnam for a year) to 2001 (when, having been laid off, I took my first cross-country road trip). Okay, there’s less legroom, but where I stow my feet is my least concern when I’m traveling.

No, what’s always been more important to me is the people I’ve met along the way. Almost wherever I’ve gone, I’ve encountered folks who’ve opened up to me, shown me incredible generosity, and never once made me feel like a representative of a politically suspect nation. Then as now, people would rather talk about what to eat for dinner, show off photos of kids and grandkids, and walk around their villages, towns, and cities to see what’s going on.

And they like to tell stories. In Greece recently, I met an old man named Little Jim who sketched for me his life-born on the island of Samos, he worked most of his life in Australia-and nearly cried as he talked about how his mother, nearing the age of 100, had returned to her native village to die. His tale reminded me somehow of that of Miss Luc, a woman I knew in Ho Chi Minh City who wound up homeless and near-crazy at the end of the Vietnam War, forced to sell lottery tickets in the streets with her infant daughter strapped to her back.

Miss Luc’s and Little Jim’s stories had elements of sadness, but they weren’t depressing or tragic-nothing so neat. They were lives, and for a brief moment I was a part of them. I had no illusions, though; this was temporary, I was not special, and when I moved on from Saigon and Samos I would leave no mark. All I was was an observer, a sympathetic interlocutor passing through town-gliding once again.

But if that’s what I’m to be, a watcher unaffected by events, then it’s my goal to be the best witness I can be, to listen and remember and follow the tales as they’re told and retold, whether they take place in far-off lands or just across town. And in the same way, we travelers have a responsibility to, when asked, tell our own stories, whether upbeat or calamitous. It’s through such encounters that human beings form a picture of the world, and come to understand, if imperfectly, the events that change it.

So next time I’m asked (probably any second now), I’ll tell without hesitation my weird, emotionless tale of 9/11, and it will filter into the brain of some Frenchman, Kenyan, or Palestinian and, alongside stories like Nina’s, become part of a grander, more complete, and, I hope, more comforting narrative, one in which the terrorist attacks of a decade ago are no longer seen as a chasm between Then and Now but as a Rashomonic link from the past to, well, wherever we happen to be today.