Colorado could join Amsterdam as a pot-smoker’s travel destination if two Denver locals have anything to do about it.
Matt Brown and James Walker have started a travel company aimed at those looking to take advantage of the state’s new marijuana laws.
According to NBC News, the company known as My 420 Tours sets travelers up in “pot-friendly” hotels, takes them on tours of marijuana dispensaries, and secures tickets to pot-related events.
The state of Colorado legalized recreational use of marijuana towards the end of last year although the commercial side of things – that is, selling the drug to others – is yet to be approved. To get around this, Brown and Walker facilitate introductions between travelers and those involved in the local cannabis industry.
“It’s an opportunity for people who prefer marijuana to alcohol to come to Colorado and know that they’re not going to have to walk around downtown asking strangers for pot,” Brown told NBC.
Their first tour slated for the end of April has already been a sell-out, but the duo hopes to offer more pot-themed travel packages in the future.
Antarctica draws the dreams of many and the visits of just a few. Located so very far from civilization, travel to Antarctica is the stuff of hearty explorers, burly men of substance and adventure travelers. Luxury cruise ships and their pampered passengers? Not so much. Until now.
Seabourn has a fleet of small ships that travel around the world to amazing locations in opulent luxury, something we rarely talk about here.
After all, does ultra-luxury cruising really qualify as “travel” anyway?
Probably so when it’s a 21-night expedition sailing from Buenos Aires, Argentina, stopping by Montevideo, Uruguay, then the Falkland Islands before spending five days in Antarctica, running Zodiac landings to a variety of ridiculously amazing places.
OK, maybe that’s sort of traveling.
Agreed, but that’s before continuing on to Ushuaia, Argentina, followed by scenic cruising in the Beagle Channel, then on through Glacier Alley and the Cockburn Channel before a stop in Punta Arenas, Chile, which of course you need before passing through the Straight of Magellan followed by scenic cruising in Canal Sarmiento where the ship passes by the Amalia Glacier followed by a day in the Chilean Fjords.
Sound like a bucket-list adventure? Operationally, it’s no big deal for Seabourn. Their small yacht-like ships run itineraries from just a few days to a year-long, around-the-world voyage and have had almost all the luxury cruise travel bases covered.
Now, adding to its destination-focused roster of itineraries, Seabourn is heading south. But make no mistake about it; they are prepared.
Antarctic sailings have traditionally been the exclusive domain of expedition ships for good reason. Fortified ship hulls are extra thick and ice rated, a designation that provides an extra measure of safety in what can be brutal sea conditions. This is not a part of the world where luxury liners float around with passengers lining the decks sipping umbrella drinks to be sure, and that’s not what Seabourn has in store for those they take to the white continent.
To customize Seabourn Quest for these adventures, they transformed the marina built into the ship, normally used by passengers for complimentary water sports, to house and launch multiple Zodiacs.
Who is going on these voyages? Seabourn past-passengers who have been asking for it along with first-timers who want to knock Antarctica “off their bucket list,” Seabourn’s John Delaney told Gadling, as excited about the new itineraries as a kid on Christmas Eve. “It’s the one continent we did not sail to,” explained Delaney.
Each Seabourn sailing to Antarctica and Patagonia includes five days of zodiac landings and expeditions to selected Antarctic locations. As a bonus, Seabourn Quest‘s small size will enable the ship to get closer to land, offering unprecedented wildlife viewing and the photo opportunities associated with Antarctic expedition cruising … with a twist.
Also on board, will be an expedition team that makes up a who’s who of naturalists, scientists, and political and historical experts with decades of Antarctic experience, including experts in wildlife and exploration – adventure travelers who have been there and done that.
Each night, they will choose from hundreds of landing areas for the following day, to bring ships up close and ensure that zodiac landings can happen, based on decades of experience.
Award-winning photographers will also be on board to offer digital photography coaching, helping guests capture exciting wildlife images while sharing their knowledge, guidance and passion for Antarctica.
Three 21-day sailings, like the one detailed above, are planned. They are filling up fast and look to be a staple on the Seabourn roster of itineraries in future years as well.
An even longer, 24-day sailing does all of the above plus a stop at South Georgia Island, arguably “as interesting if not more so than Antarctica itself,” added Delaney.
The Seabourn plan promises to be far more than a fancy ship with some extra safety measures slapped on for show too, although they will be running the only all-suite ship in the area. Each passenger will receive an expedition-grade parka (emblazoned with the Seabourn logo) and a backpack. In addition, for those who need the right gear, passengers will have access to an experienced outfitter via the Seabourn website.
So what will it cost to come along?
Prices start at $14,999 per person, a bit over $700 per person, per day.
Yes, you could buy a car for that.
Sissies would buy the car.
Space Shuttle Atlantis has a new home in Florida that is nearing completion. As the latest Space Coast attraction, the new $100-million home of the historic spacecraft will launch June 29 at Kennedy Space Center. Far more than a place to store the used orbiter, the new facility will offer visitors unprecedented access to what was once highly classified hardware, uniquely displayed.
This unique experience delivers extraordinary access to Space Shuttle Atlantis, positioned as if it were in space as only astronauts have seen it before. Suspended 30 feet above ground and rotated at slightly less than a 45-degree angle, Atlantis will have her payload bay doors open and robotic arm (Canadarm) extended. Visitors will be able to view the orbiter from below or via a raised surrounding platform.
With 33 missions in space to the credit of Space Shuttle Atlantis, the exterior has been left as-is for visitors to see the wear on its protective external tiles. Over 60 supporting and interactive exhibits plus high-tech simulators tell the story of NASA’s 30-year Space Shuttle Program and the amazing engineering that transformed the way humans explore space. Prominently featured is the shuttle program’s role in building the International Space Station as well as the launch and maintenance of the Hubble Space Telescope.While the newest attraction at the Kennedy Space Center Visitor’s Complex, Atlantis is just one feature to be enjoyed by visitors. The Shuttle Launch Experience simulates what it is like to blast off into space. The Rocket Garden features Redstone, Atlas and Titan rockets that first put NASA astronauts in space, alongside Mercury, Gemini and Apollo capsules. The Astronaut Training Experience brings visitors realistic astronaut training.
Other exhibits trace the history of America’s space program from its beginning and get into the future of space exploration. Far from a relic of another time and a different NASA focus, the Atlantis exhibit promises to complete an experience that fans of space travel may have only dreamed of until now.
Better yet, the Kennedy Space Center website has a rich array of interactive content including a “countdown until the next launch” timer and an Ask An Astronaut feature that invites visitors to pose questions to those who have actually been there and done that.
About the only part of the space shuttle program that visitors won’t see is an actual launch, but we have one of those for you here in this video:
While American college kids bake in the sun, pound tequila shooters and do things they hope won’t end up on YouTube in Cancun, South Padre Island and other venues for Spring Break debauchery, their younger siblings all seem to be on class or family trips to Washington, D.C. I’ve visited D.C. many times over the years and lived there on three separate occasions. But until this week, I’ve mostly managed to avoid the hordes of tourists that descend on the place during the Cherry Blossom/School Spring Break season.
I’ve always been an off-season or shoulder-season traveler but now that my kids are in school, I don’t always have the flexibility to travel when the prices are low and the crowds are sparse. When my kids have a break from school, our choice is to: A) hire a babysitter so we can continue to get work done (expensive and hard to do for just one week), B) stay at home and go stir crazy, or C) bite the bullet and travel despite the higher prices and crowds that are inevitable during school breaks.My wife needed to visit D.C. on business, so I had two and a half days in D.C. with my little boys, ages 3 and 5, this week, when hundreds, perhaps thousands of grammar and high schools around the country are on their spring holiday. The city was absolutely crawling with school groups and families on vacation.
I thought that we lucked out when I bid for a 3.5-star hotel on Priceline and got a luxury chain hotel downtown that had rave reviews from customers on Trip Advisor (4.5-star average from more than 800 reviews) for $105 per night. But even the best hotels fall apart when they are jam-packed and this place was a circus. If you didn’t shower by 7 a.m., there was no hot water. Wi-Fi, which cost $9.99 per day, was ridiculously slow, no doubt due to the volume of traffic. And the breakfast lines were unlike anything I’ve experienced at any hotel in my decades of traveling the world.
The place was so overrun and dysfunctional that I actually felt bad for the employees who had to absorb all of the customer complaints. They were clearly sick and tired of the guests’ complaints and were getting creative in their responses. A woman from Georgia whom I commiserated with in the breakfast line told me that a front desk agent suggested she use the pool, when she complained about the lack of hot water in the room.
I wasn’t brave enough to bring my kids into the Air & Space Museum, the National Zoo, the Cherry Blossom Festival, or the Museum of Natural History (they’ve been to these places before) but I saw how crowded they were and was thankful my kids are too young to insist. Instead, we focused on some of D.C.’s less visited museums, like the Freer and Sackler Galleries, The National Museum of the American Indian and the National Museum of African Art (all are manageable and are highly recommended). We also went to a couple higher profile museums, like the National Gallery of Art, but made a point of getting there at 10 a.m., right when they opened to beat the crowds.
If you’re visiting the free Smithsonian museums on the weekend or during school holiday periods, plan out your strategy carefully. Visit the most popular museums right when they open (usually 10 a.m.) or after 4 p.m. and use the peak hours, around 11:30-3:30 to visit the more off-the-beaten-track attractions. If you aren’t sure what the most popular museums are, have a look at Trip Advisor and take note of how many reviews the place has. The museums with 1,000 reviews are more are the ones you have to be worried about.
The other minefield is trying to have lunch near the museums during peak hours. Packing a lunch is a great idea but if you can’t be bothered, try to eat by 11:30, or after 2 p.m. The cafeteria at the Smithsonian Museum of American History has excellent food, including good BBQ, sandwiches, craft beers and a lot more, along with high prices, but you do not want to try to eat there or at any other popular lunch spot near noon or 1 p.m.
D.C. in the spring is a peculiar brew. You see armies of guys in dark business suits, badges swinging from their necks, marching around dodging strollers and school kids. But despite the crowds, D.C. is still better in the spring, when the weather is mild, than in the summer, when the humidity is brutal. Just get up nice and early, you’ll be sure to have hot water and you’ll be hungry for lunch before the crowds are.
Beyond travel, we’re also big music fans here at Gadling, largely because music is a great way to get to know a place.
This month happens to be Public Radio Music Month and we’re teaming up with NPR to bring you exclusive interviews from NPR music specialists around the country. We’ll be learning about local music culture and up and coming new regional artists, so be sure to follow along all month.
Regular Show/Contribution Beat: Assistant Program Director, On Air Host M-F 3-6pm, Host of Live Lunch (Fridays at Noon), Local Music Liaison
1. When people think of music in Louisville, what do they think of?
My Morning Jacket and front man Jim James who have done more for the image of Louisville having a vibrant music scene than any other ambassador out there. Second to that would be Will Oldham aka Bonnie Prince Billy who has an extremely loyal following worldwide. His songs have been covered by a diverse group of artists from Johnny Cash to Deer Tick. Also, a band that is cited quite often as a major influence to many Indie rock artists is Slint, who disbanded after their second landmark album Spiderland in 1990. People think of mainstream rock to underground alternative mostly when they think of Louisville.
2. How do you help curate the Louisville musical scene?
My part in helping curate the music scene involves my role as Local Music Liaison for WFPK. I listen to all of the demos we are sent by local artists and choose what will go into rotation from there. Air-play is still a big part of a band’s exposure to an audience which translates to CD or download sales of their music, being booked into local venues, local venues asking us for recommendations for opening acts for national artists in town and the connections that grow from there.
3. How has the Louisville music scene evolved over the last few decades?
The Louisville music scene has always had interesting and diverse genres expressed through some amazing bands. In the 70’s the whole New Grass Revival sound evolved from this town with artists like Sam Bush, John Cowan and Bela Fleck taking the traditional music of Kentucky known as Bluegrass and adding different instrumentation to the mix and then taking it into completely new directions.
The 80’s saw lots of New Wave bands form then toward the end of the decade the dark heavy alternative rock of Slint, Rodan and Kinghorse took over. WFPK started our new format known as Adult Album Alternative in 1996 and since then we’ve seen My Morning Jacket take flight and several other bands and artists make waves nationally and internationally from the non-traditional bluegrass of The 23 String Band to the dance-electro pop of VHS or Beta. I would also like to add that we now have a growing festival on our waterfront each July called the Forecastle Festival which features not only national artists like The Black Keys and Flaming Lips and many others, but local artists too and is increasingly becoming a destination for music lovers.
4. What would you say is the most unique thing about the Louisville music scene?
The most unique thing about our music scene to me is how all of these very different bands, different from each other, are able to play side by side and draw so much support from the community and from each other. There’s a lot of cheering each other on, helping each other out. Once upon a time, especially in the 80’s and 90’s it didn’t seem as much of an inclusive community but it certainly does now and that’s really cool. Everybody wins when a band does good!
5. What are three new up and coming bands on the Louisville scene right now and what makes them distinct?
Houndmouth, Cheyenne Mize and Ben Sollee are the three that come to mind. Houndmouth is a young band with a very old sound, reminiscent of The Band incorporating a Southern Gothic feel to their music, great harmonies, good story telling. They’ve recently signed with Rough Trade Records and will be doing a home show in April at a large venue that is sure to sell-out.
Cheyenne Mize is a multi-instrumentalist and songwriter and has a new album coming out soon on Yep Roc records. She has great appeal to differing age groups and people who like everything from folk to indie rock.
Ben Sollee is now signed to Thirty Tigers Records. He’s a brilliant cellist and songwriter and absolutely magnetic performer. Who else is singing and playing Cello and drawing thousands to their shows of all ages? Only Ben that I know of!
6. For a Gadling playlist, what are your favorite tracks?
1. My Morning Jacket – “Mahgeetah”
2. Cheyenne Marie Mize – “Among The Grey”
3. Ben Sollee – “The Globe”
4. Houndmouth – “Penitentary”
5. VHS or Beta – “Can’t Believe A Single Word”
6. Bonnie Prince Billy – “The Sounds Are Always Begging”
Catch our entire On the Road With NPR Music series here.