The Acropolis: Greece’s most famous monument weathers the crisis


Visiting Greece and not visiting the Acropolis is unthinkable. Set atop a high rock overlooking Athens, the temples here were built primarily to honor the city’s patron goddess Athena in all her attributes. The buildings here are some of the best examples of Greek architecture and have had a profound effect on the architecture of all the Western world. While I have a preference for medieval sites like Acrocorinth, and I’ve visited the Acropolis before, I couldn’t help but go back.

The last time I was there was 1994, and a lot has changed. There has been a great deal of restoration and the world-class Acropolis Museum has opened up.

Here’s one attraction that the Greek government needs to preserve as it passes through its worst economic crisis since World War Two. People still flock here and it’s a major reason why Greece is an important tourist destination. Tourism accounts for 18 percent of the Greek GDP and tourist numbers went up last year. Several sources told me there were two reasons for this: budget-conscious Europeans are traveling closer to home and people are staying away from North African favorites like Tunisia and Egypt.

Even though sites like the Acropolis generate billions of euros a year in revenue, the Ministry of Culture survives on just 0.7 percent of the national budget, and that budget is shrinking faster than the supply of Greek olives I brought back from this trip. In the past year the ministry has seen its budget slashed by almost a third, with warnings of more cuts to come. Museums are already feeling the pinch and now ministers, archaeologists, and site directors are scrambling to find ways to maintain their their heritage. There are even plans to lease the Acropolis for film backdrops and photo shoots to help raise funds.

%Gallery-146241%This last bit is actually nothing new. Archaeological sites have always been available for rent, but costs were enormous and most projects were rejected out of hand. Now the Acropolis will go for the bargain-basement price of $1,300 a day for a photography session and about $2,000 a day for filming.

Despite Greece’s financial woes, restoration and conservation are continuing. Funds are still coming through from the government and from the European Union. The most visible is the restoration of the pronaos (front inner porch) of the Parthenon shown here in this image by flickr user dorena-wm, who obviously had better luck with the weather than I did. This image was taken last year and now there is considerably more scaffolding obscuring the front. The photo I took last Sunday is in the gallery.

At the Erechtheion, where Poseidon and Athena competed for possession of Athens, the interior of the famous south porch with its caryatid columns is screened off as the ceiling is cleaned with an innovative laser system developed specifically for this project. In ancient times it was believed that Poseidon, the sea god, struck at the ground here with his trident and a salty spring gushed forth. Athena created an olive tree, the first in the world. The Athenians judged that the olive tree was more useful and so dedicated their city to her. The city continued to honor the sea god, though, and the Erechtheion is devoted to his local aspect Erechtheus. Athens owed her power to her great navy, and so it was smart to honor the god who rules the waves, even if he did come in second place in the competition for the city.

No reconstruction was going on when I went, though. I took advantage of Sundays being free to revisit the Acropolis. It was low season and bitterly cold and overcast, but there were still large crowds exploring the ruins. One family from Crete entered at the same time I did and took the same route through the monuments. The father gave a long lecture about the place to his young son and daughter. It was heartening to see how much they enjoyed it. They asked questions, told him some things they’d learned in school, and were obviously having a good time. They took dozens of pictures and I offered to take one of them all together. That got us talking. The father’s English was limited, but his national pride was obvious even through the language barrier. As we talked, his kids went off to take more pictures.

The Acropolis Museum was opened in 2009 to much fanfare and became an instant success. Between between June 2010 and May 2011 more than one million and three hundred thousand Greek and foreign visitors passed through its doors. The museum explains the importance of the site from earliest times through the Classical era and beyond. It’s probably best to see this museum before you see the Acropolis as it will give you a much deeper understanding of that most historic of attractions.

To combat museum fatigue, take a break at the restaurant or café. Prices are remarkably reasonable and floor-to-ceiling windows give a splendid view of the Acropolis and two of its buildings-the Parthenon and the Sanctuary of Athena Nike.

The museum is not free on Sundays but that didn’t stop the crowds coming out in full force. The restaurant, café, and gift shop were all doing a brisk business. Most popular was the third floor, where a reconstruction of the Parthenon sculptures can be seen. As the labels make clear, most of these are plaster casts because between 1801 and 1805 Lord Elgin, the British ambassador to the Ottoman Empire that then ruled Greece, got permission to remove about half of them. As you can see from the display at the Acropolis Museum, he took the best ones. Now they are in the British Museum in London, while several other sculptures were taken by other antiquarians and ended up in other museums.

The Greeks want their sculptures back. The British Museum says they took them with permission of the government that was then in power. Here is the official Greek position and here is the British Museum’s position.

The economic crisis has added a new dimension to the struggle to return the sculptures. While the plaster casts in the Acropolis Museum are very well done, seeing the real thing is always better. Getting them back would be a major coup for a country that has only had bad news for far too long, and it would help bring in much-needed tourism revenue. But with both sides dug in, it looks like the Greeks won’t be getting good news like that anytime soon.

Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: The Athens War Museum

Greek economic crisis hurts conservation workers

When Greek Minister of Culture and Tourism Pavlos Geroulanos visited the Acropolis in Athens last week, he was met by a hundred booing employees.

The heritage workers are contracted professionals who are protesting late wages and planned firings. Some haven’t been paid in 16 months and many worry their contracts won’t be renewed next year.

Greece is undergoing a serious financial crisis and struggles under a huge national debt. It recently received a 110 billion euro ($136 billion) bailout from other European Union countries and the International Monetary Fund. The first installment came just in time to keep Greece from defaulting on its latest debt repayment.

Mr. Geroulanos promised action on the overdue pay.

The workers are some of the many government workers who don’t have a full-time job, but rather work on a contract basis. It is unclear how many will be fired because of the crisis, but the long restoration project at the Acropolis will continue, a third of it with EU funding.

Questions are also arising over archaeological and restoration projects all over the country. Sixteen percent of Greece’s GDP comes from tourism, yet serious cuts will have to be made in government spending to stabilize the economy. Greek’s current national debt is 115% of its GDP.

Image courtesy Thermos via Wikimedia Commons.

Historical Building to be Demolished for View of the Acropolis

Against opposition from architects and cultural conservationists, George Voulgarakis has cleared the way for the razing of a once-protected art deco building in Athens, Greece, because the building stands in the way of a direct view of the Acropolis from the new landmark Acropolis Museum. Voulgarakis also added that demolition of the building “would allow the plot to be excavated ‘to reveal antiquities whose existence is considered highly likely.'”

The Culture Minister revoked state protection of Areopagitou 17 and 19 when the rest of the nation was focused on forest fires in the southern part of the country.

The building, standing just 300 meters from the Acropolis, was designed by Greek architect Vassilis Kouremenos, a Paris-trained friend of Pablo Picasso. Ironically, the structure was originally protected by the driving force behind the new museum, the late actress and former Culture Minister Melina Mercouri.

Two adjacent buildings on Dionyssiou Areopagitou Street will not be automatically demolished, as they are both still protected by the Ministry of Public Works. But Voulgarakis’ decision is expected to ease the way for that listing to be revoked too.

Read the whole article here.

Thanks to Mel Kots and John Kots on Flickr for the photo of the “almost ready” Acropolis Museum.