Archaeologists lose Charlemagne’s tomb

by Sean McLachlan on

After the fall of the Roman Empire, he was the first to reunite Western Europe. He ruled a vast kingdom that encompassed what is now France, Germany, Italy, Austria, and the Low Countries. The Pope even crowned him Emperor of the Romans. But while Charlemagne is famous around the world, very little is known about the real man.

There’s always been an air of mystery about Charlemagne, who ruled the Carolingian Empire from 800-814 AD. Historians aren’t sure where or when he was born, or who his siblings were. They can’t even agree on his native language.

Now it turns out he may never have been buried in his tomb.

Archaeologists studying the atrium of the Aachen Cathedral, Charlemagne’s traditional resting place, can’t find any evidence he was buried there. The oldest artifacts they found date to the 13th century. They weren’t expecting to find his bones, because a later ruler put them in the cathedral shrine, but they hoped to find some of his personal belongings or the original coffin to prove he’d been buried there.

This won’t stop Aachen cathedral from remaining popular for history junkies visiting Germany. The UNESCO World Heritage Site not only has Charlemagne’s bones, but also his throne and bragging rights for being the oldest cathedral in northern Europe. Once every seven years the priests bring out the cathedral’s collection of artifacts: the cloak of St. Mary, Christ’s swaddling clothes and loincloth, and the cloth that held the head of St. John the Baptist. Unfortunately you’ll have to wait until 2014 to see them again. Maybe by then archaeologists can tell us where Charlemagne was originally put to rest.

Erotic bathhouse art in Pompeii

by Sean McLachlan on

Visitors to the ancient Roman city of Pompeii are already familiar with the eye-popping art in the brothel, but most miss another naughty site–Pompeii’s suburban baths.

The changing room in these baths had cubbyholes for storing clothing. Each one was decorated with lively scenes of straight sex, group sex, oral sex, and just plain acrobatic sex. The example to the right, with two men and one woman enjoying each other’s company, is a typical example.

While many Roman baths segregated men and women, this suburban bath was a mixed one, so perhaps it served as a place for amorous trysts. Another theory is that the pictures were advertisements for prostitutes. Both men and women in ancient Rome uses prostitutes, although of course the majority of customers were men. A third theory holds that the pictures were a way to make the customers remember where they left their clothes.

“Where’s my toga? Ah yes, in the cubbyhole with the bisexual orgy.”

A large amount of erotic art has been found in Pompeii, from explicit graffiti to phallic dinnerware, and the city had a reputation for looseness before Mt. Vesuvius erupted and covered it with ash in 79 AD. The ash preserved many artifacts and buildings, making Pompeii and her sister city Herculaneum two of the archaeological treasures of the world.

The baths were closed for decades after their discovery, first out of prudishness and then for conservation work. Only small groups with special permission may enter, so you’ll need to book through a tour. You can check out all the images here, and if you want to wander through the city check out Pompeii on Google Street View.

Laas Geel: Somaliland’s ancient treasure

by Sean McLachlan on

Before becoming a writer I worked as an archaeologist, and one of the things that inspired me to choose that profession was the beautiful cave art of Europe–places like Lascaux, Altamira, Chauvet, and so many others.

One of the things that inspired me to go to Somaliland was the recently discovered painted caves of Laas Geel. The paintings are being studied by Sada Mire, Somaliland’s head archaeologist. She dates these paintings to the Neolithic period, when pastoral peoples tended their herds in a landscape that was greener than the dry, stony plain that makes up much of Somaliland nowadays.

The art seems to have been made over time, with some figures painted over earlier ones. Dr. Mire estimates they could be anywhere from 5,000 to 11,000 years old. Dating rock art is extremely difficult, especially since so little has been studied in this region. Dr. Mire is the first ever Somali archaeologist, and one of the first to seriously study the Somali region.

Laas Geel is a little more than an hour drive northeast of the Somaliland capital Hargeisa. Foreigners venturing outside the capital are asked to hire a soldier or policeman to protect them. While this is a mostly peaceful country, the government doesn’t want any bad press, and a couple of foreigners have been killed in recent years. So one fine morning I head out with a hired car, our driver, a Kalashnikov-toting bodyguard, Swedish photojournalist Leo Stolpe, and Ali, Dr. Mire’s assistant from the Department of Antiquities.

A short drive along a well-paved road and we make our first stop to see some other relics of Somaliland’s past. Right next to the road is a rusting old Soviet-made tank, destroyed during the war of independence. There used to be many more of them scattered around the country but most have been hauled away for scrap. This one remains and has become a local landmark.

Ali is more interested in a rocky hill nearby. He leads us up the slope under a strong mid-morning sun and shows us two heaps of small stones. To the untrained eye they look like nothing, but I can see they aren’t natural.

%Gallery-93102%”What are these? Cairns?” I ask.

“Yes,” Ali replies. “Graves from the pre-Islamic times.”

One of them is about ten feet in diameter and consists of thousands of fist-sized stones. I wonder who is buried here, and what they did to deserve such an expense of labor.

Soon we’re speeding along the highway again. It’s not long before we turn off onto a dirt track. The Landcruiser jolts and crashes across deep pits and humps. Through the scrub we can see a herd of camels and the low dome of a nomad’s hut. It’s taken less than a minute to leave the twenty-first century behind. After a short ride we make it to a gate. Beyond is a small concrete building and behind that is a rocky hill. We’re here.

The Department of Antiquities doesn’t have much money, so one of the most impressive rock art sites in the world has no grandiose museum, no visitor’s center, not even a guy selling tickets. Well, we do have to pay to get enter, but we don’t get a ticket. Considering the precarious situation this unrecognized nation is in and the long list of important projects it needs to fund, it’s a small miracle there’s a Department of Antiquities at all.

The painted caves of Laas Geel are actually rock shelters. Nine of them dot the hill on all sides, and while their depth provides them with ample protection from the sun and the occasional rainfall, they offer sweeping views of the surrounding countryside. These aren’t hidden, secret places like the painted caves of Paleolithic Europe.

That makes them no less mysterious. Ali leads us up the hill while the guard and driver go off to enjoy a local swimming hole. As we enter the first of the rock shelters we’re all stopped dead with wonder. Somaliland’s past, which to me had only been some flint tools and half a dozen dry academic articles, suddenly explodes into full color. The entire interior of the shelter is covered with figures. There are hundreds of them, mostly cows of various sizes. Some are schematic outlines, others are drawn in elaborate detail. Humans stand in between with their arms upraised as if in worship. A few tiny hunters run amidst the herds.

There are other animals too, antelope and dogs and a giraffe, but the cows predominate. This is the art of a pastoral people, as many Somalis still are. The nomads we passed just a mile back would probably draw the same images if they could pluck up the courage to enter the shelter. Somali folklore teaches that spirits hide within these shelters and possess whoever enter, although that wasn’t enough to stop a group of fighters during the civil war from burying one of their comrades in a niche at one side of the cave.

Ali leads us scrambling over the hillside to find more shelters. Each one is covered in artwork. Some of the stones have been painted completely red. The pigment is made from mineral sources and brewed into a paste that sticks to the rock better than plaster. This, and the dry climate, is the reason the paintings have lasted so long. But now that they’ve been discovered, armed guards have been posted to keep the art from being chipped off and sold on the international antiquities market.

The animals are beautiful and seem to fall within three main types: simple red figures, small and cruder white figures, and more elaborate drawings of cows that show decoration on the neck that reminds me of the personal marks the dealers at a Somali camel market put on their animals.

But the human figures attract me the most. Were these real people? Ancestors? Generalized drawings of the whole clan? It’s hard to tell, but it’s obvious they’re worshiping the most important thing in their lives–their cattle. A German archaeologist I worked with who was fortunate enough to visit Lascaux caves in France once told me, “It’s so different from Mayan art. With Mayan art you’re not sure what’s going on, but with Lascaux you look at the drawings and say ‘they were like us'”.

Exactly. Although I can’t understand the deeper meanings behind the paintings or truly know the world out of which they came, that was my reaction. The ancient Somalis were like us. Their lifestyle was totally different, of course, but they thought enough like us that they could communicate what they believed in a fashion that someone can appreciate and (kind of) understand thousands of years later.

Dr. Mire and her team have already discovered several other rock art sites in Somaliland. Who knows what they’ll find in the next few years? Even though Somaliland isn’t on most political maps, the efforts of a few dedicated scholars are putting it on the archaeological map.

Don’t miss the rest of my series on travel in Somaliland.

Next time: Khat, the drug of a nation.

Jon Bowermaster: Dispatches from St. John – Day 3

by Jon Bowermaster on

I spent one rare rainy day in St. John with Jane Johannis, who couldn’t have been happier about the dampness outside her simple house. “When it rains like this I put out every pot and pan I have, in order to keep my plants watered,” she says.

A native of the island, at 80-plus years old her skin as beautiful as fine Italian leather, eyes reduced to slits from years spent tending her garden under a hot sun, she wears a long pink dress and flip-flops. Her hair, remarkably free of gray itself, is pulled back in a tight bun. One of seven children, with nine kids of her own, she has lived most of her life in the small island town of Coral Bay. “You could say I’m surrounded by family all the time, yes,” she says, though she’s not against the occasional off-island foray and has been to New York and LOVES Las Vegas. “I do manage to play the slot machines,” she smiles, “since I’m not a drinker I need to have something to do!” But more than anything she loves her island life and her gardens.
Her expertise is the herbal medicines she finds everywhere in the bush, giving the occasional class but counseling her friends and neighbors for free. “People now they too easily run right to the pharmacy when they need something. They tell me, ‘It’s easier.’ I don’t agree. Me, I never go to the pharmacy. The doctor? He’s the last person I turn to!”

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What does she find in scrub and forests? Black wattle for fighting colds. Aloe for burns. Eye bright, which is – believe it or not – makes your eyes stronger. Sour sop used as a sleeping aid. Bastard okra, boiled and used to relieve burning eyes. Breadfruit leaves, used in an infusion to cure high blood pressure and lime leaves boiled with salt to fight aging. “Those are the ones I rely on most these days,” she laughs.

She’s not wild about some of the changes on her island, like the cost of living and taxes both of which are going up. “Even Coral Bay is changing, with more shops, more people, more everyt’ing,” she says. I’m headed to her small town the next day and ask for a recommendation on a good place to eat, the best places to hike. “Go to Salt Pond, for sure. That’s where we collect the best sea salt. The best restaurant would be Lucy’s, but she died the other day at 93, of a stroke. I’m going to her funeral tomorrow. So that restaurant be closed for a private party. But you might stop by anyway. Probably be the best party of the year!”

Jon Bowermaster: Dispatches from St. John – Day 2

by Jon Bowermaster on

Given its history of wildness, the 114-tent-and-boardwalk resort known as Maho Bay Camps is a perfect fit on St. John, as close to a true eco-resort as any I’ve seen around the world. Which surprises no one more than Stanley Selengut, the camp’s owner who put up the initial 18 tents in 1976. “That phrase – eco-resort – didn’t exist then,” says a longtime Maho Bay manager once explained to me. “Stanley and a bunch of his friends were down here and someone said, ‘This would be a great place for some tent platforms.’ Typical for Stanley, it may not have been his idea, he was the one that figured out how to get things done.”

In these days when any hotel that encourages you not to wash your towel every day wraps itself in a green banner, Maho Bay Camps is the real thing. Recycle-reuse-reduce is its watch-phrase. Showers are communal; potable water accessible in just a couple locations in the 14-acre compound; the restaurant is self-serve; urinals water-less; much of the energy needed to run 114 tents, reception, restaurant, internet solar-produced. In its art studios –open to all guests — glass is recycled by the glass-blowing studio, waste paper by the textile-makers and aluminum cans turned into pendants.

There is definitely a hippie-ish feel to the place, from the tie-dyed batiks made in the textile room to the “volunteers” who come for month-long stints, trading work for a free place to stay. During high season the place fills with families who’ve been coming now for two generations.

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I stay in tent-cabin, A-6, anchoring the far end of the boardwalk, closest to the beach at Maho Bay. It’s perfect for me. Through cracks in the deck flooring I can see the jungle below. The stove is propane, the refrigerator an Igloo cooler filled with ice, and table and chairs made of plastic. A box fan whirs, thanks to 24-hour electricity, necessary to keep the mosquitoes at bay. As I write, a frigate bird lands atop a palm just outside my window and white-tailed tropicbirds and brown boobys flit and soar. Inside, small anole lizards — gecko-like, with colorful, leaf-like dewlaps — do push ups in front of me, reminding me that this is their territory.

Letting the screen door bang behind, I find the head of Maho Goat Trail and wander down to the beach. From here it’s a mile-long walk to the start of one of the most beautiful of the park’s 22 official trails (there are countless unofficial ones, the former detailed in a variety of guidebooks and park service handouts, the latter marked with stone cairns and cryptic, handmade signs). I’m open to following any trail here since the only native mammals on the island are bats and there are no venomous snakes. The only surprise in the woods is the occasional wandering deer or donkey.

Later that one I hike down Cinnamon Bay Trail lured by its reputation for having an incredible lookout over Maho Bay. Inside the forest is dark, tropical, intensely green thanks to recent rains. The trail is narrow and steep to the downhill; you don’t want to slip. Strangler figs, kapok, cocoa, mango and bay rum trees are thick and tall, the undergrowth heavy with star-like teyer palms, sweet lime and anthurium. Turpentine trees – what locals have dubbed tourist tree – expose a pink skin beneath peeling bark. Guts, natural rocky drainages criss-cross the trail channeling water downhill; man-made swales – lines of strategically placed rocks across the trail – are angled to divert the rainwater and prevent erosion.

As I walk down, slowly to avoid slipping, a solitary black bat leads me. Small lizards, imported to the island centuries ago to help kill insects, run across the trail; a variety of snails meander. Yellow & black bananaquits dart among the trees, many of which are home to giant termite balls built in the low crotches. Halfway down the 45-minute hike the trees open up, exposing a western view from the island, over Cinnamon Bay to Trunk Bay and beyond.

As I walk I try to make out the stone terraces that once divvied the island into 100 sugarcane plantations. Everything was a clear-cut then, except for the mangoes and cocoa tree. Men, women and children slaved over the farms, in tropical heat.

At the bottom of the trail, just across from the long sand beach at Cinnamon Bay, sit the ruins of a two hundred year old plantation. Buildings, like the terraces, were constructed from stone, brain coral and occasionally imported red and yellow bricks from England and Germany. Tall stone columns, still standing, at one time supported the big room used to store brown sugar, molasses, barrels of rum and crushed and dried sugarcane stalks. There was a boiling and distillery house next door, where they used to make St. John’s Bay Rum (cologne, not alcohol!). Sitting on one of the stonewalls, sweating from the hike, nearly meditating thanks to the quiet of the forest, I can almost see and hear the young children climbing the bay rum trees, carefully stripping the leaves, putting them into sacks and carrying them off to be distilled.

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