Hyperlapse Tool Takes Google Street View To A Whole New Level

by Adam Hodge on

Google Street View was a boon to desk- and couch-bound wanderers when it debuted back in 2007, but even the most fervent Street View explorers would agree that the endless clicking is a bit of a chore.

Enter a free online tool that uses Street View images to create a personalized animated road trip. The Hyperlapse tool, created by a Toronto design company, lets you choose any two drivable points on the map, and then stitches together the Google Street View images to create an animation that you can pan around in real time.

The above video demonstrates the hyperlapse tool’s remarkable capabilities. The montage includes drives past major American landmarks and through other countries like Denmark Slovakia, Canada and Australia.

The online interface currently only provides basic point-to-point animation with a locked frame rate, so a two-hour drive like the one I animated from Montreal to Ottawa will take but a couple seconds. However, the featured hyperlapses, which show custom-made drives through the places like the Australian outback and Yosemite National Park are well worth a look. No word yet on when we will be able to animate trips to Street View’s more unique destinations, like up Everest or down the Amazon.

On The Road With NPR Music: Andrea Swensson At KCMP, Twin Cities, Minnesota

by Anna Brones on

We love music here at Gadling, and this month is Public Radio Music Month, which is why we’re teaming up with NPR to bring you exclusive interviews from NPR music specialists around the country. We’ll be learning about local music culture and up and coming new regional artists, so be sure to follow along all month.

Name: Andrea Swensson

Member station: 89.3 The Current

Regular Show/Contribution Beat: Music Reporter

When people think of music in the Twin Cities, what do they think of?

The first thing that seems to come to mind for most people is either Prince or the underground punk scene of the ’80s, which spawned the Replacements, Hüsker Dü and Soul Asylum. In more recent years our hip hop community – led by Rhymesayers artists like Atmosphere and Brother Ali and independent crew Doomtree – has become world-renowned, and we have big variety of other genres of artists finding success, from bluegrass to electro-pop to jazz. In general, people think of the Twin Cities with a vibrant, collaborative and supportive place to make music. We like to joke that we are living in the Land of 10,000 Bands.

How do you help curate that musical scene?

The Current has several different ways it supports the Minnesota music community. My role at the station is to report exclusively on local music and post my findings on the blog – which contains everything from show reviews and interviews to news stories and in-depth profiles – and share them with the host of the Current’s weekly Local Show. We also have a 24/7 all-Minnesota music stream called Local Current, and have just launched a pair of specialty shows about the Duluth scene (home of Trampled by Turtles, Low, and Charlie Parr) and our ever-expanding hip-hop scene.

How has that scene evolved over the last few decades?

We have experienced a boom in both the number of active bands and the number of bands breaking out nationally over the past few years. It’s difficult to pinpoint exactly what is causing this upswing, but at times it can be difficult to keep up with all of the high-quality new music coming out. It’s not just one genre or niche that’s expanding, either; there is an energy and excitement that is palpable throughout the Twin Cities.

What would you say is the most unique thing about the Twin Cities music scene?

There is a collaborative spirit that binds our community together. The Twin Cities are large enough to support a couple dozen venues and spawn hundreds of bands, yet small enough that musicians can develop meaningful relationships with one another. It’s not uncommon for bands to share members or work together on projects; the 27-member Gayngs recording project is a good example of this, as are compilations like “Absolutely Cuckoo: Minnesota Covers 69 Love Songs,” which featured Magnetic Fields songs covered by 69 different local artists.

What are three new up and coming bands on your local scene right now and what makes them distinct?

The Chalice: An explosive hip-hop trio that has caught the attention of our entire scene this year. They are natural performers and their charisma is off the charts.

Meme: Crystalline pop from a young duo who are just beginning to play out live. Singer Lizzie Brown’s voice is mesmerizing, and her partner Danny Burke creates cool high-concept, animated music videos to accompany their tracks.

Southwire: This Duluth quartet combines gospel, folk and spoken word to create a unique, alluring sound.

For a Gadling playlist, what are your favorite tracks?

  • Aby Wolf, “Permission”
  • Meme, “Young”
  • Crankshaft, “Boomtown”
  • Trampled by Turtles, “Alone”
  • Van Stee, “We Are”
  • P.O.S., “Get Down”
  • The Chalice, “Push It”
  • Southwire, “Gone Astray”
  • Dessa, “Dixon’s Girl”
  • Har Mar Superstar, “Lady, You Shot Me”

Listen to the playlist on Spotify.

[Photo Credit: Photo by Nate Ryan/MPR]

Think Your Job Is Tough? Take A Tour Of The Beckley Coal Mine In West Virginia For A Reality Check

by Dave Seminara on

If you want to feel better about your job, take a tour of the Beckley Exhibition Coal Mine in Beckley, West Virginia. On a recent tour of the vintage mine we learned about the extreme dangers and hardships miners faced a century ago when hundreds of thousands of people in Appalachia eked out a living mining coal underground.

On a brilliant Saturday morning in March, I took a seat next to my wife and two small boys, ages 3 and 5, in an open-air tram referred to as a “man car” for our tour and our guide, Marvin Turner, a retired coal miner, noticed that my sons had scowls on their faces.

“They’re mad that we didn’t buy them replica coal miners helmets in the gift shop,” I explained.

“Uh-oh,” he said. “There’s nothin’ worse than dealin’ with angry coal miners.”

Marvin asked our group of about 30 people if there were any coal miners on board and when no hands went up, he said, “Good, then if I don’t know the answer to your question, I’ll just make somethin’ up.”
As we descended down into the dark, wet cave-like tunnel on rail tracks Marvin told us a little about the mine, speaking deliberately in his endearing, twangy Appalachian accent. The mine was a small, family run operation that opened in the 1890s and provided coal to heat homes and schools in the area until it was closed in 1910. The city of Beckley had the bright idea to buy it in 1960 and two years later they opened it for public tours. Since then, the city has opened a reconstructed coal camp with a school, church and superintendent and miner’s residences to give visitors an idea of what it was like to live and work at a turn of the century mine.

Marvin explained that the city expanded the size of the mineshaft in order to make it suitable for tours, so when the mine was still functioning it was far more claustrophobic than what we were experiencing.

“Miners spent their whole day in here on their hands and knees,” Marvin said.

He explained that the mine was infested with hundreds of rats, so miners used secure metal lunch pails with sturdy lids to protect their food.

“Here’s the pie pan,” he said, taking the lid off of a pail for our inspection. “Now a miner would know, if he opened the dessert tray and there was nothing there, his wife was mad at him. But they’d be sure to get a nice piece of freshly baked cake or pie on Thursdays, because that was payday.”

Miners would light fuses, shout, “FIRE, FIRE, FIRE IN THE HOLE!” and then run for their lives as up to four tons of coal would come crashing down, coating everyone in a thick dust that would stick in a miner’s mouth and eyes and make his hair itch like crazy. Around the turn of the 20th Century, miners were paid about 20 cents per ton of coal produced, which worked out to about a dollar per day.

But as we learned when we toured the coal camp above ground, their take home pay after expenses often came to practically nothing because they had to buy or rent their own tools, pay rent and buy everything they needed from the company store. Miners were actually paid with a sort of coal currency called scrip, which one could only use within the coal camp. Those who insisted on being paid in hard currency were often expendable.

In the coal camp, we saw a 1937 paystub from a mine in the area that detailed all of the following deductions for one miner.

Pay- $74.14
Store purchases- $15
Rent- $4
Coal- $2.50
Doctor- .75
Hospital- .75
Burial Fund- .30
Smithing- .37
Old Age Pension- .74
Hauling- $1.50

And there were a host of other expenses that were illegible but at the bottom there was the grim reality of the actual take home pay of this particular miner: “Due Employee: $1.68.”

Marvin told us that boys as young as 16 were employed at the mine but fathers often brought boys as young as 8 or 9 in as unpaid apprentices and no one seemed to mind. There was no real safety monitoring in the mine, so miners bought their own canaries and carried them around in little cages.

“If their canary died, they knew they needed to go above ground to get some fresh air,” Marvin said, as droplets of water intermittently plopped down on my notebook in the mine, where it is always 58 degrees.

The fact that mining is still a dangerous occupation was driven home for us after our mine tour by a guide at the coal camp’s schoolhouse who said that local authorities in nearby Whitesville had just erected a memorial to mark the 3 year anniversary of a mine disaster there that killed 29 miners at the Upper Big Branch Mine. According to press reports, there were several safety violations at the mine and two former mine officials are behind bars in connection to the explosion with a criminal investigation still unfolding.

A man in the group asked Marvin about how much coal miners earn these days and he said that in Boone County, West Virginia, a miner could make about $400 per day.

“But they’ve laid off so many people that it’s hard to find work,” said Marvin, who was a coal miner at Mt. Coal #7 just west of Beckley for 24 years before becoming a tour guide in 2008.

West Virginia is the second biggest coal producing state in the country behind Wyoming, but with over 13,000 coal miners working below ground in the state (compared to just 128 in Wyoming) there are more underground miners in West Virginia than any other state. According to the U.S. Department of Energy, there were more than 700,000 coal miners in the U.S. in 1923 but just 88,000 by 2011.

As our man car emerged above ground, the brilliant afternoon sunlight felt like an unexpected gift. We were only below ground for 45 minutes but it was long enough to make the warmth of the sun feel glorious. Since our angry little coal miners behaved reasonably well on the tour, we bought them their replica miner’s helmets and before leaving my wife asked Marvin if he would recommend the coal mining profession for our kids.

“Not at all,” he said. “Go to college and become President or somethin’, but don’t do this.”

IF YOU GO: Tickets for the coal mine tour are $20 for adults and $12 for children ages 4-17. (Free for kids under 4) There are a variety of national chain hotels within a few miles of the mine, including a newish Courtyard Marriott, where we stayed, a Holiday Inn, a Hampton Inn, and several others. Less than a mile away from the mine, there’s a Tudor’s Biscuit World location that offers all you can eat biscuits and gravy for $3.19. That alone is a good reason to make the trip to Beckley, which is an hour south of the state capital, Charleston and about a four and a half hour drive from Washington, D.C.

[Photo credit: Dave Seminara]

The Jersey Shore Is Back, Sort Of

by Lillian Africano on

If you’ve written off the Jersey Shore as a summer getaway, please think again. Though Sandy did grievous harm to Jersey’s 127-mile coastline, most of the damage was done to the northern coast; the southern Shore was relatively unscathed.

To the north, the beaches are significantly narrower than they were before Sandy; one survey puts the number at 30 to 40 feet. But in spite of the fact an estimated 10 million cubic yards of sand were lost, most of the northern towns plan to open their beaches by May, even if repairs and reconstructions have not been completed.

Unfortunately, in good-as-new Atlantic City, where all 12 casinos reopened about a week after the storm, post-Sandy surveys showed that much of the public believed that the boardwalk had been destroyed (thank you, Al Roker). Competition from Pennsylvania’s casinos had already triggered a six-year decline in gambling revenues; consumer perception that A.C. was seriously damaged cost even more precious business.

To attract visitors, the city’s top properties are offering bargain basement prices. The drop-dead-gorgeous $2.4 billion Revel is showing rooms at $129 a night, with a $50 food and beverage credit (with restrictions); the Vegas-sleek Borgata is close behind at $119 (or less on daily deal sites), while other properties are offering nightly rates between $60 and $100. As before, the casinos are booking headliners like Beyonce, Rihanna, Jackson Browne and Sting.

Shops and restaurants are open, so is the iconic Steel Pier, with new attractions including The Mix, a thrill ride that spins like a propeller and swings riders out over the ocean.

The barrier island communities known as the Wildwoods, with their sprawling (free) beaches, 8,000 hotel rooms and 3,000 condos are open for business, along with the two-mile boardwalk and the roller coaster. A major campaign – “The Wildwoods – Think Summer & Join Us!” – targets the New York Metro area with billboards and television spots.

Sea Isle City is also advertising its beaches and other attractions on billboards in the New York area. While the undamaged towns of the southern Shore need to get their message out, they are doing it discreetly, so as not to seem crass or insensitive to their hard-hit neighbors to the north.

It will be summer-as-usual in Victorian Cape May, which was ready for visitors almost immediately after the storm. Unlike other Shore towns, which hibernate during the winter, Cape May has a year-round calendar of events, including a Dickens Christmas Extravaganza and a Valentine’s Weekend. So for that little town, the problem this year was not Sandy damage, but the cold winter weather.

In Ocean City, which did suffer significant damage, the boardwalk is intact and city officials say the beaches are ready for summer visitors.

Seaside Heights, which had been famous/notorious for the fist-pumping crowd from Jersey Shore, became the symbol of Sandy’s power when its JetStar roller coaster slid into the ocean. Removal of the coaster and work to rebuild the boardwalk are underway. Though only about half the borough’s rides will be open by Memorial Day, Snooki’s favorite Club Karma had a grand reopening on March 9, just in time for the city’s St. Patrick’s Day celebration.

In Point Pleasant Beach, Jenkinson’s boardwalk, including the aquarium and some arcades, is open. Most of the kiddie rides, which had been stored when Sandy hit, will be back. However the popular train ride, one of the arcades and a miniature golf course were lost; work continues on those.

Belmar bravely held its annual St. Patrick’s Day parade and party on March 3. Beaches will open by Memorial Day; officials expect boardwalk repairs to be completed by that date, though rebuilding of restrooms, pavilions and other structures will not. Neighboring Avon is making no predictions.

In affluent Spring Lake, aka The Irish Riviera, reconstruction of the two-mile boardwalk will be complete before Memorial Day weekend.

According to the Ocean Grove Camp Meeting Associate, the beach and some sections of the boardwalk will be ready by Memorial Day weekend. The fishing pier will not be rebuilt this year, but a temporary roof on the Great Auditorium means the annual summer concerts, featuring such acts as the Beach Boys and Tommy James and the Shondells, will go on.

In Asbury Park, the Shore town beloved by Bruce Springsteen, Mayor Ed Johnson has declared that, while full recovery has yet to happen, the beaches and boardwalk would be open this summer, with an elaborate ribbon cutting ceremony on May 18.

Long Branch’s beachfront will be open by Memorial Day; however, a one-mile section of lost boardwalk, from Melrose Terrance south to Brighton Avenue will not be repaired by this summer. All the restaurants and shops at Pier Village are open.

Little Sea Bright, which saw all its beachfront facilities and most private beach clubs destroyed, will open its beaches Memorial Day; since restrooms were also destroyed the borough will bring in temporary facilities.

Gateway National Recreation Area at Sandy Hook sustained severe damage to roads, concessions, utilities, the wastewater treatment plant and the potable water system. The goal – not written in stone – is to open the park for summer, with temporary restroom facilities.

The Keansburg Amusement Park, which the storm left under up to 6 feet of water, is open, though the Wildcat roller coaster is gone and not all rides are operational. A new looping steel roller coaster may be in place by Memorial Day weekend, and the damaged carousel should be ready to ride.

Tourism is a $38 billion industry in New Jersey, and the four coastal counties – Monmouth, Ocean, Atlantic and Cape May – account for half of the state’s annual tourism earnings, so a successful summer 2013 is critical, not only to the communities still struggling to rebuild, but to the entire state.

So if you have fond memories of walks on Jersey Shore beaches, boardwalk food and drunken evenings at oceanfront dive bars (just kidding), don’t assume you can’t enjoy the same unique-to-Jersey fun this year. As Governor Christie has said: “No one is conceding the summer of 2013 to Sandy. My commitment is to try to restore the Jersey Shore stronger than it was before but with the same character that it had before.”

Mammoth Mountain Discounts Room Rates Based On Temperature

by Kraig Becker on

As the spring weather spreads across North America, ski resorts are finding creative ways to lure visitors for some late season action on the slopes. Take for example Mammoth Mountain, which is offering discounted room rates based on the high temperature from the previous day. That means that as the mercury rises, the price of the room drops accordingly, giving guests bigger savings as a result.

Here’s how the deal works. Visitors must book a stay of at least two nights at Mammoth between the dates of April 14 and May 23. While there, they’ll receive a discount off the regular price of their accommodations that is equal to the highest temperature recorded at the Main Lodge – and posted on the Ski Patrol website – from the previous day. So, if the temperature hits 45ºF, guests at the lodge will get $45 off their price. If the following day the thermometer rises to 48ºF, they’ll get an additional $48 off the rate for a total savings of $93. All in all, a very simple way to get a cheap rate.

With nearly 300 inches of snowfall for the season, Mammoth still has a solid amount of powder on the ground. As of this writing, the resort is reporting a base depth of more than eight feet on the mountain and 5.5 feet at lower altitudes. The spring weather has been pleasant and crowds are often at a minimum this time of year, which makes it a great time to hit the slopes before the season officially comes to an end. We know that won’t happen before Memorial Day, but skiers and snowboarders will want to take advantage of every opportunity they can. After all, the off-season can be a very long one!

To book a stay click here and for a list of upcoming events at Mammoth click here.

[Photo: Mammoth Mountain]