Inside the 2011 Vail Film Festival (w/ exclusive video)

by Stephen Greenwood on


A few weeks ago, I was invited to attend the 8th annual Vail Film Festival to check out Olympus’s new initiatives in digital filmmaking and photography. As someone that loves independent films, experimenting with digital cameras, and snowboarding; the only way I would have been more anxious to pack my bags and fly to Colorado would’ve been if Lindsey Vonn had personally offered to escort me to the slopes and give me ski lessons upon arrival.

I’d never visited any Colorado ski resorts, so all of my preconceptions of the town were summoned from an exaggerated mix of pop culture references to Aspen (think Dumb & Dumber, Southpark or Family Guy). Just before touching down at Eagle Airport, I imagined that I would have to sift through hoards of stiff yuppies draped in mink furs and Burberry scarves scoffing at me for participating in the barbaric sport of the mono-ski.
But after settling into the newly remodeled Sebastian Hotel and taking a walk through the quaint cobblestone streets, I was relieved to find a proportionate balance of twenty-somethings on spring break from the nearby CSU Boulder, mild-mannered family crowds, and even a few polite young urban proffesionals sipping chardonnay and enjoying the afternoon’s aprés-ski.

Olympus came to Vail as one of the primary sponsors of the film festival and host of the 48-hour “PEN Your Short” competition. This contest gave teams of filmmakers the chance to shoot a 3 to 5 minute long video in just 48 hours with the PEN EP-L 2, a compact digital SLR camera that boasts interchangeable lenses and an array of in-camera ‘art filters’. The participants of the contest ranged from tight teams of young but experienced production buffs to a pair of local radio hosts that desperately began to search for a video editor moments after the countdown kicked off.

In theory, it was a great chance for everyone to showcase their ability; a level playing field of equipment, a list of specific shots & techniques to be incorporated in the videos, and the freedom to showcase any topic or narrative feasible within the given deadline.

Shot with the Olympus PEN and Olympus Tough TG-610

After meeting the 48-hour teams & getting familiar with the PEN, the impressive XZ-1, and Olympus’s Tough TG-610, myself and the handful of other journalists had the chance to participate in the weekend’s festivities and catch the various festival events and screenings. In its 8th year, the Vail Film Festival has yet to reach Telluride or Sundance proportions; but the stars that came to support the event and quality of the films shown lead me to believe it will eventually grow to be associated within the weight class of the bigger festivals over the next 5 years.

The films screened ranged from a charming low budget love story titled Falling Overnight, to a quirky Sideways-esque film about a female scientist that refuses to give up control in every aspect of her life, to a fascinating documentary about legendary skier Bill Johnson.

There were festival parties held across several ballrooms inside the Sebastian, with intimate musical performances by artists like Cary Brothers & Meiko. Representatives of films in the festival rubbed elbows with Vail’s socialites and a few celebrities (that had been lured to the festival by handing them awards) like Kate Bosworth, Michael Imperioli & Oscar Nunez; Lindsey Vonn even made a brief appearance, but I got the impression that my ski lessons would have to wait.

One of the biggest highlights of the weekend was chatting with Kris Krosskove, a Hollywood cinematographer and camera operator that had used the Olympus PEN to shoot several of the racing scenes in Disney’s 2010 horse-racing film Secretariat. Krosskove took advantage of the PEN’s small profile to capture angles that wouldn’t have been possible with full sized cameras, using it to shoot fast-paced action sequences that were then intercut with standard 35-mm film shots. It was both fascinating and reassuring to speak with a professional that was using the same tools that everyday consumers have access to; proof that a typically slow-to-adapt industry is in fact willing to incorporate new, inexpensive technology.

The founders of the Vail Film Festival are well on their way to establishing a legacy in Vail, and for travelers interested in independent film but reluctant to join the masses at Sundance it’s certainly a viable mountain festival alternative. The good snow, great venues throughout the town, and an overall charming and pleasant setting to mingle with the creative class and see a unique selection of films will certainly bring me back.

To check out the unique variety of finished films from the Olympus 48-hour film competition, visit the Olympus Youtube channel and see if your favorites match up with the contest winners.

Stephen traveled to the Vail Film Festival on a trip sponsored by Olympus. No editorial content was guaranteed and he was free to openly experiment with Olympus’s cameras while snowboarding, bathing in picturesque hot tubs, and rubbing elbows with A-list celebrities.

National Geographic Traveler announces 2011 Tours of a Lifetime

by Kraig Becker on

National Geographic Traveler magazine has announced its annual list of their picks for Tours of a Lifetime, selecting 50 fantastic journeys to the far flung corners of the globe. For each of the past six years, Traveler has examined thousands of tours in a variety of categories, including volunteer vacations, family friendly trips, small-ship voyages, and adventure travel. From all of those itineraries, they’ve narrow down their choices to this select group, which represent the absolute best in travel, offering amazing cultural experiences, unique activities, and a commitment to sustainability.

On their website, Traveler has broken down the selected tours into six regions of the world, including Africa, Asia, Central and South America, Europe, North America, and Oceania. By clicking on one of those options, readers are presented with the magazine’s recommendations for the very best tours operating in that area, complete with a brief description, links to the tour operator’s website, and price, which can vary wildly depending on the destination and options.

Amongst the selections for this year’s Tours of a Lifetime are Serengeti bush treks, whitewater paddling in Siberia, and a journey deep into the interior of Guyana. There is a journey along the Inca Trail on horseback and cycling tours of Italy and France, as well an expedition to the South Pole on skis. In short, there is a little something for everyone, depending on their interests and budget.

Since all of these trips are researched and vetted by National Geographic, you can rest assured that all of the tour operators are not only legitimate, but also top tier. These trips were specifically selected because they offer something that is a little out of the norm. Something unique that you can’t generally get anywhere else. I’m pretty sure, even if you think you’ve been everywhere and done everything, you’ll still find something to appeal to you on this list.

[Photo credit: Christian Heeb, laif/Redux]

Adventure cruise line prepares for inaugural season

by Chris Owen on
Getting ready for opening day is a big job for any business. No matter how experienced, knowledgeable and prepared workers may be, there are always unexpected things that come up. If your business is active, adventure cruises in the wilderness of Alaska the unexpected could mean life-threatening emergencies far from the nearest emergency room.

InnerSea Discoveries (@InnerSeaD) is preparing for its sold-out inaugural season. Sailing active, adventure cruises in Alaska the small 5-ship line looks to be perfect for “the active, outdoor person who is more experiential based” InnerSea’s Dan Blanchard told Gadling recently. On a typical “un-cruise” the line hopes to “pull the curtain back on the natural world and let people see it” says Blanchard which means actively engaging the wilderness.


As opposed to a standard Alaska cruise which pretty much floats on by the best stuff, InnerSea Discoveries passengers get up close and personal with the land of the midnight sun. That exposure promises to add a delicious element of risk, the unknown and uncertainty as each voyage will surely take on a flavor of it’s own. It also bumps up the need for emergency training.

In addition to customary training and certification, InnerSea Discoveries’ crew members are getting Wilderness First Responder training this week in Seattle from the Wilderness Medicine Training Center. While crew members will become certified, the training is far from a typical classroom setting.

To get prepared, the line’s first mates, second mates, expedition leaders and expedition guides are taking part in the hands-on training that covers everything from trauma to wilderness CPR. All good stuff to know on a small ship that does not include a full-size medical center with operating rooms, doctors, nurses and suckers for the kids.

CEO Blanchard himself is prepared too. After sailing across the Pacific for two years in a 42-foot sailboat, Blanchard realized cruising is “a lot more than a port to port experience.” Passengers on Innersea Discoveries can engage in a variety of off-ship activities, most included in the price, or stay on board and do nothing but enjoy the majestic Alaskan scenery.

I doubt many will.

Flickr photo by leakytyr8

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Sabre hates competition, alleges US Airways

by Tom Johansmeyer on

Can’t they all just get along?

Not long after American Airlines sued Orbitz, alleging anticompetitive behavior, another airline is suing link in the travel supply chain. US Airways is going after Sabre on antitrust grounds, Reuters reports. The airline believes that Sabre “shuts out competition and drives up prices.”

For US Airways, this is a pretty big deal, as it books 35 percent of its revenue through Sabre. That’s an awful lot of dependence.

Airlines, online travel agencies and global distribution systems have been battling each other since November, when American Airlines announced that it was pulling out of Orbitz. Since then, the number of skirmishes has accumulated to all-out war.

American Airlines flight attendants to protest company success

by Tom Johansmeyer on

Boston’s Logan Airport is one of 10 across the country to host flight attendant protests today. The American Airlines employees are pissed about compensation paid to the company’s executives.

Here’s the deal: flight attendants have had to stomach pay cuts, while executives have picked up a cool $100 million over the past six years. The flight attendants gave up $340 million a year in 2003.

I guess this is the difference between negotiating your own compensation and having a union do it for you.

American Airlines points out, according to the Boston Globe, that the largess doled out to the top dogs is incentive-based compensation, mostly tied to stock price. This isn’t unusual for the executive suite, as it requires the brass to generate value for shareholders in order to score big. So, the fact that the execs were able to rake in some dough means they rewarded shareholders first.

The airline also points out that its executives have only been paid 65 percent of their “intended compensation,” as the Globe puts it, over the past decade. Simply put: they have no choice but to take a pay cut when the airline fails to perform.

What’s interesting is that a flight attendant quoted in the Globe’s story wants “some accountability.” She doesn’t realize, however, that it’s already there. The comp structure is designed for it.

[Via Directorship]