Dutch Astronaut Tweets Photos From International Space Station

by Kraig Becker on

One of the joys of travel is taking great photographs of the places we visit and sharing them with friends and family back home. In the age of mobile Internet access, and services like Instagram and Twitter, it is easier than ever to chronicle our journeys through photos no matter where we are at any given time.

That includes the International Space Station it seems as Dutch astronaut André Kuipers has been sending a steady stream of images back to Earth since he first arrived there in December. André snaps photos with his trusty camera then uses Twitter to share those images with the more than 215,000 people who follow him. As you would expect, the photographs are often stunning shots of the Earth, the ISS or some other heavenly body.

This is the 53-year old physician’s second trip to the space station where he conducts experiments in a wide range of fields including microbiology and physiology. He is scheduled to remain in orbit until July 1st, so until then we can all continue to enjoy his fantastic photos by following him at @astro_andre. You can also read his blog, which he updates regularly as well, by clicking here.

Both images in this post are courtesy of Kuipers. The one above is of the moon setting behind the Earth while the one below is the ISS over Europe. Both are beautiful.

The Sardine Can Camera from Lomography

by Pam Mandel on

When I first started taking photos, I used this stuff called “film.” You loaded it into your camera, fiddled with a bunch of settings and then pressed the shutter and prayed. You didn’t get to look at your pictures right away or tweet them to your friends or post them to your blog – oh ho ho no, you first had to take the film to a place that knew what to do with it. In the ’90s, you could get your pictures on a CD, making them a zillion times more portable, but before that, you got prints and negatives or maybe slides. Hey, I still have a box full of yellow envelopes stuffed with fading memories of trips past.

Now I shoot primarily with my iPhone 4s, a device to which I am enslaved for all kinds of reasons, though I also shoot a Pansonic Lumix, which is a tiny pocketful of awesome, and sometimes, a Nikon D200 if I’m feeling like I want a lot of control. I LOVE my digital kit, I think digital photography is nothing short of voodoo magic and if you’re addicted to over-processing and HDR, well, I’m not that into you but I get where you’re coming from.

La Sardina (The Sardine Can) Camera from Lomography takes all that away from you and puts you right back to 1979 when you weren’t at all sure what you were going to end up with, when you had a film safe bag for the X-ray machine and every now and then you posted those little black plastic canisters back home. Godspeed, little memories, I’ll see you when my Eurail pass expires.

I absolutely love the look of this little camera. It’s nothing short of adorable. It comes in a bunch of different patterns, there’s one that’s kind of steam punky and another with reptile scales and it’s cute as a bug. Everything that comes with it is designed to make your eyeballs happy – the big fold out instructions and the book that teaches (or re-teaches) you “lomography,” aka lo-fi photography. The packaging is gorgeous and the design work is inspired. I loved unpacking the camera; it was a joy.All that is grand, but that’s not what a camera is about for me. A camera is a tool for making pictures. I tossed the little sardine can camera and three rolls of film into my bag for a fall trip to Hawaii. I’ll experiment, I thought. After all, I already have a zillion pictures of the islands so what’s the risk?

I didn’t shoot a single photo. I was too attached to the results to give up the control that digital photography gives me. Oops.

A few months later, I tried the same thing. Only this time, I left my DSLR at home and opted for just my phone. I shot a roll of high color saturation film while on the Washington Coast. I used the camera wrong for about the first half of the roll, something I learned while rereading the instructions after a day of shooting at the beach. The second roll came out… well, I don’t know yet, do I? See, I haven’t taken the film in for development yet.

I’ll repeat something I said earlier: I LOVE photography. In college, I learned how to develop my own film and how to print my own pictures. I had a photography mentor – a cranky old architectural photographer who shot an 8×10 and let me use his immaculate home darkroom for my own projects. I have inhaled my share of toner while losing hours under the red lights. I have a box full of film camera gear in the basement and for a while, I had all the stuff to set up a home darkroom.

I am no less devoted to the weird combination of magic and science that happens when you substitute a camera for your eye. But I am content to leave the chemistry out of the process. I like the instant review, of knowing that an image sucks and I need to retake it. I’m addicted to the instantaneousness of modern digital photography and I don’t want to give it up. You can’t teach a new dog old tricks – or something like that.

I wanted to fall in love with film again. Everything about how the camera is presented is designed to make you do that, to fall in love with film and the process. It’s just so COOL (in all caps). The sample images look awesome and there are whole communities sharing their lomo work (in a digital environment, ironically). You might totally dig going lomo; people are doing great work with lomo gear. But it’s not for me. I don’t want to go back.

You should decide for yourself, though. La Sardina cameras start at about $59. Add a flash for $69, or get a kit that includes one for $109. For inspiration, check out the La Sardina galleries or those on Lomography.com.

Photo Of The Day: Easter Island P.D.

by Meg Nesterov on


Spring is in full swing and Easter and Passover are coming this weekend. Looking for something seasonally appropriate, I searched the Gadling Flickr pool but instead of Easter the holiday, I found images of Easter the Island. This shot by davitydave especially caught my eye, showing the uniformed (and probably Chilean) Easter Island police looking rather stern and serious with their incredible and unusual view. I wonder what their “beat” is like? Do they see much action other than rowdy tourists and the occasional protest? Hey officers, I see some shady looking characters loitering down at the water.

Add your travel photos to the Gadling Flickr pool to be featured on another Photo of the Day.

A Photo Tour Of Cape Town’s Colorful Bo-Kaap

by Jeremy Kressmann on

Cape Town might be the world’s most visually striking city, between its dramatic coastal setting perched precariously against the looming Table Mountain and the town’s riotous collision of Europe and Africa, and from textiles to colonial Dutch architecture. Perhaps no Cape Town neighborhood better represents the sensory feast that is Cape Town than the Bo-Kaap, a wildly colorful enclave of brightly painted houses long home to the city’s unique population of Cape Malay residents.

Bo-Kaap got its start in the late 16th century, as Cape Town rose to prominence as a key stopover for merchant ships traveling between Europe and Asia. The largely Dutch traders who controlled Cape Town introduced Indonesian slaves (now known as Cape Malays) to the city, who then brought along their Islamic culture and cuisine. Bo-Kaap became home to the city’s Cape Malay community, weaving its way through a patchwork of brightly painted houses, historic mosques, spice shops and cobblestone streets.

Though the Bo-Kaap is quickly gentrifying, the neighborhood remains a fascinating sensory feast for an afternoon stroll. Turquoise and bright green houses compete for your eye’s attention with nearby Table Mountain, as a thick blanket of clouds gently rolls across its summit. Nearby a group of worshippers kneels outside one of Bo-Kaap’s mosques, their chanting wafting its way to your ears. On the next corner, a market stocks halal meats and fresh-made Koeksisters, a sweet South African donut.

Begin your own exploration of the Bo-Kaap signs and sights of the neighborhood in the Gadling gallery below!

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Gadling Gear Review: Joby Gorillapod SLR-Zoom

by Kraig Becker on

The advent of inexpensive point-and-shoot and SLR cameras had turned us all into travel photographers and has made documenting our journeys easier than ever. Capturing just the right shot still takes plenty of practice and skill, however, and occasionally it is nice to have a tripod in our packs to assist in that area. Unfortunately, traditional tripods can be heavy, bulky and inflexible, which doesn’t always make them the best travel companions. But the Gorillapod SLR-Zoom from Joby isn’t a traditional tripod and it eliminates those issues through its ingenious design.

Looking a bit like something out of a science fiction movie, the Gorillapod line of tripods uses a series of articulated legs that are unique in design. The individual segments on each leg can all be bent, twisted and reshaped as needed allowing a photographer to adjust them to stand securely on nearly any surface. Gorillapods can even be wrapped around objects, such as tree branches or rock ledges, to capture shots from vantage points that aren’t possible with other kinds of tripods. This level of versatility opens up a new host of options for photographers on the go.

Lightweight and yet rugged, the SLR-Zoom version of the Gorillapod is designed to hold a camera and lens weighing up to 6.6 pounds. Most consumer level cameras don’t weigh anywhere near that, even while outfitted with a large zoom lens. For example, my Nikon D90 weighs in at 1.5 pounds and adding a 70-300mm lens doubles that to about 3 pounds. Professional photographers will want to upgrade to the Gorillapod Focus, which is a bit larger but can support weights up to 11 pounds.

The SLR-Zoom features a universal 1/4″ screw as well as a 3/8″ adapter, which makes this tripod compatible with virtually any camera on the market. An included removable ball head adds the ability to tilt and hold the camera at just the right angle to catch the perfect shot, while a built-in level helps to ensure that your photos don’t come out completely cockeyed. That same level will be your best friend while first learning how to incorporate the Gorillapod into your photographic arsenal as it proves very useful when setting up shots.While this tripod is a great piece of equipment to have in your photography bag, it definitely does take some time to get use to. Adjusting the legs is a simple affair but getting them set just right takes practice. You’ll definitely want to play with the Gorillapod before you take it on a trip or out into the field, otherwise you run the risk of spending more time fidgeting with the tripod than actually taking photos. Using the SLR-Zoom isn’t rocket science by any means but gaining some experience prior to traveling will serve you well, particularly when setting up timed self-shots in unique locations.

Overall, the Gorillapod SLR-Zoom is a very high quality product that any photographer will love. It is sturdy, compact, durable and breaks down to a reasonable size for inclusion in our packs. It also comes with an affordable price tag of just $49.95.

Joby has a full line of Gorillapods available at a variety of prices and sizes. The SLR-Zoom may be overkill for many travelers, but one of the other options may better fit your needs. If you’re in the market for a versatile, high quality tripod to carry on your travels, the Gorillapod may be the perfect solution.