Gun-Running Ship On Display At National Museum Of Ireland

by Sean McLachlan on


A historic gun-running ship from Ireland’s struggle for independence has gone on display at Dublin’s National Museum of Ireland.

The Asgard was built in 1905 for Erskine and Molly Childers, leading Irish nationalists. In 1914, they used the vessel to run guns to the Irish Volunteers in Howth. The smugglers brought in 900 German Mausers and a stock of ammunition, some of which later saw use in the famous standoff at the Dublin General Post Office during the Easter Uprising.

Authorities learned of the shipment, but that helped turn it into a propaganda coup. The Asgard had slipped through a British fleet to make it to shore and Irish nationalists managed to spirit the guns away. The soldiers stationed nearby only managed to grab three guns, and had to return them because they had seized them illegally!

Tragically, when marching back to their barracks, the soldiers met an unarmed crowd that jeered them. One of the soldiers fired, and this led to more shots. Four civilians were killed, including one by bayonet wounds. The Asgard’s victory and bloody aftermath added more fuel to the fire of Irish nationalism.

Erskine Childers was a keen sailor all his life and wrote the classic spy novel “Riddle of the Sands,” in which two yachtsmen discover a sinister German plot in the Baltic Sea. Well worth reading!

USS Edson To Become Part Of Future Ship Museum

by Sean McLachlan on

Earlier this week, the destroyer USS Edson sailed into the harbor of Bay City, Michigan, to the cheers of an expectant crowd. As Art Daily reports, it will become part of the Saginaw Valley Naval Ship Museum.

This museum’s primary purpose will be to showcase the USS Edson, which saw duty from 1958 to 1988. She saw action in the Vietnam War and was shelled by Vietcong land forces.

The USS Edson has been a museum before. From 1989 to 2004, she was part of the Intrepid Sea-Air-Space Museum in New York City. Although she’s been fitted out as a museum and is seaworthy, there’s still much to be done to make her ready for a new set of visitors. The museum is raising funds to get this work done and open this historic ship to the public. There’s no set opening date at this time. Stay tuned.

[Photo courtesy John McCullough]

Photo Of The Day: Istanbul Balcony

by Meg Nesterov on


I’m getting ready to pack up and leave Istanbul tomorrow, after over two years and one baby, so you’ll have to indulge me in a bit of preemptive nostalgia. Amidst the photos of Hagia Sophia and kebab vendors in the Gadling photo pool of Istanbul images, I was surprised to see this photo by Flickr user BrettDresseur, of a view almost identical to my own a few doors down on Vali Konagi Avenue. Taken in Istanbul’s Nişantaşı neighborhood, she captured the beautiful architecture and European feel of the area. Similar to Manhattan‘s Upper East Side, Nişantaşı is where to find Turkey‘s priciest retail stores (more Chanel suit than carpet seller), Turkish and foreign ladies who lunch, and the childhood home of Turkish Nobel Laureate Orhan Pamuk. Visitors to Istanbul can now visit the innovative Museum of Innocence, based on his novel of the same name. The museum is near Taksim square in Çukurcuma, but the setting is pure Nişantaşı. I’ll miss this view and the feeling of living inside one of his novels; goodbye for now, Istanbul!

Add your favorite neighborhood shots to the Gadling Flickr pool for another Photo of the Day.

Alighiero Boetti At NYC’s MoMA: Art Inspired By Travel And Geography

by Melanie Renzulli on




Have a look at the map above. In this globalized world, where countries are essentially brands, this map, which uses each country’s respective flag design to delineate its borders, probably doesn’t seem so unusual, save for that large red swath in Asia marked with a hammer and sickle. Created between 1971 and 1972, this “Mappa” is one of the signature works of art created by Alighiero Boetti, the Italian artist whose paintings, kilims, sculptures and mixed media pieces form an exciting exhibition at New York City‘s Museum of Modern Art (MoMA).

“Alighiero Boetti: Game Plan,” which runs at the MoMA through October 1, 2012, is the first major exhibition in the United States of the works of Turin-born Boetti, who made art from the early 1960s until his death in 1994. Associated with the Arte Povera (Poor Art) movement in Italy, Boetti found a lot of his inspiration by exploring travel, maps, geography, stamps and postcards.

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[Photo above courtesy MoMA]In the 1970s, Boetti traveled extensively, particularly to Afghanistan, where he collaborated with local craftswomen to create embroidered tapestries such as the “Mappa,” above. Without a doubt, Boetti’s Mappa series is his most famous, and these iconic, large-scale kilims are displayed in MoMA’s expansive, second floor space along with other tapestries that play with time, numbers, patterns and colors. Another innovative work on display here is “Tapestry of the Thousand Longest Rivers of the World,” which lists the world’s 1,000 longest rivers from largest to smallest. There is poetry in seeing the names of these rivers side-by-side and in a medium beyond the computer screen.

Boetti’s abstract look at geography inspired other works on display on MoMA’s sixth floor, which is where the majority of “Game Plan” is located. One outstanding series is “Territori Occupati (Occupied Territories),” works from the late 1960s in which Boetti collaborates with his wife Annemarie Sauzeau to create outlines of conflict zones and occupied lands ripped from newspaper headlines. Boetti and Sauzeau outlined conflict maps from daily editions of La Stampa newspaper. Then, they embroidered the zones’ shapes along with the newspaper dates, on cloth, creating “stateless” representations of conflict areas, such as the Basque region of Spain, Northern Ireland, and the West Bank, Gaza, and Sinai.

Perhaps the most whimsical of Boetti’s experiments with travel- and geography-related themes is his “Viaggi Postale,” a project that had the artist send 25 friends and colleagues in the art world on personalized travel itineraries through the mail. According to MoMA:

Because the addressee did not live at the destination or because, in some cases, the address was fabricated, most of the envelopes were returned to Boetti on each leg of their journeys. He photocopied the front and back of the returned envelopes as a record, then put each one inside a larger envelope and sent it off to the next destination; once more, many were returned, to be photocopied and sent out again until the itineraries were complete.

Imaginary journeys, maps and approximately 100 other works constituting “Alighiero Boetti: Game Plan” will be on display at MoMA through October 1. Admission is $25 but Fridays from 4-8 p.m. are free.

Canon City, Colorado: Prisons and Paddling

by Laurel Miller on

You know how when you’re driving out in the middle of nowhere, and you see those signs warning you not to pick up hitchhikers because you’re passing a correctional facility?

Because, you know, it totally makes sense to locate prisons in isolated areas. Because, for most towns, being home to a prison isn’t usually a tourism selling point – especially if they’re already touted as a tourist destination for other reasons, like outdoor recreation.

That’s why Cañon City (inexplicably pronounced “Can-yun, despite the nya over the “n”) was such a surprise when I was there last week … researching a story on one of its correctional facilities (there are nine state and four federal). It’s a little-known fact that when I’m not writing for Gadling, I’m doing things like visiting inmates and writing magazine features on agricultural and animal-assisted correctional industries programs.

Located 45 miles southwest of Colorado Springs (which as I type, is on fire…PLEASE DON’T MAKE OPEN FIRES OR TOSS YOUR CIGARETTE BUTTS IF YOU’RE VISITING COLORADO RIGHT NOW, I BEG OF YOU), Cañon City is one of the state’s historic “Gold Belt” towns, which connects Cripple Creek and Victor Mining District, site of the world’s largest gold rush. It’s an isolated, high-desert region of ochre-colored rock, scrub and pines, at once beautiful and forbidding.

So there I was at the East Cañon City Correctional Complex in 105-degree heat, touring its goat and water buffalo dairies for a magazine feature. I’m a big supporter of these programs, but I also find the psychological aspects of criminology fascinating, as I’ve alluded to in previous posts. If mayhem, murder and madness are involved, I’m interested. But I also knew that the region is famed for the Royal Gorge (the “Grand Canyon of the Arkansas River“), which is home to the world’s second highest suspension bridge at 1,053 feet above water level, a scenic railroad and some of the nation’s most epic whitewater.

I’d planned to run the Class IV/V Royal gorge on day two of my visit, but the lack of snowpack has resulted in a less-than-stellar whitewater season, so, with time to kill (that is not a prison pun), I wandered historic downtown Cañon city, and discovered the Museum of Colorado Prisons.

%Gallery-159440%One of the many things I love about Colorado is that it’s not ashamed of its rowdy past. Cañon City is the epicenter of that heritage, as it’s the location of the Colorado Territorial Correctional Center, established in 1871. The Prison Museum, which is housed next door in the former Women’s Correctional Facility, celebrated its Silver Anniversary last week, so what better way to celebrate that fact than by sharing the wonders within with you?

The first thing I noticed upon entering the museum grounds was the gas chamber housed beside the parking lot. I took a lot of photos because it’s soothing, pale mint color is just the shade I’ve been longing to paint my office.

Once in the museum proper, I met Mary LaPerriere, the cheerful curator and a DOC (Department of Corrections) employee for over 20 years. She obligingly took me on a tour (audio tours are available for the general public) and answered my many questions before leaving me to explore on my own. I was touched when she brought me a biography on Alfred Packer, the notorious Colorado cannibal who served time in the penitentiary next door, after I mentioned my interest in him.

Among the displays and artifacts housed in the prison, you’ll find weapons made from all manner of everyday objects (toothbrush shiv, anyone?); photos depicting prison life; clippings and information about famous inmates such as Edna Vanausdoll, falsely accused of murdering her husband in the early 1960s; exhibits dedicated to the region’s K-9 programs; and beautiful saddles and other leatherwork crafted by inmates in correctional industry programs (Explained Mary, “The cowboy, the horse, and the dog have been part of the history of Colorado’s state penitentiary system from 1871 to the present.”). Other oddities, to quote the museum website, include:

  • The hangman’s noose used for the last execution by hanging in Colorado
  • Displays of disciplinary paraphernalia used from 1871 to the present
  • Federal Bureau of Prisons display
  • Inmate Arts and Crafts
  • Gift Shop
  • And much more!

What is not to love? I should add that Mary’s office is also a former cell used to house inmate trustees employed in the kitchen, and still retains the original barred door.

So the next time you find yourself with time on your hands in Colorado (as long as you’re not serving time, yuk yuk), pay a visit to Cañon City. Even if the weather or water levels aren’t cooperating, there’s plenty to see. Visitors should note that there’s a $25 fee to cross the Royal Gorge Bridge. Click here for information and tickets.

Museum of Colorado Prisons, open May 15-Labor day, 8:30 a.m.-6 p.m. daily; Labor Day-mid-October 10 a.m.- 5 p.m. daily; Mid-October-May 14 10 a.m.- p.m., Weds-Sun.

[Photo credits: Laurel Miller]