Catching the travel bug: N’Jowara, The Gambia

Welcome to Catching the Travel Bug, Gadling’s mini-series on getting sick on the road, prevailing and loving travel throughout. Five of our bloggers will be telling their stories from around the globe for the next five weeks. Submit your best story about catching the travel bug in the comments and we’ll publish our favorite few at the end of the series.

The day before I found out how “sicker than a dog” really felt, I had a motorcycle ride unlike any other.

There I was bouncing along narrow dirt roads, skirting freshly plowed peanut fields, and clutching the waist of the family planning worker. He had offered to take me to the villages near N’Jowara, The Gambia where I was to live for the next two years as a Peace Corps volunteer in order to show me around.

As we bounced, I noticed the furrows of the not green at all peanut fields that waited for more rains to come.

At each village, I smiled, ran through my small repertoire of Wolof greetings, and felt totally lost. Still, I went to bed giddy that I had finally had a day of something to do besides settling my belongings into my humble, one-room abode.

I’d only been in my village for a week after being sworn in as a volunteer–just the right amount of time to figure out how little I knew.

For example, getting water out of a well using a rope tied around the handle of an empty cooking oil can bucket was no easy task. Forget about carrying the bucket to my house without sloshing out half of the water before I got there.

Still, I was optimistic. One of my closest Peace Corps friends was going to visit me the next day, and eventually-my job as a primary health care educator would start. Eventually. No one knew when. But, eventually.

Yep, I was optimistic– until I woke up the next morning moaning.

I clutched my stomach, chilled, shivering, achy, willing myself to health. “OOOooooarrrrrrooooooo.”

“Amie M’Bye. What’s wrong?” asked Janneh Badja, through the closed corrugate door to my room.

“Jamie,” he said, using my real name, just in case I didn’t hear him.

I was given Amie M’Bye as my African name in a ceremony in Peace Corps training. It was a Wolof name and from what I understood, meant everything.

At this moment, I had a little of everything not good.

I thought I had moaned quietly. I felt mortified. I didn’t know Janneh that well. I wanted to appear capable and not like an American who couldn’t help herself, much less anyone else.

“What’s wrong?” he asked again.

Janneh lived with his wife and two children in one of the three rooms at the back of what was once a Lebanese trading store. N’Jowara was once a vibrant trading town before independence in the 1960s. After independence, the Lebanese moved mostly to Banjul, the capital. With them went most things to buy and the village was left with an odd deserted aura about it.

The front part of the building where we lived was a former store front. It was totally empty. The three room living quarters directly behind was spacious by Gambian standards. My room was to the left; Janneh’s family to the right, and a shared room in the middle. Janneh was a civil servant, educated, and knew English fluently.

His wife Coogie was not educated and spoke Mandinka. I knew my smidgen of Wolof and no Mandinka. She and I mostly smiled and repeated each other’s names whenever we interacted. Our conversations were riveting, truly, but I liked her. She had a kind heart. I adored their eight month-old daughter Mymuna.

So far, in those early days, Mymuna seemed to get me the most.

“I’m sick,” I groaned out from where I lay on my bed’s foam mattress pad, noticing just how hot my room felt—the kind of temperatures where bed sheets stick like glue.

“I’m sorry,” Janneh said, still though the door. “Can I get you anything?”

“Nooooo,” I whimpered out, unable to stop myself from feeling pitiful, even though I’m the type of person who would generally limp along on a broken leg insisting that nothing is amiss.

I buried thoughts of being stuck in an African village, the only westerner for miles. The only taxi that left the village in the morning had already gone. Because there weren’t phone lines, I didn’t have a phone. Crap.

Yep, I was pretty much stuck. I lay shivering, sweating and wondering what I could have possibly caught.

I’d been faithful about boiling my drinking water. I was taking my anti-malaria medicine faithfully. I had had my shots, lots of them. But, then again. . .there was that fresh milk someone gave me the day before on the village sweep. Could TB set in this early?

There was another knock on the door.

“Amie?”

It was Hadi Jobarteh, the only female teacher at the village school, and so far, my only close friend. Janneh must have gone to get her.

I crawled out of bed to let her in, sick that I was feeling so sick instead of my chipper, I can handle anything self.

“Amie, come to my house. Don’t be alone.” Hadi wouldn’t accept no for an answer and waited for me to feebly shrug into clothes, and then led me on my wobbly feet up N’Jowara’s dusty main street (kind of the only street) to her two room house that was part of a larger compound of buildings.

As we passed villagers on the way, I wondered if they thought they’d been stuck with a clunker of a volunteer. I looked like shit.

Hadi tucked me into her bed with a cup of hot tea (boiled water, of course) and went back to school to teach for the afternoon after assuring me that Mama Badja, the elder woman in her compound, would watch out for me.

As I lay in Hadi’s bed, in one of her two small rooms with its two glassless windows and a curtain that fluttered in the breeze in the open doorway, listening to children playing in the midst of chickens and goats while women talked to each other while doing their morning chores, it felt comfortable-safe.

Mama Badja, whose face was wreathed in clichéd wise wrinkles, stopped in to pat my leg and tell me that I’d get better.

I would, but not yet.

Instead, by the time John, my Peace Corps friend arrived that evening, I was even more green around the gills and desperate to feel better. I had started taking malaria pills as a just in case.

John helped me in the taxi the next morning-the first step of my trip to Banjul where I could pay a visit to the Peace Corps nurse.

“Stay as long as you want,” I whispered to John, collapsing onto the torn vinyl of the backseat. “Hadi said she’s making you chicken yassa.”

I love chicken yassa, and I was too sick to stick around. Plus, John was my first guest. He’d have to enjoy my hospitality without me.

Years later, I can still conjure up the desperation after leaving the black sedan style taxi, and cramming into the back of a bush taxi, a reconfigured pick-up truck like vehicle. I sandwiched my shoulders between two other people’s until I shifted enough so that I could turn in order to rest my arm on one of the slats of the taxi’s side, one cheek on my arm.

That taxi, after crossing the branch of the Gambia River on the small ferry that chugged across from one mangroved shore to another, bounced and bounded down the red dirt road, wafting dust each time it stopped. I was too sick to notice that my ears were slowly filling.

A man on the taxi, who spoke English fluently, noticed my sorry state and promised he’d help me get to the Peace Corps office and the nurse.

He did, staying with me on the next ferry crossing, this one a choppy journey across the mouth of the Gambia River on a ferry loaded down with enormous trucks mounded with goods, cars, cattle, and people on foot who balanced luggage on their heads as if practicing for a circus act.

“Good luck,” the man said as he left me lying on one of the couches in the Peace Corps office’s common room.

The Peace Corps nurse pronounced that I had a virus and not malaria–medicine would not help, and sent me to a nearby town where a training was going on at a Peace Corps owned training center. Since I didn’t have another place to stay, this seemed sensible. Volunteers share rent on apartments near Banjul so when they come to the city for R&R or official business, or get sick, they have a place to stay. I didn’t have a place yet.

“There will be volunteers and staff who can take care of you,” the nurse promised as she sent me on my way in a Peace Corps vehicle with a driver.

I didn’t want to tell her I had only one change of clothes and little money since I hadn’t wanted to appear that I had come to city for a long stay, using being sick as an excuse.

Turns out, the training was over that night, but I had a place to sleep and bedding. No towels though. No soap. No phone. No food. There was toilet paper and electricity. Yeah.

I moved the mattress to the floor since the bed-springs were funky. The bed felt like my head was lower than my feet. Plus, the pillow smelled. I threw it across the room.

I’ve been left to die I thought.

Obviously, I didn’t.

The next morning, after hallucinating that weird people were milling about in the room and climbing onto the matress with me from time to time–it was the malaria drugs I’d been taking, I hauled myself down to the western style grocery store to buy saltines and tomato soup, stuff my mom use to make.

A friend brought me a can opener and a pot since the center didn’t have either.

Finally, the sun shone. The Peace Corps nurse, hearing that I was in an abandoned state, came to fetch me the next day feeling awful. She took me to her house where she fed me, I watched the video Grease with her young daughters, had a bath, she gave me clean clothes, and I decided that there is heaven on earth after all.

As far as catching another bug over the two years I was in the Peace Corps, I didn’t. If we don’t talk about the small case of impetigo I had above my lip once, the time I was bitten by a puppy and the rabies shots that made my face swell like a balloon, and that bad case of gas from girardia that made me feel as if there could be a mighty explosion.

Other than those things, it was smooth sailing.

Happy Birthday Gadling! Win free premium tickets to Amsterdam on OpenSkies!

Can you believe it? As of this week it’s been four years since Gadling was born. We’re proud and honored to have become one of the world’s largest travel blogs, and to celebrate our birthday we’re giving away a pair of round trip tickets to Amsterdam on the newest premium carrier, OpenSkies.

If you haven’t heard the buzz about OpenSkies, they’re the new premium carrier flying from the east coast into Europe. Earlier this year they launched their first route between JFK and Paris, and as of October 15th they’re starting their second route from JFK into Amsterdam. You might be one of the lucky pair to try out this new route.

These aren’t just everyday tickets either. You’ll be flying in Prem+, OpenSkies’ signature upper class service where you’ll enjoy wide, leather seats, a comfy cabin and exquisite service all of the way across the Atlantic Ocean. Curious about how pampered you’ll be? Gadling got to fly on one of the first flights to Paris and got to experience the pomp first hand. Check out our review!

Sounds pretty sweet, doesn’t it? If you can think of a great reason that you could use a free pair of tickets to Amsterdam, leave a comment below telling us what you’ll do with your tickets and we’ll randomly pick a lucky winner this Friday.

Good luck, and happy travels from Gadling and OpenSkies!

  • To enter, simply leave a comment below telling us what you’re going to do with free tickets to Amsterdam
  • The comment must be left before Friday, October 15th, 2008 at 5PM Eastern Time.
  • You may enter only once.
  • One winner will be selected in a random drawing.
  • One Grand Prize Winner will receive a free pair of roundtrip tickets between New York City and Amsterdam on OpenSkies (sorry, but you have to get yourself to NYC).
  • Open to legal residents of the 50 United States and the District of Columbia who are 18 and older.
  • Tickets are valued at $1500.00 per ticket.
  • Booking code must be T.
  • Click Here for complete Official Rules.

Trashed any hotel rooms lately? Blender interviews Rolf Potts (kind of)

My virtual book tour for Marco Polo Didn’t Go There ended just last week, and — while it was a lot of work — it ended up being quite the success. Over course of ten days, I visited online venues like Tim Ferriss’s 4-Hour Work Week and National Geographic Traveler‘s Intelligent Travel to answer questions and share stories and photos. CNN.com ended up linking my interview with Budget Travel’s “This Just In” from its front page, and both the New York TimesIdeas Blog and Arts & Letters Daily linked my Q&A at World Hum (which, while not an official part of my virtual tour, did coincide with the event).

During the course of this online tour, I answered all manner of questions about travel and travel writing, including advice for aspiring writers, my most shocking moments as a traveler, and the cross-cultural ramifications of wiping your ass. This was all great, and I loved tackling those kinds of queries.

What I wish sometimes, however, is that someone would ask me the kind of questions they ask rock stars in Blender Magazine.

Ever read Blender? It’s great stuff — a hilarious blend of music advice, brief celebrity interviews, and obsessively categorized music nostalgia and trivia. I mean, sure, I subscribe to The New Yorker, The Economist, Poets & Writers, and a whole pile of travel magazines — but when I return home from a journey to dig into my stack of magazines, I often find myself going for Blender first. It’s just good fun.

Since nobody ever asked my any Blender-style rock star questions during my virtual tour, I think I’ll ask those questions of myself right now. Here goes!

Blender: So, Rolf, when was the last time you trashed a hotel room?

Rolf: Actually, most travel writers don’t need to trash their hotel rooms, even when they’re feeling like rock stars. This is because writers like me start out as budget travelers, and for the most part budget hotel rooms are already trashed.

I mean, how can you hurl a TV set out the window when your room never had a TV set to begin with, and the windows have rusted shut? Why smash a chair against the wall when that chair falls apart when you simply sit in it? Why do ecstasy when you’re already on Imodium and mefloquine? Why abuse the service staff when you have so many cockroaches to contend with?

Even when I end up staying in nice hotels, my experience has taught me that I could never trash a hotel room to the same glorious degree you see when checking in at your average developing-country budget-dive.

Blender: Ever gotten drunk in the home of a celebrity?

Rolf: I have, in the purely technical sense. I’ll admit I don’t visit many celebrity homes, but my cousin once house-sat one of Apple co-founder Steve Wozniak’s homes in San Francisco’s South Bay, and I occasionally went over to visit her and drink beers. I’m sure at some point in there I drank enough to technically be considered drunk — though I’ll admit it wasn’t one of those Dave Navarro Playboy Mansion moments where I, say, tapped a vein and sprayed my name on the wall with my own blood.

I think the most extreme thing I did while boozed up at Woz’s house was go into the garage and play his South Park pinball machine (which is pretty much the same thing I did when I was sober). Plus I passed out in a beanbag once, while watching Dogtown and Z-Boys on Tivo. Can Dave Navarro claim that? In Woz’s house? I think not.

Blender: You’re in the middle of a book tour now: Tell us, what are the groupies like?

Rolf: I don’t think I have groupies — at least, not in the traditional sense of hot young vixens that you take back to your hotel room and bang next to piles of cocaine and urns full of room-service Hennessy. I mean, for starters I usually don’t stay in hotels on my book tour; I usually stay in the homes of old friends, and my old friends tend to have wives and infant children who might intimidate any groupies that follow me home.

But on a more basic level, I don’t think book tours lend themselves to groupies. For starters, travel writers are too self-contained to travel with an entourage, and an entourage is essential for groupie-procurement. Plus my first book was a rather earnest-minded treatise about time-wealth and long-term travel, and it had a great reader response that has defied demographic stereotype. Thus, while it’s technically possible that some of my fans are sultry young sex bombs who only want to party, most of them tend to be gung-ho travel addicts who are stoked to tell me about their next journey to India or Mozambique or Paraguay.

So while a rock star might disappear after a performance to skinny dip in the hotel pool with a gaggle of aspiring supermodels, I usually end up drinking beers with, say, a 71-year-old woman who wants to bike across Central America, a 37-year-old married couple who want to take a year off and sail around the world, and a bunch of 21-year-old college students who are full of questions about living abroad. I think this is great — I couldn’t ask for a better bunch of human beings than a roomful of current and aspiring vagabonders from all walks of life.

Not that I’ve given up on the idea of groupies. I actually love the idea of groupies; it’s just a matter of timing and logistics. So if you’re a bodacious babe and want to be my groupie, just slip me a note with some rendezvous details after my reading and I’ll see what I can do. We might have to go to your place, though, since we wouldn’t want to disturb my friends’ slumbering infants.

Blender: What was your last brush with the law?

Rolf: Probably the time the Indian army caught me trying to smash up a blockhouse door along the Tibetan border and detained me overnight at an army base near a town called Pooh. The events that led to absurd encounter are too complicated to relate here, but fortunately I’ve detailed the whole story in my new book. Just read Chapter 5 for details.

Marco Polo Didn’t Go There book tour: Salina and Wichita

After just two days on the road promoting Marco Polo Didn’t Go There: Stories and Revelations From One Decade as a Postmodern Travel Writer, I have learned one important lesson: Sex sells.

Or, at least, sex gets people’s attention in an otherwise staid bookstore environment. This is something I discovered by accident, when I arrived in Wichita for an event at Watermark Books and realized I’d left my laptop (and standard PowerPoint presentation) back on my farm, 90 miles away.

My forgetfulness, I think, was the result of my micromanaged book tour. Having written a book called Vagabonding, which is all about the pleasures of slow and deliberate travel, embarking on a strictly scheduled book tour is kind of a contradiction. This was the case when I toured to promote Vagabonding in 2003, and it is doubly the case on this book tour, which will visit twice as many cities as I did 5 years ago.

Pico Iyer, who is one of the most perceptive travel writers of the past two decades, once noted that going on a book tour is “a journey into the fracturing of self.” Travel writers might be naturally equipped to withstand the physical journey, but the psychic journey is another matter.

Iyer noted:

“You pantomime yourself in many moods at every turn, and try to sell what’s deep by being shallow; you are obliged, in some ways, to project a personality in order to advance what at some level comes from the impersonal. You move, at great speed, between radio stations, hotel
rooms and airports, and continuity (even inwardly) is what you lose. Whatever is private in you, spacious and inward-even if it is only a deeper level of the personality-is converted into something public, vocal and worldly.”

For the most part I don’t mind the “public and vocal” version of myself that emerges during book tours; in some ways, it’s a nice counterbalance to the elastic anonymity of vagabonding travel. The challenge comes in striking the right balance — of communicating something true about my own experiences while at the same time giving the audience something useful and instructive.

For my Vagabonding tour this was pretty simple, since that book has a direct application for everyone who reads it. My new book, however, is a collection stories rather than a volume of adviceor philosophy. In many ways it is a more entertaining read than Vagabonding — and for the book-tour audience to appreciate its appeal, this means I have to capture the right moments of humor and intrigue when I’m reading from its pages.

One obvious story for this task is Chapter 7, “Tantric Sex for Dilettantes,” which uses the second-person voice to capture an obsession I had with a certain woman while taking a Tantra class at an ashram in Rishikesh, India. Not only is this story strong on plot and structured like a joke, it also contains lots of great little details about, say, how to control your ejaculation using both physical and spiritual methods.

The only problem with this story is that I feared it’s sexual themes and occasional strong language might turn off library and bookstore audiences, which tend to be older and (so I presumed) more conservative than, say, your average bar reading audience. For this reason I gave “Tantric Sex” a miss at my library book-launch reading in my adopted hometown of Salina.
For the most part, that reading went well. About 20 people showed up, the library served wine and cheese, and there were enough audience questions to keep us going until closing time.

In Wichita, however, I got thrown off by the fact that I forgot my laptop (which contains a travel photo presentation to go with my talk), and I had to take a three-hour round-trip road trip back to my farm to fetch it. When I returned to Watermark Books just five minutes before my event
began, I was too flustered to care, so I opened up by reading “Tantric Sex for Dilettantes,” ejaculation references and all.

As it turned out, the 50 or so people in the Wichita crowd loved the Tantric essay — the older folks as much as anyone. My enthusiasm fed off of theirs, and it ended up being a great little event, even as we transitioned into the more practical matters of travel writing and opened things up for questions.

Thus my first lesson as my new book tour gets underway: For best effect, try a little titillation before you transition into straight information.

Two book events down, about 24 or so to go!

Talking travel with Paul Theroux

In 1973, Paul Theroux took a trip that changed both his life and the course of modern travel writing. The Great Railway Bazaar, an account of nearly four months of train travel from London to Japan and back, has been essential reading ever since. Now comes Ghost Train to the Eastern Star, Theroux’s highly anticipated follow-up, in which he retraces the route he took 35 years ago. From Eastern Europe and Turkey through Central Asia, India, Japan and back via the Trans-Siberian, Theroux weighs what has changed in the years he’s been away, and concludes that the most profound transformation has been in himself.

Ghost Train is Theroux’s 13th travel book, to go with his 27 works of fiction.

In the first of a two-part conversation with Gadling, Theroux talks about getting older and the importance of the return journey.

In Ghost Train to the Eastern Star, the subject of aging is a theme, this idea that older travelers are almost ghost like, and you often note the time that’s passed since you took the trip described in The Great Railway Bazaar. Aging also figures in some of your recent books — I’m thinking about Stranger at Palazzo d’Oro, Dark Star Safari. Is this your major subject now — getting older?

I only have myself to deal with, you know. Everything is going through the filter of my experience. Aging is an interesting subject. Not age as senility or incompetence or anything like that, but really age as a point of view, as a vantage point, because after a certain period of time you see the repetition of the world, you hear the same things over and over again and you realize, “I’ve heard that before.” The young really don’t have a sense of repetition. People who are young think that the world is going upward, that everything is going straight north, getting better and better. But I think with age there is a sense that the world works in cycles.

In Ghost Train, the idea of aging is important, because I’m returning to an earlier scene in my life and sizing it up. Also, in Dark Star Safari I went back and revisited a place that I had been. I was in my early 20s when I first lived in Central Africa and later, you know, in my late 50s I went back.

You’re very interested in the idea of the return journey in Ghost Train, and the fact that not many travelers make it. Not many travelers go back to a place they’ve been. Travel writers — or writers who travel — seldom do. Why do you think that is?

The main thing, the simplest thing, is that travel is a lot of trouble. Sometimes I get a bad review and I think: This person has never really been anywhere. Anyone who travels realizes that it takes a lot of time, a lot of physical effort, a very big commitment, a lot of money. Maybe not a lot of money, but money, because it’s a year off, it’s a year you’re not doing anything else. A year or more. It could be two years. Two years without any income, your life is in suspension. The commitment to a long trip is a huge one, and I think that’s one of the reasons.

And travelers move on.

Yes. Most people move on. They want to do other things. They feel they have have written a book on it and have closed the book. They don’t want to revisit a place because it opens up a whole new area of experience.

Another reason is this question of age. You know most writers when they get into their mid to late 60s begin to think of writing their memoirs. They are home, they’re playing golf, they are kind of winding up their affairs. If you take practically any writer my age…let’s say Mark Twain. When he was my age he was writing his autobiography. Evelyn Waugh was writing his autobiography, A Little Learning. Henry James was, Notes of a Son and Brother. Rudyard Kipling wrote Something of Myself.

All these people I have mentioned were engaged in a memoir, an autobiography or a backward glance, with no thought of revisiting an earlier scene. Kipling didn’t want to go back to India. Waugh didn’t want to go back to any of the places he went, Africa or elsewhere. Graham Greene still did some traveling, but he wrote two memoirs when he was in his late 60s. I’m 67. Maybe that’s what I should be doing, but I’m not doing it.

It seems that you’ve had the idea of the return journey even before your Africa trip in Dark Star Safari. You told V.S. Naipaul once that the most interesting thing a traveler can do is go back to a place and see it again.

That’s true. I have had this in my mind. I suppose the first country I went back to after a long period of time was China. I had made visits back to Africa and saw that it wasn’t doing that well. I went to China in 1980 and then back again in 1986 and 1987 and I saw that it was changing. I remember asking a diplomat in Shanghai, “What’s going to happen next in China?” He said he didn’t know.

Is that because he was there, with no vantage point?

This was in 1987 when we were talking. And there were a lot of cranes and buildings being built in Shanghai, but it was still very much old Shanghai, even though the economy was changing, and he said, “We had no idea that this was going to happen after the Cultural Revolution.” He didn’t know Shanghai was going to become much busier and have a lot of manufacturing and America would start outsourcing things there and things were loosening up. In other words, he said, “I have no idea what’s going to happen next because I wasn’t expecting this.” You know, Shanghai is a boom town now. It doesn’t even resemble, 20 years later, in the slightest the Shanghai of that earlier period, so I saw that and I guess I was thinking about China when I was talking to Naipaul at the time.

Or I was thinking of the kind of thing everybody thinks about, which is going back home. You go back to the place where you were born, back to a school, back to a house you used to live in, and it’s always changed. For a writer that’s a gift. It’s something else to write about. The ways that people change, the ways that people age, are always full of fascination. I think that’s what I was driving at then.

But you can’t make a career out of it.

Yes, I imagine that you can’t constantly go back on your earlier work.

No, because that’s memory lane. But still, I was glad I took this trip, because I learned a lot. You learn a lot about the world by going back, which is another way of saying that by growing older you learn a lot. There are a lot of lessons. You don’t even know them when you are young. You think the world is constituted different, designed for steady improvement, and that’s not the case.

Tomorrow: Theroux takes on India, China and Russia, considers the impact of
The Great Railway Bazaar and tells us where he’s traveling to next. Click here to read part 2.