Vorticism: avant-garde art at the Tate Britain, London

by Sean McLachlan on

In the years before the outbreak of World War One, European artists developed a variety of different styles to reflect the pace of change and industrialization in what used to be a traditional continent.

Cubism and Futurism were two of the biggest movements. One of the briefest and most vibrant was Vorticism. The Vorticists started around 1913 and focused on the hard lines and quick pace of the machine age.

Now the Tate Britain in London is hosting a major exhibition on the movement called The Vorticists: Manifesto for a Modern World. It brings together more than 100 Vorticist works from all the major players.

One of the leaders of the movement was Wyndham Lewis, although some Vorticists say the only reason he was popularly seen as the leader was because he gave more interviews to the press. He was certainly important, though. Lewis was the founder of the Vorticist journal Blast, the first issue of which had a hot pink cover and featured writings by T.S. Eliot and Ford Madox Ford. A whole section of the exhibition is dedicated to this journal and its groundbreaking design and typography.

Some of the rarer works on display include those from the many women welcomed into Vorticist ranks, a daring move at the time. There are also the Vorticist photos of Alvin Langdon Coburn, often hailed as the first abstract photographs. These photos will blow your mind and hurt your eyes.

%Gallery-126430%While Vorticism was mainly a British movement, this exhibition also explores its influences on the New York modern art scene. In fact, it was an American poet, Ezra Pound, who gave the movement its name.

The output of this movement was remarkably small. Blast only had two issues, and there were only two Vorticist exhibitions. World War One killed some of the Vorticists and left others embittered against the modern world. Yet Vorticism had a major impact on modern art and its works are still discussed and copied today. The two issues of Blast are still in print almost a century after they first appeared. One advantage of its brevity is that an exhibition of this size can encompass a majority of the major works, giving the visitor a full understanding of the meteoric life of one of modern art’s most intriguing avant-garde movements.

The Vorticists: Manifesto for a Modern World opened yesterday and will run until September 4.

[Image of Workshop c. 1914-5, by Wyndham Lewis courtesy of the Wyndham Lewis Memorial Trust]

Giant yellow teddy bear bound for New York City

by Meg Nesterov on


Visitors to New York City this spring should be on the lookout for a new landmark: a giant yellow teddy bear, bronzed and 23 feet high. The 35,000 pound untitled (Lamp/Bear) sculpture was created by New York-based Swiss artist Urs Fischer, one of three made in 2005/2006. The button-eyed bear sits against a lamp, which turns on above the bear’s head to keep him lit at night.

The behemoth bear will be outside the Seagram Building at Park Avenue and 52nd Street in Manhattan from next week for five months. Christie’s will auction the bear in May and the private collector who owns the artwork has already turned down a $9 million offer. There is a possibility the sculpture could be bought by a private institution or museum, but don’t rule out New York as a buyer if the bear proves to be a tourism draw.

Hat tip to Brooklyn Nomad on the story.

Photo courtesy of NYC Loves NYC on Flickr.

Photo of the day – Harbin Ice And Snow Festival, China

by Meg Nesterov on

Today’s Photo of the Day comes from Harbin, China‘s annual Ice And Snow Sculpture Festival. The festival starts in January and lasts about a month, or as long as the temperatures stay low enough not to melt the huge sculptures and buildings. Flickr user Bernard-SD took the shot on a -28C night. Sculptures are made with hi-tech methods like lasers, as well as lo-tech methods like lanterns (think sandcastles, water is poured into a lantern and frozen, and the resulting shapes are moulded into sculptures). Last year, Gadling’s Leigh Caldwell checked out Gaylord Hotels’ ICE! festival in the United States with many of Harbin’s master carvers.

Have you captured any fun festivals on your travels? Add them to the Gadling group on Flickr and we might just pick one of yours as a future Photo of the Day.

Three art fairs in Madrid this month

by Sean McLachlan on

Madrid has always been a favorite destination for art lovers, and in February you have three more reasons to go. Later this month the Spanish capital will host three contemporary art fairs.

Art Madrid is the biggest, with 45,000 visitors last year. Now in its sixth year, Art Madrid is hosting 89 exhibition spaces that will showcase the collections of 60 art galleries from across Spain and around the world. It’s open from Feb. 16-20.

ARCOmadrid is celebrating its 30th year by focusing on Russian and Latin American contemporary art. Pieces from 12 Russian galleries will be on display and a “Solo Projects” program features artists from Latin America. It’s open Feb. 18-20.

JUSTMAD2 is the youngster of the crowd and only in its second year. About 50 exhibitors from many different countries will be showing their stuff. There will also be special programs on experimental design and sound art. It’s open Feb. 18-20.

It’s no coincidence that these are all happening at the same time. Buyers from all over the world will be here looking for The Next Great Talent, and like book fairs or other trade shows there will be a lot of hustling going on. Visiting one of these fairs will not only give you a large, interesting art exhibition for your money, but also insights into the inner workings of the art world.

More Roman heritage from Mérida, Spain

by Sean McLachlan on

In the Extremaduran city of Mérida, it feels like at any moment you’re going to turn a corner and meet an ancient Roman. Sometimes that almost happens.

This fellow was at the Museo Nacional de Arte Romano, a world-class museum featuring Roman statues, mosaics, and other artifacts. Built by the famous architect Rafael Moneo Vallés, it looks like an old Roman basilica, with lofty arches, wide corridors, and lots of natural light. This allows each artifact to have plenty of space so it can be viewed from all angles. My five-year-old son loved this place. With the crowds dispersed in such a large area, he didn’t have to keep close to my side all the time. He could wander at will (within my sight, of course) and examine the chariot races on the mosaics all by himself. He also liked the basement, which included a Roman road and several crypts.

While the museum is one of the best I’ve seen, the whole city is actually a museum. Behind a cafe I saw spare chairs stacked under a Roman arch. The local church incorporates parts of a temple to Mars. The main pedestrian bridge across the Rio Guadiana, dating to about 25 BC, is the longest surviving Roman bridge in the world.

Last time I talked about the Roman theater and amphitheater at Mérida. These are the two most popular sights in town, but perhaps more impressive is the Casa del Mitreo. This Roman mansion is located near the subterranean temple of Mithras, a mystery religion that was the main competitor with Christianity for the hearts and minds of the Romans in the late Empire. It’s not clear if the house was actually associated with the temple, but a beautiful, complex mosaic on the library floor suggests it was. It shows the divine principles of sky, earth, and sea in a vast interconnected group. These aren’t gods, but ideas, such as Copiae, the riches of the sea; Aestas, the summer; and Chaos. The whole mansion has been excavated and protected under a modern roof, so you can stroll around on a modern walkway and look down the bedrooms, patios, and wall paintings. My wife voted this the best attraction in town. Near the house is a rather spooky Roman graveyard.

%Gallery-112140% On the edge of town you can see one of the best preserved Roman hippodromes in the world. Chariot races were even more popular than gladiator fights or plays. Like the theater this was an institution that the early Christians disapproved of. But like the Mérida theater, it got a major face lift courtesy of the early Christian emperors in the years 337-340 AD. It took some time for the Christians to enforce their strict morality on the Roman populace. Walking along the 440 meter (481 yard) long racetrack you can easily imagine cheering crowds and crashing chariots. Thirty thousand people could be seated here. Nearby are the remains of one of Mérida’s two aqueducts.

Mérida protected the crossing of the Guadiana river, and so even after the Roman Empire crumbled it was an important spot. The Visigoths, a Germanic tribe, built an imposing city wall and fortress here. Little of that period remains, but the next rulers of Mérida, the Moors, built a sprawling fortress called the Alcazaba next to the bridge. When we visited we had the place pretty much to ourselves. My son got to walk the ramparts and look out over the river, imagining what it would have been like to live in those times. He especially liked exploring the dark tunnels under the main tower, which lead to a cistern that provided the soldiers with water. The upper story of this same tower was once a mosque.

“Fun for the whole family” is a horrible travel writing cliché, but it does apply to Mérida! While the modern town isn’t much to look at, it’s full of ancient surprises. The food and wine are great too. More on that in another post.

Don’t miss the rest of my series on Exploring Extremadura, Spain’s historic southwest

Coming up next: The Visigoths: Spain’s forgotten conquerors!