Overlooked London: The Bookshop Theatre At The Calder Bookshop

Welcome to “Overlooked London,” the first in an occasional series on the lesser-known sights of one of the world’s greatest cities!

Anyone who loves theater will love London. From glitzy musicals to serious drama or weird experiments, London’s theater scene has it all. One place that has become a shrine of sorts for alternative theatergoers is The Bookshop Theatre. By day it’s the Calder Bookshop, stocking fiction, philosophy and plays. At night, the stacks are cleared away and it hosts plays, movies, lectures and other events.

The space is tiny. When I attended a play by Samuel Beckett, the 25 or so people in the audience filled the back room. The actors were so close I could have touched them. It was like being part of the performance.

The theater was founded by John Calder, who has been at the forefront of London’s theater and independent publishing scene for decades. Through his publishing company he helped popularize Samuel Beckett, Henry Miller, William S. Burroughs and many other leading figures in the literary and theater world. On more than one occasion he had to fight for the right to publish controversial authors – fights he always won.

His theater reflects that scrappy, independent outlook by hosting experimental plays, lectures about avant-garde literature and, to commemorate the anniversary of the Falklands War, a documentary on British Imperialism.

The Bookshop Theatre is located at 51 The Cut, near the more famous theaters of The Old Vic and The New Vic. It’s served by Waterloo and Southwark Tube stations and there are plenty of dining opportunities nearby. So if you like your theater experience a little more intimate, check out their website and see what’s on.

Delos: the birthplace of a Greek god


An ancient theater on the Greek island of Delos has received funding for a major renovation. The Greek government has earmarked 1.5 million euros ($2 million) to make the site more attractive for the thousands of tourists who visit it every year.

Delos was an important religious site in ancient Greece, being the purported birthplace of Apollo. Delos is one of the smallest of the Cyclades Islands, which are a favorite destination for many travelers for their historical importance and natural beauty.

The theater was finished in 250 B.C., and constructed entirely of marble. It could seat up to 6,500 people and it may be used as a theater again once the restoration is completed. Restoration work will include putting together the jigsaw puzzle of many broken pieces of marble, clearing away the plants that have grown on the site and providing drainage to minimize water damage.

The entire island of Delos is one of Greece’s seventeen UNESCO World Heritage Sites and is rich with archaeological remains. Archaeologists from the French School at Athens have been excavating at Delos since 1872 and are still making major finds. One of the most attractive is the Sacred Way leading to the sanctuary of Apollo. The road is flanked with carved lions, much the way sacred paths in Egypt were flanked with sphinxes. Besides Apollo’s sanctuary, there were also spaces set aside as sacred to Dionysus. Several giant phallic symbols sacred to the god of wine and partying have been found. You can see a couple in the photo gallery below.

Sumptuous mosaics have been discovered in many of the buildings as well as statues and richly painted pottery. Many of these finds are displayed in the local museum, one of the best in Greece.

Photo courtesy Wikimedia Commons.

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Somali National Theatre reopens in Mogadishu

Who ever thought going to a play could count as adventure travel? Now it can, because the Somali National Theatre has reopened in Mogadishu, Somalia.

This is the latest sign of growing normalcy in the battered capital. Traffic cops have returned to the streets, the markets are thriving and there are now regular commercial flights to Somalia from Turkey.

The theatre closed in the early ’90s when Somalia spiraled into civil war. With rival clans fighting over every block, going to the theatre wasn’t a big priority. Al-Shabab certainly didn’t try to reopen it during their brief control of Mogadishu. The Islamist terrorist group banned all public entertainment as well as Western music, foreign food aid and bras.

Now Al-Shabab is on the defensive, being attacked on several fronts by the Transitional Federal Government, the African Union, Kenya and Ethiopia. This has allowed a period of relative peace in Mogadishu, although bombings do still occur. Somalis have been quick to rebuild and the theatre is the latest sign of renewed life.

The Somali National Theatre celebrated its reopening by entertaining an audience of about 1,000 with a night of music, drama and comedy. That’s right, comedy. The fact that Somalis are laughing is a good sign. Who knows, perhaps tourism will be next!

As further proof that absolutely everything ends up on YouTube, here’s a clip of a concert at the Somali National Theatre in the 1980s. It’s obviously transferred from an old VHS tape, so the quality isn’t the best, but how often do you get to see something like this?

Exploring ancient Rome in Mérida, Spain


It’s Christmas. What do you get an avid traveler who used to be an archaeologist?
For my wife the answer is obvious–a trip to a Roman city!

So here we are in Mérida, capital of the province of Extremadura in Spain, not far from the Portuguese border. In Roman times it was called Emerita Augusta and was capital of the province of Lusitania. This province took up most of the western Iberian peninsula, including most of what is now Portugal. The city was founded in 25 BC as a home for retired legionnaires on an important bridge linking the western part of the Iberian peninsula with the rest of the Empire. Putting a bunch of tough old veterans in such an important spot was no accident. The city boasts numerous well-preserved buildings and together they’re now a UNESCO World Heritage Site.

It’s a five-hour ride from Madrid on a comfortable train. Almudena and I brought along my five-year-old son Julián to give him a bit of classical education. (No cute kid photos, sorry. Too many freaks on the Internet)

Our first stop was Mérida’s greatest hits–an amphitheater for gladiator fights and one of the best preserved Roman theaters in the Roman world.

Both of these buildings were among the first to go up in the new city. Since the Romans were building a provincial capital from scratch, they wanted it to have all the amenities. The theater was a center for Roman social and cultural life and this one, when it was finished in 15 BC, was built on a grand scale with seats for 6,000 people. One interesting aspect of this theater is that it underwent a major improvement between the years 333 and 335 AD. This was after the Empire had converted to Christianity, and the early Christians denounced the theaters as immoral. The popular plays making fun of the church probably didn’t help their attitude. As I discussed in my post on the death of paganism, the conversion from paganism to Christianity was neither rapid nor straightforward. At this early stage it was still unthinkable to found a new city without a theater. The backdrop even has statues of pagan deities such as Serapis and Ceres. Although they’re from an earlier building stage than the Christian-era improvements, the fact that they weren’t removed is significant.

%Gallery-112089%Julián didn’t care about that, though. He was far more interested in the dark tunnels leading under the seats in a long, spooky semicircle around the theater. At first his fear of dark, unfamiliar places fought with his natural curiosity, but with Dad accompanying him he decided to chance it. It turned out there was no danger other than a rather large puddle we both stumbled into.

On stage he got a lesson in acoustics. The shape of the seats magnifies sounds. Voices carry further, and a snap of the fingers sounds like a pistol shot.

Next door was the amphitheater, where gladiators fought it out for the entertainment of the masses. Built in 8 BC, it seated 15,000, more than twice the amount as the theater. This was a city for veteran legionnaires, after all! Julián didn’t know what gladiators were so I explained it to him and soon throngs of ghostly Romans were cheering as Sean the Barbarian fought the Emperor Julián. He wanted to be a ninja and was disappointed to learn that there weren’t any in ancient Rome.

These two places are enough to make the trip worthwhile, but there are more than a dozen other ancient Roman buildings in Mérida as well. The best way to sum up the experience of walking through these remains was what I overheard some Italian tourists: “Bellissimo!
If the Italians are impressed, you know it’s good.

This is the first in a new series: Exploring Extremadura, Spain’s historic southwest

Coming up next: More Roman heritage from Mérida!

Hidden Treasures: Chicago’s Annoyance Theater

Years ago, you could walk into Chicago’s Annoyance Theater with a six-pack of beer and a pack of cigarettes, sit on one of the many battered couches in the one-room theater and enjoy an outrageously silly, sometimes raunchy and totally hilarious stage performance.

The group gained fame with their show entitled “Brady Bunch Live,” during which the actors and actresses did a blow-by-blow reenactment of a Brady Bunch episode, except with an attitude that had you rolling on the floor. Since then, the performance company has gotten a bit more sophisticated with a new location and the addition of a cocktail lounge.

The shows remain ridiculously creative with long-running performances (from back in the BYOB days) such as Co-Ed Prison Sluts and newer shows like Swear Jar. If you are into pushing the limits on comedy, the Annoyance Theater on 4830 N. Broadway is required entertainment.

M. Fuchslock is a Seed.com contributor.