Vorticism: avant-garde art at the Tate Britain, London

by Sean McLachlan on

In the years before the outbreak of World War One, European artists developed a variety of different styles to reflect the pace of change and industrialization in what used to be a traditional continent.

Cubism and Futurism were two of the biggest movements. One of the briefest and most vibrant was Vorticism. The Vorticists started around 1913 and focused on the hard lines and quick pace of the machine age.

Now the Tate Britain in London is hosting a major exhibition on the movement called The Vorticists: Manifesto for a Modern World. It brings together more than 100 Vorticist works from all the major players.

One of the leaders of the movement was Wyndham Lewis, although some Vorticists say the only reason he was popularly seen as the leader was because he gave more interviews to the press. He was certainly important, though. Lewis was the founder of the Vorticist journal Blast, the first issue of which had a hot pink cover and featured writings by T.S. Eliot and Ford Madox Ford. A whole section of the exhibition is dedicated to this journal and its groundbreaking design and typography.

Some of the rarer works on display include those from the many women welcomed into Vorticist ranks, a daring move at the time. There are also the Vorticist photos of Alvin Langdon Coburn, often hailed as the first abstract photographs. These photos will blow your mind and hurt your eyes.

%Gallery-126430%While Vorticism was mainly a British movement, this exhibition also explores its influences on the New York modern art scene. In fact, it was an American poet, Ezra Pound, who gave the movement its name.

The output of this movement was remarkably small. Blast only had two issues, and there were only two Vorticist exhibitions. World War One killed some of the Vorticists and left others embittered against the modern world. Yet Vorticism had a major impact on modern art and its works are still discussed and copied today. The two issues of Blast are still in print almost a century after they first appeared. One advantage of its brevity is that an exhibition of this size can encompass a majority of the major works, giving the visitor a full understanding of the meteoric life of one of modern art’s most intriguing avant-garde movements.

The Vorticists: Manifesto for a Modern World opened yesterday and will run until September 4.

[Image of Workshop c. 1914-5, by Wyndham Lewis courtesy of the Wyndham Lewis Memorial Trust]

“Mona Lisa model” to be exhumed

by Sean McLachlan on

Scientists are opening the grave of a nun to see if she was the model for Leonardo Da Vinci’s Mona Lisa.

The 16th century tomb of Lisa Gherardini Del Giocondo is being explored in the hopes of finding her skull. With modern facial reconstruction techniques, it’s possible to tell what she looked like, and this will confirm or deny a popular theory that she was the model for the famous painting.

Archaeologists are using subsurface imaging to probe the area under a crypt and staircase they’ve uncovered inside an old convent where the women is presumed to have been buried. They believe that several tombs lie at the bottom of the stairs.

Lisa Gherardini Del Giocondo was the wife of a wealthy merchant and when her husband died she became a nun at the convent of San Orsula in Florence, where she died in 1542. It was common in those days for women to join a convent when they were widowed. One has to wonder what Sister Del Giocondo thought of being the subject of the most talked-about portrait in history.

The Mona Lisa has been argued about for generations. Some researchers say the model was Da Vinci’s gay lover, while others say it’s Da Vinci himself in drag.

The lower tombs will be opened in the next few days. Stayed tuned to see if the team finds Mona Lisa’s celebrated head among the remains.

[Photo courtesy Wikimedia Commons]

Missouri celebrates painter George Caleb Bingham’s 200th birthday

by Sean McLachlan on


He was one of America’s greatest regional painters, and next month he turns 200. George Caleb Bingham captured the life of fur trappers and steamboats along the Missouri River, and the horrible civilian cost of the Civil War.

A self-taught painter who grew up in Missouri, Bingham witnessed the state transform from an underpopulated frontier into a thriving center of commerce and agriculture. The above painting, Fur Traders Descending the Missouri, was painted in 1845 and captured a scene that was already becoming a thing of the past. Individual fur trappers, generally French, were being replaced by larger companies. His Luminist style and the little details like the cat earned him a lasting reputation. Actually, many researchers think it’s a bear cub, but it looks like a cat to me!

Bingham was a realist. The boy in the picture is half French and half Indian, a common enough sight in those days but not something that “respectable” society wanted to talk about. The original title for the painting was French Trader, Half-Breed Son, but the American Art Union changed the name when they put it on display. Yet another example of a powerful institution whitewashing America’s past.

Bingham was born 20 March 1811 and Missouri is planning several exhibitions and events. Kansas City’s famous Nelson-Atkins Museum will have an exhibition of his work from March 9 to December 2. At The Harry S. Truman Library and Museum, there’s another Bingham retrospective from March 10 to September 9. There are several other events taking place to mark the bicentennial. You can find an entire list here.Perhaps his most famous painting is Order No. 11, Martial Law shown below. This order by Union General Thomas Ewing in 1863 forced civilians out of their homes in several Missouri counties bordering Kansas. It was in retaliation for a Confederate guerrilla raid that destroyed Lawrence, Kansas, killing 200 mostly unarmed men and boys. General Ewing knew that secessionist civilians helped the guerrillas, so he decided to move them out of the region. Bingham was a Union man and was as shocked as anyone else by the Lawrence Massacre, but he thought punishing civilians was unjust. His painting was an instant success and has become a permanent symbol of Missouri’s bitter Civil War. It will be on display at the Truman Museum exhibition.

[Fur Traders Descending the Missouri courtesy The Yorck Project. Order No. 11, Martial Law courtesy Americasroof]

Three art fairs in Madrid this month

by Sean McLachlan on

Madrid has always been a favorite destination for art lovers, and in February you have three more reasons to go. Later this month the Spanish capital will host three contemporary art fairs.

Art Madrid is the biggest, with 45,000 visitors last year. Now in its sixth year, Art Madrid is hosting 89 exhibition spaces that will showcase the collections of 60 art galleries from across Spain and around the world. It’s open from Feb. 16-20.

ARCOmadrid is celebrating its 30th year by focusing on Russian and Latin American contemporary art. Pieces from 12 Russian galleries will be on display and a “Solo Projects” program features artists from Latin America. It’s open Feb. 18-20.

JUSTMAD2 is the youngster of the crowd and only in its second year. About 50 exhibitors from many different countries will be showing their stuff. There will also be special programs on experimental design and sound art. It’s open Feb. 18-20.

It’s no coincidence that these are all happening at the same time. Buyers from all over the world will be here looking for The Next Great Talent, and like book fairs or other trade shows there will be a lot of hustling going on. Visiting one of these fairs will not only give you a large, interesting art exhibition for your money, but also insights into the inner workings of the art world.

Ethiopian Jesus

by Sean McLachlan on


It’s Christmas, when the Christian world celebrates the birth of Jesus Christ. The Muslim world celebrates too because in Islam Jesus is considered a prophet.

Christianity has spread all over the world. One of the best things about travel is the different world views it exposes you to, and one of these insights is that religious artists have created Jesus in their own image. Europe has a white Jesus, Africa has a black Jesus, and Latin America has a Latino Jesus.

So what did Jesus really look like? The Bible is a bit sketchy about his personal appearance, but being a Levantine Jew he wouldn’t have looked like the Nordic hippie we’re familiar with in the West. He probably looked a bit more like this picture above, which is in the 16th century church of Ura Kidane Mihret on Lake Tana, Ethiopia. Brown skin, dark eyes and hair. . .this is what most people in ancient Judea looked like.

Ethiopia became Christian in the 4th century, and is the second oldest Christian nation after Armenia. The Ethiopian Orthodox Church has built incredible houses of worship all over the country, including the famous rock-hewn churches of Lalibela, stone buildings dug out of the bedrock.

For more on the fascinating culture that produced this image, check out my series on travel in Ethiopia.