Ryanair passengers stage sit-down strike

What would travel bloggers do without Ryanair? From trying to get rid of co-pilots to arresting passengers for complaining about the sandwiches, the budget airline provides endless grist for our mill.

Yesterday more than a hundred passengers refused to leave their plane after their Ryanair flight from Fez, Morocco, to Beauvais, France, was diverted to Belgium. It was one of four Ryanair flights diverted to Liege due to foggy conditions in France. Passengers were offered a bus to their final destination, a journey of 225 miles. While passengers in three of the planes agreed to go, those in the fourth flight refused, insisting to be flown there instead. The flight had departed Fez three hours late and landed in Liege at 11:30 PM. The passengers didn’t leave the plane until 3:30 in the morning to catch a 4:30 AM bus home.

That’s the story both sides agree on. Beyond this, there are two stories. Passengers say they were then abandoned by the crew, who even left the cockpit open, and were not given any water for several hours. The toilets were also locked.

Ryanair said the crew stayed for an hour and only left when some passengers got disruptive. They also say that they would have gotten an earlier bus if they had agreed to leave.

[Photo courtesy user Yap S S via Gadling’s flickr pool]

Top five uses for Ziploc® bags when traveling

Over the years, I’ve become a bit of a bag lady. I’m always finding new and surprising uses for Ziploc® bags or their generic counterparts when I travel. I’m also a rabid recycler, so I like getting extra mileage out of my airport security “liquids and gels” see-through baggie.

But that’s not the only reason I love these little guys. They’re tough, they’re resealable, and they’re economical, because they usually survive multiple trips. Below, my favorite uses for this home kitchen staple:®

1. Holding a wet swimsuit.
When you’re on a day or side trip, or don’t have time to dry it before catching your flight.

2. Collect seashells.
Make sure it’s legal, first.

3. Safeguard against spilled liquids.
I also place bags on top of shaving cream canisters (secure with a rubber band). Because it only takes one exploded can in your backpack to learn your lesson.

4. Seal off your shoes (or socks) for packing.
Hiking. hot weather. ‘Nuff said.

5. Keep your passport/money/other paper valuables (including tissues/t.p.) dry.
If you’re an adventure traveler, you may find yourself in situations where your daypack (or whatever you use to carry these items) gets soaked. I’ve had to hang my passport out to dry after a.) having to hitchhike in a major storm; b.) having to swim across a deeper-than-expected creek; c.) falling into the water while climbing out of a dinghy in rough surf.

*Bonus: “Have food poisoning/need to vomit while stuck in Marrakech rush hour traffic” emergency satchel.
Not that this happened to me.

Have your own travel uses for Ziploc® bags? Let us know!

Want to cut down on plastic altogether? ChicoBags come in their own little stuff sacks, and are the size of a deck of cards. I clip one inside of my day pack when I travel for groceries or other purchases.

[Photo credit: Flickr user hfabulous]

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Top ten cities to visit in 2011, according to Lonely Planet

Another decade is about to bite the dust, but the savvy travelers at Lonely Planet have given us a jump start on the hot list for 2011. They’ve just announced their picks for the world’s best cities to visit next year, and while you’ll find some of the usual suspects (New York, which will debut the National September 11 Memorial on the 10th anniversary of the attacks), there are also some surprises. The great news? About half of these places are easy on the budget once you get there. Some list-makers, below:

Tangier, Morocco
Once derided as dirty and dangerous, this port city at the crossroads of Europe and Africa has undergone a major renovation and clean-up. A thriving arts, food, and shopping scene are drawing visitors.

Iquitos
, Peru
A major Amazonian trading port formerly known for its raucous nightlife, general mayhem, riverside shanties, and rubber-boom barons, Iquitos has gotten a major upgrade. Accessible only by air or boat, the city still has a rocking after-hours scene, but it’s also a “cultural hub” providing a “sultry slice of Amazon life.”

Delhi, India
The 2010 Commonwealth Games got the city into shape, there’s a “futuristic” Metro (who knew?) and 2011 marks the city’s 100th anniversary. Be prepared for lots of celebrations.

Not as wallet-friendly, but absolutely stunning:

Wellington, New Zealand
Nicknamed the “coolest little capital in the world,” this laidback, far southern North Island city has it all: a hopping food and wine scene, boutiques and galleries featuring NZ’s hottest designers and artists, a serious arts and culture scene that includes the world-famous Museum of New Zealand Te Papa Tongarewa, and accommodations ranging from high-end hotel and styley boutique sleeps, to funky hostels and guesthouses. Outdoor enthusiasts will enjoy miles of hiking trails, city parks, hilly streets, and golden beaches.

What cities are on your personal 2011 must-visit list?

[Photo credits:Tangier, Flickr user Lumumo; Wellington, Flickr user 111 Emergency]

Travel writing tips: Four seeds from the garden of Susan Orlean

Earlier this month I had the exhilarating opportunity to interview Susan Orlean on stage as part of the National Geographic Traveler Conversations series. I’ve been a fan of her work in The New Yorker and elsewhere for many years, but had never met her until early this year when we were on a panel together, so I was thrilled by this chance for a prolonged conversation.

Orlean enlivened the night with numerous anecdotes and tips, but four in particular took root in my mind. Here they are:

Resourcefulness and perseverance are all: Well, not really all, but Orlean’s tales demonstrated in two ways just how important these qualities are. The first is how she advanced in her career as a journalist: She was working on a small newspaper in Oregon when a religious cult began to build a commune in a rural part of the state. She recognized that this had the makings of a big piece, called the Village Voice in faraway New York, and convinced the editor that this was a story the Voice would want to publish. This kind of pluck, vision and determination propelled her from Oregon to Boston, where she wrote for the Phoenix and the Globe, and then to New York, where she landed her dream job writing for The New Yorker – about which she said, “I had been writing stories for The New Yorker for a long time; they just didn’t realize it.”
Resourcefulness and perseverance are key to her stories as well: When she went to Spain to interview the first female matador, Orlean recalled, everything fell apart: The man who had represented himself as the matador’s agent turned out to be a fraud; the interview she thought she had arduously set up had evaporated. This matador was such a hot property that no media person could get close to her. So what did Orlean do? She tracked down the matador’s mother and spilled out her woeful tale. Eventually she got her interview – and her story, “The Bullfighter Checks Her Make-Up.”

I’ve heard this kind of story over and over from successful journalists. Talent is part of the equation, but finding a way to get your story – whatever obstacles the world throws in your path – is an equally important part. It’s happened time and again in my own life, too. When I arrived in Siena late at night and every hotel and hostel was “completo,” I ended up sleeping on the third-storey stoop of a stony apartment building – and wrote a piece about the unexpected revelations that adventure conferred. When my evening flight from Dulles to San Francisco got canceled and I was suddenly spending the night in Leesburg, Va., I wrote a piece about that. When you know where you want to go, find a way to get there. And when your bus breaks down, look around: Stories abound.

Look for your connection to a place and follow that thread: Orlean talked about how she approaches a place by looking for something quirky or idiosyncratic that connects her to that place and becomes her point of entry. When she wrote about Morocco, for example, she approached it through the unlikely portal of donkeys. She began by analyzing the essential role donkeys play in the daily life of the medina of Fez, whose ancient alleys are too narrow to accommodate motor vehicles. That focus led her to an extraordinary institution called the American Fondouk, a free veterinary clinic in Fez that was founded and funded in 1927 by a wealthy American woman who had been distressed by the condition of the donkeys. Orlean met the Canadian currently in charge of the Fondouk and through that connection, found a guide to take her to “the epicenter of the donkey universe in Morocco,” the grand donkey market at Khemis-des Zemamra. When she wrote her article, “Where Donkeys Deliver,” these connection-stones paved a poignant pathway into the heart of Morocco that I had never read before.

Orlean’s words reminded me of the advice I pass on in my Travel Writing book: Look for your passion point. It may be puppets in Paris, potatoes in Peru, or hula in Hawaii – whatever connects your passion to the local culture, that’s your entryway. Pursue it and see where it takes you. A great example of this notion is the article “Mexico: Guitar Central,” by Los Angeles Times writer Chris Reynolds. In this wonderful piece, the quest to track down and buy the perfect handmade guitar reveals the quintessential qualities of a Mexican mountain town and its high, homespun art. Pursue your passion point, and my bet is it will open up a place and its culture to you in a way that they’ve never been seen — and written about — before.

Be in the moment: One of the most piquant points Orlean made is that she doesn’t really like taking notes on the spot. “I like to spend a fair amount of time not worrying about note-taking,” she said. “I like to have time to get the feel of a place before I’m scribbling.” Later, she elaborated, “I don’t take exhaustive, extensive notes, but I do indeed take notes on the spot — I have my notebook with me always, and jot when I need to — and I definitely use notes when it comes to quotes. But I care more about paying attention and absorbing where I am. I count on my memory as much as I count on my notes.”

I absolutely agree about wanting to be in the moment, and this has been an ongoing frustration in my career as a travel writer. The moment you take out pen and notebook, you detach yourself from the scene you’re seeking to describe. Over the years I’ve tried to modulate this detachment so that I’m constantly plugging and unplugging into the experience I’m describing – hopefully so fast that I don’t lose the electrical connection to the flow of the experience itself. On the other hand, I’ve always found that the notes I take on the spot are my best, most vivid portals right back into that experience, so that I can recall it, surround myself in it, three weeks or three months after the trip ends. I expressed this to Orlean and she agreed, “Notes taken on the spot are sharp and instant, and are very important; memory is not sufficient.”

So: Immerse yourself as much as you can in the moment – but take enough notes so that memory can find its way back long after that moment has passed.

Surprise me: One last delightful point Orlean made was the value of surprise. Almost invariably her stories begin, she said, with something that surprises her. The Taxidermy World Championships, for example: “What’s that all about?” she thought when she first heard about the competition, and the quest to understand that obsession led to her acclaimed 2003 piece “Lifelike.”

The same process applied to “The Orchid Thief.” The genesis of the book was a short newspaper story about a convoluted case of orchid theft in Florida. At first Orlean just didn’t understand all the fuss: How could people be so passionate about a flower? As she tried to answer this question, the journey took her deeper and deeper into the orchid’s musky, mysterious, maddening swamp.

Every one of her pieces, Orlean intimated, unfolds as a journey for her to explore and understand something that has surprised her and kept her attention. Happily for us, Orlean’s extraordinary skills as a reporter and writer transform those journeys into odysseys of enlightenment for her readers as well.

[Photo credit/Flickr user Jonrawlinson]

Letter from Morocco: the mosque and a sock merchant in Fes

Fes is one of the great survivors. A medieval Muslim city, barely changed in a thousand years, it offers a vision of a world when the clash of civilisations involved Barbary pirates and white slave traders. Still enclosed within high walls, still threaded by a labyrinth of narrow alleys where mules jostle with robed figures, this ancient city rests on twin pillars — commerce and religion. And one man has managed to combine the two.

Lined with shops and stalls, the main street of Talaa Kabira is a river of people.

Mysterious figures in robes with pointed hoods gather at the tobacco stalls like extras from Lord of the Rings. Veiled women press into tiny underwear shops, checking out the frilly knickers. Families of pale Berbers from the Atlas, blue tattoos wrinkling on their cheeks, crowd round jewelers’ counters to finger the gold chains. Men in loin cloths hurry towards the tanneries. Dark Africans from the other side of the Sahara cast knowledgeable eyes over piles of dried fruit — figs, raisins and dates.

At a turn in the lane, where two oncoming mules have caused a traffic jam, the butchers’ stalls give way with unseemly abruptness to the stone-cutters, perched outside their workshops on low stools, chipping epitaphs into slabs of funerary marble. Beyond, a feverish baker is sliding rounds of dough into a fiery oven on a long-handled wooden paddle while across the lane a loquacious fellow dispenses fresh orange juice, sweet cakes and marital advice to his customers.The goods are almost as compelling and as various as the people — head scarves, turtle shells, sheet metal, slippers, sweets, camel saddles, brass pots, carved doors, ceramics, perfume, brocade, knives, carpets, gold, frankincense and myrrh. The crowds of shoppers part only for the muleteers and their laden mules, bearing fresh supplies to a merchant somewhere deep in the bazaar.

Aromas waft through these lanes defining invisible boundaries — fresh coffee, cloves, olive oil, rose water, mint, the scent of cedar shavings, the stench of tanning leather, the tang of onions frying, the sweet aroma of pastries baking, the acrid smoke of burning charcoal. Sounds waft too — the rhythmic clang of coppersmiths, the klaxon shouts of porters, the mantric cry of beggars, the bells of water vendors, the muezzins calling the faithful to prayer, never quite in unison, from every minaret in the city as the sun slides off the rooftops.

The call to prayer is the one moment when commerce falters. On Friday, the Muslim Sabbath, the entire city closes up shop at midday to attend prayers. Suddenly the rivers of people shrink. Merchants pull down their shutters and the stall-holders pack up their tables as people begin to make their way towards the great Karaouiyne Mosque to which all lanes in Fes eventually lead. The Karaouiyne is one of the great mosques of Islam, said to have been founded in 857, long before most of Europe’s cathedrals.

In these regions it is customary that beauty be veiled. The Karaouiyne shows almost nothing to the outside world. You could pass it a dozen times without knowing it was there. In spite of its vast size — there is room inside for 20,000 worshippers — its exterior walls are blank and anonymous. On Fridays, when the sixteen gateways stand open for the faithful, you can see the illusive interior — the vast pillared courtyard, the great stretch of sun, the worshippers assembling for prayers.

Everyone leaves their shoes outside the gates, padding across the courtyard in their socks to wash their feet at the ablution fountains before taking a place at the end of one of the long rows of kneeling figures. Suddenly everyone stands, then bows, as the name of Allah reverberates down the aisles.

While the city prays one man is preparing for the commercial opportunity the prayers present. Opposite the main gateway he is setting up his makeshift stall. From his swollen bags he unpacks socks of every description and color and lays them carefully in long rows.

When the prayers end the crowds of worshippers emerge, their sins and the shortcomings of their old socks still fresh in their minds. In twenty minutes the sock merchant has sold out.

Travel Brief

Where to stay: Among the prime pleasures of Fes are its secluded riads, traditional courtyard houses. Many have been turned into small hotels. Riad Fes (212 35 947 610) with its three courtyards is one of the most luxurious; rooms from $205. Riad Laaroussa (212 74 187 639) is a spacious and gorgeous property; rooms from $200. Riad no 9 (212 35 634 045) is small but perfectly formed with just three suites, from $135; groups or families can hire the whole house for $600 a night. Dar Seffarine is a slightly cheaper option from $95 a night.

Where to eat: The restaurant in Riad Fes (212 35 741 012) is one of the best in the city. Non-guests will need to book; dinner from about $40. There is also a stylish courtyard bar. A good lunch restaurant, inevitably a tangine, is Restaurant Nejjarine (212 61 259 052); fixed price menu from $15. The Cafe Clock (212 35 637 855) has fab food and free wifi. The Moroccan restaurant in the Palais Jamai, Fes’s grand colonial hotel, offers a palatial room with palatial food and palatial belly dancers, from about $50.

Stanley Stewart has written three award-winning travel books – Old Serpent Nile, Frontiers of Heaven, and In the Empire of Genghis Khan. He is also the recipient of numerous awards for his magazine and newspaper articles. He was born in Ireland, grew up in Canada, and now divides his time between Rome and Dorset.

[Photos: Flickr | jfgornet; Steve & Jemma Copley; eliahoo; Martin Dougiamas]