Classic Travel Writing: Jack Kerouac’s ‘Lonesome Traveler’

by Sean McLachlan on

While blogs take up most of my travel reading these days, every now and then I like to dip into an old classic. So on a recent flight to Washington DC to attend the Gadling bloggers summit, I read “Lonesome Traveler“ by Jack Kerouac.

This slim volume contains eight stream-of-consciousness essays in the style you’d expect from one of the leaders of the Beat Generation. For example, the author tells a friend:

“Deni the reason I followed the ship all the way 3,200 miles from Staten Island to goddam Pedro is not only because I wanta get on and be seen going around the world and have myself a ball in Port Swettenham and pick up on gangee in Bombay and find the sleepers and the fluteplayers in filthy Karachi and start revolutions of my own in the Cairo Casbah and make it from Marseilles to the other side, but because of you, because, the things we used to do, where, I have a hell of a good time with you Den, there’s no two ways about. . .I never have any money that I admit, I already owe you sixty for the bus fare, but you must admit I try. . .I’m sorry that I don’t have any money ever, but you know I tried with you, that time. . .well gaddam, wa ahoo, shit, I want to get drunk tonight.”

When you have a monologue like that, you know you’re in Kerouac territory. The posts range from his time hanging out with William S. Burroughs in Tangier to his jobs as a fire watcher and on trains and boats.

Sometimes the best travel writing is that which takes you back to a place you love, in my case old New York City before its seedy heart was cleaned up and dulled. Kerouac takes us on a tour of all the crazy Times Square spots where the Beats used to hang out while a cavalcade of oddballs passes by. Through all this blur of activity Kerouac wonders, “Why does Times Square feel like a big room?”

Wow, yeah! Times Square does feel like a big room, even fifty years later when I hung out there. That broad open space enclosed by four walls of skyscrapers with all the people coming and going has a strange homey, interior feel to it. A good travel writer can put into words what you’ve always felt about a place.

And Kerouac is a damned good travel writer. “Lonesome Traveler” is filled with quotable one-liners about booze, sex, solitude, trusting strangers, nature and just about everything else. The one that perhaps best sums up the Beat mentality is actually by Gregory Corso, who in the New York sequence says, “Standing on the street corner waiting for no one is Power.”

Not a bad summary of the attractions of travel.

The art of William S. Burroughs on display in Germany

by Sean McLachlan on

William S. Burroughs is most famous for his experimental novels about heroin and gay sex, yet he was active in many arts. Now a new exhibition at the Center for Art and Media (ZKM) in Karlsruhe, Germany, is focusing on his lesser-known artistic output.

The exhibition, “the name is BURROUGHS — Expanded Media,” highlights the author’s film, photography, collage and audio experiments. Much of this work reflects the style of his writing. Burroughs developed what he called the “CUT-UP method” in which he wrote a text, cut the pages into pieces and rearranged them. What’s interesting about this technique is that the sense, style and tone still come through. Try it on a political speech and you’ll see what I mean.

The CUT-UP method is especially evident in his film work, which looks like it was edited with a paper shredder. Like his books, much of Burroughs’ art is more emotionally experienced than intellectually understood. His photography is often more straightforward and includes some interesting self-portraits from various periods of his life.

The exhibition runs from March 23 and does not yet have a scheduled end date.

Photo courtesy Wikimedia Commons.