Dim Sum Dialogues: Double Happiness

In a continuation from yesterday on my post about Hong Kong weddings, I wanted to shed some light on the interesting history behind a prominent symbol that can be found decorating virtually every wedding in China. Double Happiness.

Sometimes translated as “double joy”, or “double happy”, the character itself is a ligature of two Chinese characters that mean “joy”, pressed together. It’s usually cut out of red paper – occasionally black, and can be found everywhere in a wedding. Walls, windows, doors and gifts that are given to the couple all bear the design.
The legend behind the design states that in the ancient Tang Dynasty, there was a student traveling to the capital for a national examination. The examination was to select ministers in the emperor’s court. Halfway through his journey to the city of the emperor, the student fell ill and was taken in to a small village by a herbalist doctor and his daughter.

The student and the doctor’s daughter fell in love with each other over the course of the stay, and both found it very hard to say goodbye when the time came. The girl said goodbye by writing down half of a couplet, for the student to contemplate and complete after his exam.

It read : “Green trees against the sky in the spring rain while the sky set off the spring trees in the obscuration.” After the student reached his destination, he took top honors in the examination. As a further test of the highest achievers, the emperor requested that he interview each one of them face to face. When it came time for the student to be interviewed, the emperor asked the student to finish a couplet that he had written. Luck was on the student’s side.

The emperor wrote: “Red flowers dot the land in the breeze’s chase while the land colored up in red after the kiss.” The student immediately realized that the girl’s half of the couplet was a perfect match. He answered without hesitation.

The emperor was delighted to see the wit and talent of the young man, and authorized him to be a minister in the high court.

As a special gift, the emperor allowed the student to return home before becoming a minister. The young man was overjoyed and rushed back to the village of the doctor, to meet the doctor’s daughter at her home. He shared what had happened and asked if she would marry him. They became married right away.

To celebrate the wedding, the couple showed their pleasure by doubling the chinese character for Joy on a red piece of paper, and put it on the wall.

From then on, Double Happiness has become a prevalent social custom and a symbol used in weddings throughout China.

Dim Sum Dialogues: Love & Marriage

Weddings in Hong Kong are big business. In every district, small shops advertise dress tailoring, videography or photography packages, and event planning services. Go into any of the big hotels on a weekend and you’ll find over 300 people congregating in the grand ballrooms, feasting over a ten-course meal that boasts elegance and affluence. A few months ago, I had the opportunity to help a friend shoot two local weddings, and on each occasion got an intimate look at the practices and traditions of modern ceremonies in Hong Kong.

The day starts early. The bride is joined by her mother and a few close friends, quickly nibbling on a light breakfast while a crew of photographers set up their equipment in the humble estate apartment of the Bride’s family. Immediately upon my arrival, I’m given a small gold & red envelope that I later discover holds $100 HKD – a generous welcome.
As the bride sits to have her makeup applied, the bridesmaids start setting up what appears to be a series of games. They pass around index cards, poster-boards, markers and containers of food seasoning. Bright red Double Happiness symbols are hung on walls and windows in the apartment, reflecting the hazy morning sun. We’re told that the groom and his groomsmen are in the lobby of the housing estate, and we rush to join them as the groom is handing out his own gold & red packets.

The men take photos and make their way up the cramped elevator to the apartment. Upon reaching the apartment door, they are denied access and the purpose of the poster-board is suddenly revealed. The groom must play a series of games and tests to gain access to the bride, while she anxiously waits in the back of the apartment with her father. The groom sings, answers trivia, and even outlines a chinese character through layers of mayonnaise, spices, and seasoning with his tongue. This is love.

After twenty minutes of displaying his devotion, the groom is allowed to enter and the bride’s father presents the bride to enthusiastic claps and laughter. She is dressed in a pretty, yet simple red dress adorned with gold stitching and small gems. The bride & groom then kneel on bright red & gold pillows to serve a special blend of tea to the bride’s parents.

The parents present the couple with special jewelry – large gold bracelets for the bride, and a small silver necklace for the groom. Pictures are taken, and then the whole party moves to the groom’s parents’ house for a repeat of the same tea ceremony and the opportunity for the groom’s parents to show their hospitality. After the second tea ceremony, the wedding party takes a lunch break. On my first wedding it was traditional dim-sum style food, and on my second it was gourmet cheeseburgers. Another example why you can never expect to always follow strict tradition in Hong Kong.

The next move is to the ceremony, typically held in a Christian church or in the City Hall, depending on the religious affiliation of the couple. The wedding in the Christian church was like most western weddings that I’ve been to with two exceptions: The groom sang a karaoke-esque song to the bride before she was walked down the aisle by her father, and the couple signed the legal marriage documents at the alter. I don’t think I have ever seen this done in an American wedding, but I could be wrong.

The day is capped off with a large banquet at a nice hotel. Everything has been arranged by the hotel staff, from the welcoming signs and displays to the towering eight-tier cake that stands on top of the main entertainment stage. Perfectly orchestrated lights and music are timed to dramatize the presentation of over ten courses of food. Vegetables, fish, chicken, pork, dumplings, noodles, crab, fruit, and even the environmentally taboo shark-fin soup are elaborately presented at tables of ten or so. There must be at least three hundred people in the room – undoubtedly more people than were actually in the audience at the ceremony. There is more singing, a few slideshow presentations, and a video highlight from the day’s events. The banquet climaxes with the couple making rounds to each table in rapid succession, to toast the guests and thank them for coming.

It occurs to me that the bride has changed dresses yet again into an evening gown, and the bride and groom each make speeches on stage. As everything is winding down, they stand at the ballroom’s exit with their family and form a line to shake hands and say goodbye to the exiting guests. A few red faces stumble and slur their way down the line – the sign of a little too much wine, but all in all the wedding is a success. The extremely tired bride & groom collapse on a couch, take a deep breath and get ready to catch a flight to their honeymoon in London.

Check in tomorrow for a look into the legend behind Double Happiness and it’s prevalence in Chinese weddings.

Gadlinks for Friday 8.14.09


I hope everyone on the mainland enjoyed the Perseids meteor shower earlier this week! There were plenty of lovely streaks in the sky worthy of a few ooo’s and ahh’s. Here are few recent articles that might elicit similarly inspired reactions.

‘Til Monday, have a great weekend!

More Gadlinks HERE.

Bowermaster’s Adventures — Going Going Gone! The World’s Biggest Tuna Auction

My first glimpse of Tsukiji fish market’s big, daily tuna auction is surreal: A thousand frozen blue fin tuna – weighing between one and two hundred pounds each – laid out in symmetrical rows on a concrete floor. That first look through a scratched plastic peephole, blurring the edges of the scene, makes it evermore otherworldly.

A pair of cavernous auction rooms sit at the far back of the market. Entry to each is through eight big yellow canvas roll-down doors, each bay representing a different company. Beginning around three a.m. the big fish are laid out; an hour later buyers or their representatives – from restaurants, supermarkets and vendors within the market – arrive to begin their daily inspection. This being Japan it is all very prompt: At 5:30 the first side of the room is auctioned, at 6 the second side. By 6:15, 6:20 at the latest, tuna are being dragged out and loaded onto carts to be sent all around Tsukiji, Tokyo and cities beyond, some destined for as far away as China.

Tuna are the biggest business in the world’s biggest fish market. Japanese love their blue fin and pay dearly. The biggest and best sell for $50,000, $80,000, occasionally more than $100,000. For a single fish. Last night we visited a high-end sushi joint in the chi-chi neighborhood of Ginza, which had split the cost of this year’s traditional “first” tuna with another restaurant, on January 8th – for a 129 kilos (261 pounds) tuna they paid more than $104,000. For the next several days’ lines stretched around the block for a taste.

The tuna come to Tsukiji from all over the world; Japanese processing boats scour the Indian Ocean, Mediterranean Sea and elsewhere buying up everything they can. They are not alone. One result of this rapacious demand, according to the World Wildlife Fund, is that blue fin tuna may be wiped out in the next few years.

This morning laid out in neat rows, still wearing sheen of frost and numbered with red food die there would appear to be no worry about running out of tuna. Each fish is split along its belly and a chunk has been cut out of its side to be used as a handhold. The tail has been cut off and a circular piece of meat dangles there by a thin piece of skin. A flap of meat has been cut flayed back near the tail, which is the main spot of inspection. Apparently the back and forth motion of the tail generates lots of oil in the fish and the more oil the better.

More than one hundred buyers mill about the frozen fish, in a kind of uniform: Blue coveralls or jacket with company name in white on the chest. Rubber boots. Ball cap with official badge indicating the buyer’s number pinned to its peak. The tools of the trade are simple: A flashlight, a wooden handled metal hook for lifting and probing, a cloth or paper towel hanging from the belt for wiping off fingers and hands post probing, a tiny notebook for jotting in and a cell phone for communicating with an absent boss. My favorite shopper is tall for a Japanese and wears a green windbreaker the same color as his dyed green hair, which is swept back Elvis-style. He’s got to be in his sixties, wears thick glasses and jokes with everyone around him as he inspects.

The inspection is equivalent to the kicking of a new car’s tires. With one finger the flap of meat near where the tail used to be is lifted and a flashlight shined on the exposed meat. Sometimes the flap is held back with the wooden handled hook, the density of the meat of the meat tested with hook or simply eyeballed. If they like what they see they will whack at the meat with the metal hook, opening up the still mostly frozen tuna and then dig into it with their fingers, pulling out a red morsel which they roll in their fingers into a ball. Sometimes they take a big sniffing of the rare meat. I half expect them to pull a bottle of soy out of their pocket, juice it up and have a taste. I watch to see if they slip the meat into their pockets for later, but instead they most often drop it onto the floor, wipe their fingers on the towel hung from their belt and move onto the next fish. The biggest buyers bid on lots, buying a half-dozen at a time; some are here for an individual fish.

I’m curious about the hierarchy of the market and try to ask a couple Japanese men standing beside me. My assumption is that the auctioneers must be near the top of the heap. They say no, contending that everyone at the market – whether truck driver, fish cutter, icemaker or auctioneer – is equal. I ask who owns the market and they say they think it is three men. Which makes me wonder if it’s anything like the Fulton Fish Market in New York, which was long “administered” by the mob? One thing is clear: There are very few women and no Caucasians (“too tall,” they are told if they apply).

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At exactly 5:30 the first of the two morning auctions begins with frantic hand bell ringing by four simultaneous auctioneers, each representing a different company, each standing on a blue step stool in front of one of the bay doors. Each rings with a different fervor and pace, beginning to shout out loud as the ringing increases. With a quick doff of his ball cap – to the fish, or the spirits at large? – each is off, shouting and gesticulating, faces turning bright red, yelling what sounds to the non-Japanese ear something like, “TACO TACO TACO …. HIPPO HIPPO HIPPO … SAMPLE SAMPLE SAMPLE … TACO TACO TACO … SAPPY SAPPY SAPPY …” at the top of their lungs.

Each auctioneer has a personal style, bobbing and weaving and shouting in odd fashion, each channeling some kind of individual tuna god. My favorite is a tall man in a blue jumpsuit and brown ball cap, wearing thick glasses and a # 2 pencil stuck in a sleeve pocket. He notates madly in a little book even as his calling gets louder, more fervent, his face maroon, eyes glancing up towards the fluorescents as if he were channeling directly from the god of the sea, yet somehow registering the subtle finger lifting from buyers until calling out the Japanese equivalent of GOING … GOING … GONE. As he shouts a pair of men on either side note with pencil on paper the winning bids and then quickly mark each fish sold with a thick black magic marker.

The whole shebang lasts about ten minutes, sending several hundred fish towards cutting tables scattered around the sprawling market.

Twenty minutes later the second half of the warehouse is auctioned. I keep my eye on an individual buyer, representing a vendor inside the market. I watched him study a particular fish – at one point turning his back to it and grabbing it between his legs, I’m guessing to judge its weight? As soon as his bid was accepted he turned his ball cap around – the number on the metal plate pinned to its peak is his i.d. – he pulled out his hook, grabbed his fish and began dragging it towards the door. Using the handhold cut in its side he hoisted it onto a waiting, man-pulled cart and trailered it off into the maelstrom, on its way by day’s end to someone’s table.

Dim Sum Dialogues: Family Business

I arrive at the Houston Center of East Tsim Sha Tsui dripping in sweat – a product of the battle between Hong Kong’s unforgiving humidity and my mild-weather Californian blood. I’m here to meet with 23-year-old Ray Lok, a mutual friend and aspiring businessman in Hong Kong. I hope that a quick breather in the air-conditioned lobby will help dry out my shirt, but within minutes I see him step out of the elevator – dressed in a sharp striped shirt – no tie, chequered trousers, and fashionable black shoes. He approaches me with a slight grin and says “Why are you sweating? Did you run here?”

In the elevator up to his waterfront office, we exchange business cards. His reads “Ray Lok, Director – Yulok Company Limited”. He comments on the thickness of my business card, “Where did you get these made? I think this is now the thickest business card in my collection”. We laugh and walk through a series of rooms strung with countless plastic & woven bags hanging from metal racks. Next to the bags are an array of textiles and various clothing fabrics.

He explains that the Yulok Company specializes in manufacturing carrier bags for retail stores around the world – South Africa, Israel, Australia, and throughout Europe. They range from simple bags with printed logos to custom designed bags for carrying bottles of wine. The Yulok Company also mass-produces simple plastic bags found in supermarkets, plastic trash bags, and more obscure products like billions of stirrers for coffee cups – it’s a diverse inventory.

Ray’s parents started the company in 1979, when his mother was employed by a trading company and approached by a client to help start a new venture. The success of the business took off despite the economic downturn in the 90’s – and at one point the Yulok Company maintained three factories in Hong Kong. Because of rising costs and regulations, they’ve since moved their factory to Vietnam – a complicated process that involved completely disassembling the factory machinery, relocating and then reassembling it.

Like many other young people in Hong Kong, Ray went abroad for his education – graduating in 2008 from USC’s International Relations & Global Business program. He remarks that he was impressed by students that were able to work jobs and study full time – and enjoyed his professors in the program. But he argues that the course itself wasn’t interesting and often inapplicable to business in Hong Kong. His real education came from sitting in on meetings as a child and watching his parents run the company.

For lunch, Ray leads me to a fancy Chinese restaurant a few floors below the office. The hostesses immediately recognize him, which is no surprise – he says he’s been coming here for 23 years. I ask whether or not he felt pressured to come take over the family business after school, and he shrugs saying that there was never any family conversation about it – as a male in a Chinese family it was expected of him. I ask him if this bothers him, if he’d rather be doing anything else, and he replies “It’s better than working at a bank” – referring to the large majority of the young, educated Hong Kong workforce.

We discuss the new plastic bag tax that hit Hong Kong’s consumers on July 1st of this year. There’s a 50¢ fee for every plastic bag used at supermarkets and convenience stores. It doesn’t concern him because he’s seen it implemented in other countries only to fail shortly after. He says that consumers often blame manufacturers for the environmental damage caused by plastic bags, but in reality it’s not the manufacturer’s fault – it’s how the consumers use and dispose of them.

Ray wants to expand into larger production of biodegradable bags, but adds that the government isn’t funding R&D enough to make them truly efficient…claiming that biodegradables can be just as bad for the environment as plastic bags are.

It seems that he’s genuinely concerned about environmental issues, but effectively dismisses any claim directed against the plastic bag industry. My ignorance on the subject forces me to return to my crispy noodles, hot tea, and sweet egg tarts. I ask him about his hobbies and aspirations, and he mentions that he’d like to explore an internet startup if he can find the time. His ideal dream would be to own a boat and escape Hong Kong on the weekends, but for now he spends his free time shooting photographs & toying around with fast cars.

It’s hard to pry deep into his personal aspirations – so I revert back to business.

We finish our lunch, and I ask him if he’s happy working so much at his age. He replies that his parents always told him “When you’re young, you sacrifice your health in exchange for money, and when you’re old you use your money in exchange for health.” I laugh to myself, and consider the truth in that statement. Wise words for a young professional in Hong Kong.