Venice to cruise ships: Get out please

Venice is proud of its heritage. Home to beautiful architecture, canals, bridges, gondolas, the annual Venice Film Festival, the Basilica and many other churches along with museums like the Guggenheim, its probably no surprise that cruise ships are not on the top of their list of things to add to the mix. In the wake of the Concordia grounding, considering the threat of accidents, air and water pollution, and an additional 2 million more visitors a year into a city already maxed out with tourists, Venice has a plan to keep cruise ships away.

The city does not want cruise ships in their lagoon at all but as a first step to keep them away, wants to reroute ships arriving in Venice so they stay farther from St. Mark’s and other prominent monuments as a possible step toward keeping them out of the lagoon altogether.

“This is one of the hypotheses we’re working on,” Environmental Minister Corrado Clini told the Associated Press. “In the meantime we should take precautionary measures to progressively reduce risk.”

The Venice Port Authority opposes moves against cruise traffic saying the cruise industry employs thousands of Venetians and believes Venice is not a candidate for cruise ships to run aground like the Concordia did last month, not all that far away.

In addition, a team of 25 cruise ship captains work around the clock as pilots of a sort, assigned to board cruise ships outside the lagoon and oversee their passage through Venice, accompanied by a pair of tug boats.

To deal with the air pollution, the port is exploring a system that would let ships plug in to shore side power when docked, similar to how ships plug in to U.S. West coast ports, allowing them to turn off their engines. Like U.S. systems, a green shore side power system will be costly and seems to have stalled for that reason.

Unlike U.S. ports concerned about the impact of cruise ships though, Venice is a United Nations-protected UNESCO site and Francesco Bandarin, UNESCO’s assistant director-general for culture, a Venetian himself, said longer-term solutions are needed.

“The city is a very fragile city. This is a city that comes to us from the Middle Ages,” Bandarin told the AP. “It is not designed for having that kind of traffic. It is designed to have ships, and we will always have ships around Venice, but not these kind of ships.”


Flickr photo by jastrow75

The Acropolis: Greece’s most famous monument weathers the crisis


Visiting Greece and not visiting the Acropolis is unthinkable. Set atop a high rock overlooking Athens, the temples here were built primarily to honor the city’s patron goddess Athena in all her attributes. The buildings here are some of the best examples of Greek architecture and have had a profound effect on the architecture of all the Western world. While I have a preference for medieval sites like Acrocorinth, and I’ve visited the Acropolis before, I couldn’t help but go back.

The last time I was there was 1994, and a lot has changed. There has been a great deal of restoration and the world-class Acropolis Museum has opened up.

Here’s one attraction that the Greek government needs to preserve as it passes through its worst economic crisis since World War Two. People still flock here and it’s a major reason why Greece is an important tourist destination. Tourism accounts for 18 percent of the Greek GDP and tourist numbers went up last year. Several sources told me there were two reasons for this: budget-conscious Europeans are traveling closer to home and people are staying away from North African favorites like Tunisia and Egypt.

Even though sites like the Acropolis generate billions of euros a year in revenue, the Ministry of Culture survives on just 0.7 percent of the national budget, and that budget is shrinking faster than the supply of Greek olives I brought back from this trip. In the past year the ministry has seen its budget slashed by almost a third, with warnings of more cuts to come. Museums are already feeling the pinch and now ministers, archaeologists, and site directors are scrambling to find ways to maintain their their heritage. There are even plans to lease the Acropolis for film backdrops and photo shoots to help raise funds.

%Gallery-146241%This last bit is actually nothing new. Archaeological sites have always been available for rent, but costs were enormous and most projects were rejected out of hand. Now the Acropolis will go for the bargain-basement price of $1,300 a day for a photography session and about $2,000 a day for filming.

Despite Greece’s financial woes, restoration and conservation are continuing. Funds are still coming through from the government and from the European Union. The most visible is the restoration of the pronaos (front inner porch) of the Parthenon shown here in this image by flickr user dorena-wm, who obviously had better luck with the weather than I did. This image was taken last year and now there is considerably more scaffolding obscuring the front. The photo I took last Sunday is in the gallery.

At the Erechtheion, where Poseidon and Athena competed for possession of Athens, the interior of the famous south porch with its caryatid columns is screened off as the ceiling is cleaned with an innovative laser system developed specifically for this project. In ancient times it was believed that Poseidon, the sea god, struck at the ground here with his trident and a salty spring gushed forth. Athena created an olive tree, the first in the world. The Athenians judged that the olive tree was more useful and so dedicated their city to her. The city continued to honor the sea god, though, and the Erechtheion is devoted to his local aspect Erechtheus. Athens owed her power to her great navy, and so it was smart to honor the god who rules the waves, even if he did come in second place in the competition for the city.

No reconstruction was going on when I went, though. I took advantage of Sundays being free to revisit the Acropolis. It was low season and bitterly cold and overcast, but there were still large crowds exploring the ruins. One family from Crete entered at the same time I did and took the same route through the monuments. The father gave a long lecture about the place to his young son and daughter. It was heartening to see how much they enjoyed it. They asked questions, told him some things they’d learned in school, and were obviously having a good time. They took dozens of pictures and I offered to take one of them all together. That got us talking. The father’s English was limited, but his national pride was obvious even through the language barrier. As we talked, his kids went off to take more pictures.

The Acropolis Museum was opened in 2009 to much fanfare and became an instant success. Between between June 2010 and May 2011 more than one million and three hundred thousand Greek and foreign visitors passed through its doors. The museum explains the importance of the site from earliest times through the Classical era and beyond. It’s probably best to see this museum before you see the Acropolis as it will give you a much deeper understanding of that most historic of attractions.

To combat museum fatigue, take a break at the restaurant or café. Prices are remarkably reasonable and floor-to-ceiling windows give a splendid view of the Acropolis and two of its buildings-the Parthenon and the Sanctuary of Athena Nike.

The museum is not free on Sundays but that didn’t stop the crowds coming out in full force. The restaurant, café, and gift shop were all doing a brisk business. Most popular was the third floor, where a reconstruction of the Parthenon sculptures can be seen. As the labels make clear, most of these are plaster casts because between 1801 and 1805 Lord Elgin, the British ambassador to the Ottoman Empire that then ruled Greece, got permission to remove about half of them. As you can see from the display at the Acropolis Museum, he took the best ones. Now they are in the British Museum in London, while several other sculptures were taken by other antiquarians and ended up in other museums.

The Greeks want their sculptures back. The British Museum says they took them with permission of the government that was then in power. Here is the official Greek position and here is the British Museum’s position.

The economic crisis has added a new dimension to the struggle to return the sculptures. While the plaster casts in the Acropolis Museum are very well done, seeing the real thing is always better. Getting them back would be a major coup for a country that has only had bad news for far too long, and it would help bring in much-needed tourism revenue. But with both sides dug in, it looks like the Greeks won’t be getting good news like that anytime soon.

Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: The Athens War Museum

Luxury Vacation Guide 2012: Baku, Azerbaijan

Alternately called the Paris of the East and the Next Dubai, Baku, the capital of Azerbaijan, is poised to become the Middle East’s next big luxury travel destination.

Once the busiest harbor on the ancient Silk Road, Baku is the largest city on the Caspian Sea and in the Caucasus region. A recent flood of oil money has led to massive development in anticipation of a 2020 Olympics bid, and early 2012 will mark the opening of the Flame Towers, an iconic complex which will significantly alter the Baku skyline. With a design inspired by the natural gas-fueled fires that once sprung spontaneously from the Azerbaijan landscape, the towers will house offices, high-end apartments, and a new luxury property from Fairmont.

As a country, Azerbaijan is no stranger to progress, having been the first Muslim country to build operas, theatres, and a democratic republic. Baku’s walled inner city, which contains Shirvanshah’s Palace and Maiden Tower, was named a UNESCO World Heritage site in 2000, and the city’s cultural agenda includes world-class ballet performances and philharmonic concerts. To boot, Lonely Planet recently ranked Baku one of the world’s top destinations for urban nightlife, alongside Buenos Aires, Dubai, and Cape Town.

[flickr image via teuchterlad]

Burgess Shale online exhibition brings 500 million year-old sea back to life


The Burgess Shale in British Columbia, Canada, preserves an amazing collection of fossils of sea creatures from the Cambrian period. This was a time dating from 488 to 542 million years ago, when complex creatures were beginning to evolve but before the dinosaurs existed.

Some of the creatures were pretty strange, like the Anomalocaris canadensis pictured above in this image courtesy Nobu Tamura. The name means “strange shrimp of Canada”. Another is the Marella splendens, shown below in this image courtesy Wikimedia Commons. These little guys are the most common animal found in the Burgess Shale.

Fossils from the Burgess Shale can be seen in museums around the world, and now the Royal Ontario Museum and Parks Canada have created the Burgess Shale online exhibition. The exhibition has a fossil library of almost every species ever found in the shale, along with information about how they lived. Most interesting are the animated reconstructions, including a virtual submarine ride to visit sea life half a billion years ago.

More than 70 digital reconstructions of the animals allow you to examine them closely. You’ll see how many modern animals such as snails, sea stars, and crabs had their origins in this remote era. These real-life monsters are a great educational tool for kids. My son was fascinated.

If you want to see the Burgess Shale for yourself, go to Yoho National Park in British Columbia. Guided hikes to the otherwise restricted fossil beds, which have been designated a UNESCO World Heritage Site, are available from July to September

Archaeologists blog as they excavate Nea Paphos World Heritage site


Archaeologists excavating at the ancient city of Nea Paphos in Cyprus have written about their work and discoveries in a blog.

A University of Sydney team has been working to uncover medieval walls built atop a Classical theater and investigating a public fountain dating to the first century AD, the Cyprus Mail reports.

Nea Paphos is a UNESCO World Heritage Site. It was founded around 300 BC, and the theater was built around the same time. It served as the capital of Cyprus during the Hellenistic and Roman periods and was an important spot in Byzantine times, when a castle was built nearby. Legend has it that Aphrodite emerged from the sea at the nearby beach. I’ve been to that beach and it’s so beautiful I’m not surprised the legend arose there. Aphrodite probably started as a Phoenician fertility goddess long before the Greeks and Romans arrived, and continued as the cult of Aphrodite until 391 AD when the Roman Emperor Theodosius banned all pagan religions.

The team has wrapped up its work for the season but they and their blog will return in 2012. I’m glad to see archaeologists reaching out to the public this way and I hope more follow the University of Sydney’s example. There’s a lot of popular misconception about how archaeologists do their work and blogs like theirs help remedy that.

Photo of the Odeon of Nea Paphos from second century AD courtesy user einalem via flickr.