Museum Junkie: Futurism at the Tate Modern

by Sean McLachlan on

“Today we are founding Futurism, because we want to free our country from the smelly gangrene of its professors, archaeologists, tour guides and antiquarians.”

On February 20, 1909, the front page of the Italian newspaper Le Figaro was taken up with the Manifesto of Futurism, a new movement of artists, poets, and performers who revolutionized modern art. They rejected all the past–traditional painting, museums, history, religion, marriage, and just about everything else they could think of while embracing modernity in all its forms. They loved movement, anarchy, technology. When World War One started in 1914, they hailed it as the first modern war and formed the Lombard Battalion of Volunteer Cyclists and Automobilists. Their Manifesto stated that war was “the world’s only hygiene.”

The energy of their work, shown here in Impressions in a Dance Hall (1914) by Belgian Futurist Jules Schmalziguag, soon captivated the art world.

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Futurism is a new exhibition at London’s Tate Modern that studies the development of this movement. The exhibition covers the movement’s origins in Italy and its rapid spread across Europe from England to Russia. What started with painting soon made its impact felt in sculpture, literature, architecture, even music. Part of Futurism’s success was the artists’ shameless self-promotion, with more than fifty manifestos coming out in the five years after the initial one in La Figaro. Some of these manifestos and Futurist literary magazines are also on display, along with paintings from the competing movement of Cubism, The Futurists were opposed to Cubism, of course, because it took attention away from them, and were in the habit of calling Picasso a “boor.” They called themselves boors too, so it’s hard to tell if they were really insulting him, or themselves, or neither, or both.

The Futurists would have loved seeing their work in the Tate Modern. The building is a converted power station with a soaring central space that was once taken up by a massive turbine. The museum is filled with modern art, installation pieces, and video displays. This ultramodern setting may have even made the Futurists forget that museums were nothing but “graveyards”.

“Museums, graveyards!” the original Manifesto fomented. “They’re the same thing, really, because of their grim profusion of corpses that no one remembers.”

Futurism started at the Tate Modern on June 12 and runs until September 20.

Spectacular summer art season in Madrid

by Sean McLachlan on

Madrid is one of the art capitals of Europe, and each season the city’s big three art museums host major exhibitions. This summer looks like it’s going to be an especially good one.

Perhaps the biggest show of the season is the Thyssen-Bornemisza Museum’s show on Matisse. Running from June 9 to September 20, it focuses on the work the famous painter and sculptor did in the middle part of his life. In the 1920s he and Picasso were at the vanguard of making modern art acceptable to the general public, and in the 1930s Matisse’s work became more inward-looking as the Depression, the buildup to World War Two, and the invasion of France took their psychological toll.

The Prado will has a show focusing on the Spanish painter Joaquín Sorolla, who in the late nineteenth and early twentieth centuries became one of Spain’s best-loved painters with his brilliant images of sun-soaked gardens and beaches. This show runs from May 26-September 6. One of his paintings, titled “Walk on the Beach”, is shown here. If you like his style, you might also want to check out his house, which is now a museum showcasing his life and work.

If modern art is more your thing, check out the Reina Sofia, Madrid’s home for modern and contemporary art. Their big show this summer will be Los Esquizos de Madrid, an art movement that flourished in Spain’s capital in the Seventies as the country made the transition from dictatorship under Franco to a fragile multiparty democracy. This movement embraced figurative art at a time when the rest of the European art world seemed have abandoned it.

The Reina Sofia will also have an exhibition by Lebanese artist Walid Raad, who created The Atlas Group, an art movement of one. His work explores censorship and the Lebanese Civil War though various media and will be open from June 3 to August 31.

Museum Junkie: Met reopens its American wing

by Sean McLachlan on

The American wing at the Metropolitan Museum of Art in New York reopened yesterday after two years of construction and renovation. The museum’s excellent collection of American painting, sculpture, and minor arts has taken on new life with a major remodel that includes a reconfigured main courtyard containing thirty pieces of important sculpture. A video of the stunning, light-filled courtyard can be seen here.

The new interior uses generous amounts of glass as well as an airy, open interior to create a beautiful space within which to admire American art. People have often bypassed this section to make a beeline to the more famous medieval and Egyptian galleries, but the American wing has an amazing collection of works that can hold their own with any period of art.

In this museum junkie’s opinion, the most interesting part of this wing has always been the period rooms, two of which are pictured in the gallery below. These are twenty original interiors from all periods of American history, ranging from 1680 to 1914, that really bring you into the feel of the time. New digital interpretation panels help you see beyond the pretty furniture and architecture to understand how these places were actually lived in. It’s all part of the museum’s commitment to make a more visitor-friendly experience and bring American art more into the public’s attention.

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