Remodeled Hunterian Art Gallery In Glasgow Reopens With Rembrandt Exhibition


The Hunterian Art Gallery, part of the Hunterian Museum at the University of Glasgow, Scotland, has just reopened after a nine-month remodel that expanded its exhibition space.

Its opening show is “Rembrandt and the Passion,” which showcases one of the Hunterian’s most famous works of art, Rembrandt’s “Entombment Sketch,” alongside the final painting of the “Entombment” (shown here courtesy the University of Leipzig) and about 40 other masterpieces.

Rembrandt van Rijn (1606-1669) was one of Europe’s greatest painters and printmakers. This exhibition explains how the “Entombment Sketch” served as the model for the later painting. Rembrandt had been commissioned to create a series of paintings on the Passion of Christ for the Prince of Orange. It was one of the most important commissions of his career and helped give him a permanent standing among Europe’s major artists.

Since the sketch is in Glasgow and the final painting is usually in the Alte Pinakothek in Munich, this is a rare opportunity to see them side by side. The exhibition also examines Rembrandt’s studio, his painting process, inspiration and the techniques he used.

Besides its art gallery, the Hunterian Museum has a large collection of art and artifacts from all periods – everything from dinosaur bones to 19th century medical equipment – and a new permanent exhibition on the Antonine Wall, which was briefly the northernmost border of the Roman Empire in Scotland.

“Rembrandt and the Passion” runs from September 15 to December 2.

National Museum Of Afghanistan Struggles To Rebuild


Afghanistan
has a rich heritage. As a crossroads of trade it spawned numerous civilizations that were influenced by cultures as far away as Macedonia. There was even a thriving Buddhist culture in Afghanistan that created art inspired by Classical Greek models.

It’s also been rocked by decades of war that saw the destruction of many of its ancient sites and museums. The National Museum of Afghanistan in Kabul was especially hard hit. During the 1990s it was shelled and caught fire. When the Taliban took over, they destroyed about 2,500 of the museum’s statues for being un-Islamic. Gold and silver artifacts were stolen and melted down or sold on the international antiquities market.

Now the museum is slowly rebuilding, Art Daily reports. An international network of police forces and museums has been tracking down the museum’s stolen artifacts, as well as those illegally excavated in lawless parts of the country, and returning them to Kabul.

The museum staff surprised the world in 2003 by producing a wealth of artifacts they had hidden during the years of Taliban rule. These included thousands of pieces of gold jewelry and coins from the Bactrian era, more than 2,000 years ago. Those pieces are now on tour around the world as part of the exhibition “Afghanistan: Hidden Treasures from the National Museum, Kabul.” The exhibition just closed in Norway and is now headed to Australia.

There are still problems for Kabul’s museum. Power cuts are a regular occurrence, and the Taliban still threaten countryside. They and other Islamic extremists would love to smash a few thousand more statues. Moderate Muslims, like the staff at the museum and the locals who come to visit, see the Buddhist statues and other pre-Islamic artifacts as the heritage of their nation, not threats to their religion. One hopes that moderate Islam wins out in a country flattened by warfare, and that Kabul’s archaeology museum, once the finest in the region, can keep its doors open without fear.

Check out the photo gallery for a sample of Afghanistan’s magnificent ancient heritage.

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Kiwi Cool: New Zealand For The Un-Adventurous


I just spent a month in New Zealand and I don’t ski, snowboard, climb mountains, or bungee jump. I don’t like “extreme” anything and I’m not sure why anyone would participate in something called “zorbing.” In the midst of winter in the Southern Hemisphere, it’s too cold for beaches or swimming but too wet most days for a pleasant hike. Instead, I explored museums and galleries, sipped multi-layered wines and single-origin coffee, and discovered fashion designers and weekend markets as exciting and innovative as New York. There’s no doubt New Zealand has some of the most peaceful yet jaw-dropping nature on the globe, but is there a New Zealand for travelers who aren’t interested in adventure, extreme sports, or rural pursuits? The country may not be known for its cities, but there’s more to Kiwi culture than “Lord of the Rings” tours and “Flight of the Conchords” songs.

Stay tuned for features on finding “Kiwi cool” here, such as why Auckland is worth more than a stopover, how Wellington may be more hipster than Portland, and who is helping Christchurch get its groove back. The South Pacific nation has plenty to offer the urban explorer year round, even if you want to travel without a car (as I did), a tour guide, or special gear. You may go to New Zealand for the great outdoors, but find lots to enjoy indoors as well.

Photo from the awesome Free House pub in Nelson on the South Island.

The Steamboat Arabia Museum In Kansas City, Missouri


Back in the 19th and early 20th centuries, Missouri’s rivers were full of steamboats. The state’s eastern boundary is delineated by the Mississippi River, and the Missouri River cuts right through the center of the state. Steamboats brought people, crops, and consumer goods across long distances much quicker than they could have made it on the crude early roads.

Steamboat pilots, including a young Mark Twain, had to have precise knowledge of the rivers because there were eddies, sandbars, and sawyers (sunken logs) ready to wreck their ship. If he managed to avoid all those dangers, the boiler could still blow up.

In 1856, the side-wheel steamboat Arabia was heading west up the Missouri River. The Arabia was a beauty. It was 171 feet long, could carry 222 tons, and had a reputation for speed, comfort and safety. That didn’t save her, though, and she hit the trunk of a submerged walnut tree. The log tore through the Arabia’s hull and she sank within minutes. Despite the speed of the sinking and the fact that there was only one lifeboat, the crew managed to get all the passengers safely to shore. Within a few days the boat was entirely covered in silt and disappeared, another of the hundreds of casualties on the river.

In 1987, the Hawley family led a salvage crew in search of the Arabia and found her. The river had shifted since then and the boat now lay half a mile from the water’s edge and 45 feet under a farmer’s field. A massive operation began to lower the water level, remove countless tons of earth, and carefully clean off and examine the ship and its contents.

%Gallery-162722%The wet silt had preserved the ship remarkably. The storage rooms were nearly intact, with boxes full of merchandise intended for frontier shops. There were cleaned, cataloged, and preserved and the Steamboat Arabia Museum in Kansas City, Missouri, opened to show off the amazing find.

This museum is an amazing snapshot of history. Every possible item imaginable is there: from guns and boots to toys and a complete printing press. There are even jars of preserves. Most of the passengers’ personal belongings sank with the ship and so we have complete outfits and luggage for the hardy travelers seeking a new life in the Old West. Large sections of the boat are also on display, including the paddle wheel and anchor.

Check out the gallery for a small sample of what this incredible museum has to offer.

Another steamboat has surfaced recently. Station WLFI reports that a long drought has lowered the level of the Missouri River enough that the steamboat Montana, sunk in 1884, is now visible at Bridgeton, MO. National Geographic has an interesting article on this steamboat, the largest ever to ply the Missouri, and its ironic end. It sank after running into a railroad bridge. Railroads were what eventually killed the steamboat trade.

London’s Favorite Historic Home: The Soane Museum

London has preserved the homes of many of its famous residents, such as that of Charles Dickens and the Benjamin Franklin house. One local favorite is often overlooked by out-of-towners because its owner has been all but forgotten outside of England.

Sir John Soane (1753-1837) was the most celebrated architect of his day. He worked on numerous important commissions such as the Bank of England, Dulwich Picture Gallery, and many aristocratic mansions. Sadly, his Neo-Classical style went out of fashion and many of his buildings were demolished or radically altered in the early 20th Century.

His best-known building is the one he designed for himself. Located in central London, even from the street you can tell it’s different than most buildings of the period. It’s more open, with big arched windows, Classical-style statues, and a multilayered design quite unlike the flat, rectangular look of most buildings of its day.

It’s the inside, though, that’s really different. Rather than some stuffy old house with a few dull displays about its famous-but-now-decomposing owner, Soane’s house is jam-packed with art and antiquities. Soane was a devoted collector. In one room, the walls are covered floor to ceiling in paintings, and the walls open up like giant cabinets to reveal more paintings. Hogarth’s original paintings of “The Rake’s Progress” are here, along with many works from Soane’s good friend J.M.W. Turner.

Soane loved all things Classical, so much of the space in other rooms is filled with ancient Greek and Roman antiquities and casts. Every now and then something from another culture shows up looking oddly out of place – a steer’s skull from the American Southwest, a collection of Bronze Chinese figurines and the alabaster sarcophagus of Pharaoh Seti I.

%Gallery-162486%The interior of the house is a genius of design. Despite the small rooms and narrow corridors, it never feels cramped. Skylights illuminate everything down to the cellar, and the design is very open, allowing you to peek into other rooms, even other floors, from every room.

When Soane was appointed Professor of Architecture at the Royal Academy in 1806, he began to organize his casts, models, paintings, and books in a display so that students could come here, study, and be inspired. He arranged with friends in Parliament to pass an Act that upon his death, his house would be preserved as a free museum.

His house is still open as the Sir John Soane’s Museum. It’s still free and it looks much the same as it did when Soane died in 1837. When I was there, no electric lights were on but the sunlight coming through the skylights provided plenty of illumination. No photos are allowed (not even for visiting travel bloggers) and the house has an eerie feel to it, like its resident just left two weeks ago rather than two centuries.

The house overlooks Lincoln’s Inn Fields, a lovely green space in the heart of London. It’s a great spot to sit and have a picnic while admiring the Georgian architecture all around.