Photo of the Day 1-13-08

by Catherine Bodry on

Three dudes, waiting for the subway. I love the colors in this shot by PDPhotography; the silver with the toothpaste green, the drab floor, all constrasting with the sharp black figures and the bright yellow line. Notice how the train seems to blend into the wall on the left side of the photo. The photo might not inspire me to travel to St. George, Toronto, where it was snapped, but it certainly invokes some emotion in me. What that emotion is, I can’t really say.

Have you got some travel photos you think will invoke unspecified emotions, or inspire people to travel? Upload them on Gadling’s Flickr pool and we’ll consider them for our Photo of the Day feature.

Dubai is Getting Taller in One Spot

by Jamie Rhein on

Dubai’s tallest building, the Burj Dubai has finally reached the height of being the tallest one in the world, and it’s not finished. Now it stands at 1,831.5 feet tall (555 meters), just a bit taller than the CN Tower in Toronto (1,824.9) which was the largest free standing structure. The once tallest building, the Taipei 101 in Taipei, Taiwan, lost it’s first place standing in July. Oh, well. In order to make sure it stays the tallest, the developers of the Burj aren’t saying how tall it’s going to be. Now, that’s tricky.

As countries clamor to make sure they are noticed by the rest of the world, I expect we haven’t seen the last of the let’s build a really tall building. Height could mean might–that’s the theory anyway. For now the United Arab Emirates has the honor.

Once I wrote a physics factoid for a textbook that explained what makes tall buildings able to withstand a stiff breeze. Even though I understand the principles, I get heart flutters when I get too high off the ground, although my sunglasses did fly off the top of the Carew Tower in Cincinnati when I looked over the wall. Oooops. Here’s something you may not have known, until 1964, Terminal Tower in Cleveland was the 2nd tallest building in the world after the Empire State Building until it was surpassed by the Prudential Tower in Boston.

Here’s an easy to understand article at How Stuff Works that explains how skyscrapers work and how their height is determined, ie, the actual height vs the number of floors.

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Band on the Run: Kitschy, Classy Drake Hotel is Toronto Arts Beacon

by Ember Swift on

Ember Swift, Canadian musician and touring performer, will be keeping us up-to-date on what it’s like to tour a band throughout North America. Having just arrived back from Beijing where she spent three months (check out her “Canadian in Beijing” series), she offers a musician’s perspective on road life.


If the merging of kitsch and class together is on the agenda for a place to stay in Toronto, The Drake Hotel is perfect. Each room is unique. The furnishings are retro and modern combined. The artwork is compelling. There’s even an antique photo booth machine that shares a room with an electric saddle ride.

But we didn’t stay there.

Honestly, it’s a bit too pricey for the musician’s salary, but it’s one of those urban hotels that are worth splurging for on a special occasion because it would be a memorable and unique night’s stay. And, well, it’s a happening place in the city and surely the entertainment within its walls would be worth absorbing. This week, for instance, it’s one of the social hotspots for the Toronto International Film Festival. Well… there’s something.

(Which film stars will be riding in that saddle, I wonder?)

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I was in Toronto this weekend for a jam party and some rehearsals. I love this city. I spent nine years living here up until 2004 and I still feel like it’s my urban home. The thing that has struck me so much since I left, however, has been the rapid changes that urban landscapes undergo. One of those changes is Queen Street West and its push towards upward mobility from artist and low-income eccentricity.

Gentrification. It’s heading west in Toronto. At least the eccentricity hasn’t been completely vacuumed away. The Drake is evidence of that fact.

Places like The Drake have popped up all along this stretch. It’s not as though this hotel wasn’t here when I lived in Toronto. In fact, it was a dive that most people I knew stayed away from. It has been around since 1890 and used to house the railroad workers that came into the city. In the eighties and nineties, it was a rough punk bar and just seemed like a seedy establishment that one hurried past if walking by late at night.

The current owner bought it in 2001, gutted the place and underwent several years of renovations before opening the space as an upscale hotel, lounge, rooftop restaurant and live music venue in the basement. Since it’s opened, the traffic to this part of the city has increased, as have the number of art galleries, cafes, and loft-dwellers in nearby newly constructed urban condos. It’s remarkable how quickly neighbourhoods transform.

Their website describes The Drake as “a democratic hub and cultural pathfinder, in the midst of a re-energized indie art gallery district.”

I can’t quite swallow the democracy here, since it’s out of many people’s price range if you’re not actually looking to stay, but I do concede that it’s a hub. It’s central to new growth and feels like a beacon of change. What’s more, it does unite rather well with the diversity of the neighbourhood as though its spot “in the midst” of so much art hasn’t been lost on the designers. They hang local artwork on the walls, have commissioned canvasses and expensive sculptural displays flanked by refurbished couches and squeaky vinyl diner stools. Indie musicians file through the basement venue while a sushi bar and yoga den take up the upper levels.

It’s definitely full of contradictions that succeed at representing a neighbourhood in the throws of change, on the cusp of new identities, on the eve of new beginnings without a desire to erase the past.

When I walked into The Drake this weekend to check out the second stage of renovations – I had been told that it had transformed into a more 30’s style kitsch look in the past year and I was curious – I spoke to the smiley front desk clerk about the hotel and its story. He seemed to smile out of every pore as he showed me the flyers and flashed white teeth in response to each of my questions. He had me smiling back, to be sure, but I wondered how happy he really was.

He spread his arms outwards to sweep in the whole of the building when he told me I was free to walk around and take pictures. Another grin and he went back to work without a word. In fact, no one seemed to mind my presence in the least. I felt a bit like a fly on the wall as I strolled into rooms I hadn’t been in for several years and took pictures and looked around. I listened in on a few meetings, a lover’s spat and a heated political discussion over a late lunch.

When I returned to the lobby, the smiling host looked up from his word asked if I had any other questions about the space and if I wanted to reserve a room. He explained that I wouldn’t be able to view one because they were all booked out (there are only 19 rooms), but he brought out room brochures that showed their diversity. As I mentioned, every room at The Drake is different. It’s not themed, per se, but several top designers were hired to design the rooms and each took a different approach. Some rooms have hardwood, some have carpeting, some have exposed brick walls and minimalist decoration and others have walls filled with unique art pieces. No art in the whole hotel is repeated, actually (sigh of relief) and each room boasts different furnishings, colours, layout and overall decorating style.

I looked at the brochures with genuine interest and told him that I’d be back in touch in the future. After all, anything’s possible.

Maybe, if nothing else, I’ll come back to socialize and get my picture taken in that old black and white booth.

Right after I’ve ridden in that saddle!

City Surf’s Audio Walking Tours for the “Un-Tourist”

by Willy Volk on

According to City Surf, “Guidebooks show you which neighborhoods are cool to visit, we show what’s cool IN those neighborhoods.” Indeed, City Surf has created audible walking tours of some hip Toronto hang-outs, including Kensington Market, St. Lawrence Market, Yorkville, and The Annex.

To use the tours, you download one of the 30-40 minute tours, load it into your iPod, and hit the streets. Rather than having your nose buried in a guidebook, you slip on your earbuds and listen to what makes the area unique. Spaced out, listening to your iPod, you’ll look just like a local.

The only downside is that the tours run $9.99 CAD (about $9 US) per download. A little steep? Maybe. But the music-filled sample tracks City Surf has posted sound like they’re brimming with great insider tips that’ll let you experience the city the way the locals do. I’ve never gone on an audible walking tour of a neighborhood. I imagine I’d have to do it twice: once to learn the tips; and a second time to feel like I’ve really immersed myself in the place.

Not heading to Toronto? Montreal and Vancouver tours are in the works.

[Thanks, Ali!]

A Canadian In Beijing: Turn Up The Volume

by Ember Swift on

Ember Swift is the newest member of Gadling. Over the next three months, this Canadian woman will be living in and exploring China. During her time there, she’ll be posting regularly about her adventures. Check in every Wednesday and Sunday to see what China is like from a Western perspective…

Beijing is less than one week away and my musician self can barely keep the volume down. My excitement is cranking and I haven’t even started packing yet. That’s tomorrow’s task and it brings me that much closer to eventually hearing the lilt of Mandarin spoken nearly everywhere I go for a solid three months.

I am a full-time musician who has logged a lot of travel miles. I’m onto my fifth touring van since 1997, for instance, and only two died of unnatural causes (one fire, one theft) while all the others were just driven to their graves after years of loyal service. But, to give you more résumé-like context, throughout the past eleven years there have been ten different independent releases (nine albums and one DVD), thousands of performances averaging approximately one hundred and fifty per year, eight tours to Australia (our most frequent overseas destination) and lots of changes to my band line-up which I must confess includes six different drummers – yikes! All in all, it makes my résumé sound heavily steeped in experience but lacking in flavour. Of course, résumé bullet points don’t include the stories. These stories weave in and out of the awards and accolades, times of struggle and periods of prosperity, debt and recovery. They are told in songs or between songs; they’re stage material that keeps this crazy journey full of life.


At the University of Toronto, I completed a degree in East Asian Studies and have four years of university Mandarin training lodged in loyal cavities in my brain. In between university and this nearly-in-China moment, I have pursued my music career full blast (as described above). What has been missing is the subtle connection between my education and my career. Now, nine years since graduation, it’s time to bring it all together.

My life seems to be playing out like a long-laboured-over song arrangement; this is the moment when all of the players are gathered in the same space and it’s time to hear if their parts fit together. There’s excitement and tension simultaneously, but all of the amplifiers are humming and ready.

China has always been my dream destination. . . . “when the music thing was over,” as if it really would be “over” one day. It only recently occurred to me that I am the agent in making any and all dreams come true, and that I didn’t have to wait for one part of my life to die in order to birth another. Besides, who says they aren’t related? It also occurred to me that going to Beijing for three months is very much a career decision. And, it will be. Now – well, now that I’ve listened to those occurrences — the potential seems obvious. It’s spinning before me.

Not only will three months in Beijing be a luxurious block of time and space to write more songs away from the rigorous tour schedule and constant business and band dynamics, but being surrounded by the tonal beauty of the Mandarin language will push my ear into new musical territories. For me, speaking or hearing Mandarin spoken is like singing or being sung to. Top that off with the opportunity to explore what is happening in the music scene of Beijing and we alight on the research portion of my trip: I can finally dust off some undergraduate research work that was an investigation of women and music in China and the growing audibility of women’s voices in the outpouring of Chinese music. My undergrad research was limited by my geography and I always envisioned the research continuing there.

Here is the door. This is me walking through it.

I’ll be starting off my trip as a tourist. Just a couple of days in a downtown hotel before moving to the University district and setting myself up in a dorm room. I’ve already scoped some sightseeing tours that will take me to some official tourist destinations and then spit me out into the registration line at the Beijing Language and Culture University. There, I’ll be refreshing my rusty Mandarin in a part-time morning course at twenty hours a week. The rest of my time will be spent opening many live music venue doors to listen, jam, meet people and cultivate the hope that I’ll eventually bring my band to China. We are an internationally touring act, but not yet in Asia, and I do believe that this journey will yield that opportunity.

Isn’t that all potential is? Finding the open doors? Being open to opening them?

Three months in one place is a radical choice for a gypsy. Keep in mind, however, that this is a city of fourteen million people to keep me occupied! I am looking forward to undressing the underbelly of the arts scene — particularly the music world — and I am sure that three months of networking, connecting, befriending and exploring will yield colorful stories.

So, I start as a tourist, morph into a student and then morph nightly into the artist that I am. Already I’m realizing that I’m really all these things all at once; this cacophony, or symphony, is me.

How will it sound?

I don’t know for sure, but I’m turning up the volume knob anyway.

Call it trust.