New Dinosaur Unearthed (And On Display) In Utah

Dinosaur lovers will be flocking to the University of Utah in Salt Lake City to check out a new discovery, a big-nosed, horned-faced dinosaur found in what is now Grand Staircase-Escalante National Monument. Here’s some stats about this new species, now named Nasutoceratops titusi:

  • It grew 15 feet long and weighed 2 1/2 tons.
  • Its skull alone is approximately 4.9 feet in length.
  • It roamed what is now Utah approximately 76 million years ago.
  • It had long, curved and forward-pointing horns over the eyes.
  • It lived in a swampy and subtropical environment.
  • It was part of the same family as the Triceratops.

The dinosaur’s bones will be permanently housed and displayed at the university. But if you are a budding paleontologist looking to see other collections of dinosaur bones and fossils, consider scoping out Dinosaur National Park in Utah and Colorado, Dinosaur State Park in Connecticut or the Wyoming Dinosaur Center.

Hi: A Narrative Mapping Site


Hi is a new website that allows users to map their journeys through personal narrative and original photography. The platform relies upon moments and their respective places. The goal of Hi is to map the world and if the execution of the idea proves to be as good as the idea itself, I have no doubt that they’ll do just that. This could be a landmark development for travel, the ability to journal location-based experiences in a map other users can navigate. I could have posted a photo and commentary on the many stray dogs on the beach on the island of Sal, Cape Verde. Or I could have captured the moment I walked outside the morning after Hurricane Sandy and saw rows of trees from Green-Wood Cemetery knocked down into the street. Needless to say, this service will not only be important for travelers, but it could be important for everyone in receiving around-the-clock news and much more. Prospective users are now able to enter their email address for eventual registration.


[Thanks, Laughing Squid]

The Aboriginal Art Of Australia’s Kakadu National Park

Australia’s vast and wild Northern Territory holds a number of wonders for visitors to discover, not the least of which is Kakadu National Park. Spread out across more than 7600 square miles, the park is the true embodiment of the Outback with a rugged and unforgiving landscape that includes some of the most breathtaking scenery that can be found anywhere on the entire continent. But Kakadu is more than just pretty scenery as it also holds important keys to understanding Australia’s past in the form of Aboriginal art that is scrawled across rock faces throughout the region. That artwork offers important insights into the history of the indigenous people who have inhabited Australia for more than 40,000 years and continue to have a lasting impact on the country.

Named a UNESCO World Heritage Site in 1981, Kakadu is one of the rare destinations that earned that distinction by scoring points for being significant both for its cultural and natural wonders. Travelers need only visit the spectacular Jim Jim Falls and Twin Falls to understand why the park earned the nod in the area of natural significance, as those locations are postcard-perfect representations of just how beautiful our planet can be. Both places require a little work to reach, but the payoff in both cases is a stunning waterfall dropping majestically into a serene pool of water.

Kakadu’s historical and cultural significance is also found at the sites of Nourlangie and Ubirr, where Aboriginal artwork adorns the rock faces in spectacular fashion. Since Australia’s indigenous tribes had no written language they would often leave messages for one another in the form of pictures on the sides of cliff faces. Those images could convey important messages such as which animals lived in an area and which were best to eat. Other images represented characters from Aboriginal legends, which were typically passed along orally from one generation to the next. Those characters gained a level of immortality by surviving on the rocks in Kakadu for hundreds of years.

The artwork that is found in Kakadu is simple in design but often surprisingly detailed. The artists tended to draw what they saw around them, so much of what is depicted on the rocks there is straight out of the daily lives of the Aboriginals. For example, at the Ubirr site there are numerous drawings of fish, the very distinct outline of a kangaroo, a couple of turtles and even a white man. That particular image clearly reflects the growing interaction with the Aboriginals and the strange outsiders who began visiting their lands just a few hundred years ago. The simple figure is depicted using white paint, which was surely no coincidence, and he is clearly wearing shoes and standing with his hands in his pockets, something that the indigenous people had no knowledge of prior to Europeans coming to their country.

Each of the images was created using ochre, a colorful mineral that is plentiful throughout the region. The soft material comes in a variety of yellows, whites and reds, although the industrious artists found ways of creating still other colors by mixing it with animal fats and other natural resources around them. In Aboriginal tradition, it was forbidden for female members of the tribe to gather the ochre, although they could use it in their artwork once the males had taken it from the earth. The location of the ochre pits remain sacred ground to the original inhabitants of Australia even to this day and some are still used for collecting the mineral for use in traditional ceremonies.

Because it can’t be carbon dated it is impossible to know exactly how old the artwork at Ubirr and Nourlangie actually is. But judging from what is on the wall it is possible to estimate an approximate age. For instance, Europeans haven’t been living in Australia for all that long, relatively speaking, so the image of the white man is probably no older than 300 years. On the other hand, visitors to Ubirr will notice an image of a Thylacine, or Tasmanian Tiger, which have been extinct on the continent for at least 2000 years.

While the artwork in Kakadu has survived for centuries it remains a fragile piece of history that could be easily lost forever. The original artists never meant for their works to stay on the rocks indefinitely, as they were often erased or painted over with new artwork much like a blackboard. The images found in the national park have survived through the years in part because most of them are sheltered from the elements by overhanging rocks. That natural protection has kept this aspect of Aboriginal culture alive and on display for visitors to Kakadu to appreciate generations after the artwork was originally created.

Australia’s Aboriginal tribes wandered the country for millennia before Europeans began to arrive. Those indigenous peoples had an intimate relationship with the land and that shows through in their artwork and the places that they painted those indelible images. In Kakadu, where the landscapes are so beautiful and dramatic, that connection with the Earth can still be felt. It is as ageless as the artwork that marks the passage of time, sending us a message from the past that is undeniably powerful and humbling at the same time.

The Desolate Salt Mines Of Sal Island, Cape Verde


I didn’t know about Sal until a couple weeks before I departed for a trip to the island, at the invitation of a friend who wanted to go there for the purpose of diving and also wanted to have a travel partner in tow. I knew little about the country of Cape Verde. Between agreeing to go on the trip and now, I’ve learned about the 83.4 square mile stretch of land that sits in the Atlantic Ocean off of the coast of Mauritania and in doing so, I’ve learned about Sal’s salt, which has been both the backbone and bane of the island’s economy over the years. The salt mines of Sal are one of the island’s biggest tourist attractions and yet eerily desolate and nearly inactive.

The island itself is one of 10 islands that makes up the country of Cape Verde. Sal is an island belonging to a northern group of islands within the country, called Barlavento. It’s sandy and mostly flat, with the exception of inactive volcanic formations that protrude above the near-desert surface. It’s almost always sunny in Sal and even during the “rainy” season, it hardly rains. Geologically, Sal is the oldest island of Cape Verde. Its earth was formed nearly 50 million years ago from the eruption of a currently inactive volcano. Originally called Llana when the island was discovered by the Portuguese in 1460, the name was changed to Sal after the discovery of the island’s salt mines in what is now called Pedra de Lume. The landscape of Pedra de Lume and the rest of the island doesn’t look much different than the latest images of Mars the Curiosity Rover has sent back.

%Gallery-193936%Located on the northeastern part of the island, Pedra de Lume’s salt was predominantly mined during the 18th century. According to the guide I hired to show me around the island, nearly 300 locals worked the mines during that time. He estimated the current number of mine employees to be around five or so. The village is small these days and seems to mostly persist for the sake of travelers, like myself, who want to see the ancient salt mines for themselves. Very little salt is still produced from these mines – what is made these days is made primarily for locals and tourists. The changing currency of Sal’s salt has been an economic blow in the company of many others for the local community.

The salt evaporation ponds that were built over the natural volcanic salt lake all sit within the Pedra de Lume crater, which is beneath sea level. As I walked through the tunnel that leads to the mines, the light shot shiny beams through the darkness, signaling the clearing ahead. Once through the tunnel, I made my way down the path that leads to the salt ponds and promptly disrobed, eager to experience that famous unsinkable feeling that waters this salty, 26 times saltier than seawater, provide. No matter how much I’d read about this rare buoyancy before or seen in photos, nothing had ever conveyed the feeling of invincibility that washed over me. I struggled to swim to the center of the salt pond and tried my hand at performing yoga postures and dance positions in the water. I’d occasionally roll, collecting the repulsive tonic in my mouth, but I never sank. Instead of showering upon exiting the pond, I let the salt coat my skin, which gave my legs the texture of sandpaper. The spooky scenery of Sal’s salt mines isn’t only memorable; the desolate expanse of otherworldly land lends merit to the main attraction.


[Photo Credit: Elizabeth Seward]

Vampires Exhumed From Polish Graveyard

A graveyard containing the remains of four vampires has been excavated by a team of archaeologists in Poland, Polskie Radio reports.

The archaeologists were excavating ahead of the construction of a new road in Gliwice, southern Poland, when they discovered four skeletons with their skulls placed between their legs. This was a common folk practice in the region to keep the dead from walking the earth. The four individuals were buried without any objects, making them difficult to date, but the archaeologists believe they’re from the early modern era. The last burial recorded of this kind in Poland was in 1914, when the corpse of a suspected vampire was dug up, its head cut off and placed between its legs.

The team is awaiting radiocarbon dates to know precisely when the individuals were buried.

Last year, vampires were dug up in Bulgaria and later put on display at a local museum. In keeping with Bulgarian folk practice, the corpses had been pinned to the ground with large iron stakes. Hopefully Poland will put on its own vampire exhibition. In the meantime, vampire fans can visit Dracula’s Castle in Romania, the Vampire Museum in Paris and Highgate Cemetery in London, scene of a wave of vampire sightings in the 1970s.