Exploring Louisville’s Urban Bourbon Trail

When the world descends on Louisville for the Kentucky Derby the first weekend in May, those breathtaking thoroughbreds may be first on visitors’ minds, but you can bet bourbon is a close second. Bourbon’s legacy is intertwined with Louisville’s history going back even further than the Derby.

Pioneers in 18th-century Virginia’s Kentucky County found a source of liquid income farming on the 60 acres Thomas Jefferson granted them for raising native corn – they distilled their surplus corn into whiskey. With the local limestone-filtered water and the hardwood trees for barrels, the settlers put their whiskey-making knowledge to work. No matter that the land didn’t suit plowing or traditional rye – they hand-planted and raised indigenous corn. By the late 1700s this area had become part of Kentucky, and thanks to help from the French during the Revolution, one of the counties – one with a great number of the corn whiskey distilleries – was named Bourbon county (today it’s a dry county – go figure).

After the steamboat’s arrival in the Ohio River port town of Louisville in 1811, bourbon found new markets, particularly downriver in New Orleans. Much of the bourbon was shipped out of the original Bourbon county, and some say the Frenchmen reloading the barrels at the Falls of the Ohio (everything had to be unloaded and carried back to the ship on the other side) naturally preferred the name Bourbon.

So what exactly is bourbon, anyway? You may have heard this but it bears repeating. All bourbon is whiskey, but not all whiskey is bourbon. There are some specific requirements about proof, but the gist of it is this: Bourbon is made of more than half corn (at least 51%, though usually much more, among the rye, wheat and barley also used) and it must be aged in new charred-oak barrels. The best way to learn about bourbon, of course is to taste it, and the more open you are to learning from the local bartenders, the more they’ll be happy to impart. Just don’t confuse Jack Daniels Tennessee whiskey with bourbon and you’ll get along fine.Louisville owes its bourbon dominance to Prohibition: Out of the six permits issued in the country during Prohibition to sell whiskey for “medicinal purposes,” four were in Louisville. Still today a third of Kentucky bourbon is distilled in city limits. And a new education and training center andartisan distillery opening this month downtown, the Distilled Spirits Epicenter, will offer hands-on distilling instruction, classes and bottling servicesto small bottlers and those who want to be. Moonshine University, in particular, promises to be fun for enthusiasts.

More importantly to most visitors, though, Louisville is the center of the universe fortastingbourbon. Whether you’re still recovering from college shots or are a whiskey connoisseur, Louisville’s bourbon scene is as multi-faceted as the spirit itself. A day on the Urban Bourbon Trailcan introduce you to the Louisville beyond the cloying mint juleps and floppy hats of Derby.

First, be smart. Especially if you’re not used to it, bourbon sneaks up on you if you imbibe too fast, don’t drink enough water, or consume on an empty stomach. Stay hydrated, eat at every stop, and seriously, take taxis!

Your day starts at Dish on Market, housed in Louisville’s first color motion picture theater. Marshall, one of the two brothers who own the place, loves to talk history. Ask him to tell you about the building and talk bourbon. Meanwhile, order the Presidential breakfast, inspired by Harry Truman’s purported daily meal of toast, eggs, bacon, fruit, milk, and a shot of whiskey, in this case a generous pour of Old Grandad. “This is not your grandma’s bourbon,” laughs Marshall. You may feel like people are staring as your whiskey fumes waft about. That’s OK. They’re just too chicken to go hardcore this early. But like Marshall’s family motto says, you can’t drink all day if you don’t start in the morning. The key is to eat your breakfast first so you have a cushion for your bourbon.

Consider exploring the shops of NuLu (go east on Market) before lunch at Avalonon Bardstown Road, where you’ll want to wander later to check out the fun and funky shops. Like every stop on the trail, folks here know their stuff. If you like drama you might opt for the Flaming Pyroses, a Four Roses Manhattan set on fire (with Grand Marnier – “no bourbon was harmed in the making of this drink,” says Ryan, the bartender). For a less potent option, go for the Kentucky Mule, a twist on the classic bourbon and ginger, and familiar to fans of the vodka-based Moscow Mule. A range of lunch options well below $10 leaves you plenty to spend on drinks if you want to spring for the George T. Stagg, a $30 pour of liquid fire that will singe your lashes as you inhale, but burns oh so smoothly.

If it’s not madness at the track (that is, if you’re visiting outside of Derby week), hit the Derby Cafe in the afternoon to study up on your bourbon, and if you must have a mint julep, kick back at the bar.

After a rest, head for the old-fashioned opulence of The Brown Hotel. Piano music in the lobby bar will set the tone for your genteel sipping. Since this is your first evening stop, ease your way in with a Kentucky Cider – the light Basil Hayden joins sparkling apple cider and lemon for a lovely aperitif. Order a small plate or two – a recent option showcased country ham on brioche with a crayfish salsa, the perfect bite to whet your appetite.

A few blocks, and light years away, next up is the bar at Proof on Main. The restaurant for 21C Museum Hotel, repeatedly ranked among the top 10 hotels in the world, this is your “see and be seen” hotspot stop. Craft cocktails are offered with a selection of heartbreakingly delectable snacks. Don’t miss the cured meats plate, lonzino, lardo, and smoked grapes. The bar menu changes seasonally, but you could ask nicely for a Gold Rush for an all-too-easy-to-down honey, lemon and bourbon drink. Sip among the well-heeled crowd, then take a spin around the confrontingly contemporary art collection.

If you’ve paced yourself, you’re ready for dinner. You’re off to Baxter Station, where you’re unlikely to bump into tourists. Instead, this joint serves comfort fare to a regular crowd of its Irish Hill neighbors, families, white-haired long-timers and a sprinkling of hipsters. Traces of its past remain – once a saloon popular with nearby train station employees (no women allowed in those days), then a grocery during Prohibition, and back to a tavern until a rave restaurant review of the food turned it into a restaurant. Leftover door signage to the twinkly-lit back room remains because they don’t see any need to scratch away the past. This is pretense-free food and drink, no craft cocktails or fusion fuss here. The bourbon fried chicken, hot and crispy as nature intended, will fill you up nicely. Try Old Fashioned with Woodford (invented in Louisville) or choose your bourbon neat from the bar-tab friendly list.

Wrap up your night with dessert at Bourbons Bistro, a mecca for bourbon-lovers with more than 130 selections. Grab a chair at the bar for serious discussion. Tell the bartender what you like – caramel and vanilla, for instance – and he’ll give you a knowledgeable recommendation, like Vintage 17 Year. If you’re not up to straight bourbon, order the Bourbon Cobbler. Dessert in a glass, this sweet cocktail will go down so easily you might find yourself at the bottom tempted to order the 1969 Old Crow, a rare bourbon in a ceramic chess piece – you’ll see the face scowling as he keeps watch over the bar – that costs a cool $125. You might actually see someone order it, and watching a patron sip a drink that spendy is entertainment in and of itself. To finish the night, have the bread pudding. The towering carb-fest not only tastes amazing, but soaks up all that bourbon. You’ll need it – tomorrow is another day in Louisville.

Dana McMahanis a Louisville-based travel, food and fitness writer. Her articles have appeared in Delta Sky magazine, Fodors.com, TheDailyMeal.com, the Huffington Post, and the Pittsburgh Post-Gazette, among other outlets. She blogs here.

Video: Music From Nature

Consider this the anti-electronic music video. Composed by Diego Stocco and produced by Burt’s Bees, the entire two-minute piece was created using sounds from nature: the shaking of branches, the drumming of coconuts, the pouring of rice. Not only will it surely get your shoulders grooving and toes tapping, it may also inspire a greater appreciation of the world around us. Plug in your good headphones or speakers, and enjoy.

Video Of The Day: Venezuelan Skies Time-Lapse

This time-lapse video featuring Venezuelan skies and aptly named “Venezuelan Skies” just brightened my day. A recent addition to Vimeo with very few plays (5 total plays as I write this), this gem deserves to be seen. Upbeat music is paired with captivating images in this video. Swirling clouds in Venezuela and fog soar above beautifully colored scenery. Large rock formations are juxtaposed against vivid vegetation as the video continues. Once this video begins to near its end, the time-lapse transitions into the gorgeous nighttime sky, complete with the occasional blurred artificial light. Take the time to watch this video by monoelemento on Vimeo and you’ll be glad you did. Spoiler: there’s a helicopter!

Miracle In Milan 2012: Italy’s Muscular Metropolis Goes Global

Rome stands for romance, history, art, architecture and fab food. Florence is for culture; Venice is for moody beauty and atmosphere.

What about Milan?

Milan is where the technocrat Prime Minister Mario Monti comes from, the little gray man whose job is to save Italy from bankruptcy. Bankruptcy seems unlikely: in the midst of this unending “recession,” Italy prospers and Milan is booming.

Muscular Milan is Italy’s biggest city, the source of a third of this fabulously rich nation’s income, the location of most of Italy’s high tech and heavy industries, the capital of the country’s fashion, business, finance and banking.

Milan is also an experiment in globalization, Italian style. It is pioneering a new brand of tourism-friendly Dolce Vita. This may be bittersweet but it looks like a way forward for aging, debt-plagued Italy.

Kaleidoscopic armies of immigrants are pouring in, opening shops and providing services, cooking, cleaning, doctoring and melding with the locals. Colorful disorder – homelessness and shantytowns included – is repainting a dour town that used to be nicknamed “the moral capital of Switzerland.”

Compared to the joyless workaholic city I lived in nearly 30 years ago, Milan is unrecognizable –except for the perennial streetcars, outsized cathedral and other hulking old buildings. It’s not only multi-ethnic, but also animistic and chaotically alive. Much of the city center is closed to traffic now and has been re-landscaped and groomed. Café terraces spill where trucks and buses once thundered along. The prospect of frivolous enjoyment of the kind reserved for Romans now energizes the streets – especially those nearest to the center of the spider web cityscape.Does anyone remember the classic neo-Realist movie “Miracle in Milan” by Vittorio de Sica, an uplifting postwar fable about survival, generosity and abject materialism, complete with the dove symbol of the Holy Ghost and the comic Totò cast as a slum-dwelling Christ figure?

Today’s Milanese miracle is profane, messy and not always comical. Most surprising for the Milanese, this may well be a post-Catholic miracle. The capital of the Roman Empire when Christianity was declared the official religion, the fountainhead of saints Ambrose and Carlo Borromeo, the historic home of Italian bigotry and site of the Duomo – possibly the world’s most astonishing, cavernous cathedral – appears to have officially relegated religion to the B List.

Business always came first. Now pious religiosity comes after shopping, wining, dining and soccer.

Global millions cheer for Milan AC and Inter, the city’s two A-Series soccer teams. Who cheers for Saint Ambrose or Carlo Borromeo? San Siro is the hero!

On a recent visit I helped a group of Indonesian soccer fans find their way to the San Siro stadium, then picked my way between passing street cars, through herds of wannabe fashion models to the cathedral, known locally as the Duomo.

The Duomo rises from the center of the spider web of Milan’s ancient streets. It bristles with spires. Topping the porcupine roof on a pinnacle is a statue of the Madonna called “La Madonnina.” She’s visible for miles, the tallest thing around, though currently her spire is under restoration – and is about to be relegated to second-tallest by Milan’s pointy new skyscraper. Maybe that’s why the Madonnina’s magic is ebbing.

Hundreds of feet underneath her in the cathedral’s crypt the embalmed body of Saint Carlo Borromeo lies in a crystal casket wearing fancy dress. At ground level an eerily realistic statue shows Saint Bartholomew flayed, holding his skin. The Madonnina, crypt and flayed saint have been pilgrimage sites for centuries. Today 99 in 100 visitors see them through a camera lens and don’t know what or who they are. Visitors wear sinfully casual clothes, babel in tongues and seem indifferent to symbols of religion and authority.

After a frothy cappuccino under the glass canopy of the Galleria – one of the world’s first shopping malls – I did the rounds of my favorite churches. Milan has dozens of gorgeous Romanesque and Baroque places of worship. Was I surprised to find them empty? Not really.
San Babila was closed for restoration, wrapped in scaffolding and flanked by an unusual Fashion Madonna.

A single Italian voice echoed in the 1,000-year-old apse of the Basilica of Sant’Eustorgio as a group of baffled Chinese sought the bones of the Magi.

In the exquisite smallness of San Satiro, American art historians lectured loudly about the cleverness of Bramante in creating his false architectural perspective.

But it was the lonely priest in the abandoned pews of San Bernardino alle Ossa, the city’s repository of age-mottled skeletons, who spoke volumes with his silence. In the church’s secret ossuary, once packed by the pious, I had the skulls and crossbones to myself. It was chilling, a memento moriout of sync with the times, a message not of hope but of resignation.

Walking from church to dark, incense-scented church, I glanced up and saw the underfed fashion models staring down from giant advertising posters. Their bones looked oddly like clothed horses. Had any of them visited San Bernardino alle Ossa or seen Saint Bartholomew at the Duomo?

But these pre-modern thoughts were drummed out by the joyous ringing of streetcar bells and the voices of merrymakers partying everywhere, enjoying the unpredictable, unexpected miracle of life in Milan 2012.

Author and guide David Downie’s latest books are the critically acclaimed “Paris, Paris: Journey into the City of Light” and “Quiet Corners of Rome.” His websites are www.davidddownie.com, www.parisparistours.com, http://wanderingfrance.com/blog/parisand http://wanderingliguria.com, dedicated to the Italian Riviera.

National Geographic Magazine For iPad Brings Innovative Everest Coverage

There is no doubt that the iPad is changing our perceptions of traditional media in profound ways. Apple’s innovative tablet has put news, information and entertainment quite literally at our fingertips. As a result, organizations that have been in the publishing and broadcasting business for a long time are now adapting to take advantage of this still relatively new technology. One of those organizations is National Geographic, which has just added a new feature to the digital version of its magazine that could very well be a glimpse into the future of interactive journalism.

Nat Geo was one of the first magazines to appear in digital form on the iPad and since its inception the electronic version has always offered unique features that set it apart from its print counterpart. Some of those features include embedded audio and video, interactive maps and enhanced photo galleries. But the latest digital issue of the magazine, which was released on Monday, introduced a new element know as “Field Test,” which will provide real time updates from various expeditions as they unfold. The first of those expeditions is an Everest climb that is underway now.

Seeing the Field Test in action is quite a revelation on the direction that digital magazines could be headed in the future. In addition to a series of traditional articles about the climbers and their attempt to summit Everest along the seldom-visited West Ridge, this interactive section includes daily expedition dispatches, a photo album that is automatically updated with new images as they are released and an indicator of current weather conditions in Base Camp. There is even a map of the route that shows the team’s location as they proceed up the mountain.

The entire package is very impressive and is definitely a unique way to keep a “magazine” current even after its release. The Field Test is a bit slow to update at times, but when it does complete its sync it provides fresh content that readers will enjoy coming back to on a regular basis, particularly if the expedition happens to be one of special interest to them. Apparently this technology isn’t just being used for the Everest expedition and it will become a monthly staple of the iPad version of National Geographic. Find out more by clicking here. [iTunes Link]

[Photo courtesy National Geographic]