Madrid Offers Up Great Summer Art Season

by Sean McLachlan on

Madrid is one of the best destinations in the world for art, and this summer its many museums and galleries are putting on an impressive array of temporary exhibitions.

The blockbuster of the season is at the Reina Sofia, which is having a major exhibition on Salvador Dalí. “All of the poetic suggestions and all of the plastic possibilities” brings together almost 200 works here by the famous odd man of surrealism.

Organized in roughly chronological order, the earliest paintings in the exhibition date to the mid-’20s and show a surprisingly traditional technique. Once he’d mastered the basics, however, Dalí soon plunged into his own unmistakable style. The exhibition is accompanied by detailed texts on Dalí’s life and career. For example, we learn the reason why we keep seeing the same set of cliffs in Dalí’s work. In his youth Dalí and his family would vacation at the seaside town of Cadaqués, where he became obsessed with the cliffs of Cape Creus. He once said, “I am convinced I am Cape Creus itself. I am inseparable from this sky, from this sea, from these rocks.”

%Slideshow-2876%Many of his best-known works are here, as well as early sketches and little gems, like a painting of Hitler masturbating. Who but Dalí could pull that off? (Pun intended.) Numerous video screens shows Dalí’s many film experiments, including the famous “Un Chien Andalou” with Luis Buñuel and several other lesser-known films. The show runs until September 2.

The Reina Sofia has two other exhibitions. “1961: Founding the Expanded Arts” looks at a vital year in the history of modern art that saw the expansion of artistic collaborations and music experimentation and the launch of Concept Art. It runs until October 28. At the museum’s annex at Retiro park is “Cildo Meireles,” which looks at the acclaimed Brazilian conceptual artist’s work and runs until September 29.

The Museo Thyssen-Bornemisza has a major exhibition on Camille Pissarro. This cofounder of Impressionism was the only one to take part in all eight Impressionist exhibitions from 1874 to 1886. The museum brings together more than 70 of his works, mostly the lush landscapes for which he was known. The show runs until September 15.

El Prado also has three temporary exhibitions. The headliner is “Captive Beauty: Fra Angelo to Fortuny.” This exhibition brings together almost 300 works characterized by their small size and technical excellence. The point is to demonstrate the ability of some of Europe’s greatest artists to create beauty in a confined space and to highlight works that are often missed hanging next to giant, better-known works. They are arranged chronologically from the 14th to 19th centuries. The show runs until November 10.

Another of El Prado’s exhibitions examines the relationship between two 18th-century artists, Anton Raphael Mengs and José Nicolás de Azara. The two painters traded ideas and collaborated on projects throughout their careers. “Mengs and Azara: Portrait of a Friendship” runs until October 13. “Japanese Prints,” which runs until October 6, showcases items from the museum’s collection from the 17th to 19th centuries.

This year Spain and Japan are celebrating 400 years of friendly relations. In 1613, a group of Japanese emissaries set out to visit Spain. They crossed the Pacific, passed through the Spanish colony of Mexico, and then crossed the Atlantic. After touring Spain they continued on to visit the Pope in Rome before heading back home. The whole trip took seven years. We talk a lot about adventure travel here on Gadling, but nothing in the modern day can measure up to what these early travelers did.

To honor the anniversary, the Museum of Decorative Arts is hosting “Namban,” a fascinating look at the artistic influence these two distant cultures had on one another. One interesting object is a large screen in the Japanese style, yet bearing a Spanish colonial painting of Mexico City. There is as yet no closing date for this exhibition.

If you hurry you can still catch a free exhibition of the work of Swiss surrealist Alberto Giacometti at the Fundación Mapfre. The exhibition includes numerous examples of his famous statues of elongated human figures as well as his lesser-known paintings. This exhibition runs until August 4.

We’re suffering sweltering temperatures here in Madrid right now, so beat the heat and go see some art!

Los Angeles County Museum Of Art Inaugurates African Gallery

by Sean McLachlan on

The Los Angeles County Museum Of Art is inaugurating its new Africa gallery with an exhibition of art from the Luba Kingdom.

“Shaping Power: Luba Masterworks from the Royal Museum for Central Africa” examines the royal art of the powerful Luba Kingdom, which from 1585-1889 dominated central Africa. Its royal lineage was highly regarded and developed an elaborate artwork to reflect its prestige.
The exhibition includes many objects loaned by the Royal Museum for Central Africa in Belgium, like this mask of a legendary hero. Many of the items depict women. While they didn’t rule, they were considered the spiritual guardians of the kingship and the creators of life. A Luba proverb says, “Men are chiefs in the daytime, but women are chiefs at night.” Among the works of art are masks, headrests, sceptres, thrones and cups.

The new Africa gallery is located next to the Egyptian gallery to highlight the influences the two regions had on one another. In addition to special exhibitions, the gallery will also host the museum’s permanent collection.

“Shaping Power: Luba Masterworks from the Royal Museum for Central Africa” runs until January 5, 2014.

Edvard Munch Exhibition Opens In Stuttgart

by Sean McLachlan on

The Staatsgalerie in Stuttgart, Germany, is celebrating the 150th birthday of Edvard Munch with a exhibition of their entire collection of his work, the first time the gallery has done so in more that 50 years.

“Edvard Munch in Stuttgart: From the First Kiss until Death” showcases 60 works from all periods of the artist’s development. The highlight is the only surviving proof of Munch’s iconic print “The Scream.” The proof shows that Munch originally named it “Screaming.” Other works, both paintings and prints, show his enduring obsession with harsh emotions such as fear and jealousy, as well as his feelings towards women, who are often portrayed as demons or vampires like in this print titled “Vampir II.”

Munch had a close relationship with Stuttgart, often visiting the Staatsgalerie in order to promote his own work. The gallery has a long tradition of buying contemporary art and was thus able to build an impressive collection of Munch’s work.

“Edvard Munch in Stuttgart: From the First Kiss until Death” runs until October 6.

5 Ways To Preserve Your Travel Memories (That Don’t Involve Photos)

by Laurel Miller on

If you’re an avid traveler, chances are you’ve experienced some type of fantastical sight, to which no photograph can ever do justice. Talent and camera quality have no bearing whatsoever on the ability to capture this moment, and so you resign yourself to committing it to memory.

Although I love looking at travel photos, I’m not much of a photographer. But I’m also well-traveled enough to know that sometimes, when you try to shoot something stunning, you inadvertently end up depriving yourself of just enjoying the experience. I see this all the time on trips; the guy who’s so busy running around chasing the perfect shot, he misses the entire point of the destination.

I’ve finally learned when to put the camera down and just be in the moment – at a certain point, sunset photos become redundant. Remembering the other sensory details surrounding the actual event, however, may well be something you’ll cherish forever. I’m not saying you should leave your camera at home when you travel. Rather, I’m advocating incorporating other ways to create travel memories that don’t involve Instagram or tripods. Read on for creative ways to preserve “unforgettable” sights or locales.

Write it
Even if writing isn’t something you’re particularly good at, that shouldn’t stop you from trying (not everything needs to be posted to a blog or social media). Whether you scribble in a journal or email the folks back home, the objective is to get your memories written down, without trying too hard.

I strongly recommend writing longhand, as it’s more expedient, practical and, for lack of a better word, organic. So no texting, iPad, netbook or other device. Just you, a pen and a notebook or sheaf of paper. Think about sights, smells, sounds, textures and colors. Whether or not your end result is a list, paragraph or story, you’ll have something that captures a memorable moment from your trip. Not only does this exercise improve your writing skills (which, after all, are crucial in daily life); it helps sharpen your memory and senses, as well.

Verbalize it
OK, I know I hinted at ditching the devices, but many people are articulate. If you’re known for being a great storyteller, record memorable experiences soon after they occur. Whether it’s a mishap, linguistic misunderstanding, touching cultural exchange or incredible meal, recount it in vivid detail, as you’d tell it to your best friend, spouse/significant other or kids.

Collect it
Although I’m a writer by occupation, my favorite way to create travel memories is by collecting small, meaningful souvenirs unique to a place. They may be found objects or regional handicrafts, but my interior decor is defined by these objects. They’re my most cherished possessions (next to, I confess, my photos).

Scrapbook it
I also love to collect vintage postcards from favorite destinations, as well as items like ticket stubs, peeled-off beer labels (really), black-and-white photos scrounged from street fairs and antique shops, and cultural or religious iconography. As long as it reminds me of a great travel experience and is flat, I keep it. Some of these talismans are tucked inside my passport; others are in a photo album or stuck to my refrigerator with magnets I’ve collected from restaurants all over the world.

Barbara Dieu, Flickr

Hang it
Granted, this requires a bit more cash, effort and wall space than collecting shells. But even with a nearly non-existent budget, you can bring home a piece of art as a permanent reminder of a great trip. Here are some inexpensive things I’ve collected over the years:

  • A custom-made, silk-screened T-shirt depicting indigenous art, made at an Aboriginal-owned co-op in Australia.
  • A reproduction of an Aboriginal painting that I picked up for about $25USD at Sydney’s wonderful Australian Museum. I had it mounted for a fraction of the cost of framing.
  • A vintage card painted by a Vietnamese woman’s co-op, depicting war propaganda and purchased at a shop in Hanoi. I’m not actually a communist but the art is captivating.
  • A 4-by-5 piece of muslin printed with a photo transfer of an image taken at the port in Valparaiso, Chile. I purchased it for about $3USD in the artist’s studio, nearby.
  • A slender coffee table book on Italy’s Cinque Terra.

While travel itself may not come cheap, memories are often free (the above purchases notwithstanding). I encourage you, on your next trip, to put down your camera once in awhile, and rely instead on your senses. I guarantee you’ll be pleasantly surprised with the results.

Venice: Grand Vistas And Little Details

by Sean McLachlan on

On my first day in Venice I walked the streets without a camera in order to savor the beauties of this unparalleled city. I was leaving the next afternoon so that morning I got up at dawn in order to catch Venice at its abandoned best.

It’s a different city, more peaceful. You can linger on a bridge or take a shot from the middle of a street without getting trampled. You can capture the way the light plays on the water or on the side of an old, crumbling building without half a dozen heads getting into the shot.

Venice has a different character in those early hours. Instead of gondolas, cargo vessels ply the canals making deliveries to this city without cars. The streets are empty but for local workmen cleaning up or getting ready to open up their shops and kiosks. The only other tourists are lone photographers like me. My idea was a pretty obvious one, after all.

The low-angled light makes for some nice play between the tops of the buildings shining golden in the morning and the still-dark recesses of the alleyways and narrow canals. The low-angled light puts faded details into higher relief, like the faded Latin inscriptions on the lintels of church doors or the weathered escutcheons on Renaissance palaces.

%Slideshow-693%The early hours are also the time for visiting the big attractions. There’s something eerie about seeing the Piazza San Marco with only half a dozen people in it. One pair was a newlywed couple. A tuxedoed man was fiddling with the camera while his stunningly beautiful wife, decked out in her bridal gown, gave instructions and adjusted her veil. Beyond them the Grand Canal shimmered in the early light. I’m sure their wedding photo is the envy of their friends.

As stunning as these broad vistas are, Venice rewards a close look. There are details in the buildings and streets that make for great close-ups. In the Piazza San Marco, for example, you have this little bronze figure, one of a set.

At the corner of St. Mark’s Basilica is the square’s most historically important work of art, a porphyry statue of four armored men clinging to one another in mutual defense. I’ve wanted to see these little guys for years.

They’re the Tetrarchs. In 293 A.D., the Roman Emperor Diocletian decided the empire was too big and had too many enemies for one man to rule. He created the Tetrarchy, with an Emperor and a Caesar for both the West and the East. They were supposed to rule in harmony but of course the rivalry more often than not led to civil wars. In another century the Western Empire was a nonentity, while the Eastern Empire, known today as Byzantium, lived on until the 15th century. This famous statue originally stood in Constantinople but was stolen during the Fourth Crusade in 1204 and brought here.

Many people photograph this statue, yet miss something even more interesting a few feet away. On a stone bench at the entrance to the basilica there’s a strange design scratched into the surface. It’s been almost worn away by centuries of bottoms, but you can make out a square within a square, partitioned into several segments. This was a Renaissance board game that people would play while whiling away the hours on the plaza. It’s a reminder of the regular folk who lived in Venice in the shadow of the great rulers, artists and priests.

This fired my imagination. Perhaps some other detail will fire yours: the dusty icons in an antique shop, the mosaic advertisement for a pension set into a street, the half-finished Renaissance fresco in the entryway of an obscure church. When you’re strolling around Venice or any great city, keep an eye out for those little details that catch your fancy as well as the grand views that everyone admires. That way you’ll end up with a photo album uniquely your own.