Through the Gadling Lens: the best vacation photos from our Gadling pool

by Karen Walrond on

A few months ago, I wrote a post describing the types of shots that I always try to take when I’m traveling — the kinds of shots which will make a complete album capturing all of the memories and images around my trip. Well, this week, I’ve culled through the Gadling flickr pool to pick some of my favourite images from some of the wonderful photographers out there, and I thought I’d describe what makes these images pretty terrific … in my opinion. Obviously, beauty is subjective, so I’d love to hear your thoughts about the images in the comments — nothing like some great debate to spark some inspiration.
1. Landscapes

I love this amazing shot of Machu Picchu in Peru, taken by magnusvk. Now granted, in a setting like this, it’s probably pretty hard to take a bad shot; still, the balance of colours is amazing, and in particular, I love that it wasn’t taken on a picture-perfect day — the clouds add such interest. In fact, magnusvk described the process he used to capture such a great image:

“Go in the rainy season, get up as early as you can, take the first bus up and just ignore the rain. That’s the only way to have Machu Picchu more or less for yourself for a couple of minutes. The morning mood, as you can see, is beautiful and really does reward all hardship.”

Really great advice, and it’s actually something to keep in mind no matter where you are — early morning shots are often a beautiful way to watch an area waking up to the day.

Above is another stunning scenery example, taken by arex in Yosemite national park. What makes this image so stellar is the contrast: if you notice, the whites at the tops of the snow-capped mountains in the distance are completely white, and the blacks from the shadows of the trees in the still water are totally black. Having these tonal shades throughout the image make the photograph completely striking to the eye — you can almost image the total stillness and quiet that must have been there at the time the photograph was taken. Really breathtaking shot.

2. Iconic images.

Oh, how I love this photo, captured by jrodmanjr — I mean, do I even have to tell you where this image was taken? It is truly the quintessential image of San Francisco. But what I love about it is how it was taken — it’s not just a quick snapshot of a passing cable car. It’s shot from right on the tracks, in silhouette. It’s in black and white, which makes the image so timeless. But, of course, what makes this image so incredibly striking is the way it has been framed and cropped — the long, tall image draws your eyes immediately to the shape of the cable car, and the passengers hanging out of the side. Can’t you just imagine this image blown up to an enormous size — 5 feet by 10 feet, maybe — and hanging in an industrial loft home in San Francisco? Such a great shot.

3. Portraits

As you know, I love a good portrait. But the only thing I love more than a portrait is a portrait with a sense of humour. The happy photo captured by gypsysoul73 above is one such photo — I love the laughter and life of the people in the image juxtaposed with the inanimate statue on the bench they share.

Even more brilliantly, however, is the shot below, taken by PDPhotography:

Fantastic.

The point is, obviously, that some really great portraits can be inspired from the words, art, graffiti, or whatever happens to be around you at the time. About 5 years ago, my husband and I did a whole series of portraits of ourselves imitating each item of art we saw on exhibit in the Art Institute of Chicago — one of my favourite vacation albums to date. I mean, I don’t have any idea of the image above was staged or not, but really, does it matter? It’s a great shot, and thanks to the image I suspect PDPhotography is never going to forget where he was or what was going on at the time he took that photograph. Well done.

And finally, as an idea for a great portrait of the travel companion who is reticent about being photographed, take a look at this fantastic image captured by StrudelMonkey while traveling in Bali:

Isn’t this great? Nothing like an image of sandy feet to really capture the spirit of relaxation on a beach holiday. And I love how you can just make out the word “Bali” on the book being read in this shot. A truly unusual portrait that communicates exactly how restorative a seaside vacation can be.

4. Nighttime

Finally (although we haven’t talked about this in the past), it’s also a great idea to capture a few nighttime shots while you’re traveling. It can be very tempting to reserve all your your photo-taking to the times of day when you’ve got wonderful bright sunshine, but remember of course that many memories occur after the sun goes down.

When you do take your nighttime shots, try taking a few without the flash — it really can help capture the mood of the evening in a way that flash really can’t. Of course, in darkened spaces, you’re probably going to want to hold your image very steady, so be sure you have your portable tripod with you (for some discussion on how to take photographs in dark places, check out the Through the Gadling Lens post of a couple of weeks ago, on how to shoot in caves — the philosophy is the same). And for some inspiration, check out the following:

Remember that sunsets don’t just happen on the beach: ultraclay!, above, shows that you can get some equally stunning sunset shots in the city, as well. A word of caution, however — as much as I love a good photograph shot into the sun, the truth is that shooting into the sunlight can cause some wear on the light sensor in your camera, so shoot this way sparingly.

Cities often come alive at night, and a few images of the streetlights, cars, and illuminated skyscrapers like the one captured by CaptBrando, above, will bring back memories of those times you tripped the light fantastic on your vacation. Just remember to keep your camera very steady as you take your shot.

And finally, of course, be sure to get pictures of the places where you have memorable meals or drinks. The one captured by Geir Halvorsen, above, is particularly great, because of the bartender’s illuminated face — and again, notice that no flash was used in the image. The result is that you feel like you’re actually sitting right next to the photographer as he enjoys his evening.

Fantastic images, and kudos to all the photographers featured in this post — hopefully you received some inspiration from their great images.

Incidentally, please note that Through the Gadling Lens will be moving to Thursday mornings at 11 a.m. EST, starting next Thursday — so this should give you some extra time to come up with any questions you might have that you’d like me to address. As always, send them to karen.walrond@weblogsinc.com, and I’ll do my best to answer them in future posts!

Karen is a writer and photographer in Houston, Texas. You can see more of her work at her site, Chookooloonks.
And for more Through the Gadling Lens, click here.

Through the Gadling Lens: learning photog lingo

by Karen Walrond on

One of the pieces of advice that I seem to find myself giving over and over again to those who are new to photography is about looking at as many photoblogs or Flickr pools as possible — if only to get some inspiration on different angles to try, different processing techniques, or even just want to expect when you finally embark on that long-awaited trip to that faraway land. If you’ve been doing this, you’ll find two things: (a) looking at beautiful images is addictive, and (b) photographers sometimes use some strange words, phrases, abbreviations or lingo to describe what’s going on with a picture, or how they took the shot. So this week, I thought I’d take a moment to define some of the more popular terminology that seems to be showing up on the internet these days — that way, when you upload and describe your own travel photographs, you’ll sound oh-so-in-the-know.

And so, on with the show:

Bokeh. One of the most common comments you’ll often read on Flickr has to do with bokeh. “Nice bokeh,” you’ll read. “How did you get that bokeh?” a viewer will say. I will admit to you that a year ago, I had no idea what people were talking about.

The term bokeh refers to a relatively shallow depth of field — in other words, bokeh appears when a part of an image is in sharp focus, and the rest of the image fades away to a smooth, buttery, out-of-focus blur (see the image above). According to Wikipedia, the term is derived from the Japanese word boke, which means “blurry.” You would be forgiven for not having ever heard the term before, as it’s relatively new — Wikipedia says the term was first published only as recently as 2000. And while, obviously, not every photograph has or requires bokeh, it obviously makes for an interesting shot. To add bokeh to your images, try setting your aperture to a low number — 1.4, say or 2.8 (and if the term “aperture” is a bit foreign to you, click here for a previous post on what aperture is all about).

There are some, however, who use the term bokeh to simply mean “out of focus” — for example, I got some kind and complimentary bokeh comments when I uploaded this shot into my flickr stream:


But I would argue that the above shot doesn’t actually have any bokeh, since there’s no part of that image that is in focus — it’s just a blurry (albeit kind of interesting) image. Greater minds, obviously, might differ.

SOOC. “SOOC” is a commonly-used acronym for “straight out of camera” — in other words, the image you’re looking at (in this case, the woman with the pinkish-purple wig, above) hasn’t been post-camera processed at all — this is how it looked exactly as I downloaded it out of the camera. It is a perfectly acceptable image.

What I think is interesting, however, is that the term “SOOC” is not usually used as a point of comparison between the pre-processed work and the post-processed work. Instead, it’s primarily used to illustrate how perfect an image is without processing at all. And while, certainly, it is possible to take a photograph which, really, is better left unprocessed, please remember that there is no real shame in processing images digitally after downloading: as I mentioned before, all photographers pre-digital-era processed their images, they just did it with chemicals rather than computers.

In other words, don’t let a term like “SOOC” make you afraid to process your image. There’s nothing dishonest about it, if you use post-camera processing to help communicate what you’d like the viewer to notice and receive from your image. For example, in the image above, I was struck by the woman’s bright hair colour, her funky glasses, and the message on her shirt. So with a bit of post-camera processing …

… I help draw the viewer’s eye to those items — but the photograph is no less honest than the original. And if your original really can’t be improved by post-camera processing, then more’s the better.

Rule of Thirds. This refers to a general rule of design and photography that says that the eye tends to find images which are slightly off-kilter more interesting than one that is perfectly symmetrical. For example, in the shot above, I could have taken the picture of my daughter so that she was exactly in the middle of the frame, but theoretically, it’s a more interesting picture because she isn’t. See? It’s pretty much that simple.

Oh, you want the technical explanation?

Okay, then.

The Rule of Thirds, speaking more technically, says that if you were to divide each dimension of the frame, or viewfinder, into thirds, by drawing lines like so:


then to increase visual interest, your subject should line up along one of the lines or axes that you’ve drawn.

Now, obviously, it’s sort of impossible to actually draw lines on your viewfinder; however, the idea is to just ballpark it. And this technique works for more than just portraits. For example, in the following image of a street in St. Ives, what struck me was the little old man walking quietly up the road:

So, you’ll notice that the little old man lies directly along one of the Rule of Thirds axes:

Make sense?

Again, this “Rule of Thirds” doesn’t mean that you have to take every image with your camera in this manner — it’s just something to keep in mind while you’re shooting, to add a little variety to the images you capture.

Through the Viewfinder (or “TtV”). This actually refers to a cool little technique that is currently gaining popularity online — the use of a vintage camera to help capture images that look retro and grainy, and therefore somewhat timeless. Here’s how it works:

The photographer gets her hands on a duaflex, or twin-lens reflex camera — one of those cool box cameras that were popular starting from about the 1960’s — you know the ones, where the photographer holds the camera about waist-high, and looks down into the top of the camera through the viewfinder? They’re lovely little cameras, and can often be purchased on eBay for as little as US$ 25. Once purch
ased (or borrowed), the photographer often creates a tube that fits over the viewfinder, to help block out light and glare. Then, though the open end of the tube, the photographer inserts her digital SLR camera lens into the tube and focuses through the vintage viewfinder — the result is a square format image, which can then be manipulated within Photoshop or other post-camera processing software. The final image often shows the imperfections of the vintage lens, giving a soft, retro feel to the shot (as shown above, or in the Through the Viewfinder pool on Flickr).

Twin-lens reflex camera purists would argue that these cameras are being wasted — that the photographer should just buy the appropriate film and run it through the vintage camera. Still, it’s hard to argue the convenience of digital media, and the ease by which the resulting image can be manipulated. Either way, the result is sort of a fun twist on the type of photography and images you can capture on your travels.

Obviously, there are many more terms which are used by photographers: the traditional terms, as well as the more trendy ones, as shown here. But hopefully this sheds a bit of light on what all those online photographers are talking about — and helps gives you some ideas for how to add a bit of variety to your own travel images going forward.

Karen is a writer and photographer in Houston, Texas. You can see more of her work at her site, Chookooloonks.
And for more Through the Gadling Lens, click here.

Through the Gadling Lens: taking photographs in caves

by Karen Walrond on

This week, I got a great email from Gadling reader Matthew, about a really exciting upcoming trip:

Dear Karen,

My friends and I are going on a week long trip to Varadero in Cuba in two weeks. One of the main attractions that I’m looking forward to is the cuevas de bellamar, I’ll be taking my Nikon D60 with the stock lens. I’m not sure what settings I should be using to capture that low ambient lighting in the caves. I was able to find some pictures of the caves on Flickr. Any tips? I love the column keep them coming.

– Matthew

I love this question, and as it happens, I’ve had a little bit of experience shooting in in caves: one of my favourite places to visit when I go home to Trinidad is the Gasparee caves, and the last time I was there, I tried my hand at trying to capture some images of them. What did I learn? Shooting in caves isn’t easy. But I’ll share some of the tricks I picked up, and hopefully, Matthew, you’ll end up grabbing some really memorable shots.


1. First off, caves are dark. I know, I know — I’m stating the obvious. But, still, the fact that it’s dark is a good thing to keep in mind. The reason?

Chances are, if you use the flash on your camera, you’re going to get a shockingly bright shot of the stalactite right in front of you, and the dark void behind it. Turn the flash off.

I know it might seem counterintuitive to turn your flash off in a cave, but trust me on this — and a great example is the beautiful shot uploaded by StrudelMonkey into the Gadling flickr pool, above. In this shot, StrudelMonkey used the available light in the cave to really capture the eerieness and mystery of the surroundings. And Matthew, since you’ve already done a search of the Cuevas de Bellamar on Flickr, you know that these Cuban caves are similarly lit to enhance their beauty — and therefore, the trick is going to be how to capture the available light.

2. Switch your camera to program (or “fully automatic”) mode. You were expecting to tell you how to adjust your aperture to get great depth of field, or adjust your shutter speed, and that sort of thing, weren’t you? Yeah, forget all that. I mean, it’s a great idea, in theory, to manually adjust all of these items on your camera, but honestly? See #1 above — you’re in a cave. It’s dark. And you’re not going to be able to see what you’re doing. It’s just much better if you set the camera to help you take the shot as easily as possible.

3. Examine your light source, and adjust your white balance accordingly. We haven’t actually talked about white balance before, so let’s take a moment to step back and understand what your white balance does.

Have you ever taken a shot inside of your house at night, say, and you decided not to use your flash, but instead try to capture the scene in the available light — and the result is this very yellow image? This is because in general, your camera is designed to take photographs in sunlight — and your lamplight is cooler and more yellow than sunlight. Also, ever notice how green you look in florescent light? So guess what colour your photographs will look under that light?

This is where white balance comes in: if you refer to your camera manual and look at your camera (and Matthew, I know that you shoot with a Nikon D60), you’ll notice that there’s likely a setting for “white balance” or “WB.” This helps tell your camera what kind of light source is available for you to take your shot. So, therefore, if you’re shooting in caves that are lit like the ones where StrudelMonkey took his photograph in the shot above, you’ll probably want to set your camera to take photographs in incandescent light (probably indicated by a little lightbulb icon) — that way your photographs won’t end up looking too yellow.



If, however, the spot where your taking your shots actually is lit by sunlight, through openings in the cave ceiling or walls (as shown in the beautiful image captured by Bernard-SD, above), then make sure that your camera is set to take photographs in natural light (likely indicated by a small sun icon) — and that way, your photographs won’t end up looking too blue.

4. Get yourself a gorillapod. A Gorillapod is a small, portable tripod that twists in ways that you can steady your camera on just about any kind of surface. In this dark setting, a Gorillapod can be invaluable, and here’s why:

Remember when, a few months ago, we talked about ISOs and “light catchers”? Because you’re going to be in a low light setting, and you’ve set your camera to fully automatic, your camera is going to notice how dark it is, and think to itself, “Self, I’m going to have to keep the shutter open forever, so that the light catchers are able to catch as much available light as possible in order to develop the photograph.” And when that happens, the slightest movement of the camera … the slightest movement of your wrist … is going to create image blur. So to make sure that your images are as crisp as possible, you’re going to want to steady the camera — and since flat surfaces might be hard to come by in the caves, a tripod which can steady itself on a rock outcropping, a stalagmite, or even just around the railing of the steps into the cave would be worth its weight in gold. And happily? Gorillapods don’t cost the same as krugerrands — the large one, suitable for most SLR cameras, is currently available for US$ 44.95 online.

5. Set your ISO to a relatively low number, aim, and shoot. Okay, so now you’ve set your camera to automatic, you’ve secured it to the Gorillapod, and you’ve secured it to … whatever. A lower ISO number is going to give you a less grainy shot than a high ISO number, so sort of ballpark it — 400 or 600, say. Then aim the camera, set the self-timer, click the shutter, and walk away. Why set the self-timer, you ask? Because in the dark, even the action of pressing the shutter might cause blur. So set the timer, press the shutter, and then step away, and let the camera settle itself to take the shot. The shutter is going to stay open for a long time (see #4, above), but don’t worry, let it do its thing. Once you look at your image, you’ll likely have a lovely, crisp, ambient shot.

So, that’s about it! Matthew, good luck on your trip and safe travels — I know there’s a lot to take in here on this post
, but my suggestion? Practice in a dark room in your house, with low light, and play with the settings as I’ve suggested, and see how it works for you (and obviously, if you have any questions, feel free to email me). Also, when you return, I hope you’ll share your shots with us here at Gadling. I can’t wait to see what you capture!

Karen is a writer and photographer in Houston, Texas. You can see more of her work at her site, Chookooloonks, and feel free to send her your photography questions directly to karenDOTwalrondATweblogsincDOTcom. She’ll happily tackle them in upcoming posts.
And for more Through the Gadling Lens, click here.

Through the Gadling Lens: Prepping for a trip

by Karen Walrond on

Recently, I received the following email from someone I’ll call “Willy” (because that’s his name):

“We’re going sailing in Tortola this summer with another couple, and I want to take some great shots. How can I prepare in advance of my trip to maximize success? All I can think of now is to look through Flickr and get inspired. Any other ideas?“

This is such a great question, Willy — and I’m not just saying that in the vain hope that by flattering you, you and your wife might take me with you. I’m of the firm belief that a little pre-planning before you get on that plane (or boat) can result in the photographs of a lifetime. So, if you permit me a little fantasy time, here’s how I would plan if I were invited on a sailing trip in Tortola with friends. (But, you know, no pressure, Willy.)
1. First, buy a guidebook. I know, I know — this is very un-web-2.0 of me. But the fact is that chances are really good that while you’re traveling, you won’t have access to an internet connection (particularly if you’re on a small sailboat), and it’s always nice to have a handy guide that has just about everything you could possibly want to know about your destination country. A quick search on Amazon reveals that this guide book on the British Virgin Islands is one of their more popular — but if you have friends who’ve already visited, and have a recommendation, take their word. In any event, get the book.

And then, before you actually start your vacation, read the book. Many of these guidebooks are written by people who have actually spent considerable amount of time in the location (or, in some cases, live there), and can give you lots of insight into your destination — which, in turn, can help frame the types of shots you’d like to take. Read it with a photographer’s mindset, and mark the pages you’d like to return to, and plan accordingly.

2. In addition to guidebooks, check out blogs and travel websites. If there’s one thing that blogging has brought us, it’s first-hand experiential opinions of every topic under the sun. So, in addition to perusing Gadling for stories on your destination, use services like Google Blog Search and search for terms like “British Virgin Islands” or “Tortola” or whatever your destination to see what people are talking about, what images they upload, and any other nugget of inspiration. And for what it’s worth, I never head anywhere without first checking out Fodors.com — their “Fodor’s Choice” category on their destinations listing their don’t-miss sights has never let me down.

3. Now that you’ve done your research, start looking for inspiration. By this point, you’ve read your guidebook, and checked out the websites. Now is the time to start searching for images for inspiration. Do Google image searches and Flickr searches based on your destination name, but also based on what your research has turned up: remember, you’re not just trying to copy the images of your destination that have already been taken, but you’re also looking for inspiration from shots of other destinations or activities which might be similar to what you’re going to be experiencing on your own holiday.

Let me explain.

Taking Tortola and the British Virgin Islands as an example, in addition to searching on the destination name, you can do searches based on “beaches.” Looking through our Gadling Flickr pool, you might stumble across this shot…


… uploaded by StrudelMonkey, which is sort of the classic beach shot. Note the play of the colours of blue, white and green, and the coconut tree placed off to one side to help frame the shot. Beautiful.

But then, you’d also come across this shot:


… again, another amazing shot, this time by Arachide, and again showing the play of blues, whites and greens. However, in this shot, it’s all about the tree, and not just the ocean and the sky. It makes you think about other, different ways to frame your shots, and keeping both of these shots in mind when you travel can help you broaden how you might want to capture the seascapes.

Finally, check out this shot:

Okay, so this beach shot (captured brilliantly in Nova Scotia by borderfilms (Doug)) undoubtedly looks nothing like the beaches of the British Virgin Islands — but how cool is the perspective provided by his fisheye lens? You probably wouldn’t want to take all of your holiday shots with this lens, but for a fun change of pace in your vacation album, this provides some additional inspiration.

One more example — this time, doing a search for “sailing” in the Gadling pool, produces this pretty fantastic “in the moment” shot by Kouiskas:

… but you know what? What if, once you get out there on the boat, the sunsets aren’t perfect, and the water isn’t that blue? Are you just going to give up, and put your camera away?

Likely not, if you also found this shot:


I think you’d agree that the weather was hardly cooperative in the shot captured by il lele, above — but what an amazing image! The contrasts are beautiful, you can almost feel how hard the rain is coming down. A shot like this almost makes you hope for a bad day at sea!

And all of the shots above were found before we even started doing searches for “tropics,” “sunsets,” “lush,” “green,” “sand,” “surf,” “seafood,” “drinks,” “mountains,” “coastline,” and heaven knows what other words we can come up with. Just let your mind go, and see what you find.

4. Once you’re inspired, decide what sorts of photographs you’re going to try to capture, and the equipment you’re going to need to do it. Remember that you’re not just going to shoot scenery shots, but you’re going to want to capture some still lifes, some shots that show the colours and the moods, all types of shots (we talked about the kinds of shots that make a complete album here). And in Willy’s case, since he’s going to be traveling with his wife and friends, he’s definitely going to want to capture some portraits of his travel companions as well. Once yo
u’ve figured out what types of shots you’d like to take, this will help you decide what equipment (particularly lenses, if necessary) you’ll want to pack.

5. Finally, if you don’t have all the equipment you’d need to take all those shots, consider renting. So now that you’ve been inspired, and you feel like you won’t be able to live without that huge 18-200mm lens, or that fantastic fisheye, (or, heck, and underwater camera for your once-in-a-lifetime SCUBA dive), do you go out and spend tons of money? Not unless you really want to — remember, there are companies that will allow you to rent photographic equipment just for your trip. As described in this great post on Shutter Sisters, companies like LensRentals will allow you to rent particular lens, with reasonable insurance rates in case something happens to the equipment. If you do all of the above planning early enough, the equipment will arrive at your doorstep via FedEx in plenty of time for your trip.

So, Willy (and those of you who are planning equally exotic vacations), hopefully this post will help you plan for your trip. And, you know, make you so grateful, you’ll feel moved to invite me along.

Just saying.

Karen is a writer and photographer in Houston, Texas. You can see more of her work at her site, Chookooloonks, and feel free to send her your photography questions directly to karenDOTwalrondATweblogsincDOTcom. She’ll happily tackle them in upcoming posts.
And for more Through the Gadling Lens, click here.

Through the Gadling Lens: Great online resources for photographers

by Karen Walrond on

Before I really got into photography, I used to believe that really fabulous photographs only resulted from really expensive camera and processing equipment. While this might have been true twenty years ago, the truth is that great photography can pretty much come from any type of camera, with any sort of post-camera processing. And the beauty of owning a camera in this part of the twenty-first century means that there are all sorts of online resources to maximize what your camera can do. So this week, I thought I’d spend some time pointing out a few resources online that can help result in some of the best travel shots of your life.
1. Sign up for Photojojo. If you haven’t heard of Photojojo yet, run, do not walk, to their site here. This free e-newsletter service (or, if you’d prefer, you can add their feed to your reader) will send you some of the coolest photography tips to be had on the web. The advice can range from the funky (like how to make your own 3D camera for $15 or less), to the fun (how to make your own photographic perpetual calendar) to the positively practical (how to eliminate sensor dust from your camera). And did I mention it’s free?

2. Picnik. I have a real-life friend, Jenny, whose flickr stream I avidly follow. She is the Queen of the post-camera processing. The other day, she was at my house, and I mentioned to her that I couldn’t get over how amazing her processing was.

“Thanks,” she said, quietly.

“Seriously, Jenny, did you take a Photoshop class or something?” I pressed.

“No, I don’t use Photoshop, actually. I use Picnik.”

I almost choked on my mimosa.

“I’m sorry,” I said, once I’d regained my composure. “You’re telling me that you process those photos with free software?”

“Yup, I do it all online. It’s a lot of fun.”

I couldn’t believe it. Until that moment, I had been a complete Photoshop snob, because it never occurred to me that you could get really dazzling photos with anything but. But Jenny’s photos, like this one:

and this one:

and this one:

and, dear God, this one:

…made a true believer out of me.

3. Photo.net. Say you have a burning question about photography: like, you’re thinking of upgrading your camera, and you don’t know which brand to go with. Or, the shutter on your D100 is sticking, and you don’t know what’s causing it. Or you’re just dying to know the definition of “bokeh,” and you don’t know any shutterbugs within shouting distance. Well, look no further than Photo.net — this community website likely has every answer you could possibly want (and some you probably don’t). There’s a photo gallery to provide tons of inspiration, forums with every type of photography topic you could possibly imagine, and even a way to upload and exhibit your favourite photos to receive critiques from other avid photographers. And again, it’s free!

4. Digital Photography Review. Speaking of being in the market for cameras, once you’ve started to narrow down the brands you’re interested in looking at, do not buy your camera until you’ve stopped by Digital Photography Review. This great independent site does side-by-side comparisons of every camera you can think of, from point-and-shoots to digital SLRs. The site even shows images taken with various cameras so that you can compare quality. While I still maintain that you should never buy a camera (particularly a digital SLR) before actually going to a camera store and taking one for a spin, this is a great site to educate yourself with the kinds of questions you’re going to want to ask the salesperson while you’re there.

5. Blogs, blogs and more blogs. As you can probably imagine, there are tons of blogs out there that can provide inspiration, both in the form of concrete information and/or fantastic imagery. The following are some of my favourites — both for simple how-to’s and merely eye-candy. For those photoblogs which are primarily about imagery, don’t be afraid to e-mail the photoblogger directly for advice: most photobloggers are only too happy to oblige.

  • DIYPhotography.net: This blog is a great resource for do-it-yourself projects to help enhance your photography — and while much of it is about studio lighting, there’s a lot on helping create different effects for your camera, and a recent favourite: how to stablize your camera while taking a photograph in a driving car.
  • OnTakingPictures: This is the personal blog of portrait photographer Bill Wadman — full of beautiful portraits, but also his musings on the business photography, as well as some technical advice. A great read.
  • Moodaholic: This beautiful photoblog is strictly imagery, and the images taken of various landscapes are positively breathtaking. The shots are always crisp, but the post-camera processing is what lends to the amazing mood of all images. Click on the comments to see how each image was shot.
  • Mad Media Studios: Another great photoblog, primarily landscapes and portraits. This blog, however, is a great example of the kind of art that can be made with post-camera processing. While extreme photo processing isn’t my style, I can appreciate a photographer who can take it to an artistic level, and this photographer does just that. Beautiful.
  • Modern Day Gilligan: Joshua Yetman is a commercial photographer who lives in the island of Grenada, with the dream job of photographing amazing yachts, beautiful resorts, and breathtaking seriously. His outtakes often appear on his photoblog, and if these images don’t inspire you to hop the next flight to the tropics to test your photographic chops, nothing will.
  • One Day Files: a daily photoblog by Japanese photographer Hitoshi, it is a shining example of how to make the ordinary moment extraordinary. Capturing shots like these while traveling will do wonders for ensuring that the moments and moods that surrounded the time of the shot are remembered. True inspiration here.

And speaking of emailing photographers for advice: if you have any questions or comments, as always, please leave them below, or e-mail me directly at karen DOT walrond AT weblogsinc DOT com. I’ll be happy to address them in upcoming posts. And if you have any favourite online resources that weren’t mentioned in this post, please feel free to mention them in the comments section, below — I’m always looking for more great reads.

Karen is a writer and photographer in Houston, Texas. You can see more of her work at her site, Chookooloonks.
And for more Through the Gadling Lens, click here.