Today is the hottest day yet in New York City’s latest heat wave, and the summer weather is no less forgiving in many other cities in the western hemisphere. To help beat the heat, car service app Uber is offering ice cream trucks on demand, today only from 11-5 p.m. in 33 cities worldwide. The stunt is to help promote the app’s expansion to new cities in the United States and in Australia, Europe and Singapore.
There’s a well-worn tourist trail in Spain: Madrid for the art, Barcelona for the nightlife and the Costa del Sol for the beaches. All of these are great, but there are plenty of other spots that often slip under the radar. Valencia, for example, gets plenty of tourists from Europe yet seems to not get so many Americans. I hardly saw any in the past three days.The Yanks need to reconsider because there’s a huge amount of history and culture to experience. Valencia on Spain’s Mediterranean coast has been a center of industry and the arts for more than 2,000 years. Founded by the Romans in the second century B.C., it soon became one of the leading cities on the Iberian Peninsula. In the Middle Ages it had a diverse population of Christians, Muslims and Jews who managed to get along most of the time despite the near-constant warfare between Muslims and Christians that ravaged the peninsula and made the city change hands several times.
Sad to say, this harmony was not to last. Everyone in the Jewish community was kicked out or forced to convert during a Christian riot in 1391. The success of the Reconquista in 1492 spelled the beginning of the end for the Muslim community. Their legacy lives on in the city’s art and architecture.
Valencia’s historic center is an architectural jewel with its winding medieval streets, old palaces and churches, and countless little shops and cafes. Here you’ll find the 13th century Valencia Cathedral, which claims to have the Holy Grail on display. This little agate cup is said to date to the first century B.C., although the ornamentation around it is clearly medieval. The story goes that St. Peter took it to Rome after the Crucifixion and it was in the possession of the first 23 popes before it was sent to Spain to keep it safe from persecuting Romans.
To see the cup itself, check out the Holy Grail Chapel just to the right of the entrance. It’s displayed in surprisingly modest surroundings although that will change if the current Mayor of Valencia, Rita Barberá, has her way. She wants to get UNESCO World Heritage status for the cup, make a large showroom for it, and dub Valencia “the city of the Holy Grail.” Hey, it worked for Turin. Relic hunters will also not want to miss the preserved arm of San Vicente.
You can make a grand entrance to the historic center via one of the two medieval gates, each flanked by a pair of towers. The Torres de Quart are pockmarked by the bombardment they received during the War of Independence against Napoleonic occupation in 1808. The more ornate and less abused Torres de Serranos overlook the Turia riverbed. The river was diverted in the 1950s and now the riverbed is a long, green park that makes for a shaded avenue through the heart of the city.
Summer in Valencia is scorching, so it’s a good idea to take shelter in one of the city’s many museums. Museum junkies will feel at home here. There are dozens of museums on seemingly every subject. The most outstanding one is the City of Arts and Sciences. This ultramodern complex includes the largest marine park in Europe, a huge science museum, concert hall, IMAX cinema and greenhouse.
The Valencian Museum of Enlightenment and Modernity offers a constantly changing set of temporary (and free!) exhibitions. Right now they’re having exhibitions on witchcraft, Siberian shamanism, and photographs from turn-of-the-century Russia. Budget travelers will also want to check out the many other free museums: the Museum of Fine Arts, with its collections of Goya, Sorolla and many other Spanish artists linked with Valencia; the Military Historical Museum; the Prehistoric Museum; and the Ethnographic Museum, among others.
Valencia has a distinct regional culture. Many locals here speak Valencian, which depending on who you ask is either a dialect of Catalan or its own language. It’s sufficiently close to Castilian, in that this Castilian speaker can mostly understand it, although there are occasional words that are completely different. In any case, signs are generally both in Valencian and Castilian, and often in English too.
When not hiding in a beautiful church or interesting museum, you can keep in the shade by wandering the little streets of the historic quarter. There are plenty of little restaurants and cafes to keep you fueled. Eating and drinking in Valencia offers a regional variation on the Spanish theme too, but that deserves an article of its own, so stay tuned for that tomorrow!
On my first day in Venice I walked the streets without a camera in order to savor the beauties of this unparalleled city. I was leaving the next afternoon so that morning I got up at dawn in order to catch Venice at its abandoned best.
It’s a different city, more peaceful. You can linger on a bridge or take a shot from the middle of a street without getting trampled. You can capture the way the light plays on the water or on the side of an old, crumbling building without half a dozen heads getting into the shot.
Venice has a different character in those early hours. Instead of gondolas, cargo vessels ply the canals making deliveries to this city without cars. The streets are empty but for local workmen cleaning up or getting ready to open up their shops and kiosks. The only other tourists are lone photographers like me. My idea was a pretty obvious one, after all.
The low-angled light makes for some nice play between the tops of the buildings shining golden in the morning and the still-dark recesses of the alleyways and narrow canals. The low-angled light puts faded details into higher relief, like the faded Latin inscriptions on the lintels of church doors or the weathered escutcheons on Renaissance palaces.
%Slideshow-693%The early hours are also the time for visiting the big attractions. There’s something eerie about seeing the Piazza San Marco with only half a dozen people in it. One pair was a newlywed couple. A tuxedoed man was fiddling with the camera while his stunningly beautiful wife, decked out in her bridal gown, gave instructions and adjusted her veil. Beyond them the Grand Canal shimmered in the early light. I’m sure their wedding photo is the envy of their friends.
As stunning as these broad vistas are, Venice rewards a close look. There are details in the buildings and streets that make for great close-ups. In the Piazza San Marco, for example, you have this little bronze figure, one of a set.
At the corner of St. Mark’s Basilica is the square’s most historically important work of art, a porphyry statue of four armored men clinging to one another in mutual defense. I’ve wanted to see these little guys for years.
They’re the Tetrarchs. In 293 A.D., the Roman Emperor Diocletian decided the empire was too big and had too many enemies for one man to rule. He created the Tetrarchy, with an Emperor and a Caesar for both the West and the East. They were supposed to rule in harmony but of course the rivalry more often than not led to civil wars. In another century the Western Empire was a nonentity, while the Eastern Empire, known today as Byzantium, lived on until the 15th century. This famous statue originally stood in Constantinople but was stolen during the Fourth Crusade in 1204 and brought here.
Many people photograph this statue, yet miss something even more interesting a few feet away. On a stone bench at the entrance to the basilica there’s a strange design scratched into the surface. It’s been almost worn away by centuries of bottoms, but you can make out a square within a square, partitioned into several segments. This was a Renaissance board game that people would play while whiling away the hours on the plaza. It’s a reminder of the regular folk who lived in Venice in the shadow of the great rulers, artists and priests.
This fired my imagination. Perhaps some other detail will fire yours: the dusty icons in an antique shop, the mosaic advertisement for a pension set into a street, the half-finished Renaissance fresco in the entryway of an obscure church. When you’re strolling around Venice or any great city, keep an eye out for those little details that catch your fancy as well as the grand views that everyone admires. That way you’ll end up with a photo album uniquely your own.
Augmented Reality apps on our smartphones and tablets can do some pretty amazing things. The basic premise is that these apps use our device’s camera to show us the world around us while also overlaying information that may be of interest. For example, AR apps can give directions, complete with on-screen arrows showing us where to go, or they can display info about hotels, restaurants and bars that include Yelp scores, hours of operation, menus and more. The potential for augmented reality is so great that Google is even incorporating it directly into their Glass project.
But a company called AR-media is truly taking augmented reality to the next level with a new app in development that will let travelers see some of their favorite historical sites restored to how they looked when they were first built. In the case of the demo video below, that means using an iPad to catch a glimpse of the Roman Colosseum as it looked when it was newly constructed.
The software uses special programming to determine where you are in relation to the structure and uses 3D modeling to fill in sections of the building. The results are pretty amazing and show the possibilities of how AR can be used to educate and entertain, particularly in the travel industry.
Now, I wouldn’t recommend staring at some of our more magnificent monuments through the screen of any device. After all, you’re there to see it in person. But if a smartphone or tablet can enhance the experience, then I think that is technology that is working to make our lives better. In this case, the AR app practically allows us to step back in time and see the Colosseum in all of its glory.
Archaeologists excavating at Lincoln Castle have discovered the remains of an early Christian community, according to a Lincolnshire County Council press release.
The team, which was digging inside the castle to clear the way for an elevator shaft, found the remains of a church that dates back at least 1,000 years. Inside a sealed niche in the wall they found human bones. They had been wrapped in finely woven cloth and while the cloth has long since disappeared, it left its impression on the surrounding mortar. Excavators theorize that these may be the remains of a holy person, as it was common to put relics in church walls and altars in order to make them holy.
An even older find included several skeletons and a stone sarcophagus. The archaeological team is planning to put an endoscopic camera into the coffin to see what’s inside without disturbing it.
%Gallery-188672%Both the cemetery and church date to the Anglo-Saxon period, when England was a patchwork of different kingdoms before the Norman conquest. Lincoln had been a walled Roman town. The Romans left Britain in the early fifth century and were soon replaced by Anglo-Saxons coming from Denmark and northern Germany. They took up residence in Lincoln and many other Roman towns.
The present castle was built by the Normans in 1068 on the foundations of a Roman fort. William the Conqueror, after defeating the English King Harold Godwinson at Hastings in 1066, built this castle to control the important town of Lincoln and its surrounding area. While the castle has been modified over the centuries, it’s still one of the best-preserved Norman castles anywhere.
The typical Norman castle has a tower on an artificial mound at the center and with a wall encircling it. Lincoln Castle has two mounds, each with its own fortification and a long wall encircling them both. This tough fortification was besieged twice. The second time, in 1216, was during the Baron’s War, which led King John into making concessions to the nobility in the form of the famous Magna Carta. One of the original copies is on display here.