The New New Orleans: Memories Still Locked Behind Closed Doors

by Micheline Maynard on

New Orleans is a city of festivities – conventions, Mardi Gras balls, graduation ceremonies, entertainment. And for decades, the place where New Orleanians of all races gathered for those events was the Municipal Auditorium, the centerpiece of Louis Armstrong Park.

An afternoon spent at the New Orleans Public Library brings to life a sense of what the auditorium, dedicated in May 1930, meant to this city. Page after page of records and photographs depict ice shows, diving exhibitions, boxing matches, performances by the Ballet Russes de Monte Carlo.

One of the two meeting halls was hung with bunting for a 1937 gathering of the National Rural Letter Carriers Association, the pictures show. The auditorium hosted gatherings of morticians, shown looking over the latest double lined caskets and gleaming stainless steel morgue examining tables.

A list of events for 1953 lists Carnival balls every single night in January except New Year’s Day, often two a night. And the auditorium did not limit itself only a white audience. Joe Louis appeared that year in August with singer Ruth Brown (at an event labeled “All Colored.”) Later on, the auditorium was used as a temporary casino, and housed the New Orleans Jazz basketball team as well as hockey.

This auditorium where so many of New Orleans’ festive events took place still stands across from the French Quarter, in use as recently as 2005, when it was a center for the distribution of MREs (Meals Ready To Eat).

But since the aftermath of the storm, the Municipal Auditorium has stood quiet, a looming reminder of the memories locked behind its closed doors, despite years of trying to figure out what can be done with it. It is arguably the single most important civic building in New Orleans that remains shut since Katrina, although there has been plenty of discussion about its future.

%Gallery-170748%In November, the auditorium appeared in the HBO series “Treme,” in a scene set in 2008, in which developers suggest it can become a National Jazz Center. In fact, New Orleans’ former mayor, Ray Nagin, backed a plan to turn it into a state-of-the-art production facility, but that idea fell apart amid criticism from city council members and the city’s inspector general.

There is an inkling of hope, however, that the auditorium may someday be put back into use. In May, the city announced that it planned to use $16.67 million in FEMA grants to begin a restoration, out of a total of $27.5 million that’s been allocated for repairs.

“The city has been very aggressive in working with FEMA to get our fair share of recovery dollars,” Ryan Berni, a spokesman for Mayor Mitch Landrieu, said in an email. “While these new funds are an encouraging step forward, there is a still a ways to go.”

For one thing, the repairs will have to take place in phases – first, the removal of asbestos and lead from the interior, the replacement of the roof, the stabilization of the roof, and removal of mold which is said to cover much of the walls inside.

But there are no schematics of what the restored auditorium will look like, no architects’ renderings, no visions of how the building could be brought back to life. That’s because more money for the project will be needed, and it simply isn’t there yet, says the mayor’s spokesman.

Its only use, for now, is as the backdrop to events that take place in Armstrong Park, like the Treme Gumbo Festival held in November, and the summer concert series sponsored by People United for Armstrong Park, which had its inaugural season in 2012.

Even though the park has been cleaned up, and is starting to attract a regular stream of visitors, that wasn’t the original goal for Emanuel Lain, one of PUFAP’s founders.

He was actually more interested in the restoration of the auditorium than in fixing up the park when he started canvassing homes in Treme, the neighborhood that backs up to the park. He wanted to know whether neighbors thought it was important to bring the building back to life, and what they might like to see it be used for.

“I saw amazing acts. This was like the center of the universe,” Lain said. “Wrestling matches. Carnival balls. Amazing things happened here.”

It’s surely important to Lain, who attended his high school graduation in the auditorium, which has the indestructible aura of those solidly built 1920s buildings that dot the American landscape. All visitors can see now is its exterior, remarkably unscathed given the damage that Emanuel says has taken place inside.

The words “ART,” “DRAMA,” “ATHLETICS” and “POETRY” are carved in the facade above one entrance, echoing photographs that show the names of famous writers such as “SHAKESPEARE,” “VIRGIL,” “MILLET” and “DANTE” carved on the cornice above the two auditoriums inside. Other words have now joined them. “DO NOT OPEN,” reads a door on the building’s east side.

For now, those photographs, tucked away in the city archives on the library’s third floor, are the only inkling that visitors have to what lies inside. But if Lain gets his way, perhaps those memories can become realities once more. “We did something special,” Lain says of the work that’s taken place to restore the surrounding park. “Now, we want to build on that.”

For more on the New New Orleans, click here.

[Photo credits: Micheline Maynard]

180 Million Rats Targeted For Extinction In The Galapagos Islands

by Kraig Becker on

The Galapagos Islands are considered by many to be one of the top travel destinations in the entire world. Located 600 miles off the coast of Ecuador in the Pacific Ocean, the islands are famous for their unique wildlife that isn’t found anywhere else on Earth. Those animals were first observed by Charles Darwin on his famous “Beagle” expedition and inspired him to write “On the Origin of Species” in which he first hypothesized the Theory of Evolution. Today, many travelers make the journey to the Galapagos to see the native birds, seals, reptiles and other unusual creatures, but an invasive species of rats now threatens the native wildlife there. In an effort to protect those animals, the Ecuadorian government has begun taking drastic measures to rid the islands of those rats once and for all.

Yesterday marked the start of the second phase of an anti-rat campaign that hopes to dispose of as many as 180 million rodents by the year 2020. Helicopters dumped more than 22 tons of poisoned bait on one of the smaller islands with the hope that it will kill off a significant portion of the rat population there. In the months ahead, similar operations will take place across the other 18 islands that make up the Galapagos chain, hopefully culling the rats and creating a safer environment for the native species.This invasive species of rats first arrived on the islands aboard the ships of whalers and pirates during the 17th century. As the decades passed they multiplied rapidly and grew into a threat to native birds and reptiles, preying on eggs left in unguarded nests. As the rat population grew to epic proportions, other species have struggled to survive and compete with the rodents, which eat everything in their path.

In order to minimize the impact of the toxic bait on the Galapagos ecosystem, it has been specially designed to attract rats while repelling other animals. The small poison cubes will also disintegrate after about a week, which means there won’t be thousands of them just lying around waiting to be consumed. What happens to it, and the environment, after it disintegrates remains to be seen, but lets hope this isn’t another case of the cure being as bad as the sickness down the line.

[Photo Credit: National Park Service]

The New New Orleans: Finally, Louis Armstrong Plays Again

by Micheline Maynard on

North Rampart Street forms the western border of New Orleans‘ French Quarter. On one side, streets named St. Louis, St. Peter and Dumaine lead to picturesque homes, elegant restaurants and rowdy bars. On the other side of Rampart sits a park that’s been both feared and beloved by residents and visitors, avoided by some, a lifeline for others.

Louis Armstrong Park has been through a series of trials in the years since Hurricane Katrina. Named for one of the city’s most famous musical sons, the park that was supposed to be a tribute instead became something to avoid.

Although it houses a historic landmark, Congo Square, where slaves came to socialize and share African rhythms, many tourists never saw it, or were told not to set foot inside. Fences kept many out, including residents of the Treme neighborhood nearby.

The worst insult came in summer 2010, when a botched facelift went awry and a contractor cracked the toe of the Louis Armstrong statue. Mayor Mitch Landrieu ordered work to stop and the park was closed. The city discovered newly poured sidewalks were cracked, curbs and manholes damaged, and a sprinkler system was improperly installed. Even one of the park’s soaring palm trees was knocked down.

A new contractor was found, work began anew, and finally, last year, Louis Armstrong Park came back to life, a symbol of the New New Orleans that’s evolved since the storm.

%Gallery-170746%Although the 32-acre space is rarely crowded on weekdays, it’s become a stop for visiting tour groups, like a bunch of French teenagers who posed for pictures and generally ignored a guide trying to explain the site’s historic importance.

McKenzie Coco, a new resident of the French Quarter, came to the park with her husband recently to walk their three dogs. “I always felt sad that it wasn’t being utilized,” Coco said. Now, “it’s well-lit, and safe, and it’s a real positive place for the neighborhood.”

Nobody was happier to see the park return than Ben Harwood and Emanuel Lain, the co-founders of People United For Armstrong Park.

Over the past few years, Harwood and Lain have spearheaded community efforts to bring the park back up to life. With almost no corporate backing, and using volunteers, the pair put together a summer concert series that drew 50,000 people to Armstrong Park. They just held a benefit for the concert series, and plan to expand it by more than double for 2013.

Harwood, a native of Detroit who lives in Treme, and Lain, who grew up in New Orlean’s ninth ward but who attended church near the park, met when Lain knocked on Harwood’s door to ask what should be done with the Municipal Auditorium, which sits within the park.

Quickly, the conversation turned to the closed park, and what might be done to help it. Although they were bent on seeing it come back to life, they say their efforts to rehabilitate the park were not always greeted with warmth by its neighbors.

Although they surveyed several thousand residents, and held two public meetings, “some people told us to stop doing it. This was their park,” Harwood recalls. “We had to be bullheaded, and do what had to be done.”

Disaster funds, which are less restrictive than federal block grants, were available, but it seemed like other projects in New Orleans had a much higher priority, and the park was not listed on city officials’ priority list. “Basically, it seemed like the city was just going to keep the park locked, and that was it.”

The organizers gathered 2,000 signatures demanding that the park be reopened, put together a second line parade that stretched from Congo Square to City Hall, and essentially drove home their point that the park was important to the people who lived in New Orleans. “We did a lot of knife-twisting, using the media, to get the city to admit that this park existed,” he said.

Once work got underway, the PULAP group got an unexpected surge of support when contractors cracked the Armstrong statue. “People were really pissed,” Harwood recalls. There was lingering frustration over the fact that a portion of the park remained fenced in, despite all the renovation work that’s taken place.

Although the park now gleams under streetlights in the evening, Lain says there is more to be done to bring the park back to the way it was when he was young. “Those lagoons used to be clean enough to swim in,” he says, gesturing to the ponds on the north side of the park. He and Harwood have numerous ideas, beyond the concert series, to attract more visitors, whether locals or tourists.

Wireless Internet, like the service available in New York’s Bryant Park, could guarantee users all day long, and help people in the neighborhood who don’t have Web access. Food trucks and coffee stands might attract city workers who have few affordable choices. The organizers would like to see the park used by school bands and other young musicians, who could earn their performance stripes by playing traditional New Orleans jazz.

But, for now, says Lain, the improvements will come one step at a time. “This park needed a champion and our organization is just that,” Lain said.

For more on the New New Orleans, click here.

[Photo credits: Micheline Maynard]

Muqtada Al-Sadr Promotional Posters–Why Saddam’s Hanging Makes For Good Advertising

by Sean McLachlan on


Like it or not, Muqtada Al-Sadr is the new face of Iraq.

Posters of him are everywhere in the Shia areas, alongside the faces of his father and father-in-law, who both rose to the rank of Grand Ayatollah. They appear on the upper corners of this poster. His father was murdered by Saddam Hussein, a Sunni who oppressed the Shia.

Iraq has always been divided between the minority Sunni and the majority Shia, two sects of Islam with more similarities than differences, but enough differences to create centuries of bloodshed. Check out the BBC for a good summary of the differences between Sunni and Shia. Since the beginnings of Islam the Sunni have been in charge, and every subsequent colonizer or national government has kept the Sunnis on top. Everyone, that is, until the Coalition established democratic elections and suddenly the majority got to rule.

Muqtada Al-Sadr popped onto the American radar during the Coalition occupation. He criticized the U.S.-led occupation and in response, the Coalition closed down his newspaper. Al-Sadr’s Mahdi Army then rose up in revolt. The Coalition tried to arrest al-Sadr, which led to a protracted battle with heavy losses on both sides. Al-Sadr remained a free man.

This bloody victory made Al-Sadr’s reputation. He soon controlled large areas of Iraq and killed off many of his opponents and forced many Sunnis to become refugees. He also installed his version of Sharia law. Alcohol vendors and other “undesirables” were frequently executed. On the other hand, his organization distributed food and rebuilt infrastructure.

Al-Sadr also played the political game. His party did so well that Prime Minister Nouri al-Maliki, shown on the lower right of this photo, had to form a coalition with him. Al-Sadr’s greatest personal triumph came when Saddam Hussein was executed, a scene that appears next to al-Maliki in this poster. It seems to say, “Vote for us, we got rid of Saddam.”Below is another al-Sadr poster, with the man himself on the right. The faceless figure in the center could either be the Imam Ali or Mohammad. The Imam Ali is often shown with his face depicted, and even the Prophet Mohammad is sometimes depicted in Shia art. The periodic flare-ups of indignation against depictions of Mohammad are mostly a Sunni phenomenon.

Traveling in Iraq, I’ve been constantly confronted with posters of a man with Iraqi and Western blood on his hands, a symbol of the ongoing sectarian divide. Sadr’s organization claims it has renounced violence, but with the ongoing clashes between Sunni and Shia I find that hard to believe.

Don’t miss the rest of my series, “Destination: Iraq,” chronicling my 17-day journey across this strife-ridden country in search of adventure, archaeology, and AK-47s.

Coming up next: “Video Games With A Refugee!”

[Both photos by Sean McLachlan]

Video Of The Day: The Making Of Udon Noodles

by Elizabeth Seward on

“For Udon and Country” from The Perennial Plate on Vimeo.

It’s easy to think of udon noodles as just another delicious kind of food, but, as with most food, there’s more to the story than what winds up on your plate. This film by The Perennial Plate focuses on Shimizu San. He’s been making udon noodles for the last 45 years at his farm in a small town outside of Tokyo. He not only makes the noodles from scratch, but he grows the wheat for them, too. The footage is beautiful as well as the music. It only takes five minutes to understand udon noodles on a completely different level. Enjoy!